DOCSLIB.ORG

Contact: a Journal for Contemporary Music (1971-1988) Citation

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Contact: a Journal for Contemporary Music (1971-1988) Citation Contact: A Journal for Contemporary Music (1971-1988) http://contactjournal.gold.ac.uk Citation Hall, Robert. 1974. ‘Discography of Contemporary Japanese Music’. Contact, 8. pp. 15-19. ISSN 0308-5066. ! discography of contemporary • • Japanese mus1c ,: ·! . .. .. The list of recordings of medern Japanese music below is partly as an appendix to Robert Hall's article on conternporary music in Japan in CONTACT 7. ·· It' was originalfy 'prepared by the author j,n 1972 for the ICES Festival (International Carnival of Experimental Sound) in London and actually forms only a very small part of a whole discography of avant -'garde music throughout the world. (It is intended to publish ''further, updated extracts from this in future · issues of CONTACT.) · Very few of these records are easily obtainable in this country:'the three records (all of music by Toru Tukemitsu). in the GRAMOPHONE CATALOGUE (December 1973: . the latest fssue available at the time of going to press) are marked with an asterisk. Sources consulted the preparation of the list are as follm,,s: · JAPAN PHONOGRAPH RECORD 8-9-2 Chome Tsukiji, Tokyo 3 Jap.an . 7 '; . i ONGAKU NO TOMO SHA CORPORATION 'Kagurazaka 6-30, Shinju-ku, Tokyo, Japan: TOYAMA MUSIC LIBRARY 4-19-6 Minatoku, Tokyo, Japan GRAMOPHONE CLASSICAL RECORD CATALOGlJE SCHWANN RECORD PETERS EDITION 119-125 Wardour Streetj Londont tnv 4DN This list does not claim to be complete or up to date.. Further information and/or .corrections wouid be much welcomed and should be sent to the editor at the address on page 1 of this issue. 16 COMPANY NUMBER COMPOSER TITLE FORCES CBS/SONY SONC-16019 Kazuo Fukushima Mei Flute(s) " " Shun-San " Yoritsune Soma-Ksah " Matsudaira Yori-aki Rhymes for Severrirt " Matsudaira Gazzelloni If Joji Yuasa Interpenetration " Toru Takemitsu Masque " Co1ul!lbia NCC-8004N Henwe 11 Tercui t Variations from 'Odoru Katachi' Stomu Yamash' ta Hi to 11 NCC-8015N (Leo Brouwer) (Exaedros) Stomu Yamash'ta Nenbutsu " Uzu " OS-10055J Toshiro Mayuzumi Pieces for Prepared Piano and Strings Yuj i Takahashi Rosace No. 2 Piano Joji Yuasa Projection Esemplastic Pianos Sin-Ichi Spectra No. 1 Piano Matsushita Toshi Ichiyanagi Music for Piano 11 OS-10123-N Yuji Takahashi Orphika Orchestra Maki Ishii Kyoso 11 11 OS-10124 Teruyuki Noda Choral Symphony Hirayoshi Symphonic Variations Orchestra Crown SHS-1-2 Ke:ijiro Satoh Calligraphy Piano Toru Takernitsu Corona ! 