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The Disney Strike of 1941: from the Animators' Perspective Lisa Johnson Rhode Island College, Ljohnson [email protected]
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2008 The Disney Strike of 1941: From the Animators' Perspective Lisa Johnson Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Labor Relations Commons, Other Film and Media Studies Commons, Social History Commons, and the United States History Commons Recommended Citation Johnson, Lisa, "The Disney Strike of 1941: From the Animators' Perspective" (2008). Honors Projects Overview. 17. https://digitalcommons.ric.edu/honors_projects/17 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. The Disney Strike of 1941: From the Animators’ Perspective An Undergraduate Honors Project Presented By Lisa Johnson To The Department of History Approved: Project Advisor Date Chair, Department Honors Committee Date Department Chair Date The Disney Strike of 1941: From the Animators’ Perspective By Lisa Johnson An Honors Project Submitted in Partial Fulfillment of the Requirements for Honors in The Department of History The School of the Arts and Sciences Rhode Island College 2008 1 Table of Contents Introduction Page 3 I. The Strike Page 5 II. The Unheard Struggles for Control: Intellectual Property Rights, Screen Credit, Workplace Environment, and Differing Standards of Excellence Page 17 III. The Historiography Page 42 Afterword Page 56 Bibliography Page 62 2 Introduction On May 28 th , 1941, seventeen artists were escorted out of the Walt Disney Studios in Burbank, California. -
Written and Directed by Madeleine Olnek
Written and Directed by Madeleine Olnek Starring Molly Shannon, Amy Seimetz, Susan Ziegler, Brett Gelman, Jackie Monahan, Kevin Seal, Dana Melanie, Sasha Frolova, Lisa Haas, Al Sutton World Premiere 2018 SXSW Film Festival (Narrative Spotlight) Acquisition Title / Cinetic 84 minutes / Color / English / USA PUBLICITY CONTACT SALES CONTACT Mary Ann Curto John Sloss / Cinetic Media [email protected] [email protected] [email protected] FOR MORE INFORMATION ABOUT THE FILM PRESS MATERIALS CONTACT and FILM CONTACT: Email: [email protected] DOWNLOAD FILM STILLS ON DROPBOX/GOOGLE DRIVE: For hi-res press stills, contact [email protected] and you will be added to the Dropbox/Google folder. Put “Wild Nights with Emily Still Request” in the subject line. The OFFICIAL WEBSITE: http://wildnightswithemily.com/ For news and updates, click 'LIKE' on our FACEBOOK page: https://www.facebook.com/wildnightswithemily/ "Hilarious...an undeniably compelling romance. " —INDIEWIRE "As entertaining and thought-provoking as Dickinson’s poetry.” —THE AUSTIN CHRONICLE SYNOPSIS THE STORY SHORT SUMMARY Molly Shannon plays Emily Dickinson in " Wild Nights With Emily," a dramatic comedy. The film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman. LONG SUMMARY Molly Shannon plays Emily Dickinson in the dramatic comedy " Wild Nights with Emily." The poet’s persona, popularized since her death, became that of a reclusive spinster – a delicate wallflower, too sensitive for this world. This film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman (Susan Ziegler). After Emily died, a rivalry emerged when her brother's mistress (Amy Seimetz) along with editor T.W. -
To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
Middle Grade Indicators of Readiness in Chicago Public Schools
RESEARCH REPORT NOVEMBER 2014 Looking Forward to High School and College Middle Grade Indicators of Readiness in Chicago Public Schools Elaine M. Allensworth, Julia A. Gwynne, Paul Moore, and Marisa de la Torre TABLE OF CONTENTS 1 Executive Summary Chapter 5 55 Who Is at Risk of Earning Less 7 Introduction Than As or Bs in High School? Chapter 1 Chapter 6 17 Issues in Developing and Indicators of Whether Students Evaluating Indicators 63 Will Meet Test Benchmarks Chapter 2 Chapter 7 23 Changes in Academic Performance Who Is at Risk of Not Reaching from Eighth to Ninth Grade 75 the PLAN and ACT Benchmarks? Chapter 3 Chapter 8 29 Middle Grade Indicators of How Grades, Attendance, and High School Course Performance 81 Test Scores Change Chapter 4 Chapter 9 47 Who Is at Risk of Being Off-Track Interpretive Summary at the End of Ninth Grade? 