CV 2021.Pages
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Edinburgh Galleries Artist Training Programme
Copyright © Art, Design & Museology Department, 2005 Published by: Art, Design & Museology Department School of Arts & Humanities Institute of Education University of London 20 Bedford Way London WC1H 0AL UK All rights reserved. Except for the quotation of short passages for the purposes of criticism or review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN: 0-9546113-1-4 This project was generously supported by: The National Lottery, The City of Edinburgh Council and National Galleries of Scotland 1 The Edinburgh Galleries Artist Training Programme in collaboration with the Art, Design & Museology department, School of Arts & Humanities, Institute of Education, University of London A pilot programme supported by The National Lottery, The City of Edinburgh Council and National Galleries of Scotland Course Directors: Lesley Burgess, Institute of Education, University of London (IoE) Maureen Finn, National Galleries of Scotland Course Co-ordinator: Kirsty Lorenz Course Venues: Gallery of Modern Art, Edinburgh National Portrait Gallery, Edinburgh Participating Organisations: The Collective Gallery Edinburgh Printmakers Workshop Edinburgh Sculpture Workshop The Fruitmarket Gallery Stills Gallery Talbot Rice Gallery Course Leader: Lesley Burgess, IoE Session contributors: Nicholas Addison, IoE Lesley Burgess, IoE Anne Campbell, SAC Barbara Clayton Sucheta Dutt, SAC Fiona Marr Sue Pirnie, SAC Roy Prentice, IoE Helen Simons Rebecca Sinker, DARE and inIVA Sally Tallant, Serpentine Gallery, London Leanne Turvey, Chisenhale Gallery, London Research Report by: Lesley Burgess and Emily Pringle Photographs by: Lesley Burgess 2 EDINBURGH GALLERIES ARTIST TRAINING PROGRAMME RESEARCH EVALUATION REPORT OCTOBER 2003 1. -
Scottish Artists Union Membership Survey: 2017
Scottish Artists Union Membership Survey: 2017 Report for: Contact: [email protected] © The Lines Between 2017 1 Contents Contents PRESIDENT’S SUMMARY ......................................................................................... 3 Introduction ........................................................................................................... 5 Executive summary ................................................................................................ 6 Section 1: You & Your Work ................................................................................. 14 Section 2: Value of belonging to the Scottish Artists Union ................................... 21 Section 3: Communication .................................................................................... 25 Section 4: Showcasing Your Practice ..................................................................... 29 Section 5: Learning, Impact and Engagement ........................................................ 32 Section 6: Funding ................................................................................................ 36 Section 7: Sources of Income ................................................................................ 39 Section 8: Payment Guidelines & Contracts .......................................................... 43 Section 9: Broader Issues ...................................................................................... 47 Conclusion and recommendations ....................................................................... -
Thundering Hooves Report [2006]
THUNDERING HOOVES MAINTAINING THE GLOBAL COMPETITIVE EDGE OF EDINBURGH’S FESTIVALS 4 MAY 2006 11-29 Fashion Street 285 West Broadway London E1 6PX New York, NY 10013 T 0 20 7377 6559 T 1 212 226 5820 F 0 20 7377 5992 F 1 212 226 5821 TABLE OF CONTENTS 1 Background, Methodology and Recommendations...........................................................................3 2 Why festivals matter.............................................................................................................................. 16 3 Global Trends ......................................................................................................................................... 22 4 Edinburgh in Context: The Experience of Benchmark Cities...................................................... 27 5 The Festivals and the City.................................................................................................................... 39 6 Recommendations.................................................................................................................................. 44 7 Appendix 1: List of Interviewees........................................................................................................ 51 8 Appendix 2: Scenario Planning Participants ..................................................................................... 52 9 Appendix 3: City Case Studies............................................................................................................ 53 10 Appendix 4: Scenarios.......................................................................................................................... -