1 Hakoto Shinohara " Yoshiro Irino Music for 2 Pianos Haruna Miyake Piano Sonata No. 3 Sin-Ichi Spectre Piano Matsushita Maki Ishii KlavierstUck Piano and page-turner Kazuo Fukushirna A Ring of the Wind Piano Yuj i Takaha.shi Metathesis " Motohiko Adachi Monodia H Ten Kora Rezitativ Teruyuki Noda Trois " 17 ' ' Decca Head 4 Toru,. Takemitsu Corona(London Version) Keyboards (Headline) " For AlU!Y Piano 11 l! Piano Distance 11 11 " Undisturbed Rest (Available from March 29 1974.) EMI-J\ngel Maki Ishii Sogii No. 2 Gagaku and Orchestra .' Toru Takemitsu Cassioneiar. ·:•;; Percussion and Orch. King SLC(J)358 Stomu Yamash'ta Red Buddha 11 " As Expanding As L'Oiseau DSL0-1* Takemitsu Seasons Percussion Lyre (Fete r M:a:xWell (Turris Campanarum ll Davies) Sonantium) (Hans '-lerner (Prison Song) " I-fenze) Husicolour YTlOOl-2 Toshi Ichiyanagi For Yadanori Yokoo Opera Philips SFX-7R63 Hasaaki Hayakawa Requiem 'Santi' Shakuhachi, Makoto Moroi Chi-Kurai Gosho Keto- Hozan Yarnam6t;:o Space Unknown Ensemble Phonogram 6500-086* Toru Take!!litsu November Steps Orchestra Group (Olivier (Et expecto resurrec- - " tionem mortuorum) Polydor MG-2139 Takemitsu Stanza No. 1 Electronics t! " Sacrifice and I! I! Ring Instruments " "' Valeria Private Joji Yuasa Projections for Kotos Label and Orchestra RCA SB-6814* Tcru Takel1"itsu Astcrism Piano and Orchestra 11 11 ·' . , .,- ... Dorian Horizon Orchestra 11 g · Green for Orchestra 'i } . ." . (November · Steps 11) 11 " Requiem for String Orchestra :: . 18 RCA Victor JRZ-2501 Toru Takemi tsu Crossing Voices and , Orchestra Yuj i Takahashi. Egen Hoodwinds and Object Instruments (Iannis Xenakis) (Hibiki . (Electronics and Orch.) ·,. 11 " SJV-1501 Toru Takeoitsu Arc Piano and Orchestra Yuji Takahashi Chromamorphe II Piano Toshi Ichiyanagi Life Music Modulators, Tape & Orch. Joji Yuasa. Interpenetration 2 Flutes If fl SJV-1503/6 Toru Takemitsu Arc Piano and Orchestra If " Pause Uninterrupted Piano 11 il Piapo Dist:ance ii 11 I! Eclipse. Biwa and Shakuhachi 11 J.Ja.t.er Music Electronics " " Vocalism Ai 11 " ,; .Kwaidan " 11 Son-Calligraphie No. 1 Piano " Son-Calligraphie No. 3 11 11 Requiem Strings " 11 .The Do:dan Horizon Strings " " SJV-1509. Toru .Takemitsu Eclipse Biwa and M. Matsumoto Poetry of Tree and Stone Shakuhachi l-!ichio Hamiya M'!,lsic 4 Kotos ',; ' " " SJV-1513 Motohiko Adachi Concerto Grosso Strings (GyHrgy Ligeti) (Atmospheres) (Orchestra) ( l ?nni s Xenaki s) (Strategie) (2 Orchs.) (John Cage) (Honde-rful l\'idow of 18 (Voice and Springs) Piano) · (Roger Reynolds) (Ambage) (Flute) " " SJX-1003 Toshiro Mayuzurni Variations sur 7 Electronics and Makoto ·Moroi Toru Takemitsu Sky, Horse and Death " Joji Yuasa Projection Esemplastic Noise .. .Toshi ro Mayuzumi Campanology Multi-Piano Toshi J:chiyanagi Situation Multiplier and Instr. Ensemble Maki Ishii Hamon Ripples Electronics and Instr. Ensemble 19 RCA Victor SJX-1026 Teizo Matsumurn As paras Orchestra & chorus " " Poem Koto and Shakuhachi 11 Space for the Past Orchestra & Voices Toshiba TA-7002 Akira Miyoshi Ondine Narrator, chorus, Orch. & Electronics " TA-8040 Isao Tomita Global Vision Rock Band and Orch. Columbia OS-10121 Maki Ishii Music for Piano and Shakuhachi Joji Yuasa Projection Esemplastic Piano Shuko Mizuno Tameno Piano ROBERT HALL .
