JULY 2012 Welcome to

Welcome to the art and intrigue of Divine Rivalry! We are pleased to welcome director Michael Wilson back to The Old Globe, fresh from directing this spring’s Tony-nominated Broadway revival of Gore Vidal’s The Best Man. Those of you who have attended our Shakespeare Festival for the past few years will also recognize Miles Anderson from his unforgettable performances in The Tempest, Amadeus and The Madness of George III. He is joined here by a cast of truly stellar performers: Sean HENRY DIROCCO HENRY Lyons, Euan Morton and David Selby.

I am always fascinated by the ways that our productions connect with and mirror current events. As we rehearsed Inherit the Wind (a play about the 1925 Scopes Monkey Trial) for this summer’s Shakespeare Festival, Tennessee passed a controversial law about the teaching of evolution that brought the Scopes Trial firmly back into the public eye. And as we prepared for Divine Rivalry, a UCSD faculty member made international news with his quest to find the lost Leonardo da Vinci painting “The Battle of Anghiari” — the very artwork that da Vinci is painting in the play you will see today. (More information about that on page 9.) As the saying goes, art imitates life. The theatre remains a powerful place to confront and explore the issues of our time, sometimes through stories of the past.

We hope you enjoy Divine Rivalry, and we look forward to having you back this fall for the start of our 2012-2013 season!

Michael G. Murphy Managing Director

Mission Statement The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: Creating theatrical experiences of the highest professional standards; Producing and presenting works of exceptional merit, designed to reach current and future audiences; Ensuring diversity and balance in programming; Providing an environment for the growth and education of theatre professionals, audiences and the community at large.

PERFORMANCES MAGAZINE 1 PRESENTS

DIVINE RIVALRY

BY MICHAEL KRAMER with D. S. MOYNIHAN

Jeff Cowie David C. Woolard Robert Wierzel John Gromada Peter Nigrini SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND PROJECTION DESIGN SOUND DESIGN

Telsey + Company Marisa Levy Will Cantler, CSA STAGE MANAGER CASTING

DIRECTED BY MICHAEL WILSON

World Premiere Production Presented by Hartford Stage Michael Wilson, Artistic Director Michael Stotts, Managing Director By Special Arrangement with the Shubert Organization —————————————————— Donald and Darlene Shiley Stage OLD GLOBE THEATRE Conrad Prebys Theatre Center July 7 - August 5, 2012

2 PERFORMANCES MAGAZINE THE CAST (in order of speaking)

NICCOLÒ MACHIAVELLI, Chancellor of the Republic of Florence...... Sean Lyons PIERO SODERINI, Gonfaloniere of the Republic of Florence...... David Selby LEONARDO DA VINCI...... Miles Anderson MICHELANGELO BUONARROTI...... Euan Morton

Stage Manager...... Marisa Levy Assistant Stage Manager...... Erin Gioia Albrecht

SETTING Florence, 1504. The play is inspired by real events.

There will be one 15-minute intermission.

PRODUCTION STAFF Assistant Director...... Christina Pellegrini Assistant Scenic Design...... Sean Fanning Associate Costume Design...... Charlotte Devaux Associate Lighting Design...... Adam Greene Assistant Lighting Design...... Luke Olson Assistant Projection Design...... Dan Vatsky Dialect Coach...... Christine Adaire Stage Management Interns...... Dillon Evans, Sam Halgren, Avalon Middleton

The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

PERFORMANCES MAGAZINE 3 Board of Directors

Welcome to The Old Globe!

You’re here to see great theatre, and we are confident the five summer shows in production on our three stages will meet your demanding expectations.

Offstage, your Board of Directors, comprised of over 40 committed San Diegans, is at work meeting another demand: the expectation of our predecessors that each successive band of players will push the Globe to new heights. Great theatres thrive on artistic vision that skillfully weaves together the threads of history, community and fiscal security. The Board’s task this summer is to enlist a new Artistic Director who will take The Old Globe to even loftier levels of theatrical excellence.

The Board already has acted to return to the dual management structure common to other theatres and employed here in the past. The Artistic Director will join our recently named Managing Director, Michael Murphy, at the top of our organization chart. Michael leads finance, administration, fundraising, marketing and production teams, employing his decade of experience in our ranks. The Artistic Director will lead the conception, development and implementation of our artistic vision. Both will share responsibility and credit for the overall performance of the company.

Before the summer is out, we hope to name the new Artistic Director and begin his or her introduction to the San Diego community. Watch for this exciting news and for the world of possibilities this crucial appointment will bring.

Enjoy the performance!

Harold W. Fuson, Jr. Chair, Board of Directors

BOARD OF DIRECTORS Harold W. Fuson, Jr.* Donald L. Cohn* Anthony S. Thornley* Elaine Bennett Darwin* Harvey P. White* Chair Immediate Past Chair Vice Chair, Vice Chair, Nominating Secretary Finance & Treasurer

DIRECTORS Jo Ann Kilty Stacey LeVasseur Vasquez Paul Harter Mary Beth Adderley* Sheila Lipinsky Pamela J. Wagner Gordon Luce (1925-2006) Elizabeth Altman Ramin Pourteymour Jim Wening Dolly Poet (1921-2007) Pamela Cesak Paula Powers* Lynne Wheeler Deborah Szekely Nicole A. Clay Conrad Prebys* Debbie Wilson Hon. Pete Wilson Joseph J. Cohen David Reagan Karin Winner Peter J. Cooper* Sandra Redman June Yoder EMERITUS DIRECTORS Valerie S. Cooper Crystal Sargent Carolyn Yorston-Wellcome Garet B. Clark Silvija Devine Reneé Schatz Vicki Zeiger J. Dallas Clark (1913–2005) Pamela A. Farr Jean Shekhter *Executive Committee Member Bea Epsten Karen Fox Ann Steck Sally Furay, R.S.C.J. Victor P. Gálvez Steven J. Stuckey HONORARY DIRECTORS Bernard Lipinsky (1914-2001) Kathryn Hattox* Daniel L. Sullivan, Ph.D. Mr s. Richard C. Adams Delza Martin (1915–2005) Elizabeth Helming Julie H. Sullivan, Ph.D. (1912–2005) Darlene Shiley Viviana Ibañez Dean Thorp Clair Burgener (1921-2006) Patsy Shumway Deni Jacobs Evelyn Mack Truitt Mrs. John H. Fox (1908–2003) Daphne Jameson Debra Turner Audrey Geisel

4 PERFORMANCES MAGAZINE LEADERSHIP Production Sponsors GIFTS VALERIE AND HARRY COOPER The Old Globe recognizes and thanks Valerie Cooper has served on the Globe the following generous individuals Board of Directors for many years, including who have made extraordinary gifts as Secretary and member of the Executive Committee, and is currently a member of $1 million or more. These major of the Nominating and Development contributions have been designated Committees. Valerie and her husband, for artistic, endowment and facilities Harry, have played many other important projects, and help The Old Globe roles at the Globe, and both have co-chaired remain one of our country’s great extremely successful Globe Galas (Valerie theatre institutions. in 2004, 2006 and 2010 and Harry in 2005). The Coopers’ previous sponsorships have included The Women and the world premieres of A Catered Affair and Cornelia $20,000,000 or greater in addition to several others over the years. Valerie and Harry are active Donald* and Darlene Shiley throughout the San Diego community, supporting the Museum of Contemporary Art San Diego, San Diego Museum of Art, Vista Hill Foundation, San Diego Opera, Planned Parenthood and Patrons of the Prado. $10,000,000 or greater

Conrad Prebys JUNE E. YODER June E. Yoder and her late husband, Paul, became subscribers to The Old Globe $5,000,000 or greater in 1963 upon moving to San Clemente. Sheryl and Harvey White For 47 years, June has been making the trip from Orange County to attend Kathryn Hattox performances, and as a member of the Globe’s Board of Directors, June serves Karen and Donald Cohn as an enthusiastic advocate for our artistic mission and education programs. June and $2,000,000 or greater Paul raised five children, each of whom was introduced to the Globe and live theatre Viterbi Family Foundation by accompanying their parents to productions of the Summer Shakespeare Festival. Now her children bring their own children. June remains passionate $1,000,000 or greater about bringing the world of theatre to children and young people. Last year she sponsored the acclaimed production of Death of a Salesman. As a first-time California Cultural and Season Sponsor this year, June is proud to sponsor Divine Rivalry in memory of Historical Endowment her son, David M. Yoder. Estate of Dorothy S. Prough GLOBE GUILDERS Founded by Craig Noel and Irma MacPherson in 1955 as a volunteer auxiliary, The Rivkin Family the Globe Guilders are an essential part of the Globe family. Hundreds of Estate of Beatrice Lynds dedicated members provide invaluable assistance to the Globe through their hosting of company calls; connection with the students in The Old Globe/ Audrey S. Geisel/ University of San Diego Graduate Theatre Program; coordination of December San Diego Foundation Nights activities on the Globe’s Copley Plaza; involvement in the community and Dr. Seuss Fund fundraising activities. Visit www.GlobeGuilders.org to learn more.

Mr. and Mrs. Victor H.* Ottenstein CELEBRATING COUTURE 2012 Mrs. Helen Edison* Presented by Globe Guilders and Neiman Marcus Tuesday, August 7, 2012 | Hilton San Diego Bayfront Hotel The Stephen & Mary Birch Foundation Champagne Reception | Luncheon | Auctions | Fashion Show Featuring the 2012 Fall Couture Collection by Monique Lhuillier The Kresge Foundation Proceeds benefit the Globe’s artistic and education programs. *In Memoriam Contact Barbara Bolt at (619) 889-7121 or visit www.GlobeGuilders.org.

PERFORMANCES MAGAZINE 5 The “Pietà” (1498–1499) by Michelangelo Buonarroti, housed in St. Peter’s Basilica in Vatican City.

