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Contemporary Folk Week, July 24-30, 2016
36 24-30 Contemporary Folk Week celebrates our 25th Anniversary with a world-class staff of returning artist/instructors including our first Master Music Maker, folk legend Tom Paxton and the timeless artistry of Janis Ian. We’re honored to also welcome back favorites from last year and previous years including Grammy-winners Kathy Mattea, Jon Vezner, and Don Henry, folk stalwarts Ellis Paul, Cliff Eberhardt and Amy Speace, vocal coaches Siobhan Quinn and Danny Ellis, and music theory guru Ray Chesna. We welcome an exciting new addition to this year’s staff in one of the leading lights in today’s contemporary folk scene, the wonderful Mary Gauthier. Drawing on tradition and innovation, our instructors bring a world of practical and imaginative experience to help you create and perform the music that makes your heart sing. Whether you’re trying out material at a local ‘open mike’, a performer with some experience, a working musician looking for some help in reaching your next goal, or someone who would simply like to feel more confident pulling that guitar out in front of others, we’re here to help, and our foundations are support, fun, and community. Our top-notch staff, knowledgeable in the various aspects of both the art and business of contemporary acoustic music, can help you achieve your goals. In addition, our limited enrollment and small campus encourage community-building at its best – frequent and informal interaction between students and staff, all doing our utmost to ensure that you go home energized and empowered to make the most of your music in hands-on and meaningful ways. -
Ellis Paul Eighty
BeanSoup Information & Entertainment Serving TM & Vanilla Bean Café Calendar Northeastern Connecticut #94 Issue 24 Number 1 January - March 2020 Free* Fenton River Grill - Celebrating 2 Years in April his April 3rd, Fenton River Grill officially and comfortable environment with lively bar scene. begins their third year in business. That is an They specialize in shareable plates, creative specials, T important milestone for any business. Open- craft cocktails and craft beer with a 20-line state of ing a new business is not always easy, we have had the art tap system. They feature high quality draft our share of difficulties, but we have entered 2020 as beers drawing primarily from Connecticut and New a stronger restaurant than when we started. England with a few from other parts of the US. Consistency in quality and service have been The daily specials allow our chefs to showcase improved and we have created many happy their talents with seasonally influenced ingredi- customers. ents. In the warmer months you can dine on the There is a saying in the restaurant industry; patio for true al fresco dining. Fenton River ‘The restaurant you open is not the same Grill is committed to excellent service and restaurant you have 5 years later.’ This has held true warm hospitality for all our guests 7 days a week. for all our restaurants. We listen to the customer and From drinks with friends after work to milestone make changes based on their recommendations. We anniversaries, every customer will enjoy a different also have made changes in operations and staff to cre- experience while visiting our establishment. -
W W W . J a S O N S P O O N E R . C
Has shared stages with: The ingredients behind northern New England’s Jason Spooner Trio Brandi Carlile read like a bizarre musical science experiment. Start with a prolific, Peter Rowan singer/songwriter (Jason Spooner) with heavy roots, folk & blues Railroad Earth influences. Then mix in a classicly-trained bassist (Adam Frederick) with Colin Hay 2007 Winner foundations in jazz and a knack for serious pocket grooves. Lastly, shake Mountain Stage NewSong Willy Porter things up with a rock-solid drummer (Reed Chambers) with deep- Contest International Finals John Gorka seeded roots in funk, soul & reggae and you’ve begun to scratch the Tom Rush surface of this unique, energetic band. Ron Sexsmith Josh Ritter In recent news, Jason and the band confirmed bookings for main stage Stephen Kellogg performances at the 2008 Kerrville Folk Festival (TX), the 2008 Carbon Leaf Falcon Ridge Folk Festival (NY), 2008 Musikfest (PA), the 2008 2007 National Finalist The Wailin’ Jennys Boston Folk Festvial (MA), and the 2008 Prescott Park Festival (NH). Starbucks Music Makers Competition Chris Smither Jason also opened a New England show for songwriter Brandi Carlile Crooked Still during the summer of 2008. Jason won the 2007 Mountain Stage Janis Ian NewSong contest international finals at the South Street Sea Port in Eliza Gilkyson New York City. He was also a national finalist in the 2007 Starbucks Music Kelly Joe Phelps Makers Competition. He toured the East Coast in the Spring of 2006 as Peter Tork part of the Emerging Artist Showcase at the 2005 Falcon Ridge Folk 2006 Preview Tour Slaid Cleaves Festival in Hillsdale, NY. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Metronome Magazine-Boston
