Lesbian U.S. Rep Talks Obama, ENDA
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Philosophy in the Artworld: Some Recent Theories of Contemporary Art
philosophies Article Philosophy in the Artworld: Some Recent Theories of Contemporary Art Terry Smith Department of the History of Art and Architecture, the University of Pittsburgh, Pittsburgh, PA 15213, USA; [email protected] Received: 17 June 2019; Accepted: 8 July 2019; Published: 12 July 2019 Abstract: “The contemporary” is a phrase in frequent use in artworld discourse as a placeholder term for broader, world-picturing concepts such as “the contemporary condition” or “contemporaneity”. Brief references to key texts by philosophers such as Giorgio Agamben, Jacques Rancière, and Peter Osborne often tend to suffice as indicating the outer limits of theoretical discussion. In an attempt to add some depth to the discourse, this paper outlines my approach to these questions, then explores in some detail what these three theorists have had to say in recent years about contemporaneity in general and contemporary art in particular, and about the links between both. It also examines key essays by Jean-Luc Nancy, Néstor García Canclini, as well as the artist-theorist Jean-Phillipe Antoine, each of whom have contributed significantly to these debates. The analysis moves from Agamben’s poetic evocation of “contemporariness” as a Nietzschean experience of “untimeliness” in relation to one’s times, through Nancy’s emphasis on art’s constant recursion to its origins, Rancière’s attribution of dissensus to the current regime of art, Osborne’s insistence on contemporary art’s “post-conceptual” character, to Canclini’s preference for a “post-autonomous” art, which captures the world at the point of its coming into being. I conclude by echoing Antoine’s call for artists and others to think historically, to “knit together a specific variety of times”, a task that is especially pressing when presentist immanence strives to encompasses everything. -
Cooperstown It Breaks Your Heart
Cooperstown It breaks your heart MUSIC BY Sasha Matson LIBRETTO BY Mark Miller & Sasha Matson CONTACT: 607-434-3504 • [email protected] Julie Adams • Daniel Favela • Carin Gilfry Rod Gilfry • Daniel Montenegro k Gernot Bernroider - Drums Russ Johnson - Trumpets Rich Mollin - Bass Jason Rigby - Saxophones Sean Wayland - Piano, Hammond C3, Fender Rhodes k Conducted by Sasha Matson MUSIC BY LIBRETTO BY Sasha Matson Mark Miller and Sasha Matson PRODUCED BY DIRECTED BY John Atkinson Stephanie Vlahos BAND SESSIONS RECORDED AT Systems Two Recording, Brooklyn, New York June 16-17, 2011 ENGINEERED BY Mike Marciano VOCAL SESSIONS RECORDED AT Schnee Studio, Studio City, California September 1-2, 2012 ENGINEERED BY Bill Schnee and Kenton Fukuda PRO TOOLS EDITING BY Justin Volpe MIXED BY Mike Marciano at Systems Two Recording MUSIC PREPARATION BY Jonathan B. Griffiths and the Terry Woodson Music Service PHOTOGRAPHY BY Wes Bender ( Band ) and Joseph D’Allessio ( Vocal ) 2 THE STORY 3 NOTES “COOPERSTOWN OR BUST!” is chalked on many vans that pull up every summer in front of our house across the lawn from the National Baseball Hall of Fame. It is a long and winding road trip to Cooperstown, and the recording process was that way as well. But what a trip! Such great talent here to hear, on both sides of the microphones. Rod Gilfry! John Atkinson! I have been honored by their enthusiastic support and participation. I have been to the Show. “It breaks your heart.” That was the poetic language A. Bartlett Giamatti used in his beautiful essay “The Green Fields of the Mind”, and I am pleased that the Giamatti estate gave us permission to use his text. -
New Modernism(S)
