Tau Delta Phi to Release List

Total Page:16

File Type:pdf, Size:1020Kb

Tau Delta Phi to Release List DIRECTORY: INDEX ENTERTAINMENT Focus Exec. Editor ... 924-3281 on Pape 2 A DIFFERENT CHILD'S Newsroom 924-3280 Photography 924-3258 News Page 3 BEAT PLAY Advertising 924-3270 Classifieds 924-3277 Focus Page 4 SJSU drum and dance SJSU child development FAX 924-3282. 3237 ensemble brings the laboratory preschool E-mail: Sports Page 5 rhythms and motions instructor teaches class [email protected] [email protected] Eatirtalnaseut Page 6 of Africa to campus she once was enrolled in SPARTAN DAILY Serving San Jose State University Since 1934 Volume 109, No. 67 MONDAY December 8, 1997 Bon... Simon Le Bon Tau Delta Phi to release list IN Fraternity compiles psychology and sociology "It doesn't seem like professor evaluations to it has a fair enough be at bookstore today sample for a fair By Shayda Fathipour assessment of the Staff Writer professor. If the stu- The new Tower List hits the Spartan Bookstore on today, bringing dent isn't doing well controversy with it. The booklet is a collection of infor- they might not have mal evaluations on San Jose State good things to say University professors based on stu- dent ratings and comments. about the professor." The Tau Delta Phi scholastic honor fraternity has been publishing the list since 1964. Joe Getz "When I first got to this campus in psychology major 1968, people told me about the Tower List: '(You have to) watch out for it. You could get nailed in there," said Webb, a behavioral science major. "I Dan Buerger, executive assistant to would use it, but I would also recom- President Robert Caret and Tau mend going to other students in the Photo. By Max Becheree Spartan Dads Delta Phi adviser, at the Tower Walk department." ceremony last. September. "I saw pro- Eric Rhebergen, psychology and Above: Simon Le Bon sings "Hungry Like the Wolf" during Friday nights Duran Duran concert at the Event Center fessors run to the bookstore to find behavioral science major, said, "You Below: Warren Cuccurullo rips it up during the second song of the night. out what their ratings were." can actually find out about teaching Not much has changed with the styles from the comments." Troy new Tower List, which is the 10th Buchanan, a psychology graduate edition volume two and will cover the- student, said it is a good idea because Duran Duran Sociology and Psychology depart- it helps students find professors who ments. Professors emotions could run fit their learning styles. high or low, depending on how they Some students are more skeptical are evaluated. of the list. Nancy Eldred, psychology profes- "It doesn't seem like it has a fair revisits '80s sor, said she might sue the Tower List enough sample for a fair assessment By John Meyer Simon Le Bon and key- because she thinks it is negligent of the professor," said Joe Getz, a psy- Staff Writer boardist Nick Rhodes journalism. She said she opened up chology major. "If the student isn't and it also lost its her classroom to fraternity members doing well they might not have good strongest musician, doing the evaluations because they things to say about the professor." Concert Review bassist John Taylor, who said they would interview her. She Some professors don't mind the Parachute pants, karate head- decided to quit the band said, however, they never scheduled list, but they think it could improve. bands, crimped hair, oversized ear- and pursue a solo career. an interview or returned her phone "It is one other opinion that stu- rings, tightly rolled-up pants, caked- The new songs from calls regarding onto. dents can use to decide what instruc- they're not on makeup and fluorescent-colored the album "Medazzaland" "I like the list, but tor they want to take for a class," said everything. gave fans an excuse to interviewing the teacher," Eldred Bob Winer, chair of the Sociology the professor's It was a nightmare watching some go to the bathroom or said. "They don't get Department. "However, to get an of the '80s fashion come back to life as buy more beer. With the educational philosophy and teaching accurate feel, it would be more accu- people got dressed up in their old exception of their latest style." rate over time. (The instructors) high school duds for the Duran Duran single, "Electric Guy Palazzolo, chief editor of the could have a bad day or semester." concert Friday at the San Jose State Barbarella," most of the list, said he never received a call or Robert Thamm, a sociology profes- University Event Center. new songs are lacking interview request from any of the sor, said the list could be potentially The band, which came out of the energy, a funky backbeat sociology