Load more

Recommended publications
  • Toru Takemitsu” Held in Tokyo (August)
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 T#ru Takemitsu: The Roots of His Creation Haruyo Sakamoto Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLOR IDA STATE UN IV ERSITY SCHOOL OF MUSIC TRU TAKEMITSU: THE ROOTS OF HIS CREATION By HARUYO SAKAMOTO A Treatise submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2003 The members of the Committee approve the treatise of Haruyo Sakamoto defended on December 10, 2002. __________________________________ Leonard Mastrogiacomo Professor Directing Treatise __________________________________ Victoria McArthur Outside Committee Member __________________________________ Carolyn Bridger Committee Member __________________________________ James Streem Committee Member Approved: _______________________________________________________________________ Seth Beckman, Assistant Dean, School of Music The Office of Graduate Studies has verified and approved the above-named committee members. In memory of my mother whose love and support made it possible for me to complete my studies With all my love and appreciation iii ACKNOWLEDGEMENTS I wish to express my deepest appreciation to Professor Leonard Mastrogiacomo for his encouragement, support, and insightful advice for the completion of this treatise. I would also like to thank the members of my committee, Dr. Carolyn Bridger, Dr. Victoria McArthur, and Professor James Streem for their generous help, cooperation, and guidance. Dr. and Mrs. Stephen Van Camerik have been kind enough to offer assistance as editors. Lastly, but not least, I extend my heartfelt gratitude to my family and friends, who stood by me with love and understanding.
    [Show full text]
  • TAKEMITSU TôRu, Une Prã©Sentation
    1 Carnets sur sol TAKEMITSU Tôru, une présentation - V - Catalogue alphabétique Pour s'y retrouver. Catalogue alphabétique Intégralement emprunté au Japanese Music Centre. 10th Step (Variation) from November Steps,1967 12 Songs for Guitar,1977 A Bird came down the Walk,1994 A Flock Descends into the Pentagonal Garden,1977 A Minneapolis Garden,1986 A Song of Circles and Triangles,1960 A String Around Autumn,1989 A Way a Lone,1981 A Way a Lone II,1981 Air,1995 All in Twilight,1987 All that the Man Left Behind When He Died,1960 And then I knew 'twas Wind,1992 Arc for Strings,1963 2 Arc part I,1963 Arc part II,1964 Archipelago S.,1993 Asterism,1967 Autumn,1973 Autumn (Excerpt),1973 Bad Boy,1961 Between Tides,1993 Bryce,1976 Cassiopeia,1971 Ceremonial,1992 Cherry Blossoms (arr.),0 Coral Island,1962 Corona II,1962 Corona for pianist,1962 Cross Talk,1968 Crossing,1970 Day Signal (Signals from Heaven I),1987 Distance,1972 Distance de Fee,1951 Dream/Window,1985 Dreamtime,1981 Eclipse,1966 Entre-temps,1986 Equinox,1993 3 Eucalips I,1970 Eucalips II,1970 FOR AWAY,1973 Family Tree - Musical Verses for Young People,1992 Fantasma/Cantos,1991 Fantasma/Cantos II,1994 Far Calls. Coming, far!,1980 Folios,1974 For Away,1973 From far beyond Chrysanthemums & November fog,1983 From me flows what you call Time,1990 Garden Rain,1974 Gemeaux,1986 Gitmalya,1974 Grass,1982 Green,1967 Handmade Proverbs,1987 Herbstlied,1993 Hika,1966 How slow the Wind,1991 I Hear the Water Dreaming,1987 I just Sing,0 In a Small Room,0 In an Autumn Garden for Gagaku,1973 In an Autumn Garden, complete version,1979 4 In the Woods,1995 Itinerant,1989 Ki no Kyoku,1961 Kwaidan,1964 LES YEUS CLOSE II,1999 LES YEUX CLOS,1979 LITANY FOR PIANO,1950 Landscape,1960 Le Son-Calligraphie No.