Scottish Artists Union
Trade Union’s details Name of Trade Union: Scottish Artists Union Year ended: 31 March 2020 List number: 5049T (S) Head or Main Office address: Scottish Artists Union Office 231, The Briggait 141 Bridgegait Glasgow G1 5HQ Has the address changed during the Yes No x (Tick as appropriate) year to which the return relates? Website address (if available) https://www.artistsunion.scot/ General Secretary: Lynda Graham Telephone Number: 0141 559 4999 Contact name for queries regarding the completion of this return: Karen Vaughan, Treasurer Telephone Number: 0141 559 4999 E-mail: [email protected] Please follow the guidance notes in the completion of this return. Any difficulties or problems in the completion of this return should be directed to the Certification Officer as below or by telephone to: 0330 109 3602. The address to which returns and other documents should be sent are: -For Unions based in England and Wales: Certification Office for Trade Unions and Employers’ Associations, Lower Ground Floor, Fleetbank House, 2-6 Salisbury Square, London EC4Y 8JX. -For Unions based in Scotland: Certification Office for Trade Unions and Employers’ Associations, Melrose House, 69a George Street, Edinburgh EH2 2JG. 1 Officers in post (see note 12) Please insert a complete list of all officers in post at the end of the year to which this return relates. Name of Officer Position held Lynda Graham President Helen de Main Secretary Karen Vaughan Treasurer Fadzai Mwakutuya Hamburgh Executive Member Janie Nicoll Executive Member Lilian Ptacek -
Lockdown Legacy Webinar: the Digital Future of the Art and Cultural Heritage World 7 November 2020, 10Am-1Pm Keynote Speaker: T
Lockdown Legacy Webinar: The Digital Future of the Art and Cultural Heritage World 7 November 2020, 10am-1pm Keynote speaker: Terence Gould, Technology Manager, Art UK SESSION 1 Chair: Alice Strang, Art Historian and Curator of Modern & Contemporary Art 10.00 - 10.10am Welcome 10.10 - 10.30am KEYNOTE SPEAKER: Terence Gould, Technology Manager, Art UK, ‘Curating by all & for all: Art UK as a digital exhibitions platform’ 10.30 - 10.40am Abi Webster, Programme Assistant, Edinburgh Art Festival, ‘Performance in the digital realm: potentials and challenges for new commissions’ 10.40 - 10.50am Margaret Sweetnam, Marketing & Communications Manager, Aberdeen Archives, Gallery & Museums, ‘How To be More Joe Wicks - Finding our Digital Mojo’ 10.50 - 11.00am Q&A FIRST BREAK - 11.00 - 11.10am Visual presentation # 1 Isabella Wagner, University of Glasgow / The Hunterian ‘The Hunterian’s Approach to Digital Engagement’ Visual presentation #2 Bianca Callegaro, University of Glasgow & Co-Founder, Art Gate Blog, ‘Online Engagement with Culture in the New Normal: The case of Art Gate Blog’ SESSION 2 Chair: Shona Elliott, Lead Curator (Collections Access), Aberdeen Archives, Gallery & Museums 11.10 - 11.20am Welcome 11.20 - 11.30am Norman McBeath, Printmaker and Photographer, ‘Perdendosi’ 11.30 - 11.40am Sandy Wood, Collections Curator, Royal Scottish Academy of Art & Architecture, ‘Pandemic: The Royal Scottish Academy during lockdown and beyond’ 11.40 - 11.50am Alice Strang, Art Historian & Curator of Modern & Contemporary Art, ‘A Curatorial History of Lockdown in 164 Posts’ 1 11.50 - 12noon Q&A SECOND BREAK - 12.00 - 12.10pm Visual presentation Martin Disley, Artist and Technology Researcher Cartographic Hallucination: Generative A.I. -
FULL ATTENDEES Individuals
Contemporary Collections and Collecting in Scotland Series Record of Attendence Individuals First name Surname Organisation Position Jennifer Melville Aberdeen Art Gallery Keeper of Fine Art Liesbeth Bik Artist Christine Borland Artist Rose Frain Artist Jos van der Pol Artist Gerrie van Noord Artist Pension Trust, London Co-Director Andrew Brown Arts Council England Senior Strategy Officer - Visual Arts Louise Shelley Centre for Contemporary Art, Glasgow Head of Programmes Kate Gray Collective Gallery, Edinburgh Director Jenny Crowe Consultant Moira Jeffrey Consultant Kirstie Skinner Consultant Elaine Martay Cultural Strategy and Diplomacy Team, Scottish GoveInternationalrnment Policy Mark O'Neill Culture Sport Glasgow Head of Arts and Museums Ben Harman Culture Sport Glasgow / Gallery of Modern Art, GlasgowCurator of Contemporary Art Victoria Hollows Culture Sport Glasgow / Gallery of Modern Art, GlasgowMuseum Manager Sean McGlashan Culture Sport Glasgow / Gallery of Modern Art, GlasgowCurator of Contemporary Art Margaux Achard Culture Sport Glasgow/ Kelvingrove Jenny Brownrigg Duncan of Jordanstone College of Art and Design Exhibitions Curator Edwin Janssen Duncan of Jordanstone College of Art and Design Artist/Academic Leader Laura Simpson Duncan of Jordanstone College of Art and Design Assistant Curator, Exhibitions Graham Domke Dundee Contemporary Arts Curator Clive Gillman Dundee Contemporary Arts Director Judith Winter Dundee Contemporary Arts Deputy Director and Head of Programmes Joanne Brown Edinburgh Art Festival Director Ian -