New Modernism(s) BEN DUVALL 5 Intro: Surfaces and Signs 13 The Typography of Utopia/Dystopia 27 The Hyperlinked Sign 41 The Aesthetics of Refusal 5 Intro: Surfaces and Signs What can be said about graphic design, about the man- ner in which its artifact exists? We know that graphic design is a manipulation of certain elements in order to communicate, specifically typography and image, but in order to be brought together, these elements must exist on the same plane–the surface. If, as semi- oticians have said, typography and images are signs in and of themselves, then the surface is the locus for the application of sign systems. Based on this, we arrive at a simple equation: surface + sign = a work of graphic design. As students and practitioners of this kind of “surface curation,” the way these elements are functioning currently should be of great interest to us. Can we say that they are operating in fundamentally different ways from the way they did under modern- ism? Even differently than under postmodernism? Per- haps the way the surface and sign are treated is what distinguishes these cultural epochs from one another. We are confronted with what Roland Barthes de- fined as a Text, a site of interacting and open signs, 6 NEW MODERNISM(S) and therefore, a site of reader interpretation and of SIGNIFIER + SIGNIFIED = SIGN semiotic play.1 This is of utmost importance, the treat- ment of the signs within a Text is how we interpret, Physical form of an Ideas represented Unit of meaning idea, e.g. -
2016 Program Book
2016 INDUCTION CEREMONY Friends of the Chicago LGBT Hall of Fame Gary G. Chichester Mary F. Morten Co-Chairperson Co-Chairperson Israel Wright Executive Director In Partnership with the CITY OF CHICAGO • COMMISSION ON HUMAN RELATIONS Rahm Emanuel Mona Noriega Mayor Chairman and Commissioner COPIES OF THIS PUBLICATION ARE AVAILABLE UPON REQUEST Published by Friends of the Chicago LGBT Hall of Fame 3712 North Broadway, #637 Chicago, Illinois 60613-4235 773-281-5095 [email protected] ©2016 Friends of the Chicago LGBT Hall of Fame In Memoriam The Reverend Gregory R. Dell Katherine “Kit” Duffy Adrienne J. Goodman Marie J. Kuda Mary D. Powers 2 3 4 CHICAGO LGBT HALL OF FAME The Chicago LGBT Hall of Fame (formerly the Chicago Gay and Lesbian Hall of Fame) is both a historic event and an exhibit. Through the Hall of Fame, residents of Chicago and the world are made aware of the contributions of Chicago’s lesbian, gay, bisexual, and transgender (LGBT) communities and the communities’ efforts to eradicate bias and discrimination. With the support of the City of Chicago Commission on Human Relations, its Advisory Council on Gay and Lesbian Issues (later the Advisory Council on Lesbian, Gay, Bisexual and Transgender Issues) established the Chicago Gay and Lesbian Hall of Fame (changed to the Chicago LGBT Hall of Fame in 2015) in June 1991. The inaugural induction ceremony took place during Pride Week at City Hall, hosted by Mayor Richard M. Daley. This was the first event of its kind in the country. Today, after the advisory council’s abolition and in partnership with the City, the Hall of Fame is in the custody of Friends of the Chicago LGBT Hall of Fame, an Illinois not- for-profit corporation with a recognized charitable tax-deductible status under Internal Revenue Code section 501(c)(3). -
Chicago's City Council's Increasing Independence
Chicago's City Council's Increasing Independence Chicago City Council Report May 7, 2003 – November 15, 2006 Authored By: Dick Simpson and Tom Kelly University of Illinois at Chicago Department of Political Science December 27, 2006 1 In our earlier study of the Chicago City Council, from May 7, 2003 until December 7, 2005, we highlighted the Council’s newly found independence. In this last year, from December 15, 2005 to November 15, 2006, there has been increasing independence in city council voting. During the last eleven months there have been 20 divided role call votes, approximately two per month. The average aldermanic support for the mayor on these key divided votes has