•Our 35th Year Proudly Promoting All Things Music• FREE! January 2020 Sparky John Larson & The Silver Fields One Dime Band Paul Gabriel Metro•Scene BERKLEE BULL RUN CITY WINERY 1/8- Stars in Our Midst PERFORMANCE CENTER RESTAURANT Boston, MA. 1/9- Culomba album release Boston, MA Shirley, MA. (617) 933-8047 1/10- Meg Toohey album release (617) 747-2261 (978) 425-4311 1/11- Americana 1/1- Chris Trapper; Sarah Borges 1/12- Masters of Hawaiian Music w/George 1/11- Juan de Marcos and the Afro-Cuban All 1/5- Past Life Regression Circle Brunch w/ 1/2- Lyfe Jennings Kahumoku Jr, Led Kaapana and Kawika Kahiapo Stars Brandie Wells 1/3- Kashmir - Live Led Zeppelin Show; Chad 1/13-Kora Feder and Bella White 1/18- Terence Blanchard and The E-Collective 1/9- the Subdudes Perrone 1/14- Lauren Balthrop & Sean Trischka 1/28- Marcus Prince: Hearts on Fire—I Won’t Be 1/10- Sarah Borges & the Broken Singles 1/4- Wanted: DOA – Bon Jovi Tribute 1/15- Rachel Sumner Band; Pretty Saro Silent 1/16- Kerrville North 1/5- Kindred the Family Soul 1/16, 17 & 18- Boston Celtic Music Festival 1/30- Soundscapes of Spain: From Flamenco 1/17- Ellis Paul 1/7- Jake Clemons (E Street Band) 1/19- Billy, Jimmy & Dave Roots to Fusion featuring Sonia Olla, Ismael 1/18- Steve Forbert; Offtet’s “Midlife 1/8- Avery Sunshine 1/20- Massmouth Story Slam Fernández & Olivia Pérez Monkeyshine” CD release (Ballroom) 1/10- Marc Cohn; Jesse Valenzuela (of the Gin 1/22- Hayley Jane; Giovanina Bucci 1/19- Albert Lee Band Blossoms) 1/23- Taarka 1/24- Deadbeat w/ Guest Mark Karan 1/11- Marc Cohn 1/24- Kemp Harris BLUE OCEAN 1/25- The Fools 1/12- Jon B (Early Show) - 1/12/20 1/25- Les Sampou; Jay Psaros; Julian Rundlett MUSIC HALL 1/13- Chris Mann: Gershwin to Gaga ; Cheikh Lô & Gail Finnie Rundlett Salisbury Beach, MA. -
Other Songwriter Quotes
Buddy Mondlock Other songwriters say: “Buddy Mondlock represents the best of the new generation of singer/songwriters in folk music. His writing style is grounded in the traditions of the past, but has it’s heart in the present. He is one of my favorite writers.” Nanci Griffith “I first saw Buddy Mondlock while hosting the Ballad Tree, a tradition at the Kerrville Folk Festival. This kid in a bathing suit walked up and played “No Choice” to an audience of 30 - 40 people. By the time he got to the second verse, he had 200 people singing along with him. He blew me away! Pay attention to Buddy; he’s a great writer!” Guy Clark “Buddy Mondlock is one of our country’s best songwriters. His approach is gentle and Zen-like, the songs unfurl like little movies and the listener is transported to some distant better place -- and isn’t that what music should be about?” Ellis Paul “Buddy Mondlock is consistently eclectic, consistently innovative and consistently one of the few artists that doesn’t irritate me. I love working with him and he better keep working with me.” Janis Ian “While residing in the world capital of perfunctory 9 - 5 songwriters, Buddy Mondlock chooses to write songs that convey honest emotional depth through a prism of sophisticated harmony and melody. His song “The Kid” is a timeless anthem of innocence discovering reality. I cried like a little girl.” Richard Julian “Buddy Mondlock writes beautiful songs and plays the kind of guitar they deserve. He’s a fine person and a fine artist.” Townes Van Zandt www.buddymondlock.com . -
Get Committed to Texas Music Donors