or psychology professors biased toward a professor new wave scene to take the early '80s and the overwhelming, "To this point, the reception from -My only concern is lack of sample MTV pop music crown before signature '80s pop of teachers has been positive," Palazzolo size," Thamm said. "My (objective is Madonna, Bruce Springsteen and synthesizer sound that said. "We're not out on a witch hunt " not to please the student. It is to give Michael Jackson took over put on a was the Duran Duran Paloizzolo said the list is just a them rigor in the subject matter. If show that was plagued by its past. "formula" in its hey day. guide done by students tor students you please them bv telling them what The fans were there for the ()Id hits For the fans, it was in case they want infiormat On on pro- they want to hear you get higher rat - such as "Rio," "Hungry Like the Wolf" '80s or nothing. As a fessors and the campus "grapevine" to and "The Reflex." result, when the band isn't accessible them Palazzolo said the fraternity tries Duran Duran, however, must think opened up with a syn- "We don't want anyone to take this to (-valuate each professor with at its new material is cutting edge thesizer-heavy instrumental, it got 'rho' problem was the band ruined as gospel,- Palazzolo said least one of his or her classes. In the it by playing a new song that most because the band spent too much the crowd's pulse up for live "Me of Some students think the Tower last Tower List published, which was the people in the half good option when time playing new songs. The truth is, Decade" music that flashback radio -empty Event List is a selecting a the School of Business in 1994, the Center probably the band isn't what it used to he. Two weekends and video shows can't didn't know, called professor. number of students evaluated ranged original members remainsinger replace. See Duran Duran, page 6 "1 think it is useful because you get Oil other perspective," said Kelly See List, page :3 Students sweat to 'funky' beat at Aerobicthon By Yvonne. Ohumuk in i-t 'rnepds "I want the students to relax and get Staff Writvr funky," Bobo said. "The longer you do it (funk o Memorial the more comfortable you become with it." Over 200 participants stomped, slid and Clad in jeans, a pull -over jacket, black Announcement stepped to tile pounding beat if rock, hip-hop beret and a plaid shirt tied at the waist, Bobo and R& it music which boomed from the got the place jumping, literally, with his sound system dm -lig the 7th annual street -style aerobic moves. A memorial service Aerolactloom in the Spartan I ;yin Friday "I love it because I like all types of morn honoring the memory of "I'm glad I came. because its a lot of fun," Nes." said junior Christine Valdez, a civil Floyd Le Roy Dudley, said Komi] Moolimmad, a junior majoring in engineering major "I do step (aerobics), regu- lar an SJSU theatre arts ef ,I1111111111rilt 1011 :111(1 French literature. aerobics and I do water aerobics and student who died Nov. 27, "It's \ken organized :mil the people an, very interval training." nice and understanding Energy bars, orange wedges, bananas. will be held tonight at 7 Nlotivated to attend by the extra credit his apple slices, bagels and tortilla chips filled p.m. at City Lights at nutrition and fitness instructor offered stu- the refreshment tables which flanked booth 529 S. Second St. sides of the dance floor. Water, compliments of dents. Mo OiI ill itiad said it was his first firm. If anyone would like to part icipat ing typo of Black Mountain Spring Water, and bottles of in any organized aerobic incorporate a special class All -Sport drinks were also available free of "I like it. Mournmoid said "If I get the charge to) participants. presentation to honor opportunity to olo it again, I would." Sophomore Veronica Namauleg, a child Dudley, they should contact One of the afternoon's most popular aero- development major, said she enjoyed the Sharon Jennings at event, but was in the back of the gym and had bics instructors was former &NU instructor 924-4549. -1 13101)00, whose difficulty seeing the instructors on the stage. Michelle Leel Spartan Dash Andre hi P11(011 style brought laughto or from the crowd :is they "I liked it, but I couldn't really see what Recreational tried fiollow- therapy major Debra Crenshaw, right, dances it up hip-hop ing his Moot work Style at the 7th annual Aerobtcthon on Friday. See Aerobiethon, page 3 tm....h.444.1.1.4mh4.1.44m4444.44..m044,414.,44.4144, OPINION Page 2 SPARTAN DAILY Monday, December 8, 1997 Workplaces of the '90s could pose additional dangers for women Lake Sosin Snell Perry and ness in their arms, employers had not at the University of Maryland health risks.