MICHELANGELOMICHELANGELO By Danielle Mages Amato

Passionate, hot-tempered, demanding and represented Michelangelo’s greatest achievements deeply religious, Michelangelo Buonarroti was in painting. As a sculptor, Michelangelo suffered unquestionably one of the greatest artists of all under the whims of the patronage system, taking time. In 1504, when Machiavelli commissioned many commissions (and spending many years in him to paint “The Battle of Cascina” in Florence’s quarries searching for marble) for projects that Great Hall, he was just 29. Although he had studied were never realized. A true Renaissance man, fresco painting under Domenico Ghirlandaio, his Michelangelo also left a legacy as an architect reputation was primarily as a sculptor, and he had and a poet. It was in his poetry that he wrote of already completed both the “Pietà” and the “David.” “liberating the figure imprisoned in the marble,” A famous rivalry existed between Michelangelo a phrase that has become famous as a description and the older, more experienced Leonardo da of his process. Vinci, and writers of the time exchanged comical anecdotes of the two arguing in the streets. Michelangelo’s influence on both painting and sculpture was tremendous. The scale and grandeur In 1512, Michelangelo finished the ceiling of the of his work, his attention to physical detail, the Sistine Chapel; in 1541, in that same chapel, emotion that suffuses his masterpieces — all these he would complete “The Last Judgment,” the things set Michelangelo apart and made him an 6 PERFORMANCESlargest frescoMAGAZINE of the Renaissance. The two works artist to emulate for generations. HOW TO PAINT A FRESCO The Evolution of the Paintings in Divine Rivalry

Most artists began their large-scale projects with sketches and studies, initial drawings to try out ideas and focus their thoughts.

(left) Study for “The Battle of Cascina,” Michelangelo; (below) Study for “The Battle of Anghiari,” da Vinci.

Finally, in traditional fresco, the paint would be applied directly onto wet plaster. When the plaster dried, the paint would become a permanent part of the wall. For “The Battle of Anghiari,” da Vinci experimented with a technique that allowed him to use oil paint. Only copies (and copies of copies) of “The Battle of Anghiari” exist today, such as this one by Peter Paul Rubens.

Next, the artist would prepare a cartoon, a full-scale drawing for the fresco. (The word comes from the Italian cartone, meaning a large sheet of paper.) Holes would then be pricked along the outlines of the composition, and a small cloth bag containing charcoal would be “pounced” over the holes in order to transfer the design to the wall. The cartoon for “The Battle of Cascina” was eventually destroyed, but copies still exist (such as this one by Sangallo).

PERFORMANCES MAGAZINE 7 “Mona Lisa” (1503–1519) by Leonardo da Vinci, housed in Musée du Louvre in Paris. DA VINCI Widely considered the great genius of the him to explore new ideas. When da Vinci returned Renaissance, Leonardo da Vinci made his mark to Florence in the early 1500s, he was already across a mind-boggling array of fields: painting, an acclaimed master, and he seemed to have no sculpture, architecture, science, engineering, patience for the city’s new rising star, Michelangelo. cartography and even robotics. In 1504, when he began work on “The Battle of Anghiari,” Fewer than 20 of da Vinci’s paintings survive, and da Vinci was 52. He had already painted “The Last several are disputed. His notebooks, however, Supper” as well as his “Annunciation” and “Virgin provide an invaluable record of a mind that on the Rocks,” and he had begun work on the transcended traditional boundaries. Da Vinci used “Lisa Gioconda,” know today as the “Mona Lisa.” his science to improve his artwork, and he relied Da Vinci was born in the Republic of Florence, upon his art to unlock new scientific discoveries. but he spent years in the service of both the Duke He explored mathematics and biology through of Milan and the infamous Cesare Borgia, for drawing, reimagined music and art through whom he not only created art but also designed mathematics and used his engineering skills to buildings, weapons and machinery. Da Vinci was design both machine guns and fantastical special well known for his accomplishments, but he also effects for the theatre. Leonardo da Vinci was in had a reputation for not completing projects that many ways the key figure — and an enduring he began, as his insatiable curiosity forever drove symbol — of the Renaissance itself. [D. M. A.]

8 PERFORMANCES MAGAZINE The Lost da Vinci Art Meets Science

The Salone dei Cinquecento (Hall of the 500) in the Palazzo Vecchio in Florence, where For almost 40 years, UC San Diego faculty member Maurizio Michelangelo and da Vinci painted their works and where Vasari’s frescos now stand. Seracini has been involved in the search for Leonardo da Vinci’s “The Battle of Anghiari.” The cartoon for the painting stood in the Great Hall of Florence’s Palazzo Vecchio for imaging to scan and map the entire room (including radar, many years, and during that time it had a profound influence thermal scans, infrared cameras and neutron analysis). Their on a generation of artists. When painter Giorgio Vasari was focus narrowed to one fresco on which Vasari may have left brought in to renovate the chamber, “The Battle of Anghiari” a tantalizing clue: a flag that read “Cerca Trova” (“He who was lost. seeks, finds”). Their research indicated that Vasari’s fresco was indeed painted on a false wall, built over the original Vasari’s own frescos now fill the Great Hall. But Seracini has one, with an air gap between the two. long believed that Vasari did not destroy da Vinci’s painting to create his own, but instead built a wall in front of it to This spring, Seracini’s team emerged into the international preserve it. If this is true, some portion of the original spotlight as the latest phase of their research came to a da Vinci might still exist, hidden somewhere in the Great head. They controversially drilled six holes into Vasari’s Hall. How much of the painting was actually completed? fresco — in areas no longer containing original paint — and How much might remain? Art historians debate these sent an endoscopic probe through them. They found questions with a passion that may equal the rivalry between pigment matching the distinctive paint from da Vinci’s other da Vinci and Michelangelo themselves. work. With this intriguing evidence, the search continues.

Seracini’s team has undertaken the search, armed with National Geographic has created a documentary about groundbreaking scientific tools that would surely please Seracini’s research, “Finding the Lost da Vinci,” with an the great inventor himself. They have used multispectral extensive website at www.NationalGeographic.com/Anghiari.

National Geographic Fellow Maurizio Seracini (foreground) and his team view footage captured by the endoscope behind the Vasari wall. This comprehensive research effort was led by the National Geographic Society and University of California San Diego’s Center of Interdisciplinary Science for Art, Architecture and Archaeology (CISA3), in cooperation with the City of Florence. Work conducted in the Palazzo Vecchio’s Hall of the 500 was completed in collaboration with the Florentine Superintendency for Cultural Heritage and the Opificio delle Pietre Dure, the Italian state art DAVE YODER DAVE restoration center based in Florence.

PERFORMANCES MAGAZINE 9 The Statesmen Niccolò Machiavelli and Piero Soderini

To this day, Niccolò In 1502, the Florentine Machiavelli’s The Prince Council elected aristocrat remains one of the most Piero Soderini as their head influential books of all time. of state, and Soderini relied In his short but shocking heavily on Machiavelli’s skills work, Machiavelli offers a and knowledge. Soderini’s candid, unvarnished treatise position, Gonfaloniere, was on the best ways to seize intended to be held for life, and maintain political power. although with the turbulent Niccolò Machiavelli Piero Soderini He argues that the most Painting by Santi di Tito. Painting by Ridolfo Ghirlandaio. politics of the Republic, this successful prince is one who could have been changed is willing to set aside morality, at any time. Under Soderini, act with ruthlessness and even embrace violence Machiavelli served as secretary to Florence’s military to achieve his political ends. council, and he was responsible for the city’s militia and defense. And yet, Machiavelli’s own career was not spent advising tyrants but rather defending and upholding When the Medici took control of Florence again in one of Italy’s most proud republics. In the early 1512, Soderini was removed from power and sent 1500s, Italy was not a unified nation but a collection into exile; he never returned to Florence. Machiavelli of often warring city-states, each with its own form was arrested, interrogated and tortured as a of government. Unlike Milan and Naples, which were representative of the old regime. He was eventually ruled by despotic dukes and kings, Florence had a released, but he was stripped of his position and tradition of drawing its governing officials from the political influence. He then turned to writing. During State’s most prominent families. Machiavelli was one his lifetime, Machiavelli was better known for his of Florence’s highest-ranking political advisers and comic plays than his political works. The Prince diplomats, a position he achieved by the age of 28. was not published until after his death. [D. M. A.]

CHALLENGES TO FLORENCE’S REPUBLIC

THE MEDICI GIROLAMO SAVONAROLA In the mid-1400s, this prominent A charismatic and terrifying Florentine banking family took religious leader, Savonarola control and worked behind the came to power in 1494 after scenes to guarantee that power the exile of the Medici. The would pass from one member self-proclaimed prophet Lorenzo de Medici of their family to another Girolamo Savonarola asserted that he could speak Painting by Painting by Domenico Ghirlandaio. while maintaining the outward Fra Bartolomeo. directly with God. His teachings trappings of representative divided Florentines and brought government. The family produced some great the republic to the brink of collapse. With leaders (Lorenzo the Magnificent) and some the support of the Pope, Florence’s leaders bad ones (Piero the Unfortunate). When declared Savonarola a heretic and burned him France invaded in 1494 during Piero’s reign, his in the Piazza della Signoria, not far from where “unfortunate” response was to agree to every Michelangelo’s “David” would later stand. French demand. The Florentine people rebelled, exiling the Medici family from Florence for almost 20 years.

