Department of Music (Vocal & Instrumental) Academic Faculty of Performing Arts Year2018-19 The Maharaja Sayajirao University of Baroda
Bachelor of Performing Arts : Music (Vocal / Sitar / Violin) Graduate Programme Year 1 Core Elective-1 : Intensive Practical Study of Ragas Credit 6 Semester 1 Vocal I / Sitar I / Violin I Hours 150 (Practical-3 credit & Theory-3 credit=6 credit) To introduce Theoretical aspects of Ragas and bandishes. OBJECTIVES Provide knowledge of introductory solo playing & Singing. Provide knowledge of Padhant and basic concepts of Riyaz. Unit-1 Detailed study of the following Raga 30 hours Detailed study of the following Rags with Alap, Swara – vistar Sargam, Tana, One Bada Khyal or Maseetkhani Gat, One Chhota Khyal or Razakhani Gat. Yaman Theoretical aspects of Thata., Theoretical aspects in solo Singsngplaying. The oretical aspects of Padhant. ,Theoretical aspects of different Bandishes / Gatas. Theoretical aspects of playing & singing style of different Gharana. Theoretical Techniques of Riyaz. Unit-2 Intensive study of the following Raga 40 hours Intensive study of the following Rags with Alap, Swara – vistar Sargam, Tana, One Bada Khyal or Maseetkhani Gat, One Chhota Khyal or Razakhani Gat. Bhairav Elementary knowledge of solo performance. Vilambeet laya bandishes: Different Tanas with Tihai. b)Two advance Bandish / Gatas with palatas ended with tihai. Madhya laya bandishes / Gatas Unit-3 Detailed and intensive study of the following raga:- One Thumari / 40 hours Bandish or Razakhani Gat in Raag KHAMAJ Basic knowledge of Taals(Tevra & Sooltaal) Introduction of bandishes of above taals. Unit-4 Detailed and intensive study of the following raga :- One Dhrupad only 40 hours Bandish or one Composition set to the Taal other then Teentaal or Razakhani gat from prescribed ragas of paper. Elementary study of padhant of Roopak,Dadra,Teentaal in Single,Double, Tigun & Chaugun. Padhant of Bandishes.a)Vilambeet lay b)Madhya lay c)Drut lay Assessment: 1.Continuous Assessment :30% One class test(Theory) One written Assessment(Minor) 2.Written Examination :70% REFERENCES 1) Pt. Harishchandra Shrivastav: Raga Parichaya Part I to IV 2) Pt. V. N. Bhatkhande: Bhatkhande Sangit Shashtra Part I to IV 3) Pt. V. N. Bhatkhande: Kramik Pustak Malika Part I to IV 4) Vasant: Sangeet Visharad 5) Laxminarayan Garg: Rag Visharad (Vol. 1 & 2) 6)