Recommended publications
  • Hungry Like the Wolf Difficulty = Aaa Duran Duran CHORDS USED in THIS SONG D C Cmaj7 Am7 Bb F Eb Dm7 Dm
    Hungry Like The Wolf Difficulty = aaa Duran Duran CHORDS USED IN THIS SONG D C Cmaj7 Am7 Bb F Eb Dm7 Dm (Intro) [D] [D] [D] Dark in the city, night is a wire, steam in the subway, the earth is a-fire d-do-do-[C]d-do-do-[Cmaj7]-d-do-do-[Am7]-d-do-do-[Cmaj7]d-do-do-[D]-do-do-do [D] Woman you want me, give me a sign, and catch me breathing I'm even closer behind d-do-do-[C]d-do-do-[Cmaj7]-d-do-do-[Am7]-d-do-do-[Cmja7]d-do-do-[D]-do-do-do [Bb] In touch with the [F] ground, I'm on the [Eb] hunt, I'm after you I smell like a [Bb] sound, I'm lost and I'm [F] found, and I'm [Eb] hungry like the [C] wolf Straddle the [Bb] line, it's discord and rhy[F]me, I'm on the [Eb] hunt, I'm after you Mouth is a-[Bb]-live, juices like [F] wine and I'm [Eb] hungry like the [C] wolf [Dm7] [D] Stalked in the forest too close to hide, I'll be upon you by the moonlight side d-do-do-[C]d-do-do-[Cmaj7]-d-do-do-[Am7]-d-do-do-[Cmaj7]d-do-do-[D]-do-do-do [D] High blood drumming on your skin, it's so tight, you feel my heat I'm just a moment behind d-do-do-[C]d-do-do-[Cmaj7]-d-do-do-[Am7]-d-do-do-[Cmaj7]d-do-do-[D]-do-do-do [Bb] In touch with the [F] ground, I'm on the [Eb] hunt, I'm after you Scent and a [Bb] sound, I'm lost and I'm [F] found, and I'm [Eb] hungry like the [C] wolf Straddle the [Bb] line, it's discord and rhy[F]me, I'm on the [Eb] hunt, I'm after you Mouth is a-[Bb]-live, all running in[F]side and I'm [Eb] hungry like the [C] wolf [Dm] [Dm7] [Dm] Hungry like the [Dm7] Wolf [Dm] Hungry like the [Dm7] Wolf [Dm] Hungry like the [Dm7] Wolf Burning the [Bb]
    [Show full text]
  • How Campaign Songs Sold the Image of Presidential Candidates
    University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Music and the Presidency: How Campaign Songs Sold the Image of Presidential Candidates Gary M. Bogers University of Central Florida Part of the Music Commons, and the United States History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Bogers, Gary M., "Music and the Presidency: How Campaign Songs Sold the Image of Presidential Candidates" (2019). Honors Undergraduate Theses. 511. https://stars.library.ucf.edu/honorstheses/511 MUSIC AND THE PRESIDENCY: HOW CAMPAIGN SONGS SOLD THE IMAGE OF PRESIDENTIAL CANDIDATES by GARY MICHAEL BOGERS JR. A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Music Performance in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2019 Thesis Chair: Dr. Scott Warfield Co-chairs: Dr. Alexander Burtzos & Dr. Joe Gennaro ©2019 Gary Michael Bogers Jr. ii ABSTRACT In this thesis, I will discuss the importance of campaign songs and how they were used throughout three distinctly different U.S. presidential elections: the 1960 campaign of Senator John Fitzgerald Kennedy against Vice President Richard Milhouse Nixon, the 1984 reelection campaign of President Ronald Wilson Reagan against Vice President Walter Frederick Mondale, and the 2008 campaign of Senator Barack Hussein Obama against Senator John Sidney McCain.