10 PERFORMANCES MAGAZINE ART Playwrights MIRRORS Michael Kramer and D. S. Moynihan POLITICS on Divine Rivalry

What drew you to this time or Michelangelo.” The second has period and these characters? Leonardo saying, “As there can be only one divinity in Heaven it Michael Kramer: As a longtime is time to prove there can be only political columnist, I have always one on Earth.” So, in terms familiar been fascinated with Machiavelli. from TV westerns, what you have is And then, one day, I came across a a young gunslinger (Michelangelo small mention of the competition was 22 years Leonardo’s junior) between Leonardo and eager to knock off the older, more Michelangelo, and Machiavelli’s established genius. Thus, the involvement with it. I hadn’t requisites for a percolating hatred realized the three men lived at the which we naturally try to stoke. same time or that they knew each other, but the animosity between DSM: These four men all have the artists was familiar in the sense different visions of what the world that jealousy and rivalry are so is and what their place in it should common in politics — so much a DIROCCO HENRY be. They are passionate people, part of what I have observed and D. S. Moynihan and Michael Kramer. and it’s the clash of those passions written about during my career that propel the play. They are as a journalist. Very little had been written about the driven by fundamental human emotions: fear, ambition, Florentine competition, so I began what became two anger, devotion, humiliation, love and the need for self- years of intense research — a wonderful dive into the expression. An audience may have predetermined ideas period and three of the men who in large measure about them, but it is our job to make them believable, define the Renaissance. three dimensional human beings. Although we’ve taken some license with historical detail, we’ve tried to be D. S. Moynihan: For me, initially, there was the surprise faithful to what we see as their soul and spirit. at the fact that this was a real incident and at its heart was a mystery. What is so wonderful and also terrifying What resonance do you think these historical events about trying to write something of this nature is that it have for us today? was such a rich period in human history, artistically and politically, and these people were titans. To do them all MK: During the brief 15-year period when Florence was justice, you would need to write twelve plays. At least! a Republic — from 1498-1513 — its leaders understood But the question we continually asked ourselves as we how valuable art can be in supporting a democratic worked with our director Michael Wilson was, “How government. At a time when the arts are besieged in can we communicate a sense of that remarkable world the United States — when funding is being cut back and those astonishing figures while making the play so significantly — it is good to recall how art can help accessible and moving?” Our process has been to home sustain a culture and country that sees itself as the in on the story we want to tell and, reluctantly, leave world’s leading democracy. aside some intriguing material. DSM: The political is personal and the personal is How would you describe the story that you political — that’s a timeless story. Fashion changes, want to tell? language changes, technology. But people don’t change fundamentally, in terms of the things they want, the MK: Two lines in the play help illuminate the story: things they need and the ways they go about trying to The first has Machiavelli explaining the underlying get them. We hope audiences for Divine Rivalry will be rivalry to his boss: “We think of them as Leonardo and invested in the outcome of this interaction among our Michelangelo, but for them, it could only be Leonardo four fascinating Renaissance men. [D. M. A.]

PERFORMANCES MAGAZINE 11 Profiles

MILES ANDERSON York City, he writes and performs with DAVID SELBY (Piero (Leonardo da Vinci) has the aMios Theatre Company and Soderini) is a veteran of been acting for stage and continues his low-flying trapeze training stage, screen and screen for many years. His with Fight or Flight. Mr. Lyons received television. His Broadway recent screen roles his B.A. from Pepperdine University and productions include include Vishwaroopam his M.F.A. from the National Theatre starring roles in The with Indian director Kamal Conservatory. Heiress, The Eccentricities Hassan and an ongoing guest lead in of a Nightingale and I Won’t Dance. His “Doctors” (BBC TV). He was seen in The EUAN MORTON Off Broadway roles include David Rabe’s Old Globe’s Shakespeare Festival last (Michelangelo award-winning Sticks and Bones (The year as the highly acclaimed Prospero in Buonarroti), a native of Public Theater). Mr. Selby has also The Tempest and Salieri in Amadeus. His Scotland, received an appeared with numerous regional 2010 appearance as King George in The Olivier Award nomination theatres. He was directed by Michael Madness of George III won him the San for originating the role of Wilson in Long Day’s Journey into Night Diego Theatre Critics Circle Craig Noel Boy George in the musical at Alley Theatre and Hartford Stage, Award. His other credits include Taboo. He reprised the role on where Mr. Wilson also directed him in Macbeth, The Comedy of Errors, an Broadway, earning Tony and Drama Desk the one-man play St. Nicholas. For the Olivier Award-nominated performance Award nominations and the Theatre Los Angeles Theatre Center, he starred as Sigismund in Life’s a Dream, Twelfth World Award for Outstanding Broadway in The Crucible and The Night of the Night and Volpone (Royal Shakespeare Debut. Mr. Morton also appeared in the Iguana, receiving Drama Logue Awards Company) and West End appearances in Broadway revival of Cyrano de Bergerac for both performances. He was inducted The Weir, Oliver! and The Rehearsal. He and in Sondheim on Sondheim with into the Cleveland Play House Hall of is the recipient of three British Theatre Barbara Cook. His Off Broadway credits Fame and received the Millennium Awards. His film work includes Cry include Howard Katz opposite Alfred Award from The Shakespeare Theatre Freedom! and The Shepherd. His Molina (Roundabout Theatre Company) Company, where he starred in Much Ado television appearances include “Criminal and Measure for Pleasure (The Public About Nothing. He starred as Abraham Minds,” Dempsey in ITV’s “Ultimate Theater, Obie Award). His other stage Lincoln in both the critically acclaimed Force,” Roger O’Neill in BBC’s award- appearances include title roles in Tony The Heavens Are Hung in Black, a play winning “House of Cards” and Dan Kushner’s adaptation of Brundibár (The commissioned for the January 2009 Fortune in the hit series “Soldier, New Victory Theater and Berkeley reopening of Ford’s Theatre, and in the Soldier.” Originally from Zimbabwe, Repertory Theatre), The Who’s Tommy new play Necessary Sacrifices at Ford’s Mr. Anderson currently resides in Los (Bay Street Theatre) and Caligula (New in January-February of this year. His Angeles with actor/acting coach Bella York Musical Theatre Festival, NYMF most recent feature film was The Social Merlin. He has two sons: the actor Joe Award for Outstanding Individual Network. On television, Mr. Selby Anderson and Max, a chef and world Performance), in addition to Moisés created the roles of Quentin Collins on champion streetboarder. Kaufman’s production of Into the Woods “Dark Shadows,” Richard Channing on (Kansas City Repertory Theatre) and “Falcon Crest,” Michael Tyrone on SEAN LYONS (Niccolò Chess (Signature Theatre Company). “Flamingo Road” and Xavier Trout on Machiavelli) is thrilled to Mr. Morton recently won the Helen “Soldier of Fortune, Inc.” He starred in be making his Globe Hayes Award for Outstanding Lead the HBO series “Tell Me You Love Me” debut. His other regional Actor, Resident Musical for his portrayal and has guest starred on numerous credits include the world of Leo Frank in Ford’s Theatre’s series including “Cold Case” and “Mad premiere of Ether Dome production of Parade and played Launce Men.” He recently starred in the TNT (Alley Theatre), A in The Shakespeare Theatre Company’s special Deck the Halls. The author of Christmas Carol, Eventide and A Prayer production of The Two Gentlemen of seven published books, Mr. Selby for Owen Meany (Denver Center Verona. On film he can be seen in the recorded the voice of Commissioner Theatre Company) and Tartuffe and documentary ShowBusiness: The Road Gordon for the upcoming animated Hamlet in repertory (National Theatre to Broadway. He has recorded two solo video release of The Dark Knight and is a Conservatory). His international theatre CDs, NewClear and Caledonia. founding member of L.A. Theatre Works, credits include Shakespeare’s R and J www.officiallyeuanmorton.com. which records plays before live (Mainzer Kammerspiele and Neuss audiences. International Shakespeare Festival in Germany) and several shows in three summers at the Edinburgh Festival Fringe. His television credits include “Friday Night Lights.” Currently in New

12 PERFORMANCES MAGAZINE MICHAEL KRAMER (Playwright) is an Ensler’s Necessary Targets, Foote’s Theatre). He has designed at theatres award-winning journalist. As New York The Carpetbagger’s Children (Lincoln across the country including Actors Magazine’s political columnist in the Center Theater), Tina Howe’s Chasing Theatre of Louisville, Alley Theatre, 1970s and 1980s, he covered local and Manet (Primary Stages) and Christopher Berkley Repertory Theatre, Goodman national politics. For a decade beginning Shinn’s Picked (Vineyard Theatre) Theatre, Guthrie Theater, Hartford Stage in the late ‘80s, he was TIME Magazine’s and What Didn’t Happen (Playwrights (where he designed the world premiere political columnist, covering national and Horizons), as well as the New York of Divine Rivalry), Long Wharf Theatre, foreign affairs. He was also chief political premieres of Jane Anderson’s Defying Mark Taper Forum, New York Stage and correspondent for U.S. News & World Gravity, Tennessee Williams’ The Red Film and Philadelphia Theatre Company, Report and managing editor of the New Devil Battery Sign and the RTC revival among others. He has received an NEA/ York Daily News. He was the editor and of The Milk Train Doesn’t Stop Here Rockefeller Foundation Award, Edward publisher of More, the media magazine, Anymore. His resident theatre work Albee Foundation Fellowship and two and editor of Content, a short-lived includes plays and musicals at the Alley, Connecticut Critics Circle Awards. A magazine about the news business. He American Repertory, Goodman, Guthrie painter and visual artist, Mr. Cowie is is the coauthor of The Ethnic Factor, a and Long Wharf Theatres as well as a graduate of Rhode Island School of book about minority voting patterns that Hartford Stage, where he was Artistic Design and the Glassell School of Art. became a standard text on the subject. Director from 1998 to 2011, when His next stage design will be for the He also coauthored I Never Wanted to Divine Rivalry had its world premiere American premiere of Christopher be Vice President of Anything, a political there, and where he commissioned and Shinn’s Now or Later at Huntington biography of Nelson Rockefeller that developed Quiara Alegría Hudes’s 2012 Theatre Company. was nominated for the Pulitzer Prize. He Pulitzer Prize-winning play, Water by is a graduate of Amherst College and the the Spoonful. A recipient of the 2001 DAVID C. WOOLARD (Costume Design) Columbia Law School. Princess Grace Statue Award, he is a has Broadway credits that include Morehead Scholar graduate of The Lysistrata Jones, West Side Story, Jane D. S. MOYNIHAN (Playwright) began University of North Carolina at Chapel Fonda’s clothing for 33 Variations, her career in the press/marketing Hill. His next project is the American Dividing the Estate, The Farnsworth departments of New York’s Circle premiere of Christopher Shinn’s Now or Invention, Old Acquaintance, Ring of Repertory Company and Ensemble Later for Boston’s Huntington Theatre Fire, All Shook Up, 700 Sundays with Studio Theatre. She then became Company. Billy Crystal, The Smell of the Kill, The Literary Manager of the latter, where Rocky Horror Show (2001 Tony Award she worked closely with writers on JEFF COWIE (Scenic Design) received nomination), Voices in the Dark, The the creation and development of new the 2010 Drama Desk and American Who’s Tommy (1993 Tony and Olivier plays. She received her M.A. and Ph.D. Theatre Wing’s Henry Hewes Award Award nominations), Bells Are Ringing, in Drama from New York University for his design of Horton Foote’s Marlene, Wait Until Dark, Horton Foote’s and taught theater at Sarah Lawrence three-part, nine-hour epic, The The Young Man From Atlanta, Sally College for five years. She currently Orphans’ Home Cycle, Off Broadway Marr…and Her Escorts, Damn Yankees serves as Vice President—Creative at Signature Theatre Company. On and A Few Good Men. His recent credits Projects for The Shubert Organization. Broadway, he has designed Foote’s include The Orphans’ Home Cycle Dividing the Estate for Lincoln Center (Signature Theatre Company), The MICHAEL WILSON (Director) returns Theater. Off Broadway, he designed Milk Train Doesn’t Stop Here Anymore to the Globe where he directed Horton Foote’s Dividing the Estate and The (Roundabout Theatre Company) and the Foote’s Dividing the Estate this past Day Emily Married (Primary Stages) opera Death and the Powers in Monte winter. He is currently represented and The Carpetbagger’s Children Carlo. His selected additional credits on Broadway by the Tony-nominated (Lincoln Center Theater), Tennessee include Lucy Simon’s musical Zhivago revival of Gore Vidal’s The Best Man. Williams’ The Milk Train Doesn’t Stop (La Jolla Playhouse), Horton Foote’s He received Drama Desk and Outer Here Anymore (Roundabout Theatre The Carpetbagger’s Children, The Critics Circle Awards for his direction Company) and The Red Devil Battery Stendhal Syndrome, The Day Emily of Foote’s three-part, nine-hour The Sign, Chris Shinn’s What Didn’t Happen Married with Estelle Parsons, The Orphans’ Home Cycle in 2010. On (Playwrights Horizons), Eve Ensler’s Donkey Show at American Repertory Broadway, he has directed Dividing Necessary Targets, Laura Wade’s Colder Theater, Così Fan Tutte and Madame the Estate (Tony nom, Best Play), Than Here and Christopher Gorman’s Mao (Santa Fe Opera) and work at Matthew Barber’s Enchanted April A Letter from Ethel Kennedy (MCC regional theatres including The Old (Tony nom, Best Play) and John Van Theater), Rainer Werner Fassbinder’s Globe, Goodman Theatre, Arena Stage, Druten’s Old Acquaintance (Roundabout The Bitter Tears of Petra von Kant Oregon Shakespeare Festival, Guthrie Theatre Company). His Off Broadway (Drama Desk nomination) and Jane Theater, Seattle Repertory Theatre and credits include the premieres of Eve Anderson’s Defying Gravity (Laura Pels Opera Theatre of Saint Louis.