Saturday 30Th November 2019 at 10.00Am
Est. 1933 Fine Art and Antiques Saturday 30th November 2019 at 10.00am Auctioneers & Valuers Est. 1933 Saturday 30th November 2019 at 10.00am Sale of Georgian, Victorian and Edwardian Furniture, Ceramics, Silver, Jewellery, Gold Coins, Glass, Ivory, Bronzes, Oriental Ceramics, Militaria, Fine and Contemporary Art. Viewing Preview Evening Tuesday 26th November 6.00pm - 8.00pm Wednesday 27th November 9.00am - 5.00pm Thursday 28th November 9.00am - 5.00pm Friday 29th November 9.00am - 4.30pm and morning of sale from 8.00am Within Auction Galleries 22 Smith Street, Ayr KA7 1TF IMPORTANT NOTICE RELATING TO THIS SALE All lots must be paid for and collected from Thomas R Callan Ltd, Auction Galleries, 22 Smith Street, Ayr, KA7 1TF by Wednesday 4th December at 4.00pm. If a purchaser fails to collect goods without prior arrangement, Callans will store goods at £5.00 per lot per week and release lots only after full payment including all costs in connection with the lot. If you are paying in person, payment is accepted by cash or debit/credit card (we no longer offer payment by cheque). For purchasers not present we no longer accept any card payments - credit or debit cards. All payments must be made by Bank Transfer or Bankers Draft. Our bank details will be attached to all invoices. Payment must be made within five working days. Goods will not be released until all payments have been cleared. We are pleased to offer a packing and postage service via Royal Mail. However, the insurance cover provided is limited. For a fully insured service we recommend Mail Boxes, they will collect, professionally pack and despatch your purchases to any UK or International address. -
29 July–29 August 2021 Edinburghartfestival.Com #Edartf
Platform: 2021 Art Across the Capital Commissions Programme Art is Back Explore Platform: 2021, our exhibition for early As galleries reopen after many months of closure, Our 2021 programme features new commissions We are so delighted to return this year, to work career artists, with new work from Jessica Higgins, this year, more than any, we are proud to cast a and UK premieres by leading international artists, with partners across the city, to showcase the work Danny Pagarani, Kirsty Russell and Isabella Widger spotlight on the uniquely ambitious, inventive and including new work by Sean Lynch co-commissioned of artists from Scotland, the UK and around the world. presented at our festival home in the Institut français thoughtful programming produced each year by with Edinburgh Sculpture Workshop and by Emeka Some exhibitions are newly made in response to the d’Ecosse. While visiting you can also browse festival Edinburgh’s visual art community. Ogboh with Talbot Rice Gallery; alongside the UK seismic shifts of the past year; others have been many merchandise and find out more about the exhibitions premiere of Isaac Julien’s Lessons of the Hour, presented years in the planning; but all are the unique, authentic, and events taking place across the city at our With over 20 partner galleries across the capital, in partnership with National Galleries of Scotland. and thoughtful products of our city’s extraordinarily Festival Kiosk. we encourage you to explore the programme and We are also proud to collaborate with Associate Artist, rich visual art scene. support the incredible visual art organisations that Tako Taal, on her programme What happens to desire… Festival Kiosk the city has to offer. -
Rachel Maclean Born 1987, Edinburgh
Rachel Maclean Born 1987, Edinburgh. Lives and works in Glasgow. www.rachelmaclean.com Education: 2005 to 09 BA Honours Drawing and Painting, Edinburgh College of Art, Scotland 2008 School of the Museum of Fine Arts Boston, USA Video still from Make Me Up (2018) 1 Recent Press coverage: 2019 Guardian: https://www.theguardian.com/artanddesign/2019/jan/25/too-cute-review-birmingham 2018 Guardian: https://www.theguardian.com/artanddesign/2018/aug/05/rachel-maclean-artists-in- residence-channel-4-birmingham-bullring 2018 Financial Times: https://www.ft.com/content/a6cb6d0a-bfee-11e8-95b1-d36dfef1b89a 2018 BFI: https://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews- recommendations/make-me-up-rachel-maclean-digital-suffragette-satire-art-history 2018 BBC: https://www.bbc.co.uk/programmes/articles/VH2tVhVH0qnRXxLpTGYjvV/day-glo- dystopia-rachel-macleans-techno-fable-make-me-up 2017 The Scotsman: https://www.scotsman.com/lifestyle/culture/art/art-review-rachel-maclean-spite- your-face-1-4447789 2016 Frieze: https://frieze.com/article/focus-rachel-maclean VR still from I’m Terribly Sorry (2018) 2 Solo Exhibitions: Upcoming November 2019 Solo exhibition at Tel Aviv Museum of Art, Israel Upcoming September 2019 Solo exhibition at Arsenal Contemporary NYC, USA 2019 Tales of Disunion, Solo exhibition at Nassauischer Kunstverein, Wiesbaden, Germany 2019 Make Me Up, Solo exhibition at Kunsthalle Winterthur, Winterthur, Switzerland 2018 Please, Sir…, Solo exhibition at Gus Fisher Gallery, University of Auckland, New Zealand 2018/19 The Lion and The Unicorn, The National Gallery, London, England 2018/19 Rachel Maclean: Solo Exhibition, KWM Arts Centre, Beijing, China 2018 Spite Your Face, Rachel Maclean, Chapter, Cardiff, Wales 2018 Rachel Maclean: Solo Exhibition, Zabludowicz Collection, London, England 2018 Just B Yourself, Rachel Maclean, Dublin City Art Gallery, Dublin 2018 New Worlds, State of Concept, Athens, Greece 2018 Rachel Maclean: Solo Exhibition. -
