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The American Claimant [Microform]
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The American Claimant by Mark Twain
The American Claimant By Mark Twain (Samuel Clemens) 1 EXPLANATORY The Colonel Mulberry Sellers here re-introduced to the public is the same person who appeared as Eschol Sellers in the first edition of the tale entitled "The Gilded Age," years ago, and as Beriah Sellers in the subsequent editions of the same book, and finally as Mulberry Sellers in the drama played afterward by John T. Raymond. The name was changed from Eschol to Beriah to accommodate an Eschol Sellers who rose up out of the vasty deeps of uncharted space and preferred his request--backed by threat of a libel suit--then went his way appeased, and came no more. In the play Beriah had to be dropped to satisfy another member of the race, and Mulberry was substituted in the hope that the objectors would be tired by that time and let it pass unchallenged. So far it has occupied the field in peace; therefore we chance it again, feeling reasonably safe, this time, under shelter of the statute of limitations. MARK TWAIN. Hartford, 1891. 2 THE WEATHER IN THIS BOOK. No weather will be found in this book. This is an attempt to pull a book through without weather. It being the first attempt of the kind in fictitious literature, it may prove a failure, but it seemed worth the while of some dare-devil person to try it, and the author was in just the mood. Many a reader who wanted to read a tale through was not able to do it because of delays on account of the weather. -
Mo.298 the TREATMENT of HUMAN CRUELTY in the NOVELS of MARK TWAIN THESIS Presented to the Graduate Council of the North Texas St
379( Mo.298 THE TREATMENT OF HUMAN CRUELTY IN THE NOVELS OF MARK TWAIN THESIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Jeanne Marie Davis Ford, B. A. Denton, Texas August, 1956 TABLE OF CONTENTS Chapter Page I. INTRODUCTION . 1 II. PHYSICAL CRUELTY. 24 III. MENTAL CRUELTY 44 IV. CONCLUSION . 58 BIBLIOGRAPHY . .# . 65 iii CHAPTER I INTRODUCTION Cruelty is present in literature and in life whether handled with the velvet glove of the artist or with the sledge-hammer of the artisan. The pain of the one is deceptive, while the pain of the other is omni- present immediately. Cruelty inflicted through laughter embodies the same principle; that is, the soft-pedaled laugh accompanied by the merest shadow of a sneer can do as much damage to the spirit as the raucous guffaws of an entire hooting, howling audience. From comedy man derives laughter, and within laughter is the element of cruelty; therefore, it will be necessary to discuss several aspects of comedy and laughter as they relate to and clarify cruelty. The purpose of this thesis is to demonstrate Mark Twain's awareness of and sensitive reaction to the cruelty which surrounded him throughout his lifetime, and to evaluate his literary use of cruelty for both comic and satiric effects. In general, comedy is an attempt to expose incongruity through laughter. The incongruity arises from that which is out of proportion, affected, pretentious, hypocritical, or pedantic. It may be the sham, folly, stupidity, cruelty, or vices of men. -
Mark Twain, the Dialogic Imagination, and the American Classroom Drew
Kansas English, Vol. 98, No. 1 (2017) Mark Twain, the Dialogic Imagination, and the American Classroom Drew Clifton Colcher Abstract Mark Twain is often read as a provincial realist or naturalist whose works are disseminated in simplified versions as children’s stories or seen as humorous social criticism of the southern United States and its dialects. This article focuses on two of Twain’s novels—A Connecticut Yankee in King Arthur’s Court (1889) and No. 44, the Mysterious Stranger (published posthumously with various titles)—in order to focus on the more modern, less provincial, novelistic aspects of Twain’s writing. The theories of Mikhail Bakhtin provide the background for a characterization of the novelistic nature of these works in an effort to re-focus Twain criticism away from realist or naturalist analysis and toward semiotic and structural considerations. This essay functions as an introductory-level presentation of Bakhtinian analysis and Twain criticism, as well as a reimagining of the role of Twain’s writings in the classroom, especially in light of recent controversies surrounding the language used in works like The Adventures of Huckleberry Finn. Of paramount importance to this argument are the temporal, spatial, formal and thematic coordinates of the two books, and the assertion that they conform to Bakhtin’s conception of the novel and how it radically differs from other forms. Keywords Mark Twain, Mikhail Bakhtin, semiotics, novelism, American literature, literary theory, pedagogy, literary criticism, modernism, realism, structuralism Novels like A Connecticut Yankee at King Arthur’s Court and No. 44, The Mysterious Stranger raise problematic questions for Twain scholars because they directly approach more philosophical human concerns while, at times, casting off the sarcastically humorous facade that characterizes Twain’s work in general. -
The Importance of Mark Twain Author(S): Alan Gribben Source: American Quarterly, Vol