PERFORMANCES MAGAZINE 13 Profiles

ROBERT WIERZEL (Lighting Designer) other New York credits include Measure Heart, Million Dollar Quartet and The has worked with artists from diverse for Measure last summer in Central Addams Family. Their Off Broadway disciplines and backgrounds in theatre, Park, The Orphans’ Home Cycle (Drama credits include Dogfight (Second dance, contemporary music, museums Desk and Henry Hewes Awards), By the Stage Theatre), Rent, Atlantic Theater and opera on stages throughout the Way, Meet Vera Stark, Olive and the Company, MCC Theater and Signature country and abroad. His Broadway Bitter Herbs, The Screwtape Letters, Theatre Company. For film they have credits include Fela! (Tony Award Shipwrecked! (Lucille Lortel Award), cast The Odd Life of Timothy Green, nomination and productions at the Secrets of the Trade, The Singing Forest, Friends with Kids, Joyful Noise, Margin National Theatre in London and Julius Caesar, Skriker (Drama Desk Call, Sex and the City 1 and 2, I Love You international and American tours) Award), Machinal (Obie Award) and Phillip Morris, Rachel Getting Married, and David Copperfield: Dreams and many more. His regional theatre credits Dan in Real Life and Across the Universe. Nightmares. His Off Broadway credits number more than 300, including the Their television credits include “Smash” include The Public Theater, Signature La Jolla Playhouse productions of and “The Big C.” www.telseyandco.com. Theatre Company, Roundabout Theatre A Dram of Drummhicit, Surf Report and Company, Classic Stage Company and Unusual Acts of Devotion and the Geffen MARISA LEVY (Stage Manager) has Playwrights Horizons. His extensive Playhouse production of Next Fall. Broadway credits including Dividing regional credits include The Old Globe, www.johngromada.com. the Estate and Off Broadway credits American Conservatory Theater, including February House (The Public CENTERSTAGE, Arena Stage, Chicago PETER NIGRINI (Projection Design) has Theater), Me, Myself & I (Playwrights Shakespeare Theater, The Shakespeare designed projections on Broadway for Horizons), On the Levee (Lincoln Center Theatre Company, Hartford Stage, Gore Vidal’s The Best Man, Fela!, 9 to 5: Theater), The Orphans’ Home Cycle Long Wharf Theatre, Westport Country The Musical and Say Goodnight, Gracie. (Signature Theatre Company), Dividing Playhouse, Goodman Theatre, Guthrie His other designs include The Elaborate the Estate and Adrift in Macao (Primary Theater, Alliance Theatre, Mark Entrance of Chad Deity and Wings Stages) and Single Black Female (New Taper Forum and Berkley Repertory (Second Stage Theatre), Notes from Professional Theatre). Her other credits Theatre. He has designed for opera Underground (Yale Repertory Theatre) include The Furniture Fire (The Drama companies including Paris Opera, the Grace Jones Hurricane Tour and League), The Crucible, Gem of the Tokyo Opera, New York City Opera, Rent (New World Stages), Sweet Bird of Ocean, Divine Rivalry, The Orphans’ Glimmerglass Opera, Seattle Opera, Youth (Williamstown Theatre Festival), Home Cycle, Dividing the Estate and San Francisco Opera, Houston Grand Der Ferne Klang (Bard SummerScape), To Kill a Mockingbird (Hartford Stage), Opera, Washington National Opera, Haroun and the Sea of Stories (New York The Acting Company, Pennsylvania Lyric Opera of Chicago and Chicago City Opera), Blind Date (Bill T. Jones/ Shakespeare Festival and Barrington Opera Theater as well as Philip Glass’ Arnie Zane Dance Company), Fetch Stage Company. Les Enfants Terribles (American Theatre Clay, Make Man and Sleeping Beauty Wing Award). His dance work includes Wakes (McCarter Theatre Center), ERIN GIOIA ALBRECHT (Assistant 26 years with choreographer Bill T. The Orphan of Zhao (Lincoln Center Stage Manager) previously worked on Jones (Bessie Awards). Mr. Wierzel’s Festival) and Biro (The Public Theater). the Globe productions of Dividing the future projects include the new musical For Nature Theater of Oklahoma he Estate, August: Osage County, Jane Superfly (Broadway, 2013). He teaches has designed No Dice (2008 Obie Austen’s Emma – A Musical Romantic at New York University Tisch School of Award), Romeo and Juliet (Salzburger Comedy, Brighton Beach Memoirs, the Arts and Yale School of Drama and Festspiele) and Life and Times, Broadway Bound, The Madness of holds a Master of Fine Arts degree from Episodes 1-4 (Burgtheater, Vienna), George III, The Taming of the Shrew, Yale School of Drama. among others. Mr. Nigrini’s upcoming King Lear, Cyrano de Bergerac, Twelfth projects include Here Lies Love (The Night, Coriolanus, Working and Bell, JOHN GROMADA (Original Music and Public Theater), Far from Heaven Book and Candle. Her regional credits Sound Design) has composed music (Williamstown Theatre Festival) and the include Hands on a Hardbody, Milk or designed sound for more than 30 Broadway production of Flashdance. Like Sugar, Creditors, The Third Story Broadway productions including this and No Child… (La Jolla Playhouse). season’s Gore Vidal’s The Best Man TELSEY + COMPANY (Casting) has cast Her New York credits include The Third (Drama Desk Award), Clybourne Park, the Broadway productions and Tours of Story (MCC Theater), Marvin’s Room Seminar, Man and Boy, The Road to Annie, Chaplin, Bring It On, A Streetcar (T. Schreiber Studio), The Great Mecca and The Columnist, in addition Named Desire, Evita, Gore Vidal’s The American Desert (78th Street Theatre to Next Fall, A Bronx Tale, Prelude to a Best Man, Newsies, The Gershwins’ Lab) and The Chekhov Dreams Kiss, Proof, Sight Unseen, Well, Rabbit Porgy and Bess, Godspell, Spider-Man: (Manhattan Theatre Source). Hole, A Streetcar Named Desire, Twelve Turn Off the Dark, Sister Act, Memphis, Ms. Albrecht obtained her M.F.A. in Angry Men and A Few Good Men. His Rock of Ages, Wicked, The Normal Stage Management from UC San Diego.