Edinburgh Art Festival Exhibition 'Eskimo'
Edinburgh Research Explorer Edinburgh Art Festival Exhibition 'Eskimo' Citation for published version: Adamson, L & Todd, G, Edinburgh Art Festival Exhibition 'Eskimo', 2008, Exhibition, Polarcap, East Lothian, Scotland. <http://www.polarcap.org.uk> Link: Link to publication record in Edinburgh Research Explorer Document Version: Early version, also known as pre-print General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 08. Oct. 2021 Edinburgh Art Festival 2008,’ Eskimo’ Eskmills, East Lothian Portfolio Submission Ref 2014 Eskimo is an exhibition and publication with commissioned essays and accompanying visual arts conference originated by artist Liz Adamson and Graeme Todd (Polarcap Contemporary Art Projects) as a principal venue of the Edinburgh Art Festival 2008. 1 Project Ref 2014 : Eskimo In the spring of 2008 we were approached by Malcolm Gillies of Isertal and Hot Tin Roof PR agency on the back of the success of our previous exhibition at Edinburgh Arts Festival, ‘No More Stars’ to work with Isertal construction, based at Eskmills in Musselburgh just outside Edinburgh to produce another exhibition that would again be included in the festival in the coming summer. -
Lexicon of Inverclyde's Artists 1800-1939
Lexicon of Inverclyde’s Artists 1800-1939 This document is intended to provide an overview of artists connected to Inverclyde who were working in the period 1800-1939. It includes artists who worked in the Inverclyde area as well as those who were born in the area but who have made their career elsewhere. Inverclyde, in addition to producing many professional artists, has also been home to many amateur artists who exhibited occasionally at professional venues. They have also been included. Inevitably the surviving documentation provides less evidence for the lives and careers for these amateur artists but sources such as the census and local street directories have helped to provide some details of their background. A Anderson, Nina (active 1886-1938) Miss Nina Anderson was a painter of landscapes, flower pieces and portraits. She lived at 35 Fox Street, Greenock and in Edinburgh. She is known to have exhibited at the Royal Scottish Academy in 1889 and also at the Glasgow Institute and at the Greenock Art Club exhibitions. Two paintings by her: A Fishwife and Seascape with Rocks are in the collection of North Tyneside Council, and were painted in 1905. Anderson, T.M. (active 1886-1903) T.M. Anderson was an amateur Gourock based artist who lived at Berry Bank, Ashton between 1886 and at 47 Ashton Road, Gourock between 1902 and 1903. Anderson, William (active 1884-1886) It seems likely that William Anderson was a relation of the T.M. Anderson listed above as he is also recorded as living at Berry Bank, Ashton Gourock between 1884 and 1886. -
Community Art
Community Art So you want to be an artist: I always knew I wanted to be an artist, however, I enrolled in an Art History/English academic degree, and ended up leaving before I graduated as I needed to follow my heart with being an artist... Then I built up a portfolio at Leith School of Art and applied to art college.I did a foundation couse at Newcastle School of Art, followed by a degree in Fine Art at Staffordshire University, which focuses on sculpture and painting. It used to be free, but now only the Scottish Colleges are free. Scottish art colleges are: Edinburgh College of Art Glasgow School of Art Gray’s School of Art Duncan and Jordanstone These courses are 4 years or with an MA, 5 years. The English system is different: one year foundation course, and then a 3 year degree. Fine Artist: Sculpture, Painting, Intermedia, Photography. There are many other art courses. From curating to digital technologies, or those in Design. Designer: Animation Design Design Informatics Fashion Film and TV Glass Graphic Design Illustration Interior Design Interior Design and Architecture Jewellery and Silversmithing Performance Costume Product Design Textiles I learn by doing, taking courses, but also by self teaching, making mistakes and learning from them. Community/ Participatory artist How to make a living as an artist: 1.Teach: Learning how to teach my techniques to other people- at Edinburgh Sculpture Workshop in Newhaven which led eventually to a job teaching Sculpture at Edinburgh College of Art Community Art 2. Freelance educator/ facilitator/ maker etc2 3.