    [Show full text]
  • Nile Rodgers in New York City, 1991
    Nile Rodgers in New York City, 1991 68 MUSICAL EXCELLENCE Nile Rodgers HE CREATES A DISTINCTIVE SOUND ON THE RECORDS HE WRITES, PRODUCES, ARRANGES, AND PLAYS ON. BY ROB BOWMAN Nile Rodgers’ influence on popular music over the past forty years is nearly unfathomable. As a guitarist, songwriter, producer, arranger, and funkster extraordinaire, Rodgers has left his imprint on a stun- ningly wide array of genres including disco, R&B, rock, mainstream pop, hip-hop, and EDM. Looking over the breadth of his career, a case could easily be made that no single individual has had a greater impact on the sound of pop, from the late 1970s to the present day. ¶ Alongside his partner, bass player wunderkind Bernard Edwards, Rodgers wrote and produced hit after hit for Chic, Sister Sledge, and Diana Ross, tearing up both the dance floor and the radio. After Chic broke up and Rodgers and Edwards went their separate ways, Rodgers broke free of the disco moniker and reinvented himself, producing, arranging, and playing guitar on David Bowie’s come- back album, Let’s Dance (1983), and Madonna’s breakout album, 69 Like a Virgin (1984). Along the way he took INXS and Chic in their prime then Duran Duran to new heights with “Original Sin” with Rodgers and and “The Reflex,” respectively, and produced albums by Bernard Edwards Mick Jagger, Jeff Beck, the B-52s, and David Lee Roth. center stage, 1979 He played key guitar parts on Steve Winwood’s “High- er Love” and Michael Jackson’s HIStory. More recent- ly he cowrote and played guitar on Daft Punk’s “Get Lucky,” winning two Grammy Awards in the process.
    [Show full text]
  • The Prayer of Jabez by Bruce Wilkingson Lesson V
    1 The Prayer of Jabez By Bruce Wilkingson Lesson V “Keeping The Legacy Safe” “O That You Would Keep Me From Evil” 1 Chronicles 4:9-10 9) And Jabez was more honourable than his brethren: and his mother called his name Jabez, saying, Because I bare him with sorrow. 10) And Jabez called on the God of Israel, saying, Oh that thou wouldest bless me indeed, and enlarge my coast, and that thine hand might be with me, and that thou wouldest keep me from evil, that it may not grieve me! And God granted him that which he requested. Introduction: 1. A caption read “Sometimes you can afford to come in second. Sometimes you cannot.” a. This was placed under a Roman Gladiator who was in trouble. b. Here is the picture i. The Gladiator has dropped his sword ii. The enraged lion is in mid lunge with his jaws wide iii. The crowd is on their feet watching in horror as the panic-stricken gladiator tries to flee. Note: This is a horrible time to come in second. 2. Jabez had asked for supernatural blessing, influence, and power. a. Many people think that they can jump into any arena with any lion, “and win.” b. Some people with the hand of God upon them might pray “Lord, Keep me through evil,” but not Jabez. i. Jabez prayed “Keep me from evil.” ii. The best way to defeat a roaring lion is to stay out of the arena. 2 iii. Therefore Jabez prayed “Keep me from evil” which was a prayer that is saying: “God, keep me out of the fight.” 3.
    [Show full text]
  • Representations of Female Adolescence in the Teen Makeover Film
    Representations of Female Adolescence in the Teen Makeover Film By Kendra Marston A Thesis Submitted to the Victoria University of Wellington in Fulfilment of the Requirements for a Degree of Master of Arts in Film Victoria University of Wellington 2010 Abstract This thesis proposes to analyse the representation of female adolescence in the contemporary teen makeover film. The study will situate this body of films within the context of the current postfeminist age, which I will argue has bred specific fears both of and for the female adolescent. This thesis will examine the construction of the initial wayward makeover protagonist, paying attention to why she needs to be trained in an idealised gender performance that has as its urgent goal the assurance of heteronormativity and ‘healthy’ sex role power relations. I will also analyse the representation of deviant adolescent female characters in terms of how their particular brand of postfeminist female masquerade masks a power and status-oriented agenda. The behaviour of these characters is shown to impact negatively on the peer group within the film, and is particularly dangerous as it threatens to negate the need for romance. 1 Contents Abstract 1 Acknowledgements 3 Introduction 4 Chapter One 23 Chapter Two 62 Chapter Three 86 Chapter Four 112 Conclusion 132 Bibliography 143 Filmography 153 Television Sources 155 Internet Sources 157 2 Acknowledgements I would like to acknowledge my supervisor Sean Redmond for the time he put in to helping me with this thesis, as well as for the encouragement, support and advice offered. 3 Introduction My Moment of Awakening in the Makeover Moment While watching The Princess Diaries (Garry Marshall, 2001) for the purpose of this research, I became fascinated by the particular tone of its makeover scene.