decreased slightly from 84% to 83%. More importantly, the mayor lost the “Foie Gras Ban” and the more critical “Big Box” ordinance, which for the first time since he was elected in 1989, forced him to use his mayoral veto. His father, Richard J. Daley, did not have to use the mayoral veto during his 22 years in office. On the other hand, Mayor Harold Washington used his veto powers frequently during his first four-year term. This Mayor Daley’s near total control of the previously rubber stamp city council has been weakened by the continuing patronage and corruption scandals. He has faced growing opposition at the grassroots, including labor unions, community groups, and organizing in the minority communities by previous and current mayoral candidates Jesse Jackson Jr., Luis Gutierrez, Dorothy Brown, and Bill "Dock" Walls. Five major issues have dominated the city council in the last year: (1) foie gras ban in restaurants, (2) aldermanic pay, (3) minimum wage requirements for large retailers (“Big Box Ordinance”), (4) a requirement for hotels to inform guests of a hotel workers’ strike, and (5) the downtown parking garage deal. -
Modernism Revisited Edited by Aleš Erjavec & Tyrus Miller XXXV | 2/2014
Filozofski vestnik Modernism Revisited Edited by Aleš Erjavec & Tyrus Miller XXXV | 2/2014 Izdaja | Published by Filozofski inštitut ZRC SAZU Institute of Philosophy at SRC SASA Ljubljana 2014 CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 141.7(082) 7.036(082) MODERNISM revisited / edited by Aleš Erjavec & Tyrus Miller. - Ljubljana : Filozofski inštitut ZRC SAZU = Institute of Philosophy at SRC SASA, 2014. - (Filozofski vestnik, ISSN 0353-4510 ; 2014, 2) ISBN 978-961-254-743-1 1. Erjavec, Aleš, 1951- 276483072 Contents Filozofski vestnik Modernism Revisited Volume XXXV | Number 2 | 2014 9 Aleš Erjavec & Tyrus Miller Editorial 13 Sascha Bru The Genealogy-Complex. History Beyond the Avant-Garde Myth of Originality 29 Eva Forgács Modernism's Lost Future 47 Jožef Muhovič Modernism as the Mobilization and Critical Period of Secular Metaphysics. The Case of Fine/Plastic Art 67 Krzysztof Ziarek The Avant-Garde and the End of Art 83 Tyrus Miller The Historical Project of “Modernism”: Manfredo Tafuri’s Metahistory of the Avant-Garde 103 Miško Šuvaković Theories of Modernism. Politics of Time and Space 121 Ian McLean Modernism Without Borders 141 Peng Feng Modernism in China: Too Early and Too Late 157 Aleš Erjavec Beat the Whites with the Red Wedge 175 Patrick Flores Speculations on the “International” Via the Philippine 193 Kimmo Sarje The Rational Modernism of Sigurd Fosterus. A Nordic Interpretation 219 Ernest Ženko Ingmar Bergman’s Persona as a Modernist Example of Media Determinism 239 Rainer Winter The Politics of Aesthetics in the Work of Michelangelo Antonioni: An Analysis Following Jacques Rancière 255 Ernst van Alphen On the Possibility and Impossibility of Modernist Cinema: Péter Forgács’ Own Death 271 Terry Smith Rethinking Modernism and Modernity 321 Notes on Contributors 325 Abstracts Kazalo Filozofski vestnik Ponovno obiskani modernizem Letnik XXXV | Številka 2 | 2014 9 Aleš Erjavec & Tyrus Miller Uvodnik 13 Sascha Bru Genealoški kompleks. -
The Global Contemporary: the Rise of New Art Worlds After 1989, Eds
The Global Contemporary: The Rise of New Art Worlds after 1989, eds. Hans Belting, Andrea Buddensieg, Peter Weibel (Cambridge, Mass.: MIT Press for ZKM, Karlsruhe, 2013) Revised text August 27, 2012 CONTEMPORARY ART: WORLD CURRENTS IN TRANSITION BEYOND GLOBALIZATION TERRY SMITH There is no doubt that contemporary artistic practice has been shaped above all by the forces of globalization that, from the 1980s until recently, predominated within international economic exchange, drove much of world politics, and disseminated spectacle as the theatre of individual and collective imagination in the lives of people all over the