    [Show full text]
  • University of Oklahoma Graduate College Three Diverse Works for Trumpet by Japanese Composers
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THREE DIVERSE WORKS FOR TRUMPET BY JAPANESE COMPOSERS: A STUDY OF THE LIVES AND WORKS OF TORU TAKEMITSU, MARCEL KENTSUBITSCH, AND HISATO OZAWA A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By KANA TOMIZONO Norman, Oklahoma 2015 THREE DIVERSE WORKS FOR TRUMPET BY JAPANESE COMPOSERS: A STUDY OF THE LIVES AND WORKS OF TORU TAKEMITSU, MARCEL KENTSUBITSCH, AND HISATO OZAWA A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY ______________________________ Dr. Karl Sievers, Chair ______________________________ Dr. Irvin Wagner, Co-Chair ______________________________ Dr. Michael Lee ______________________________ Dr. Frank Riddick ______________________________ Dr. Kurt Gramoll © Copyright by KANA TOMIZONO 2015 All Rights Reserved. Acknowledgements First of all, I would like to thank Dr. Karl Sievers for all his support during my studies at the University of Oklahoma. I would also like to thank the other members of my committee: Dr. Michael Lee and Dr. Frank Riddick for all their help with profound expertise, Dr. Irvin Wagner for his support and many opportunities of performance, and Dr. Kurt Gramoll for his constructive advice from the viewpoint of outside committee member. Last but not least, I really appreciate the generous help from Dr. Mikiko Ikushima and the members of Osawa Project at Kobe College for the research on Hisato Ozawa and his Trumpet Concerto. iv Table of Contents Acknowledgements iv List of Examples vii List
    [Show full text]
  • A Performance and Analytical Guide to the Solo Flute Works
    VOICE, ITINERANT, AND AIR: A PERFORMANCE AND ANALYTICAL GUIDE TO THE SOLO FLUTE WORKS OF TORU TAKEMITSU A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIMENTS FOR THE DEGREE DOCTOR OF ARTS BY ELIZABETH A. ROBINSON DISSERTATION ADVISORS: DR. MIHOKO WATANABE AND DR. LINDA POHLY BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2011 i Table of Contents Voice, Itinerant, and Air: A Performance and Analytical Guide to the Solo Flute Works of Toru Takemitsu Page Acknowledgements………………………………………………………………………..ii List of Figures…………………………………………………………………………….iii Chapter 1: Introduction……………………………………………………………............1 Background and Purpose………………………………………………………….2 Definitions………………………………………………………………..……….7 Review of Literature…………………………………………………………......11 Goals…………………………………………………………………………......16 Methodology and Organization……………………………………………...…..17 Chapter 2: Biography, Inspirations, and Influences………….…………………………..20 Influences…………………………………………….……………………..........24 East and West…………….…………………………………………………...….25 Conclusion..………………………………………………………………...……30 Chapter 3: Takemitsu’s Music and Musical Traits…………………….………...………32 Common Traits in Takemitsu’s Music………………………………...………...44 Nature in Music: Ma…………………………………………….……...………..47 Conclusion.…………………………………………………...….………………50 Chapter 4: The Solo Flute Works………………………………………….…..………...52 Voice……………………………………………………………….………….....52 Shakuhachi vs. Noh Flutes…………………………………..………..….53 Form in Voice.............................................................................................57
    [Show full text]
  • Olivier Messiaen's Influence in the Violoncello Works of Toru Takemitsu
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2015 Olivier Messiaen's Influence in the Violoncello Works of Toru Takemitsu Susannah Violet Montandon Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Montandon, Susannah Violet, "Olivier Messiaen's Influence in the Violoncello Works of Toru Takemitsu" (2015). LSU Doctoral Dissertations. 1009. https://digitalcommons.lsu.edu/gradschool_dissertations/1009 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OLIVIER MESSIAEN'S INFLUENCE IN THE VIOLONCELLO WORKS OF T!RU TAKEMITSU A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Susannah Violet Montandon B.M, University of Evansville, 2005 M.M., Louisiana State University, 2009 May 2015 ACKNOWLEDGEMENTS Firstly, I would like to thank Dennis Parker. His unfailing perseverance in my education and growth as a cellist is invaluable. His constant encouragement to pursue my interests and fascinations opened avenues of knowledge and research, for which I will be forever grateful. I would also like to thank the members of my committee: Dr. Brett Boutwell, Dr. Lin He, and Dr. Ortman, for their excellent advice and guidance through my dissertation.
    [Show full text]