93 99 References 104 Appendices A-E ACKNOWLEDGEMENTS The authors would like to acknowledge the many people who contributed to this work. We thank Robert Balfanz and Julian Betts for providing us with very thoughtful review and feedback which were used to revise this report. We also thank Mary Ann Pitcher and Sarah Duncan, at the Network for College Success, and members of our Steering Committee, especially Karen Lewis, for their valuable feedback. Our colleagues at UChicago CCSR and UChicago UEI, including Shayne Evans, David Johnson, Thomas Kelley-Kemple, and Jenny Nagaoka, were instrumental in helping us think about the ways in which this research would be most useful to practitioners and policy makers. -
FANAC Fan History Project UPDATE 12
FANAC Fan History Project UPDATE 12 April 17, 2020 Greetings and felicitations. I hope this update finds you all well – we are in living in surreal and frightening times. For us, wallowing in fan history is not only a passion but a good way to focus on something other than the pandemic news. Apparently, others feel the same way. We’ve had a number of scans from new contributors, as well as our stalwarts. In particular, new material has been provided by Rich Lynch, Sheryl Birkhead, Joe Patrizio, Mike Saler, Syd Weinstein and Tom Whitmore. CoNZealand Retro Hugo Awards nominations: We’ve completed our work on the Retro Hugos for 2020. Final nominees were announced recently by CoNZealand, and we’ve assembled a page of links for the fannish material nominated in the categories of Best Related Work, Best Fanzine and Best Fan Writer. Our webmaster, Edie Stern, combed through all the 1944 fan publications available on the net to make the list as complete as possible. We want to thank CoNZealand, Steve Davidson (Amazing Stories), Mike Glyer (File 770), Dave Langford (Ansible), Andrew Porter (news lists) and Locus for promoting and linking to our effort. You can access the material at http://fanac.org/fanzines/Retro_Hugos.html . FANAC by the Numbers. We have passed what feel to us like some significant milestones in our archiving - over 10,000 fanzine issues and over 150,000 pages scanned. That’s not counting pages in some of our largest runs like Opuntia, MT Void and TNFF. It does include over 3,000 newszines. -
The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
New Directors Showcase “Congratulations” Ad Samples ©2011 Optimus
New Directors Showcase “Congratulations” Ad Samples 2011 SHOOT NEW DIRECTORS SHOWCASE congratulations otto oneatoptimus.com ©2011 Optimus. ©2011 &RQJUDWXODWLRQV +$</(<0255,6 1HZ'LUHFWRUV6KRZFDVH animation mixed media live action cg design games 9th ANNUAL NEW DIRECTORS SHOWCASE 2011 How did you get into directing? How did you get into directing? I have wanted to be a director since age 18, but felt I didn’t have enough life experience. I had a great childhood, which really shaped how I think creatively today. I grew I started taking photographs to explore the world, road trips fi nding subcultures (Angola up in a small town with only two television channels to watch. Also other than the Penitentiary inmates & characters on the Texas/Mexico borderland) and letting land- amazing mountain ranges, there weren’t a lot of exciting places to go so my imagi- scapes, like Appalachia, reveal unseen and unusual things. Two years ago I approached nation wandered quite a bit. And having a great childhood mixed with a limitless The New York Times to make a short fi lm of musicians and fans at Coachella Music Festival. imagination was really important for me because I imagined some of weirdest things The response to the fi lm was very positive and Partizan took me on as a director. I followed to make the ordinary seem out of the ordinary. So I obviously needed an outlet, but Poppy de Villeneuve up with other short fi lm and interview projects for various publications and made my fi rst Matt Fackrell we couldn’t afford a video camera, so for years my twin brother and I created strange Partizan, bicoastal/international U.K. -
The Official Visitors Guide for the Chicago Northwest Region