The Importance of Mark Twain Author(s): Alan Gribben Source: American Quarterly, Vol. 37, No. 1, Special Issue: American Humor (Spring, 1985), pp. 30 -49 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.org/stable/2712761 Accessed: 09-06-2015 15:27 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to American Quarterly. http://www.jstor.org This content downloaded from 128.83.205.78 on Tue, 09 Jun 2015 15:27:46 UTC All use subject to JSTOR Terms and Conditions THE IMPORTANCE OF MARK TWAIN ALANGRIBBEN Universityof Texas,Austin MARK TWAIN IS THE ONLY WRITER WE HAVE RECOGNIZED AS AN AUTHOR OF IM- mortalAmerican prose after having branded him a "humorist."When in 1956 FloydStovall explained the selectionprocess that included Mark Twain (along withPoe, Emerson,Hawthorne, Thoreau, Melville, Whitman, and James) among theeight authors who deserved landmark bibliographical essays sponsored by the AmericanLiterature Group of the Modern Language Association, he could assume that"doubtless most readers will agreethat at thistime and forthe purposes of thisvolume they are themost important American writers." If one adds two figuresconsidered and then omitted-Howells and Dickinson-Twain's uniqueness is stillevident. -
Literary Criticism Contained in the Works of Mark Twain
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1951 Literary criticism contained in the works of Mark Twain John Joseph Sutrina The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Sutrina, John Joseph, "Literary criticism contained in the works of Mark Twain" (1951). Graduate Student Theses, Dissertations, & Professional Papers. 2854. https://scholarworks.umt.edu/etd/2854 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. LITERARY CRITICISM CONTAINED in the V/ORKS OF MARK TWAIN by IIIIK II • I ••• I— I'll *1 •• n John!•• •! 1^1 i Hi I n»J. — §utrin.a5v—^ 11 m '• 1— II ^111 *m I w I «m*am »• »' n —i — >m •- -m •m i nai^n • B.A., Western State College of Colorado,l 1949 Presented in partial fulfillment of the requirement for the degree of Mas ter of Arts. Montana State University 1951 Approved: '^ ®2£ Chairman of Board of Examiners to:!2 dJ6a. Dean, Graduate School UMI Number: EP34032 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Mark Twain, Detective Richard Joseph Knapp Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1986 Mark Twain, detective Richard Joseph Knapp Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Knapp, Richard Joseph, "Mark Twain, detective" (1986). Retrospective Theses and Dissertations. 16179. https://lib.dr.iastate.edu/rtd/16179 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Mark Twain, Detective by Richard Joseph Knapp A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Major: English Signatures have been redacted for privacy Signatures have been redacted for privacy Iowa State University Ames, Iowa 1986 1 In this paper I intend to consider how, when, and why Mark Twain used elements of the detective story in his work. Of all Twain's works only five are true detective stories: Simon Wheeler, Detective; Pudd'nhead Wilson; Torn Sawyer, Detective; "The Stolen White Elephant;" and "A Double-Barreled Detective Story." At times he produced material which contained elements common to detective stories, and he also produced work which bordered on the detective genre but did not qUite fit the mold. For example, "The Facts Concerning the Recent Carnival of Crime in Connecticut" (1876) is a story that may seem to fit the category of detective story. -
Rice University Mistaken Identity in Mark Twain's Major Fiction
RICE UNIVERSITY MISTAKEN IDENTITY IN MARK TWAIN’S MAJOR FICTION by MARY ANN KINNEBREW A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DECREE OF MASTER OF ARTS Thesis Director’s signature Houston, Texas May, 1964 ABSTRACT MI SI 'AKSN IDENTITY IK MARK TV; A IK*S MAJOR FICTION by Mary Ann Kinnebrew In most of Mark Twain*s major novels, mistaken identity is the central plot device and satiric device. The main variation is the romantic convention of the disguised aristo¬ crat who undertakes an incognito journey, v;hich appears in The Prince and the Pauper. A Connecticut Yankee. The American Claimant, Huckleberry Finn, and The Mysterious Stranger. It is the structural principle of plot organi¬ zation in The Prince and the Pauper and The American Claimant, and one major episode in A Connecticut Yankee is based on the romantic convention. In all three novels it is adapted as a satiric vehicle and a3 an example of Twain*s theories of determining training and environment. The initial device of switched identities—the change of clothes between commoner and aristocrat—forces the aristocrat into an incognito journey, which becomes a moral pilgrimage as his ingrained ideas give way to the new environmental forces that are brought to bear on him. The journey motif offers the satirist a wide scope to display the crimes of a hereditary aristocracy in The Prince and the Pauper and A Connecticut Yankee and the inequalities of American democracy in The American Claimant ii The simple formula of the educational journey initiated by the device of switched identities appears also in Twain*s masterpiece, Huckleberry Finn. -
The American Claimant Theme in the Works of Nathaniel Hawthorne, Henry James and Mark Twain