14 PERFORMANCES MAGAZINE MICHAEL G. MURPHY (Managing Bess (Tony Award). Metropolitan County Board of Supervisors. Mr. Noel Director) served as General Manager Opera: II Trittico. London: Love Never was particularly proud of the following of The Old Globe from 2003 to 2012, Dies, Hairspray (Olivier nomination), three honors representing education overseeing the Production, Education, National Theatre: His Girl Friday. Six and theatre: Honorary Doctorate of Human Resources, Information movies for PBS’s “American Playhouse.” Humane Letters, University of San Diego, Technology and Facilities Departments, Awards: 2008 Theatre Hall of Fame Honorary Doctorate in Fine Arts, San as well as Front of House operations. Inductee, 2005 John Houseman Award, Diego State University and the annual He also managed the construction of ArtServe Michigan 2008 International Awards for Excellence in Theatre named the Globe’s new theatre and education Achievement Award, Honorary in his honor by the San Diego Theatre facilities. Prior to the Globe, he was Doctorate, University of Michigan. Critics Circle. In 2007, he received the the Managing Director of Austin Lyric Honorary Doctor of Humane Letters, National Medal of Arts — the nation’s Opera in Austin, Texas, Director of University of San Diego. Film (actor): highest honor for artistic excellence — Administration of San Diego Opera Sex and the City 2. in a ceremony at the White House. and General Manager of San Diego Craig Noel died on April 3, 2010 at the Repertory Theatre. Before relocating to CRAIG NOEL (Founding Director) age of 94. San Diego from New York, he held similar was first appointed director in 1939, positions at Theatre for a New Audience directing 15 productions prior to and the Joyce Theater Foundation’s World War II. Since then he directed American Theater Exchange. He also more than 200 plays of all styles and served as negotiating assistant for the periods and produced an additional TELSEY + COMPANY Bernie Telsey CSA, Will Cantler CSA, David Vaccari CSA, League of Resident Theatres and sales 270 productions. His vision for The Old Bethany Knox CSA, Craig Burns CSA, representative for Columbia Artists Globe resulted in the establishment Tiffany Little Canfield CSA, Rachel Hoffman CSA, Justin Huff CSA, Patrick Goodwin CSA, Abbie Brady-Dalton CSA, Theatricals Corporation. Mr. Murphy of the Shakespeare Festival and the David Morris, Cesar A. Rocha, Andrew Femenella, Karyn Casl, has served on the Board of Directors of San Diego Junior Theatre in the late Kristina Bramhall, Jessie Malone the San Diego Performing Arts League ‘40s, the expansion to two theatres in and serves as a Management Trustee the ‘50s, Globe Educational Tours in for San Diego County Theatrical Trusts, the ‘70s and Teatro Meta and the Old the pension and welfare trust for IATSE Globe/University of San Diego MFA stagehands in the San Diego region. He program in the ‘80s. During the 1940s, was also an adjunct faculty member of Mr. Noel served as dialogue director the Music Department at the University for the 20th Century Fox Studios and of San Diego. Mr. Murphy earned his was the former director of the Ernie B.F.A. degree in Stage Management from Pyle Theatre in Tokyo. Described by Webster University in St. Louis, Missouri Variety as the eminence grise of San and his M.F.A. in Performing Arts Diego theatre, Mr. Noel is one of the Management from Brooklyn College of few San Diegans to have had an entire the City University of New York. year (1987) proclaimed in his honor, and to be named one of San Diego’s JACK O’BRIEN (Artistic Director “Living Treasures.” He was a founder of Emeritus) served as the Artistic the California Theatre Council and a Director of The Old Globe from 1982 former vice president of the California through 2007. Broadway: Catch Me If Confederation of the Arts. His numerous

You Can, Impressionism, The Coast of honors include The San Diego Union- This theatre operates under an agreement Utopia (Tony Award), Dr. Seuss’ How Tribune list of 25 persons who shaped between the League of Resident Theatres and Actors’ Equity Association, the union of the Grinch Stole Christmas!, Dirty the city’s history; the Governor’s Award professional actors and stage managers in the Rotten Scoundrels (Tony nomination), for the Arts; University of Arizona Alumni United States. Henry IV (Tony Award), Hairspray Association’s Outstanding Citizen, (Tony Award), Imaginary Friends, The for his contribution to their Fine Arts The Directors are members of the Society of Stage Directors and Choreographers, an Invention of Love (Tony nomination, department; San Diego State University’s independent national labor union. Drama Desk Award), The Full Monty Outstanding Alumnus; Conservator of This Theatre operates under an Agreement with (Tony nomination), More to Love, American Arts Award from American the International Alliance of Theatrical Stage Getting Away with Murder, Pride’s Conservatory Theater; the San Diego Employees Local No. 122. Crossing, The Little Foxes, Hapgood Press Club Headliner Award; San Diego (Lucille Lortel Award, Best Director), Gentleman of Distinction Award; and a The Scenic, Costume, Lighting and Sound Damn Yankees, Two Shakespearean combined tribute from the Public Arts Designers in LORT Theatres are represented by Actors (Tony nomination), Porgy and Advisory Council and the San Diego United Scenic Artists Local USA-826, IATSE.

PERFORMANCES MAGAZINE 15 The Old Globe is deeply grateful to its Sponsors, each of GLOBE whom has made a 2012 annual donation of $50,000 or greater. AMBASSADORS LEAD SEASON SPONSORS Globe Ambassadors are generous supporters of The Old Globe who Mary Ann Blair Conrad Prebys and Debra Turner contribute a minimum of $3,500 Karen and Donald Cohn Darlene Marcos Shiley to the Annual Fund, attend special Globe meetings and activities David C. Copley Sheryl and Harvey White and serve as advocates in the community for the Globe’s mission and goals. As a group, Ambassadors sponsor one Globe production each season.

La wrence G. Alldredge & Dawn Moore Paul Black◆ Steven J. Cologne R. Patrick & Sharon Connell◆ SEASON SPONSORS Gigi & Ed Cramer◆ Elaine & Dave Darwin◆ Mary Beth Adderley and Elizabeth Valerie and Harry Cooper Nina & Robert Doede & Ryan Williams Marion Eggertsen◆ The County of San Diego Be rnard J. Eggertsen & The Legler Benbough Florence Nemkov◆ Audrey S. Geisel Foundation Ca rol Spielman-Ewan & Globe Guilders Joel Ewan John A. Berol Danah H. Fayman◆ Kathryn Hattox Alexa Kirkwood Hirsch◆ The Family of Leonard & Elaine Hirsch◆ Mary and Dallas Clark Joan and Irwin Jacobs Pat Jacoby ◆ Elaine Lipinsky Family Foundation Mary & Russell Johnson Peter Cooper and Bob* & Gladys King◆ Norman Blachford June E. Yoder Tadd S. Lazarus, M.D. James & Pamela Lester ◆ Merriel F. Mandell, Ph.D.◆ Peter Manes & Yoko Sakaguchi Paul I. & Margaret W. Meyer Joanne C. Powers◆ Jeannie & Arthur Rivkin Donald* & Darlene Shiley◆ Ms. Jeanette Stevens◆ Evelyn Mack Truitt Dixie & Ken Unruh Doris & Lou Vettese◆ Pamela J. Wagner◆ Jordine Von Wantoch◆ *In Memoriam ◆Denotes increased giving in 2011.

For additional information on how you may become a Globe Ambassador, please contact Rachel Plummer, Major Gifts Officer, at (619) 231-1941 x2317 or [email protected].

Robert Foxworth, Miles Anderson and Emily Swallow in the 2010 Shakespeare Festival production of The Madness of George III. WEISER JEFFREY

For16 PERFORMANCES additional information MAGAZINE on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310. Talent Competition for High School Students

The Old Globe celebrated theatre artists of the future on of Canyon Crest Academy and Kelly Prendergast of May 21, 2012 at the fourth annual Globe Honors awards, Grossmont High School (Musical Theatre), Patrick Gates of presented this year in association with Broadway/San San Diego Virtual Schools and Sara Rose Carr of Canyon Diego – A Nederlander Presentation. Over 100 young Crest Academy (Spoken Theatre) and Chad Mata of actors and singers auditioned for the event and 12 finalists Coronado School of the Arts (Technical Theatre). were selected to perform their songs or monologues live for a panel of theatre professionals. Seven students also Chase and Nicolette received an all-expenses-paid trip to competed in the Technical Theatre category. New York City to participate in the National High School Musical Theater Awards/The Jimmy™ Awards competition The winners, all of whom received $1,000 scholarships, to be held at the Minskoff Theatre on Broadway. The winners were Chase Fischer of Coronado School of the Arts and of the Musical, Spoken and Technical Theatre categories Nicolette Burton of Canyon Crest Academy (Lead in a received a two-day trip to Los Angeles where they attended High School Musical), a show and went behind the scenes at the Center Theatre Jonathan Edzant Group and visited the historic Pantages Theatre.

Congratulations to all of the exceptional teens who participated in this competition!

(counterclockwise from top) The semi-finalists, finalists and winners of the 2012 Globe Honors; Nicolette Burton and Chase Fischer, winners of Leading Actress and Actor in a High School Musical; Chase Fischer, Danielle Diamond and Patrick Gates perform in a group number. Photos by J. Katarzyna Woronowicz.

PERFORMANCES MAGAZINE 17 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) City of San Diego Commission Audrey S. Geisel/The San Diego Darlene Marcos Shiley, for Arts & Culture Foundation Dr. Seuss Fund in memory of Donald Shiley David C. Copley Globe Guilders The Shubert Foundation The County of San Diego The James Irvine Foundation Sheryl & Harvey White Foundation Microsoft

Season Sponsors ($50,000 to $99,999) Mary Beth Adderley and Peter Cooper & Norman Blachford Elaine Lipinsky Family Foundation Elizabeth & Ryan Williams Advised Fund at the San Diego Conrad Prebys & Debra Turner The Legler Benbough Foundation Human Dignity Foundation Qualcomm Foundation John A. Berol Valerie & Harry Cooper United Mary Ann Blair Edgerton Foundation Wells Fargo Karen & Donald Cohn Kathy & John Hattox June E. Yoder, in memory of David Yoder Cohn Restaurant Group/ HM Electronics, Inc. Prado Restaurant Joan & Irwin Jacobs Fund of the Jewish Community Foundation

Production Sponsors ($25,000 to $49,999) Anonymous Pamela A. Farr SDG&E Balboa Park Celebration, Inc. Higgs Fletcher & Mack, LLP Sheraton San Diego Hotel & Marina Bank of America Elaine & Leonard Hirsch Patsy & Forrest Shumway Alan Benaroya Jo Ann Kilty Mickey Stern Richard & Kathy Binford Barbara G. Kjos Ms. Jeanette Stevens California Bank & Trust National Corporate Theatre Fund Gillian & Tony Thornley Pamela & Jerry Cesak Neiman Marcus Union Bank Elaine & Dave Darwin Paula & Brian Powers U.S. Bank Mr. & Mrs. Brian K. Devine Random House Children’s Books Mandell Weiss Charitable Trust

Director Circle ($10,000 to $24,999) Jane Smisor Bastien Deni & Jeff Jacobs Reneé Schatz Nikki & Ben Clay Daphne H. & James D. Jameson Jean & Gary Shekhter The Helen K. and James S. Copley Jeffrey & Sheila Lipinsky Anne Taubman & David Boyle Foundation Family Foundation Evelyn Mack Truitt Nina & Robert Doede Sue & John Major Dr. Steve & Lynne Wheeler Karen Fox & Harvey Ruben National Endowment for the Arts Karin Winner Hal & Pam Fuson Rafael & Marina Pastor Laurie Mitchell & Brent Woods Diana Glimm Tom & Lisa Pierce Carolyn Yorston-Wellcome Lee & Frank Goldberg Allison & Robert Price Dr. & Mrs. Harry F. Hixson, Jr. Price Family Charitable Fund