CHICAGO NORTHWEST Visitors Guide Welcome to the Middle Ages Chicago Northwest’s Best In Glass Horse Racing’s Most Beautiful Track GIVE YOURSELF AN EDGE ARLINGTON HEIGHTS // ELK GROVE VILLAGE // ITASCA // ROLLING MEADOWS // ROSELLE // SCHAUMBURG // STREAMWOOD // WOOD DALE CHICAGONORTHWEST.COM CHICAGONORTHWEST.COM // 1 TABLE OF CONTENTS EVENTS 4 GIVE YOURSELF AN EDGE GETTING AROUND INSERT WELCOME TO THE MIDDLE AGES 6 THINGS TO DO INSERT We would love to assist you. Stop by and say hello at our Visitor Center: HORSE RACING’S MOST BEAUTIFUL TRACK 8 DINING INSERT Meet Chicago Northwest Visitor Center A GRILLING DINING EXPERIENCE 10 1933 N. Meacham Rd., Suite 210 HOTELS INSERT Schaumburg, IL 60173 COMMUNITIES 11 (847) 490-1010 MAP CENTERFOLD Monday–Friday 9 a.m.–5 p.m. A TASTE OF JAPAN CLOSE TO HOME 15 ChicagoNorthwest.com CHICAGO NORTHWEST’S BEST IN GLASS 16 EXPLORE. ENGAGE. EDUCATE. 18 STREET EATS 20 STAFF CHICAGO NORTHWEST-STYLE PIZZA 22 Dave Parulo Welcome to Chicago Northwest, located on the President edge of Chicago and O’Hare International Airport. STEAKS, BURGERS, Heather Larson, CMP Director of Sales Indulge in everything our region has to offer, SEAFOOD AND MORE including sophisticated and affordable shopping Melinda Garritano, CSEE and dining, fantastic modern accommodations Senior Account Executive and family-friendly attractions. Carlos Madinya It’s simple to enjoy Chicago Northwest with our Account Executive Hello. ease of highway access, direct Metra trains to EXPERTLY Jennifer Needham Chicago and free parking everywhere! Account Executive Be part of the Chicago Northwest experience by visiting Christina Nied our interactive site ChicagoNorthwest.com from any of Partnership Manager GRILLED OVER your devices. -
JDM Bibliophile 15
+c0 J-’JJ Tk^^Ld/d fdJddr pkid dJd 15 /ddick IQ 71 Edited and published twice a year by Len and June Moffatt, Box 4456, Downey CA 90241. Associate Editors: Bill Clark and Ed Cox. This is a non-profit amateur journal devoted to the works—and to the readers—of John Di. MacDonald. Price: 500 per copy, or a publishable letter of comment will bring you the issue in which your loc appears. If there is an "X" on your mailing label, you must do something to receive the next issue. 0Copyright1971 by Leonard J. Moffatt and June M. Moffatt. All rights to their own material are assigned to those who contributed to this issue. OUR THANKS TO THE FAWCETT WORLD LIBRARY FOR PERMISSION TO USE JOHN MCDERMOTT’S DRAWING OF TRAVIS McGEE ON THIS ISSUE’S CO$ER. -..Recommended Reading .......................... 3 4 .-News &-Previews . .. ... •............. A Stern Look at McGee - by Elijah Stern ................... 5 ■Sounds of Gunshots - by Lawrence Fleming .........8...... Feetnote to Fleming - by Dean A. Grennell..............1.0.. Hard Touch - by Bill Wilson.............. .0.-. ....... 15 An Interesting Book, This Lavender Look - by Dave Stewart . 17 Early JDM: Three Pulps from '49;- by Francis M. Nevins, Jr 19 Haiku -'by John D. MacDonald.......... ................... 20 Please Write For Details - by the readers and the editors . 21 ... l/deadma ■ THE ARMCHAIR DETECTIVE ($1 a copy) Allen.J. Hubin, 3656 Midland, White Bear Lake, Minnesota 55110 DAST MAGAZINE (Detective - Agents - Science-fiction - Thriller) (in Swedish) . Iwan Hedman” Flodins vag 5, S 152 00, Strangnas, SWEDEN THE FAUST COLLECTOR (50$$ a copy, 5 for $2) William J. -
E-DITTO 13 E-DITTORIAL E-DITTO Continues to Evolve
E-DITTO 13 E-DITTORIAL E-DITTO continues to evolve. This issue features a cover by Mae Strelkov, a landscape of the northern Argentine mountains where she lived. She was a true hecto artist. While I scratched out my faux hecto pictures using ditto masters, Mae somehow managed to actually paint with unforgiving hecto inks. Maybe she made a deal with the devil! She was certainly deep into arcane studies, trying to find similarities between the languages of the world and to deduce therefrom universal truths. Or so I interpret it. You owe it to yourself to download from eFanzines, issue 15, at the very least, of Robert Mapson's Forbidden Worlds which features, amongst other things, many more hecto paintings by Mae as well as letters from her describing her