GET COMMITTED TO TEXAS MUSIC DONORS The Center for Texas Music History is a nonprofit of Texas Music History, along with all the other important educational program designed to help students, scholars, and educational projects. the general public better understand how Texas music reflects We are very grateful to the donors listed on this page. They the richly diverse ethnic and cultural heritage of the American have made a personal commitment to preserving the musical Southwest. Founded in 1999, the Center has developed a heritage of the Southwest. Their efforts will help us continue number of very successful projects focusing on the preservation to increase awareness of how Texas music represents the unique and study of Southwestern music history. history and culture of our state. In order to continue this success, we need your help. Won’t you join us in promoting the preservation and study Your contribution will help fund publication of The Journal of Texas music history? Founding 100 David & Nancy Gardner Sharon Sandomirsky Thomas C. Bailey Members’ Circle: Polly Glasse & Climb On! & Chris Ellison Paul Belanger $1,000 or more Products Paul & Jo Snider Tom & Vicki Belinoski Steven Alyea & Lindley Mariko Gomez Joe & Alice Specht Ed Bergin 4 Workman Alyea Patti Harrison, Jerome & Cathy Supple Denise Boudreaux Gregg Andrews & The PSH Foundation The Randy Rogers Band John & Sara Boyer Vikki Bynum Gary & Francine Hartman (Randy Rogers, Brady Lisa Bruce Byron & Rebecca Augustin Luan Brunson Haynes & Black, Jon Richardson, Alta Campbell Richard & Laurie Baish Elizabeth Brunson Vickers Geoffrey Hill, and Les Ray Campi Gene & Lynn Bourgeois Diana Finlay Hendricks Lawless) Tom Casey Terry Boothe & the Texas Nell Hesson in Memory Lucky & Becky Tomblin, Bob & Nancy Cavendish Heritage Songwriters of Gary Briggs The Tomblin Family Kathie N. -
Nora Guthrie Graduated from NYU Tisch School of the Arts in 1971
WOODY GUTHRIE PUBLICATIONS, INC. 125-131 E. Main Street, Suite #200, Mt. Kisco, NY 10549 (914) 241-3844 | www.WoodyGuthrie.org N O R A G U T H R I E PRESIDENT, Woody Guthrie Publications, Inc. PRESIDENT | Woody Guthrie Foundation FOUNDER & DIRECTOR | Woody Guthrie Archives (1992-2013) Nora Guthrie graduated from NYU Tisch School of the Arts in 1971. Following a successful career in modern dance Nora began working with her father’s materials in 1992. Based on her intimate connection to her father’s ideas and ideals, Nora brings a refreshing interpretation of his work and a new understanding of his legacy. Her first project, in 1992, was the publication of a lost songbook of Woody’s original lyrics and illustrations, Woody’s 20 Grow Big Songs. Nora co-produced the accompanying album with her brother Arlo Guthrie, which received a Grammy nomination in the Best Children’s Album category. In 1994, Nora co-founded the Woody Guthrie Archives with Harold Leventhal and archivist Jorge Arevalo. In addition to managing the Archives and preserving her father’s personal materials and original creative works, Ms. Guthrie develops and produces new projects which continue to expand Woody Guthrie's cultural legacy. In 1996, the Woody Guthrie Archives was open for free research to scholars and students, making Woody Guthrie’s personal & professional collection available for the first time to the public. In 1996, Ms. Guthrie co-produced the first ever Rock and Roll Hall of Fame Museum Tribute series honoring Woody Guthrie. Main events consisted of a scholarly symposium held at Case Western Reserve University and a tribute concert in Cleveland’s famed Severance Hall. -
No Shows in June & July
t u c i t c e n n o C , t e r f m o P “To Bean or not to Bean...?” TM #77 Issue 20 Number 2 April - June 2016 Free* une 22nd will be the 11 year anniversary of our sis- town customers. ter restaurant in Putnam. Opening with style eleven The outside patio area, added in front of several years ago, 85 Main featured a Raw Bar and was businesses including 85 Main, has brought attention described as a New American Fusion restaurant. to the restaurant and to the downtown area and In 2009, the bar area was expanded, creating a helped make Putnam a destination! space two times the size of the original bar In late 2014, 85 Main renovated the and large enough to accommodate a grow- downstairs function room. This new room ing number of customers choosing to drink is now a wine cellar function room and dine in the bar. The new area featured with stone walls and exposed wine a sushi bar designed in consultation with storage and can be used for func- Chef Osaki who was our sushi chef for a tions as well as for additional seat- number of years. The 85 Main sushi menu ing. Some of the events that have added a new dimension, flavors and beautiful cre- been held in the new space include, a chocolate ations to our existing menu offerings. and wine pairing evening, Tapas nights, wine din- 85 Main was the producer of the Shuck-Off Oys- ners and chef’s tables. -
Playing in the Dirt: Stillwater and the Emergence of Red
