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novembre 16-19 november 2018 Conférence internationale sur la pédagogie de la musique mixte International Conference on Mixed Music Pedagogy Une conférence bilingue et une série de concerts co-organisé par / A bilingual conference and concert series co-hosted by Schulich School of Music, l’Université de Montréal, CIRMMT & Le Vivier www.mcgill.ca/icommp-2018 BIENVENUE La conférence internationale sur la pédagogie de la musique mixte 2018 (ICOMMP-2018) est le premier événement offrant une conférence d’orientation recherche-création ayant pour principal objet de discussion la pédagogie de la musique mixte (musique combinant des sources sonores acoustiques et électroniques). Organisée par des artistes-chercheurs et universitaires de de l’École de musique Schulich de l’Université McGill et l’Université de Montréal, cette conférence comprendra des ateliers, colloques de recherche, ainsi que des concerts présentant des artistes et conférenciers invités en provenance du Canada, des États-Unis, de France et du Portugal. ICOMMP-2018 consistera en une conférence internationale de quatre jours réunissant à la fois des intervenant(e)s invité(e)s ainsi que d’autres sélectionné(e)s à partir d’un appel à communications ouvert. Reflétant la dimension interdisciplinaire de ce colloque, la liste des intervenant(e)s invité(e)s comprend des compositeurs(trices) (Miguel Azguime, Alain Bonardi, Bertrand Dubedout, Philippe Leroux, Pierre Michaud, Nina C. Young), des chercheurs (Guillaume Boutard, Jonathan Goldman, Robert Hasegawa), des interprètes (Guillaume Bourgogne, Jean-Michaël Lavoie, Lorraine Vaillancourt), ainsi que des experts en réalisation et interprétation en informatique musicale (Mikhail Malt, Gilbert Nouno). Les concerts, principalement interprétés par Sond’Ar-te Electric Ensemble (Portugal) ainsi que des étudiant(e)s de l’École de musique Schulich de l’Université McGill et de l’Université de Montréal, présenteront une performance nord-américaine exceptionnelle de …explosante-fixe… de Pierre Boulez ainsi que des œuvres récentes de Miguel Azguime, Bertrand Dubedout, Pierre-Luc Lecours, Pierre Michaud et Nina C. Young. La tenue du colloque ICOMMP-2018 a été rendue possible grâce au soutien généreux de l’École de musique Schulich de l’Université McGill, du CIRMMT (Centre for Interdisciplinary Research in Music Media and Technology), le Conseil de Recherches en Sciences Humaines et Subito Music Corporation. Un remerciement particulier à Devon Wilkinson, Landon Morrison, Mylène Gioffredo, David Rafferty, Jonathan Patterson, Ensemble Amis Plus et Sond’Ar-te Electric Ensemble. Le Vivier remercie le Conseil des arts et des lettres du Québec et le Ministère des Relations internationales et Francophonie de leurs appuis financiers. WELCOME The International Conference on Mixed Music Pedagogy 2018 (ICOMMP-2018) is the first event of its kind: a four-day research-creation conference on the pedagogy of mixed music (music combining acoustic and electronic sound sources). Led by artist-researchers and scholars at the Schulich School of Music of McGill University and the Université de Montréal, the conference will include public workshops, research colloquia, and concerts featuring guest artists and lecturers from Canada, the United States, France, and Portugal. ICOMMP-2018 will feature four days of presentations in French and English by international guests and presenters chosen from an open call for papers. Confirmed speakers include composers (Miguel Azguime, Alain Bonardi, Bertrand Dubedout, Bruno Gabirro, Philippe Leroux, Pierre Michaud, Nina C. Young), music scholars (Guillaume Boutard, Jonathan Goldman, Robert Hasegawa), performers (Guillaume Bourgogne, Jean-Michaël Lavoie, Lorraine Vaillancourt), and experts in music technology (Mikhail Malt, Gilbert Nouno). Three associated concerts will feature Portugal’s Sond’Ar-te Electric Ensemble plus student performers from the Schulich School of Music and Université de Montréal, including a rare North American performance of Pierre Boulez’s …explosante-fixe… and new works by Miguel Azguime, Bertrand Dubedout, Pierre-Luc Lecours, Pierre Michaud, and Nina C. Young. ICOMMP-2018 is made possible by the generous support of the Schulich School of Music of McGill University, CIRMMT (Centre for Interdisciplinary Research in Music Media and Technology), the Social Sciences and Humanities Research Council, and Subito Music Corporation. Special thanks to Devon Wilkinson, Landon Morrison, Mylène Gioffredo, David Rafferty, Jonathan Patterson,Ensemble Amis Plus, and the Sond’Ar-te Electric Ensemble. Conférence internationale sur la pédagogie de la musique mixte * Table des matières * Le vendredi 16 novembre 6 9h-17h45, Faculté de musique, Université de Montréal, B-421 Présentations et ateliers Le samedi 