1 % s The American Claimant Theme in the Works of Nathaniel Hawthorne, Henry James and Mark Twain Holly Lynn Boren submitted for the PhD in English University College London ProQuest Number: U642278 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642278 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The notion of Americans laying claim to British titles and estates has been widely treated by authors on both sides of the Atlantic, a literary conceit often imagined as a legal phenomenon but seldom pursued beyond the pages of imaginative literature. This dissertation considers the aesthetic, psychological and historical resonance of the American 'claimant' theme in the published and abandoned work of Nathaniel Hawthorne, Henry James and Mark Twain, with reference to other nineteenth- century authors who explored the same thematic ground. In Hawthorne's writing, the revolutionary's aspiration to transcend cultural determinism and establish a new cultural tradition frequently vies with the conservative enticement of the Old World's apparently timeless certainties and rich cultural heritage. In The American Claimant Marmscripts, The Elixir o f Life Manuscripts, English Notebooks and in Our Old Home, Hawthorne depicts and reveals the New World's crises of originality and identity. -
Mark Twain the Contemporary Reviews
Mark Twain The Contemporary Reviews Edited by Louis J. Budd Duke University published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge CB2 2RU, UK www.cup.cam.ac.uk 40 West 20th Street, New York, NY 10011-4211, USA www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarcon ´ 13, 28014 Madrid, Spain Cambridge University Press 1999 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1999 Printed in the United States of America Typeface Sabon 9/11 pt. System MagnaType [AG] A catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Mark Twain : the contemporary reviews / edited by Louis J. Budd. p. cm. — (The American critical archives ; 11) Includes bibliographical references (p. ) and index. ISBN 0-521-39024-9 (hardback) 1. Twain, Mark, 1835–1910—Criticism and interpretation. 2. Humorous stories, American—History and criticism. I. Budd, Louis J. II. Series. PS1338.M298 1999 813′.4—dc21 98-38097 ISBN 0 521 39024 9 hardback Contents Series Editor’s Preface page ix Acknowledgments xi Introduction 1 The Celebrated Jumping Frog of Calaveras County, and Other Sketches (1867) 23 The Innocents Abroad, or The New Pilgrims’ Progress (1869) 33 -
Mark Twain's Racial Attitudes As Related in His Works to Shifting Patterns in Tone John William Miller Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1970 Mark Twain's racial attitudes as related in his works to shifting patterns in tone John William Miller Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the African American Studies Commons, American Literature Commons, and the Literature in English, North America Commons Recommended Citation Miller, John William, "Mark Twain's racial attitudes as related in his works to shifting patterns in tone" (1970). Retrospective Theses and Dissertations. 59. https://lib.dr.iastate.edu/rtd/59 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. MARK TWAIN'S RACIAL ATTITUDES AS RELATED IN HIS WORKS TO SHIFTING PATTERNS IN TONE by John William Miller A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of The Requirements for the Degree of MASTER OF ARTS Major Subject: English Approved: In Charge of Major Work Head of Major Department Dean of Graduate College Iowa State University Of Science and Technology Ames, Iowa 1970 ii TABLE OF CONTENTS Page I. INTRODUCTION 1 II. THE NEGRO 4 III. THE INDIAN 11 IV. THE HUMAN RACE 31 NOTES 38 WORKS CITED 43 ADDITIONAL WORKS CONSULTED 45 1 I. INTRODUCTION Mark Twain's attitudes toward non-whites are seen to be thinly spread throughout the content of much of his published material. -
Mark Twain's Treatment of the Negro Atlanta, Georgia
MARK TWAIN'S TREATMENT OF THE NEGRO A THESIS SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY HAZELYN DELORES SCOTT DEPARTMENT OF ENGLISH ATLANTA, GEORGIA JANUARY 1955 TABLE OF CONTENTS Page PREFACE. INTRODUCTION 1 Chapter I. INFLUENCE OF BACKGROUND ON INTEREST IN THE NEGRO. 6 II. PORTRAYAL OF NEGRO CHARACTER IS WORKS 18 III. R&CE RELATIONS 39 CONCLUSION 56 BIBLIOGRAPHY . 58 PREFACE This thesis is a treatment of Hark Twain's attitude toward and portray al of the Negro as is exemplified in certain of his works. The results are here presented of an examination of his accessible published works. From these a selection has been made of those works that seemed significant in as much as they contain conventional and realistic or principal and minor Megro characterizations. Those works utilized in this study are as follows: Inno cents Abroad (1869), Roughing It (1872), The^ Gilded Age (1873), The Adven tures of Tom Sawyer (1876), Life on the Mississippi (1883), The Adventures of Huckleberry Finn (1885), The Tragedy of PuddtnheadWilson (1894), The American Claimant (1892), Tom Sawyer Abroad (1894), Following the Equator (1897), King Leopold's Soliloquy (1905), "General Washington's Negro Body-Servant" (1872), "Was It .Heaven? or Hell?"(1872), "A True Story Repeated Word for Word as I Heard It" (1876), and "My First Lie" (1898). The writer has also gained con siderable information as to Twain's attitude toward the Negro from his Auto biography (1924). In order to show clearly just how the Negro is treated in Hark Twain's works, this study will include in Chapter I an account of the influences on his interest in the Negro- - environraental and literary- - which motivated and inspired him to present a realistic and sympathetic view of the Negro.