18 PERFORMANCES MAGAZINE FOUNDER CIRCLE Mrs. Philip H. Dickinson Mo & Bill Popp PLATINUM ($5,000 to $9,999) Jim & Sally Ditto Daniel Porte Jr., MD ($1,000 to $1,499) Lawrence G. Alldredge & Dawn Moore Dan & Phyllis Epstein Joanne Powers Sondra & Robert Berk Fund of the Joan & Jeremy Berg Noddy & Ira Epstein The Arthur & Jeanette Pratt Jewish Community Foundation Barbara Bloom Carol Fink Memorial Fund Gary & Barbara Blake Family Fund of The Louis Yager Cantwell Mary & David Fitz Joseph & Jane Rascoff the Jewish Community Foundation Private Foundation Susanna & Michael Flaster Sarah B. Marsh-Rebelo & Steve & Elizabeth Bluhm Clifford & Carolyn Colwell Jean & Sid Fox John G. Rebelo Nancy Brock R. Patrick & Sharon Connell Chuck Freebern Roger & Christine Roberts Cecilia Carrick & Stan Nadel Ann Davies Charles & Millicent Froehlich Nancy Robertson Harry & Sandra Carter Bernard J. Eggertsen & Joy & Dr. Fred Frye Mary & Eugene Rumsey, MD Dorothy R. Dring Florence Nemkov Elaine & Murray Galinson Carole Sachs Paul & Clare Friedman Marion Eggertsen Victor & Jill Gálvez Warren & Beverly Sanborn Gay and Lesbian Fund for San Diego Barbara & Dick Enberg Barbara & Albert Garlinghouse Sanderson Family Donor Advised at The San Diego Foundation Dr. & Mrs. Robert Epsten Bill & Judy Garrett Fund at the Rancho Santa Fe Mr. & Mrs. Arthur A. Greenberg Carol Spielman-Ewan & Joel Ewan Teresa George Foundation Kaaren Henderson Martha & George Gafford Nancy Reed Gibson Drs. Joseph & Gloria Shurman Bill & Nancy Homeyer Drs. Thomas & Jane Gawronski Wendy Gillespie Dee E. Silver, MD Kenneth & Marilyn Jones Norm Hapke & Valerie Jacobs Hapke Robert Gleason & Marc Matys Paul Scott Silvera & Todd Schultz Louis & Mary Beth Kelly Alexa Kirkwood Hirsch Walter Goeddel Elene & Herb Solomon Gayle & Jerry Klusky William Karatz Sheila & Tom Gorey Nancy & Alan Spector and Family Dr. & Mrs. James E. Lasry Brooke & Dan Koehler Dr. & Mrs. William Gott Nancy Steinhart & Don & Mary Jane Lincoln Carol & George Lattimer Walter & Lola Green Rebecca Goodpasture Edward & Nancy Lyon Peter Manes & Yoko Sakaguchi Tim Haidinger Eugene & Hannah Step Jasna Markovac & Gary Miller Paul & Maggie Meyer Ms. Cheryl Haimsohn Pat & Jack Thomas F. Dale & Lois Marriott Money/Arenz Foundation, Inc. Pat & Rick Harmetz Cherie Halladay Tirschwell Peggy Matthews Rebecca Moores Gordon & Phyllis Harris Carol Vassiliadis Marcia Mattson Matthew & Judith Pollack Drs. Patrick Harrison & Eleanor Lynch Doris & Lou Vettese Dr. & Mrs. M. Joseph McGreevy John & Marcia Price Rhonda Heth & Thomas Mabie Mary R. Warkentin Jack Meek Family Foundation Richard & Janet Hunter Zelda J. Waxenberg Virginia Oliver Rivkin Family Fund I at Hutcheson Family Fund at Jan Harden Webster & Raul Ortega Dr. Julie Prazich & Dr. Sara Rosenthal The San Diego Foundation The San Diego Foundation The Patricia and Christopher Weil Robert & Doris Reed Bob & Julie Sullivan Drs. Sonia & Andrew Israel Family Foundation Jeffrey & Vivien Ressler Deborah Szekely Jerri-Ann & Gary Jacobs Kathy & Jim Whistler Wade & Candi Rich Dixie & Ken Unruh Pat JaCoby The Ralph B. Rogers Foundation Jordine Skoff Von Wantoch Mary & Russell Johnson ($1,500 to $2,499) San Diego Concierge Association Pamela J. Wagner Jackie Johnston Anita Busquets & William Ladd Alan & Esther Siman Katleman Family Fund of the Lisa & David Casey Dave & Phyllis Snyder CRAIG NOEL CIRCLE Jewish Community Foundation Devora & Ron Eisenberg Jack & Louise Strecker ($2,500 to $4,999) Dr. Gerald & Barbara Kent of Great News! Greta & Steve Treadgold Dr. & Mrs. Wayne Akeson Bob* & Gladys King Gary & Carrie Huckell Celeste & Gene Trepte Gail Andrade and Ken & Sheryl King William & Edythe Kenton Stan & Anita Ulrich John & Jennifer Andrade Webster & Helen Kinnaird Sherry & Larry Kline Jo & Howard Weiner Anonymous (4) Jane & Ray Klofkorn Robin J. Lipman David & Irene Weinrieb Judith Bachner & Eric Lasley Curt & Nancy Koch Nancy & James Mullen Mary Kay West Jan & Rich Baldwin Betty & Leonard Kornreich In Memory of Dolly & Jim Poet Christy & Howard Zatkin Bobbie Ball Rosalie Kostanzer & Michael Keefe Marie & Don Prisby Diana J. Barliant & Nowell Wisch Regina Kurtz & Al Isenberg Marisa SorBello & Peter Czipott GOLD Jan Bart Bob & Laura Kyle James & Ellen Weil ($500 to $999) Melissa Garfield Bartell & Jean & David Laing Shirli Fabbri Weiss Anonymous (4) Michael Bartell Peter Landin & Michelle Cardinal George Amerault Deron & Toni Bear Tadd S. Lazarus, MD DIAMOND Drs. Michael & Gabriela Antos Linda Birch Terry & Mary Lehr ($1,500 to $2,499) Earl Asbury Charlotte & Charles Bird Ms. Sherrill Leist Anonymous The Backman Family Paul Black James & Pamela Lester Jeff & Donna Applestein Andris Baltins Dr. Herman & Irene Boschken Sandy & Arthur Levinson Mrs. Lazare F. Bernhard Richard & Linda Basinger Dr. & Mrs. Edgar D. Canada Barbara & Mathew Loonin Steve G. Bjorg Bruce & Patricia Becker Edward & Pamela Carnot Merriel F. Mandell, PhD Dr. & Mrs. Robert M. Callicott Amnon & Lee Ben-Yehuda George & Ellen Casey Charlie & Jackie Mann Jane Cowgill Drs. John & Karen Berger Rudy & Carol Ceseña Elizabeth & Edward McIntyre Enid Gleich Bob & Joyce Blumberg Carol & Jeff Chang Harold O. McNeil, Esq. George C. Guerra Barbara Bolt Garet & Wendy Clark Elizabeth Meyer Leo S. Guthman Fund Dr. & Mrs. J. Brand Brickman Ms. Heidi Conlan/The Sahan Daywi Grace & Scott Miller Jerry Lester, MD/Rosarito, Mexico Dr. & Mrs. Simon C. Brumbaugh, Jr. Foundation Barbara & Mike Morton Paul Levin Greg & Loretta Cass Richard & Stephanie Coutts Jim & Ruth Mulvaney Foundation at Dr. Robert & Marcia Malkus Luc Cayet & Anne Marie Pleska Susan Barlow Cowell The San Diego Foundation Joy & Ronald Mankoff Lynne Champagne & Wilfred Kearse Gigi & Ed Cramer Elspeth & Jim Myer Holly McGrath & David Bruce Jack & Carol Clark Timothy & Marie Cunning Joyce & Martin Nash Akiko Charlene Morimoto & Ronald D. Culbertson Carlo & Nadine Daleo National Alliance for Musical Theatre Hubert Frank Hamilton, Jr. Walter & Cheryl Deegan Darlene G. Davies, in memory Lyn Nelson Mark Niblack, MD Dr. Donald & Eilene Dose of Lowell Davies Arthur & Marilyn Neumann Shearn & Linda Platt Jacqueline & Stanley Drosch Pat & Dan Derbes Lawrence Newmark Esther Rodriguez Elisabeth K. Ecke Michael & Katy Dessent Ben & Joan Pollard Margery & John Swanson Bill Eiffert & Leslie Hodge

PERFORMANCES MAGAZINE 19 Annual Fund Donors

(continued) Dr. & Mrs. Clyde W. Jones Rod & Barbara Orth Harold Walba Kathy & Rob Jones Barbara B. Oswalt Douglas Wallingford Esther & Robert Feier Patricia & Alexander Kelley In Memory of Margaret Peninger Kathy & Jim Waring Richard & Beverly Fink Robert Kilian & Kathleen Slayton Dr. Ken Pischel & Dave & Kim Washkowiak Family Foundation Bill & Linda Kolb Dr. Katherine Ozanich Ms. Sandy Wichelecki Pauline Forman & Jack Burke Dr. Marvin Kripps Drs. Paul & Katherine Ponganis Dennis & Carol Wilson Susan & Steven Garfin LABS, Inc./Silvia Dreyfuss Rowling Family Charitable Fund of the Cass Witkowski Family Peter & Christine Gault Sherry & Rick Levin Jewish Community Foundation Ms. Abbe Wolfsheimer Theresa A. Georgi Marshall & Judy Lewis Fund of the Simon & Ruth Sayre Brendan M. & Kaye I. Wynne Arthur Getis Jewish Community Foundation Mr. & Mrs. Russell Schnapp Norman & Patricia Gillespie Carl Maguire & Margaret Sheehan Linda J. Seifert *In Memoriam Louise & Doug Goodman Sally & Luis Maizel Stella Shvil Professional Fiduciary This list current as of June 1, 2012. Robert & Edry Goot Drs. Betty Joan Maly & John Meyers Beverly & Howard Silldorf Chris Graham & Michael Albo Ron & Mercy Mandelbaum Mr. & Mrs. Randall Silvia For additional information on how you Carol & Don Green Martin & Joanne Marugg Mr. William D. Smith & Dr. Carol Harter may support The Old Globe’s artistic, Richard & Candace Haden Rev. Stephen J. Mather Ronald & Susan Styn education and community programs, Helen M. Hammond McAuliffe Family Clifford & Kay Sweet please visit our website at James & Ruth Harris of the Ronald McCaskill & Robyn Rogers Gertrude Trebon www.TheOldGlobe.org or contact Jewish Community Foundation Charles & Billie McKnight Jeffrey & Sheila Truesdell Rachel Plummer, Major Gifts Officer, Virginia Hawkins Rena Minisi & Rich Paul Ms. C. Anne Turhollow & at (619) 231-1941 x2317 or Jamie Henson & Robert Houskeeper Charles & Susan Muha Mr. Michael J. Perkins [email protected]. Mike Hogan Enterprises Shirley Mulcahy Marlene G. Lipsey Turrentine Stephen Hopkins & Dr. Carey Pratt Marsha J. Netzer Natalie C. Venezia & Paul A. Sager