17 novembre 9 9h30-17h45, École de musique Schulich de l’Université McGill, A-832/33 Présentations et ateliers 19h Causerie 12 19h30, École de musique Schulich de l’Université McGill, Salle Pollack Concert 1 : La beauté convulsive… live@CIRMMT avec l’Ensemble de musique contempraine de McGill Le dimanche 18 novembre 18 10h -17h15, Faculté de musique, Université de Montréal, B-421 Présentations et ateliers 19h30, Faculté de musique, Université de Montréal, 21 Salle Claude-Champagne Concert 2 : 100% Mixte Ensemble de musique contemporaine de l’Université de Montréal Le lundi 19 novembre 24 9h30-17h45, École de musique Schulich de l’Université McGill, A-832/33 Présentations et ateliers 19h15, Causerie, Le Gesù, Salle Custeau 28 20h00, Le Gesù, Amphithéâtre Concert 3: (ThS)inking Survival Kit Sond’Ar-te Electric Ensemble Biographies 32 International Conference on Mixed Music Pedagogy * Table of Contents * Friday, November 16 6 9:00-17:45, Faculté de musique, Université de Montréal, B-421 Conference presentations and workshops Saturday, November 17 9 9:30-17:45, Schulich School of Music, McGill University, A-832/33 Conference presentations and workshops 19:00, Pre-concert lecture 12 19:30, Schulich School of Music, McGill University, Pollack Hall Concert 1: La beauté convulsive… live@CIRMMT with the McGill Contemporary Music Ensemble Sunday, November 18 18 10:00-17:15, Faculté de musique, Université de Montréal, B-421 Conference presentations and workshops 19:30, Faculté de musique, Université de Montréal, 21 Salle Claude-Champagne Concert 2: 100% Mixte Ensemble de musique contemporaine de l’Université de Montréal Monday, November 19 24 9:30-17:45, Schulich School of Music, McGill University, A-832/33 Conference presentations and workshops 19:15, Pre-concert lecture, Le Gesù, Salle Custeau 28 20:00, Le Gesù, Amphithéâtre Concert 3: (ThS)inking Survival Kit Sond’Ar-te Electric Ensemble Biographies 32 VENDREDI NOVEMBRE FRIDAY 16 NOVEMBER Faculté de musique, Université de Montréal, 200, avenue Vincent-d’Indy Salle Jean-Papineau-Couture (B-421) 9:00 CAFÉ ET INSCRIPTION / COFFEE AND REGISTRATION 9:15 ACCUEIL / WELCOME 9:30 WORKSHOP Miguel Azguime with Sond’Ar-te’s soloists Filipe Quaresma (cello) and Nuno Pinto (clarinet) Composing and Performing Mixed Music 11:30 PAUSE CAFÉ / COFFEE BREAK 11:45 PRÉSENTATION / PAPER Mikhail Malt The IRCAM Cursus Pedagogy 12:15 PRÉSENTATION / PAPER Suzu Enns From Curiosity to Self-Sufficiency: Mixed Music Pedagogy and the Performer 12:45 DÉJEUNER / LUNCH 14:00 ATELIER / WORKSHOP Bertrand Dubedout Developing Listening in Mixed-Music: A Compositional and Pedagogical Challenge 16:00 PAUSE CAFÉ / COFFEE BREAK 16:15 PRÉSENTATION / PAPER Christopher Biggs, Keith Kirchoff, Adam Vidiksis, and Samuel Wells Pedagogical Methodologies of the SPLICE Institute: Refining and Extending Creative and Performance Practices Involving Electronics 16:45 PRÉSENTATION / PAPER Kit Soden Investigating the Roles of Orchestration Pedagogy and Timbre Research in the Teaching of Mixed Music 17:15 PRÉSENTATION / PAPER Philippe Leroux (conférence préenregistrée / prerecorded lecture) L’enseignement de la musique mixte : nouveaux outils - nouveaux concepts 6 RÉSUMÉS / ABSTRACTS Atelier / Workshop: Miguel Azguime with Sond’Ar-te’s soloists Filipe Quaresma (cello) and Nuno Pinto (clarinet) Composing and Performing Mixed Music This workshop will explore some of my own works involving acoustic instruments and electronics as examples of the interaction between compositional concerns, technological strategies, orchestration, and the performing skills of specific interpreters. The examples will outline an exploratory pedagogy aimed at composers as well as performers (whether instrumentalists or “electroacoustic interpreters”). • Mikhail Malt The IRCAM Cursus Pedagogy This talk describes the organization of our teaching program at the IRCAM Cursus. We use a pedagogy punctuated by exercices de style combining technical goals (understanding the environment and its syntax) with creative, musical goals. The course combines technical work in class with the realization of personal musical projects. • Suzu Enns From Curiosity to Self-Sufficiency: Mixed-Music Pedagogy and the Performer How should we introduce mixed-music to young performers? In this lecture, I will discuss the challenges and potential solutions for developing pedagogical approaches to mixed- music performance. Although it has become increasingly common for professional performers to incorporate mixed-music into their repertory, currently there are limitations regarding its incorporation into pedagogy and education. Indeed, there is a need for intelligently designed études, studies, and repertoire that is suitable for beginner and intermediate-level musicians. In the spirit
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