world. Globalized perceptions of contemporary art have been heavily promoted by major museums in search of competitive edge as centers of attraction within spectacle culture. They are used by the international art market to push up prices of what became, around 2000, its most glamorous, risky, and, in principle, infinitely self‐replenishing, sector. Contemporary Art features prominently in the lifestyle agendas of the recently rich, prevails in popular media, and is used to anchor massive revitalization efforts or new real estate projects by cities and nations competing for tourist dollars. Acknowledging the broad outlines of these obvious connections between art and social change, a number of art critics, historians, curators, and theorists, along with certain students of visual culture, have pursued an interesting set of more specific questions. Was the globalization of the art system prefigured in the internationalization -
HANDY HINTS the Stuckists (Est
A Stuckist Manifesto HANDY HINTS The Stuckists (est. 1999) ant-anti-art The first Remodernist art group Handy hints for students and others on some of the thinking behind Stuckism and the development and theory of Remodernism. The Stuckists are a small independent group of artists who believe passionately in the painting of pictures. They are a model for like- minded people round the world who wish to stand up for the heart and soul of art. Remodernism heralds a new epoch and is the antidote to the spiritual bankruptcy of Post Modernism. Remodernism stands for content, meaning and communication - subjectivity, emotional engagement, integrity, love, enthusiasm and a spiritual renaissance in society, art and the creative life. 1. Students should be inspired by and study the artists who they love as this is their gift to us to help us develop our own vision. (In Japanese there is a single word for to learn and to copy). 2. The language of the visionary artist is by nature always subjective, limited and partial, this is its power not its weakness. Personal truth, sought for with integrity, communicates to the inner world of us all and therefore contains the whole. 1 3. Objectivity is only useful in discerning the truth of our subjectiveness. 4. The naming of names and the demarcation of the arts. It is not fascism to name a brick a brick, a shoe a shoe, a horse a horse or a painting as art. Standing on the ground is not a type of flying. Calling walking walking does not devalue walking or suggest that walking is some how inferior to jumping up and down. -
Download Kenneth “Babyface” Edmonds, Who the I-Heart App and Find the Station Also Produced the Piece
COME EARLY, STAY LATE. NO WAIT. The swankiest spot in downtown Allentown. Now you can get VIP ENTRY to all PPL Center events, games & concerts through The Dime at the Renaissance® Allentown Hotel. 12 NORTH SEVENTH ST / ALLENTOWN / THEDIMEALLENTOWN.COM VOL. 4 ISSUE 11 SPRING 2018 TABLE OF CONTENTS CONTRIBUTOR’S BIOS EDITOR’S NOTE 3 Lenora Dannelke is an independent journalist who I HAVE TWO DADS 6 covers food, travel or anything fun. She lives in Old Allentown and loves a good Bloody Mary. She is owned by a 12-year-old rescued KAY HARING 8 boxer named Scoobie Look for her most Saturday afternoons at the TRANSGENDER HISTORY IN ARMED FORCES 11 Allentown Farmer’s Market. REHOBOTH GUEST HOUSE 12 TO THE CROSS & BACK 13 2OLYHU5HLOO\LVWKH'HYHORSPHQW0DQDJHUIRU%UDGEXU\6XO OLYDQ/*%7&RPPXQLW\&HQWHU7KH\DUHDOVRDZULWHU7DXUXVFDWORY WORKING WHILE TRANS 17 HUDQGVRFLDOMXVWLFHDGYRFDWH KEITH HARING 21 BIANCA DEL RIO 25 BACH CHOIR TURNS 120 26 Fernando Alcántar is a former denominational leader NEW HOPE LODGE 28 for the Foursquare Church in Mexico, the United Methodist Church LISA LAMPANELLI 30 in the United States, and globetrotting missionary leader for Azusa 3DFL¿F8QLYHUVLW\+HLVQRZDJD\DWKHLVWDFWLYLVWDQGDXWKRURIµTo BEYOND THE BINARY 31 the Cross and Back: An Immigrant’s Journey from Faith to Reason¶ DJ TRACY YOUNG 32 ZZZJRVSHORIUHDVRQFRP CARSON K. & KRISTINE W. 34 When Gary Gaugler, Jr isn’t saving the world at his office LGBT NIGHT @ THE SANDS 36 job, he enjoys writing his book series and playing video games. His LADY BUNNY 37 passions include cats, shenanigans, and weekend cocktails (though perhaps not in that order). -