PLAYING IN THE DIRT: STILLWATER AND THE EMERGENCE OF RED DIRT MUSIC By AARON M. MOORE Bachelor of Arts in Education in History Northeastern State University Tahlequah, Oklahoma 1998 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS July, 2010 © 2010 Aaron M. Moore ALL RIGHTS RESERVED PLAYING IN THE DIRT: STILLWATER AND THE EMERGENCE OF RED DIRT MUSIC Thesis Approved: Dr. William Bryans Thesis Adviser Dr. Michael Logan Dr. L.G. Moses Mr. Wayne Bovenschen Dr. Mark E. Payton Dean of the Graduate College iii ACKNOWLEDGMENTS It is a pleasure to thank the many people who made this thesis possible. First I would like to express my gratitude to Jay Falkner for introducing me to Red Dirt music in 1998 by playing Jimmy LaFave’s album Austin Skyline and for subsequently involving me in his many bands. Without the contacts made from working with Marshallcity and South 40, I would have been unable to begin this project. It is difficult to overstate my gratitude to John Cooper and Brad Piccolo of the Red Dirt Rangers. Their willingness to share their experiences and contact others in the Red Dirt community to get their assistance has been a true blessing. I am indebted to my advisor, Dr. Bill Bryans for his willingness to work with me on a popular history topic. His efforts to explain things clearly and simply were of great value during course work and during my thesis-writing period. I would also like to thank Dr. -
Onesheet Steve Brooks Chasing Grace
Frog Records FR0G07 • National Release Date: April 2010 “Great unsung songwriter of Austin.” - Slaid Cleaves "A wordsmith of the first order." - Jimmy Lafave "The same sense of commentary and observation that made the likes of Woody Guthrie a national hero." - Ellis Paul “Country flavor, a tinge of James Taylor and not afraid to kick up some dust." - Austin Chronicle “A collection of well-crafted gems with something for everyone.” - Joe Angel, KEOS-FM, College Station, TX You may not know Steve Brooks by name, but you’ve been hearing his songs for years. They’ve been recorded by actor Russell Crowe (One Good Year) and Austin Americana artists like Slaid Cleaves (One Good Year, Everette) and Danny Santos (This Memory of You, Hungry for Love), as well as folksingers Emily Kaitz, Kevin So, Marilyn Rucker, Dave Hooper and Jessica Shepherd. He was heard on coast-to-coast radio on Jim Hightower’s late, lamented talk show, where he wrote a song-a-week about events in the news. Now, Brooks, is stepping out with his first studio album in fourteen years. Although Steve’s satirical songs have been widely played on folk radio, producer Chris Gage, of Austin duo Albert & Gage, captures another side of Steve: poetic, romantic and spiritual. “I’ve been chasing grace, but grace ain’t so easily found,” sings Steve in his soaring version of One Good Year, co-written with Cleaves. On Chasing Grace, he’s looking for it in unlikely places, from the mountains of North Carolina to Iowa fields and Texas honky-tonks, with help from sidemen like Richard Bowden (Maines Brothers Band), Tom Pittman (Austin Lounge Lizards), Eddie Cantu (Bruce Robison, Kelly Willis) and Courtney Audain (Timbuk 3). -
Song Name Artist
Sheet1 Song Name Artist Somethin' Hot The Afghan Whigs Crazy The Afghan Whigs Uptown Again The Afghan Whigs Sweet Son Of A Bitch The Afghan Whigs 66 The Afghan Whigs Cito Soleil The Afghan Whigs John The Baptist The Afghan Whigs The Slide Song The Afghan Whigs Neglekted The Afghan Whigs Omerta The Afghan Whigs The Vampire Lanois The Afghan Whigs Saor/Free/News from Nowhere Afro Celt Sound System Whirl-Y-Reel 1 Afro Celt Sound System Inion/Daughter Afro Celt Sound System Sure-As-Not/Sure-As-Knot Afro Celt Sound System Nu Cead Againn Dul Abhaile/We Cannot Go... Afro Celt Sound System Dark Moon, High Tide Afro Celt Sound System Whirl-Y-Reel 2 Afro Celt Sound System House Of The Ancestors Afro Celt Sound System Eistigh Liomsa Sealad/Listen To Me/Saor Reprise Afro Celt Sound System Amor Verdadero Afro-Cuban All Stars Alto Songo Afro-Cuban All Stars Habana del Este Afro-Cuban All Stars A Toda Cuba le Gusta Afro-Cuban All Stars Fiesta de la Rumba Afro-Cuban All Stars Los Sitio' Asere Afro-Cuban All Stars Pío Mentiroso Afro-Cuban All Stars Maria Caracoles Afro-Cuban All Stars Clasiqueando con Rubén Afro-Cuban All Stars Elube Chango Afro-Cuban All Stars Two of Us Aimee Mann & Michael Penn Tired of Being Alone Al Green Call Me (Come Back Home) Al Green I'm Still in Love With You Al Green Here I Am (Come and Take Me) Al Green Love and Happiness Al Green Let's Stay Together Al Green I Can't Get Next to You Al Green You Ought to Be With Me Al Green Look What You Done for Me Al Green Let's Get Married Al Green Livin' for You [*] Al Green Sha-La-La