    [Show full text]
  • ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
    ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums).
    [Show full text]
  • The Clash and Mass Media Messages from the Only Band That Matters
    THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people.
    [Show full text]
  • 2019-System-Blue-Catalog.Pdf
    SYSTEM BLUE Excellence is in our DNA. Backed by over 100 years of experience and knowledge, System Blue proudly delivers the products and education many have only dared to imagine. Our team of designers has walked the very path you walk now. We are the same dedicated performers and educators that you are, and we’re turning our ideas into reality. We have stood in your shoes and marched the PROFESSIONAL PERCUSSION 2 same fields. We know you. We ARE you. You are CONCERT PERCUSSION 10 not alone, and you never were. System Blue ON2 PERCUSSION SLIPS 16 empowers us all to reach our greatest potential. STANDS & CARRIERS 18 DRUM STICKS & BAGS 20 TOGETHER, MALLETS, BAGS & HEADS 22 IT’S OUR TIME. PROFESSIONAL BRASS 24 TRADITIONAL BRASS 32 MOUTHPIECES 36 SOUND REINFORCEMENT 38 HEALTH & WELLNESS 40 DRILLMASTERS 41 SYSTEM BLUE EDUCATION 42 EDUCATIONAL EVENTS 44 DESIGN QUALITY & COMMITMENT 46 SYSTEM BLUE DESIGNERS 47 TESTIMONIALS 48 PROFESSIONAL PERCUSSION EVOLUTIONARY. System Blue Professional Marching Percussion Series is like no other product on the market. These drums are lightweight, built for speed with the player’s health and wellness in mind. The rich, smooth, and resonant voices blend and project in any venue. Each instrument is aesthetically beautiful, eye-catching, and, in a word — elegant. While there have been evolutions in marching percussion in the last 50 years, there has never been design and innovation like the System Blue Professional Marching Percussion Series. We’ve fine-tuned and streamlined every detail, and the results are extraordinary. 2 SYSTEM BLUE • 2017 systemblue.org 3 PROFESSIONAL PERCUSSION It’s the LIGHTEST marching snare on the market..
    [Show full text]
  • "So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis
    Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 11-19-2008 "So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis Mary Larken McCord Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Recommended Citation McCord, Mary Larken, ""So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis." Thesis, Georgia State University, 2008. https://scholarworks.gsu.edu/wsi_theses/13 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “SO VERY,” “SO FETCH”: CONSTRUCTING GIRLS ON FILM IN THE ERA OF GIRL POWER AND GIRLS IN CRISIS by MARY LARKEN MCCORD Under the Direction of Amira Jarmakani ABSTRACT In the mid-1990s, two discourses of girlhood emerged in both the popular and academic spheres. Consolidated as the girl power discourse and girls in crisis discourse, the tension between these two intertwined discourses created a space for new narratives of female adolescence in the decade between 1995 and 2005. As sites of cultural construction and representation, teen films reveal the narratives of girlhood. The films under consideration serve as useful exemplars for an examination of how such discourses become mainstreamed, pervading society’s image of female adolescence.
    [Show full text]
  • Please Read Before Loading Card Into
    Top 50 Drummers V.I Expansion Pack a sound enhancing expansion pack for the Roland TD-20 Drum Module Owner’s Manual i End User License Agreement (EULA) This is a legal agreement ("this Agreement") between you and V Expressions LTD., ("V Expressions LTD."). This Agreement pertains to your use of the V Expressions LTD. expansion programming, documentation and updates which are provided to you by V Expressions LTD (collectively, the "Product"). By purchasing a V Expressions LTD. Product, you are consenting to the terms of this Agreement. This Agreement grants you a personal, exclusive, non-transferable, non-sub licensable right to use one copy of the V Expressions LTD. Product for your own personal use on a single computer and/or compatible drum module. V Expressions LTD. reserves all rights in the Product not expressly granted herein, including ownership and proprietary rights. This software may not, in whole or in any part, be copied, reproduced, resold, transmitted, translated (into any language, natural or computer), reduced to any electronic medium or machine readable format, or by any other form or means without prior consent, in writing, from V Expressions LTD. License Restrictions: You may not reproduce or distribute the Product. You may not copy the Product to any media, server or location for reproduction or distribution. You may not reverse engineer, de-compile or disassemble the Product or otherwise attempt to derive the source code for the Product, or without limitation, redistribute, sublicense, or otherwise transfer rights in the Product. This Product may not be rented, lent or leased. The restrictions contained herein apply equally to any updates that may be provided to you by V Expressions LTD.