2018 ANNUAL REPORT to DONORS on the Cover: a Close-Up of Máximo’S Massive Skeletal Frame
2018 ANNUAL REPORT TO DONORS On the cover: A close-up of Máximo’s massive skeletal frame. His placement in the renovated Stanley Field Hall invites guests to get up-close and personal. Visitors can walk under the titanosaur’s massive legs and sit at his feet. 2 Griffin Dinosaur Experience 4 Native North America Hall 6 Because Earth. The Campaign for the Field Museum 8 Science 16 Engagement 24 Honor Roll Contents 2 Field Museum Dear Friends, In its historic 125th anniversary year, the Field Museum achieved a new level of accomplishment in science, public engagement, and philanthropy. We are grateful to all donors and members for championing our mission to fuel a journey of discovery across time to enable solutions for a brighter future rich in nature and culture. In September 2018, the Museum’s Board of Trustees launched the public phase of an ambitious fundraising initiative. Because Earth. The Campaign for the Field Museum will raise $250 million dollars for our scientific enterprises, exhibitions, programs, and endowment. Our dedication to Earth’s future is strengthened by a new mission and brand that reinforce our commitment to global scientific leadership. Over the past six years, the Museum has transformed more than 25 percent of its public spaces, culminating in 2018 with renovations of Stanley Field Hall and the unveiling of the Griffin Dinosaur Experience. We are deeply grateful to the Kenneth C. Griffin Charitable Fund for an extraordinary commitment to dinosaur programs at the Field. In 2018, we also announced a three-year renovation of the Native North America Hall and unveiled the Rice Native Gardens with a land dedication ceremony in October. -
2010 Report on Fiscal Year 2010 at Crossroads Fund, Fiscal Year 2010 Was the Year of the Youth
At The CROSSROWAinter AnnDual 2009 –S 2010 Report on Fiscal Year 2010 At Crossroads Fund, Fiscal Year 2010 was the year of the youth. We were proud to conclude our third year of grantmaking through the Youth Fund for Social Change, a special program that focuses resources on advocacy and youth activism in the Chicago area. The Youth Fund for Social Change highlights our work to help build movements for racial, social and economic justice. At a time when young people were not engaged to vote in the mid-term elections, when the youth unemployment rate is higher than any year since 1948, and when funding for public education is facing grim austerity-related cuts, Crossroads Fund is providing resources to empower young people to work across social justice issues. Crossroads Fund provides grants. To date, we have distributed $94,500 through the Youth Fund, and we plan to disseminate an additional $30,000 in 2011. Crossroads Fund provides innovative trainings, workshops and coaching. Last fall, we partnered with the Woods Fund and Jane Addams Senior Caucus to bring the Highlander Center to Chicago, to present a training on popular education and organizing; this training was intergenerational and had a special track devoted to youth. We also partnered with the Freedom School and Project Nia to present a session on Martin Luther King Day 2010 that was targeted to youth. We have assisted youth in understanding different kinds of activism, and we have provided youth with specialized training on managing their resources . Crossroads Fund partners with other foundations to bring resources to youth. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.