Planned Giving at The Old Globe

What is the Craig Noel League? What is a Planned Gift? Founded in 2000 and named for Planned giving is simply a way to support The Old Globe the Globe’s Founding Director, the through your estate plans by establishing an irrevocable League is a planned giving society for bequest of property, stock or cash; a charitable trust; a living the Globe comprised of individuals estate; or some other deferred giving instrument. In your who have included The Old Globe estate plans, you have the ability to designate the specific in their estate plans. Through their use of the funds given to the Globe, and to help guide your generosity, these supporters of the decision, The Old Globe Board of Directors has established Theatre are helping to ensure a long specific giving areas that you may choose from, including and bright future for San Diego’s classical theatre and Shakespeare, education programs and

CRAIG NOEL,CRAIG 1957 leading cultural landmark. new works.

To become a member of the Craig Noel League or to tell us of a gift you have already made, please contact Bridget Cantu Wear, Associate Director of Development, Planned Giving, at (619) 231-1941 x2312 or [email protected].

CRAIG NOEL LEAGUE MEMBERS

Anonymous (17) Dr. & Mrs. Robert Epsten Jean & David Laing Sarah B. Marsh-Rebelo & Randy Tidmore Diana Barliant Frank A. Frye, III Jerry Lester Foundation John Rebelo Cherie Halladay Tirschwell Nancine Belfiore Mr. Alan Gary & Heather Manion Darlene Shiley Evelyn Mack Truitt Alan Benaroya Ms. Joanee Udelf Chris & Jill Metcalf Patsy & Forrest Shumway Ginny Unanue Barbara Bolt Nancy Reed Gibson Paul I. & Margaret W. Meyer B. Sy & Ruth Ann Silver Carol & Lawrence Veit Nancy Brock Robert Gleason & Steve Miller Dee E. Silver, M.D. Jordine Von Wantoch Ronald Brown Marc Matys Dr. Robert W. Miner Stephen M. Silverman Merle Wahl Dr. & Mrs. Edgar D. Canada Marcy Goldstone Shirley Mulcahy Roberta Simpson Holly J. B. Ward Garet & Wendy Clark Carol & Don Green Laurie Dale Munday Dolores & Rod Smith Sarah Woodruff Watkins R. Patrick & Sharon Connell Kathryn Hattox Stanley Nadel & Marisa SorBello & Sheryl & Harvey P. White Patricia W. Crigler. Ph. D., David & Debbie Hawkins Cecilia Carrick Peter Czipott Mrs. Jack Galen Whitney CAPT/USN/Ret. Jill Denison Holmes Alice B. Nesnow John & Cindy Sorensen Julie Meier Wright Carlos & Patricia Cuellar Craig & Mary Hunter Arthur & Marilyn Neumann Nancy A. Spector & Carolyn Yorston-Wellcome Mrs. Philip H. Dickinson Bob Jacobs Ronald J. Newell Alan R. Spector Doug Druley & Becky Young Grace Johnston Greg & Polly Noel Jeanette Stevens Bernard J. Eggertsen & Gladys H. King PACEM (Pacific Academy of Eric Leighton Swenson Florence Nemkov Marilyn Kneeland Ecclesiastical Music) Anne C. Taubman

20 PERFORMANCES MAGAZINE Corporate Donors

LEAD SEASON SPONSORS ($75,000 or more)

SEASON SPONSORS ($50,000 - $74,999)

PRODUCTION SPONSORS ($25,000 - $49,999)

National Corporate Theatre Fund is a not-for-profit DIRECTOR CIRCLE ($15,000 to $24,999) corporation created to increase and strengthen support from the business community for ten of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions to NCTF: ($10,000 or more) The McGraw-Hill Companies Acquis Consulting Group MetLife American Express Morgan Stanley Bank of America Pfizer, Inc. Bloomberg RBC Wealth Management BNY Mellon Wealth Management RVM/Vincent Brunetti Steven Bunson Salesforce.com Christopher Campbell/ Sharp Electronics ($10,000 to $14,999) Palace Production Center George S. Smith, Jr. ResMed Foundation Cisco Systems, Inc. James S. Turley Citi UBS FOUNDER CIRCLE ($5,000 - $9,999) Datacert, Inc. USA Today Bertrand at Mister A’s Break-Away Tours First American Trust Dorsey & Whitney Foundation Vernalis Systems Nokia Inc. Hyatt Regency La Jolla The Westgate Hotel Ernst & Young Wells Fargo Goldman, Sachs & Co. Willkie Farr & Gallagher LLP CRAIG NOEL CIRCLE ($2,500 - $4,999) Marsh & McLennan Companies The Cox Kids Foundation at The San Diego Foundation Corporate Partners enjoy benefits and recognition, including the opportunity to Cubic Corporation First American Trust entertain clients and employees with exclusive receptions at the Theatre, behind- Goldman, Sachs & Co. Northgate González Market the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310. Public Support

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is funded by the County of San Diego.

PERFORMANCES MAGAZINE 21 DOUG GATES WORONOWICZ KATARZYNA J. DOUG GATES DOUG GATES

The Role of the Not-for-Profit Board of Directors Board Service to The Old Globe

Not-for-profit organizations like The Old Globe are an and long-range planning. These functions are carried integral part of our community and, as independent out through regular meetings of the full Board and private entities, provide countless services and its committees. In addition, ad-hoc committees are programs for children and adults of all ages. By formed as needed, such as the current Transition definition, these organizations must depend upon the Committee named to aid in the Globe’s search for its financial support, advocacy and volunteerism of their new Artistic Director. patrons to meet their goals and must also rely greatly on the leadership and governance of a dedicated Equally vital, Board members serve as advocates Board of Directors. for the Theatre, enhancing the organization’s public image. One of the many reasons for the Globe’s You have likely seen the lists of names of the Globe’s 77 years of success and achievement comes from a Board of Directors many times but may not be aware spirit of collaboration set forth by Craig Noel, who that these individuals are generous donors and greatly valued the volunteer leadership that helped volunteers themselves, providing invaluable time lift the Globe higher and higher. The Theatre’s Board and talent in service of the mission established by continues this legacy, reaching out through personal the Globe’s founders. The Globe’s Board currently advocacy efforts to neighbors, friends and community, consists of 47 members, representing a broad range forging new relationships and partnerships. of community leaders, educators, businesses and family affiliations. In addition to their own generous We are deeply grateful to the Globe’s Board of financial support, the Board provides countless Directors for shepherding this great institution, the hours of guidance over fiduciary matters, institutional largest performing arts organization in San Diego and policy, legal concerns, administrative management the sixth-largest regional theatre in the nation.

(clockwise from top left) Board Vice Chair and Treasurer Tony Thornley, Sue Major, Board (standing) set designer Jeff Cowie, Torrey Pines Bank CEO Gary Cady, director Michael member Pam Farr and Board Chair Hal Fuson at the 2012 Annual Meeting reception; Wilson and lighting designer Rui Rita at the Circle Patron Dinner for the opening night Board members Conrad Prebys and Debra Turner (center) with playwright Tracy Letts of Dividing the Estate; Board member Mary Beth Adderley (center) with actors Matt (left) and director Sam Gold (right) at the Circle Patron Dinner for the opening night of McGrath and Sydney James Harcourt and music director Mike Wilkins from Richard August: Osage County; (seated) Board member Crystal Sargent and Doug Sargent with O’Brien’s The Rocky Horror Show at the 2011 Annual Founders Dinner.

22 PERFORMANCES MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrat- ed by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Tim Donoghue Mark Harelik Jonathan McMurtry Ken Ruta Irene Tedrow* Gregg Barnes Richard Easton Bob James Stephen Metcalfe Douglas W. Schmidt Sada Thompson* Jacqueline Brooks Tovah Feldshuh Charles Janasz Robert Morgan Seret Scott Paxton Whitehead Lewis Brown* Monique Fowler Peggy Kellner* Patrick Page David F. Segal James Winker Victor Buono* Robert Foxworth Tom Lacy Ellis Rabb* Richard Seger* Robert Wojewodski Wayland Capwell* Ralph Funicello Diana Maddox Steve Rankin Diane Sinor G Wood* Kandis Chappell Lillian Garrett-Groag Dakin Matthews William Roesch Don Sparks Eric Christmas* Harry Groener Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam Patricia Conolly A.R. Gurney Katherine McGrath Marion Ross Conrad Susa George Deloy Joseph Hardy John McLain Steven Rubin Deborah Taylor

Patron Information

TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday – Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am - 5pm Use of recording devices and cameras is not permitted. Phone (619) 231-1941 Please silence all digital watches, pagers and cellular Website www.TheOldGlobe.org phones prior to entering the theatre. Address The Old Globe P.O. Box 122171 ASSISTED LISTENING SYSTEM San Diego, CA 92112-2171 For the convenience of our hard of hearing and hearing- impaired patrons, The Old Globe has an Assistive Listening ORDERING TICKETS/CHANGE OF ADDRESS System in all three theatres: the Sheryl and Harvey White The Old Globe accepts Visa, Discover, MasterCard, or Theatre, the Old Globe Theatre and the Lowell Davies American Express. Phone orders for non-subscribers Festival Theatre. A limited number of the lightweight are subject to a $3.50 per ticket service charge. Ticket headsets, as well as induction neck loops, may be obtained exchanges are subject to a service charge for non- from the house manager prior to performances. subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) 234-5623 PUBLIC TOURS during Ticket Services hours, mail your change of address Go behind the scenes at The Old Globe to learn about the to the Ticket Services Office, or email us at history, three stages, shop and craft areas. Open tours: most [email protected]. Saturdays and Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors and students. Phone (619) 238-0043 UNABLE TO ATTEND? x2145 for information/reservations. If you find you are unable to use your tickets, please give them to a friend, or turn them in to the Ticket Services LOST AND FOUND Office and receive a tax receipt for your donation. Tickets If you have misplaced a personal item while at the theatre, must be received by show time. please contact the Ticket Services Office or Security as soon as possible. If we are unable to locate your item, RESTROOMS we’ll happily take down your contact information and a Restrooms are located in the lower lobby of the Old Globe description of the item and contact you if it is found. The Theatre, the lobby of the Sheryl and Harvey White Theatre Old Globe does not assume liability for items left behind on and adjacent to the Lowell Davies Festival Theatre. the premises.