    [Show full text]
  • Save a Prayer Duran Duran
    Save a Prayer Duran Duran Simon Le Bon, John Taylor, Roger Taylor, Andy Taylor, Nick Rhodes Moderato Intro Dm⁹ 5 Dm⁷ Fmaj⁷ B♭maj⁷ G⁷ Fmaj⁷ rit. A1 9 Dm F B♭ G F 2 a tempo You saw me stand ing by the wall cor ner of a main street 13 Dm F B♭ G C And the lights are flash ing on your win dow sill If you can you'll see the world in all his fire Dm F B♭ G F 17 5 5 5 1 All al one ain't much fun So you're look ing for the thrill Take a chance like all drea mers so you can't find an oth er way Duran Duran - Save A Prayer Simon Le Bon, John Taylor, Roger Taylor, Andy Taylor, Nick Rhodes 21 Dm F B♭ G C And you know just what it takes and where to go You don't have to dream it all just live a day B1,B2 25 Bm D G F♯m A Don't say a prayer for me now , Save it 'til the mor ning af add 29 Bm D ⁹ G To Coda F♯m A ter No, don't you say a prayer for me now, Save it 'til the mor ning af 33 Dm Fmaj⁷ B♭maj⁷ G⁷ Fmaj⁷ ter D.S. al Coda A2 37 Dm F B♭ G F I feel the bree ze deep on the in side , look you down in to the well. Duran Duran - Save A Prayer 2 Simon Le Bon, John Taylor, Roger Taylor, Andy Taylor, Nick Rhodes 41 F♯m A Bm D G Save it 'til the morn ing af ter 45 F♯m A Save it 'til the morn ing af Bridge 46 Dm F B♭ G rit.
    [Show full text]
  • Top 40 Singles Top 40 Albums
    15 August 1982 CHART #344 Top 40 Singles Top 40 Albums Beautiful Woman Telegram Sam Avalon Pelican West 1 Toots and the Maytals 21 Bauhaus 1 Roxy Music 21 Haircut 100 Last week 1 / 12 weeks Gold / FESTIVAL Last week 12 / 5 weeks RTC Last week 3 / 8 weeks POLYGRAM Last week 12 / 15 weeks EMI Forever Now 65 Love Affair Circus Animals Pavarotti's Greatest Hits 2 Cold Chisel 22 Paul Davis 2 Cold Chisel 22 Luciano Pavarotti Last week 2 / 9 weeks WEA Last week 16 / 8 weeks EMI Last week 1 / 19 weeks Gold / WEA Last week 14 / 5 weeks POLYGRAM E-Ipo Have You Ever Been In Love Time And Tide Memories 3 Prince Tui Teka 23 Leo Sayer 3 Split Enz 23 Barbra Streisand Last week 3 / 12 weeks RCA Last week 23 / 9 weeks FESTIVAL Last week 2 / 16 weeks POLYGRAM Last week 27 / 8 weeks Gold / CBS The Other Woman Going To A Go Go Eye In The Sky Pinky Blue 4 Ray Parker Jnr 24 Rolling Stones 4 The Alan Parsons Project 24 Altered Images Last week 4 / 8 weeks EMI Last week 31 / 4 weeks EMI Last week 5 / 9 weeks Gold / EMI Last week 17 / 5 weeks CBS Poison Arrow Empty Garden Business As Usual Architecture & Morality 5 ABC 25 Elton John 5 Men at Work 25 Orchestral Manoeuvres in the Dark Last week 5 / 13 weeks POLYGRAM Last week 22 / 5 weeks POLYGRAM Last week 4 / 27 weeks Platinum / CBS Last week 33 / 7 weeks RTC If I Were You Radio A Flock Of Seagulls Tattoo You 6 Lulu 26 The Members 6 Flock of Seagulls 26 Rolling Stones Last week 8 / 9 weeks CBS Last week - / 1 weeks FESTIVAL Last week - / 1 weeks FESTIVAL Last week 39 / 45 weeks Platinum / EMI Cat People Maid
    [Show full text]