studies, her painting techniques and her life in mountains. There's also some interesting writing from Robert and scads of locs he received back in the eighties, scanned in all their typewritten and handwritten glory. http://efanzines.com/Forbidden/index.htm ___________________________________________________________ E-DITTO #13 August, 2011. From Eric Mayer [email protected] Cover: Mae Strelkov Logo & stamp: Dave Burton. Illos: Brad Foster p. 1 Alicia Souza p. 4, 9, 12, 13 Taral p. 10 Eric p. 5, 6, 7, 14 1 READING OUT LOUD A lot of reading goes on here in the evenings. Mary and I can both get very enthusiastic about what we're reading. When a book's really good you just have to share it. That can get confusing. Yesterday Mary was immersed in a Wilkie Collins novel while I was chuckling, rather bleakly, over a collection of Kurt Vonnegut essays. -
March 2010 the Next NASFA Meeting Is 20 March 2010 at the Regular Time and Location
Te Shutle March 2010 The Next NASFA Meeting is 20 March 2010 at the Regular Time and Location Con†Stellation XXIX ConCom Meeting 3P, 20 March 2010 at Renasant Bank (right before the club meeting) until we get to the point of needing to hold them more often d Oyez, Oyez d than monthly. NASFA CALENDAR ONLINE The next NASFA Meeting is Saturday 20 March 2010 at NASFA has an online calendar on Google. Interested parties the regular time (6P) and the regular location. Meetings are can check the calendar online, but you can also subscribe to the at the Renasant Bank’s Community Room, 4245 Balmoral Drive in south Huntsville. Exit the Parkway at Airport Road; Map To head east one short block to Balmoral Drive; turn left (north) Whitesbur for less than a block. The bank is on the right, just past Logan’s Memorial Parkway Club Meeting Roadhouse restaurant. Enter at the front door of the bank; turn Location right to the end of a short hallway. MARCH PROGRAM The program will be “Dan Thompson presents Fan Films.” Renasant Bank g Drive ATMMs 4245 Balmoral Drive The March After-The-Meeting Meeting will be hosted by Huntsville AL 35801 Sunn Hayward and will be held at the bank starting right after Carl T. Jones the club meeting. We need ATMM volunteers for April and all Drive months beyond. Airport Road CONCOM MEETINGS The next Con†Stellation XXIX concom meeting will be 3P Sunday 20 March at the Renasant Bank. There will be a dinner break between the concom meeting and the club meeting. -
Emerging Legal and Policy Trends in Recent Robot Science Fiction
Emerging Legal and Policy Trends in Recent Robot Science Fiction Robin R. Murphy Computer Science and Engineering Texas A&M University College Station, TX 77845 [email protected] Introduction This paper examines popular print science fiction for the past five years (2013-2018) in which robots were essential to the fictional narrative and the plot depended on a legal or policy issue related to robots. It follows in the footsteps of other works which have examined legal and policy trends in science fiction [1] and graphic novels [2], but this paper is specific to robots. An analysis of five books and one novella identified four concerns about robots emerging in the public consciousness: enabling false identities through telepresence, granting robot rights, outlawing artificial intelligence for robots, and ineffectual or missing product liability. Methodolology for Selecting the Candidate Print Fiction While robotics is a popular topic in print science fiction, fictional treatments do not necessarily touch on legal or policy issues. Out of 44 candidate works, only six involved legal or policy issues. Candidates for consideration were identified in two ways. One, the nominees for the 2013-2018 Hugo and Nebulas awards were examined for works dealing with robots. The other was a query of science fiction robot best sellers at Amazon. A candidate work of fiction had to contain at least one robot that served either a character or contributed to the plot such that the robot could not be removed without changing the story. For example, in Raven Stratagem, robots did not appear to be more than background props throughout the book but suddenly proved pivotal to the ending of the novel.