A Big, Beautiful Mess”
“A BIG, BEAUTIFUL MESS”: COLLECTIVITY, CAPITALISM, ARTS & CRAFTS AND BROKEN SOCIAL SCENE by Ian Dahlman Bachelor of Arts (Hons.), Psychology and Comparative Literature & Culture University of Western Ontario, 2005 London, Ontario, Canada A thesis presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Communication and Culture Toronto, Ontario, Canada, 2009 © Ian Dahlman 2009 I hereby declare that I am the sole author of this thesis. I authorize Ryerson University and York University to lend this thesis to other institutions or individuals for the purpose of scholarly research. Ian Dahlman I further authorize Ryerson University and York University to reproduce this thesis or dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. Ian Dahlman ii “A Big, Beautiful Mess”: Collectivity, Capitalism, Arts & Crafts and Broken Social Scene Ian Dahlman Master of Arts, Program in Communication and Culture Ryerson University and York University 2009 Abstract: The aim of this thesis is to critically examine the emergence of new forms of collectivity in Canadian independent popular music. A case study was conducted centring on the Toronto-based collective Broken Social Scene and its label Arts & Crafts, and original interviews were conducted with Stuart Berman, Charles Spearin, Jason Collett, Jeffrey Remedios, and Brendan Canning. An analysis of the major labels and a history of the sensibilities of independent artists establish the habitus of an independent artist at the end of the 1990s.
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