SEATING OF LATECOMERS Natural Herb Cough Drops — Courtesy of Ricola USA, Inc. — Although we understand parking is often at a premium, the are available upon request. Please ask an usher. seating of latecomers is extremely disruptive. Latecomers

PERFORMANCES MAGAZINE 23 Staff

Michael G. Murphy...... Managing Director M.H. Schrenkeisen...... Shop Foreman Jessica Burger...... Development Manager, Richard Seer...... Interim Artistic Advisor and Rory Murphy...... Lead Craftsman Individual Annual Giving ...... Director of Professional Training Josh Camp, Trish Rutter, Beck Schlabach...... Craftspersons Angelique von Thun...... Major Gifts Associate Edward Nelson...... Interim General Manager David Medina...... Properties Buyer Diane Addis...... Membership Administrator Dave Henson...... Director of Marketing and Communications Trevor Hay...... Property Master, Globe Kacie Bluhm...... Development Assistant Todd Schultz...... Director of Development Dan Klebingat...... Stage & Property Master, White Rico Zamora...... VIP Donor Ticketing Mark Somers...... Director of Finance David Buess...... Property Master, Festival Robert Drake...... Director of Production Donor Services Roberta Wells-Famula...... Director of Education Lighting Lee Conavay, Monica Jorgensen, Barbara Lekes, Shawna Cadence...... Lighting Director Pamela Malone, Richard Navarro, Stephanie Reed, ARTISTIC Lace King...... Lighting Assistant Judy Zimmerman...... Suite Concierges Adrian Noble...... Shakespeare Festival Artistic Director Tonnie Ficken...... Master Electrician, Globe Eric Louie, Justin Waldman...... Associate Producers Jim Dodd...... Master Electrician, White MARKETING Danielle Mages Amato...... Literary Manager/Dramaturg Kevin Liddell...... Master Electrician, Festival Jeffrey Weiser...... Public Relations Director Bernadette Hanson...... Artistic Associate Kristen Flores, Rafael Vallejo...... Follow Spot Operators Jessie Brunner...... Audience Development Manager Desiree Nash...... Community Outreach Coordinator Dominic Abbenante, Eben Alguire, Andrea Fields, Mike Hausberg...... Public Relations Associate Amanda Buzzell...... 2015 Planning Consultant Kristen Flores, William Hartley, Areta Mackelvie, Kelly Boyle...... Digital and Print Publications Coordinator Leah Nellman, Luke Olson, Rafael Vallejo...... Electricians Marissa Haywood...... Marketing Assistant PRODUCTION Monica Jorgensen, Debra Pratt Ballard...... Associate Director of Production Sound Susie Virgilio...... Marketing/Events Assistants Ron Cooling...... Company Manager Paul Peterson...... Sound Director Carol Donahue...... Production Coordinator Erik Carstensen...... Master Sound Technician, Globe Subscription Sales Jeremy Siebert...... Master Sound Technician, White Scott Cooke...... Subscription Sales Manager Stage Management Jeremy Nelson...... Master Sound Technician, Festival Anna Bowen-Davies, Arthur Faro, Andy Fink, Janet Kavin, Pamela Malone, Yolanda Moore, Leila Knox...... Production Stage Manager Dana Pickop...... Deck Audio, Festival Jessica Morrow, Ken Seper, Cassandra Shepard, RJ Givens, Kyle Schubert...... Sound Technicians Jerome Tullmann, Technical Grant Walpole...... Subscription Sales Representatives Benjamin Thoron...... Technical Director ADMINISTRATION Wendy Berzansky...... Associate Technical Director Brian Franko...... Assistant General Manager Ticket Services Sean Fanning...... Resident Design Assistant Shana Wride...... Administrative Assistant Bob Coddington...... Ticket Services Manager Eliza Korshin...... Technical Assistant/Buyer Darlene Davies...... The Old Globe Historian Marsi Fisher...... Ticket Operations Manager Christian Thorsen...... Stage Carpenter/Flyman, Globe Dani Meister...... Group Sales Manager Carole Payette...... Charge Scenic Artist Information Technology Tony Dixon, W. Adam Bernard, Victoria Erbe...... Scenic Artists Dean Yager...... Information Technology Manager Rob Novak...... Lead Ticket Services Representatives Gillian Kelleher...... Master Carpenter Thad Steffen...... Information Technology Assistant Manager Kari Archer, Sarah Ditges, Kathy Fineman, Andrew Young...... Charge Carpenter, White John Ralston...... Information Technology Assistant Merri Fitzpatrick, Steve Greenhalgh, Alejandro Gutierrez, Laura McEntyre...... Automation Coordinator Tyler Jones, Angela Juby, Cassie Lopez, Caryn Morgan, Fernando Avitia, Daniel Capiro, Human Resources Christopher Smith...... Ticket Services Representatives Chris Chauvet, Jason Chohon, Jack Hernandez, Sandra Parde...... Human Resources Director Josh Letton, Jason McNabb...... Carpenters Kathy Silberman...... Interim Human Resources Director PATRON SERVICES Daniel Capiro...... Painter Mike Callaway...... Theatre Manager Jeremy Jefferson...... Technical Center Intern Maintenance Jessica Talmadge, Mary Taylor, James Ford...... Facilities Manager Samaria Ship...... House Managers Costumes Violanda Corona, Ismael Delgado, Miguel Gaspar, Kristen Cairns...... Front of House Assistant Stacy Sutton...... Director Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, Elaine Gingery...... Food and Beverage Manager Charlotte Devaux...... Resident Design Associate Jose Morales, Albert Rios, Maria Rios, Vielka Smith, Timothy Acosta, Missy Bradstreet, Maureen Mac Niallais...... Assistant to the Director Nicolas Torres, Leonardo Rodriguez ...... Building Staff Nellie R. del Rosario, William Henderson, Shelly Williams...... Design Assistant/Shopper Jared Hoffmann, Benjamin A. Murrell, Paige Plihal, Amanda Rhoades, Michelle Thorsen...... Pub Staff Michelle Souza...... Design Assistant PROFESSIONAL TRAINING Jasmine Morgan, Stephanie Rakowski, Erin Cass, Marsha Kuligowski...... Drapers Llance Bower...... Program Coordinator Lisa Reid...... Gift Shop Supervisors Wendy Miller...... Tailor Maria Carrera, Cynthia Caywood, Ray Chambers, Babs Behling, Annie Glidden Grace, Gerhard Gessner, Jan Gist, Fred Robinson, Security/Parking Services Susan Sachs...... Assistant Cutters Liz Shipman, Abraham Stoll, George Yé...... M.F.A. Faculty Rachel “Beahr” Garcia...... Security Supervisor Mary Miller...... Costume Assistant Dallas Chang, Sherisa Eselin, Joanna Stypulkowska...... Stitcher EDUCATION Oscar Gonzalez, Janet Larson, Erin Carignan...... Craft Supervisor Kim Montelibano Heil...... Education Programs Manager Jeffrey Neitzel, Catherine Posada...... Security Officers Sharon Granieri, Stephanie Parker...... Craft Artisans Carol Green...... Speakers Bureau Coordinator Alberto Holloway, Jeff Howell...... Parking Lot Attendants Molly O’Connor...... Wig and Makeup Supervisor Jennifer Barclay Newsham, Rebekah Bonney, David Carson, Amanda Cooley Davis, James Cota, Brandon Cencich, Norman Ramos...... VIP Valet Attendants Kim Parker...... Assistant to Wig and Makeup Supervisor Jo Anne Glover, Lisel Gorell-Getz, Brian Hammond, Ana Maldonado...... Wig Assistant James Pillar, Damon Shearer, Cynthia Stokes, Beverly Boyd...... Wardrobe Supervisor Mark Wischkaemper...... Teaching Artists Jack O’Brien...... Artistic Director Emeritus Beth Merriman...... Wardrobe Supervisor, Globe Craig Noel...... Founding Director Anna MacDonald, FINANCE Genevieve Nyien...... Wardrobe Crew, Globe Carly Bennett-Valle...... Senior Accountant Erin Abbenante, Kristin Bongiovanni, Kimberly Eddo, Trish Guidi...... Accounts Payable/Accounting Assistant Sunny Haines, Christina Jo Nguyen, Sue Noll, Adam Latham...... Payroll Coordinator/Accounting Assistant Noelle Van Wyk...... Wardrobe Crew, Festival Tim Cole...... Receptionist Anna MacDonald...... Crew Chief, White Marie Jezbera...... Rental Agent DEVELOPMENT Annamarie Maricle...... Associate Director, Institutional Grants Properties Bridget Cantu Wear...... Associate Director, Planned Giving Neil A. Holmes...... Properties Director Eileen Prisby...... Events Manager Kristin Steva Campbell...... Assistant to the Director Rachel Plummer...... Major Gifts Officer Kristine Hummel...... Prop Assistant

24 PERFORMANCES MAGAZINE