Florida State University Libraries

Total Page:16

File Type:pdf, Size:1020Kb

Florida State University Libraries )ORULGD6WDWH8QLYHUVLW\/LEUDULHV 2020 Mondays, Calls from your Mother, and All the Things We've Lost Emilee Anne Wigglesworth Follow this and additional works at DigiNole: FSU's Digital Repository. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS & SCIENCES ! ! ! ! ! ! ! ! MONDAYS, CALLS FROM YOUR MOTHER, AND ALL THE THINGS WE’VE LOST ! ! ! ! ! ! ! By EMILEE WIGGLESWORTH ! ! ! ! ! ! A Thesis submitted to the Department of English in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Summer, 2021 ! ! ! ! ! ! The members of the Defense Committee approve the thesis of Emilee Wigglesworth defended on November 20, 2020 ! ! ! ! ! ! ! Dr. David Kirby, Thesis Director ! ! ! ! ! ! ! Ms. Carrie Ann Baade, Outside Committee Member ! ! ! ! ! ! ! Dr. James Kimbrell, Committee Member ! ! ! ! ! ! ! Dr. Russ Franklin, Committee Member ! ! ! 2 ANGELS LANDING, DEVIL’S TOWER ................................................................................................... 4 NOVEMBER 3RD, 2019 ................................................................................................................................ 5 I FOUND THE CLEARING IN THE FOREST WHERE GOD KEEPS ALL THE BRIDGES YOU CAN CROSS INTO HEAVEN, BUT THEY’RE ROTTED AWAY .................................................................... 6 OUTSIDE THE LIBRARY WAITING TO MEET WITH MY FRIEND, MARISA, TO TALK ABOUT WHAT WE MISSED OVER HOLIDAY BREAK ...................................................................................... 8 I SAW HEAVEN WHEN I WAS SIXTEEN, FAINT, AND DAYS FROM DROPPING TO THE FLOOR, HALF-DEAD ................................................................................................................................. 9 IF I AM LIKE MY MOTHER, THEN YOU ARE LIKE YOUR FATHER .............................................. 11 CYCLES ...................................................................................................................................................... 12 FEBRUARY AND THE THIRTEEN MONDAYS I’VE LIVED WITHOUT HIM ................................. 13 TRANSLUSCENT SKIES ON A RAINY AFTERNOON IN MARCH ................................................... 14 STOMPING IN ANTHILLS AND ALL THE REASONS HE SHOULDN’T BE WITH ME ................. 15 MAKING FROGS EXPLORE THE SEWER; DROWNING FOR THE CAUSE OF CURIOUS SEVEN- YEAR-OLDS .............................................................................................................................................. 16 WARNING SOUTH FLORIDIANS: FALLING IGUANAS .................................................................... 17 RESILLIENCE: A CASE STUDY ............................................................................................................. 19 GIRLS TREMBLING IN THE SUNSET ................................................................................................... 20 STARING OUT THE WINDOW OF THE CITY BUS ON A RAINY EVENING .................................. 21 BLACK DEATH ......................................................................................................................................... 22 CHAPPED LIPS, PRESSED THIGHS, AND SEVERE THUNDERSTORM WARNINGS IN EARLY JULY ........................................................................................................................................................... 23 MONDAYS, CALLS FROM YOUR MOTHER, AND ALL THE THINGS WE’VE LOST ................... 24 I WISH YOU HAD BEEN AT THE MITSKI CONCERT ........................................................................ 26 TO CARL AND VICTOR, WHO WERE THE BROTHERS I NEVER HAD ......................................... 27 THE PEARL ............................................................................................................................................... 29 LIPSTICK STAINS IN YOUR EMPTY BED ........................................................................................... 30 BABY BIRDS FREE-FALLING FROM THEIR NEST ............................................................................ 31 PRESSED FLOWERS, AFTERNOON SHOWERS, AND ALL THE REASONS I CAN’T GET OUT OF BED IN THE MORNING ..................................................................................................................... 32 SUSPENDED IN THE SKY WITH YOU, LAST SPRING ...................................................................... 33 I WILL SPEND THE REST OF MY LIFE LONGING FOR EVERYTHING THAT COULD HAVE BEEN .......................................................................................................................................................... 34 POEM WITH A SHORT TITLE ................................................................................................................ 35 THE FIRST TIME VISITING THE HOUSE YOU GREW UP IN ........................................................... 36 STORMY, THE EMOTIONAL SUPPORT RABBIT ............................................................................... 37 IF I CLOSE MY EYES, I CAN FEEL YOUR HAND ON MY CHEEK .................................................. 38 WAITING FOR THE CALL FROM BEYOND ........................................................................................ 39 ! 3 ANGELS LANDING, DEVIL’S TOWER I am not a monolith. I am not a stone that stands firmly in place despite the weather, despite the erosion that casts a shadow on the way things were, but only in their beginning. When we unravel the pain, where does it leave us standing but with a hand full of pebbles and a collection of sixty-four pennies? You cannot carve me into a statue of beauty and grace, for you have never given me the lips with which to speak and to kiss the women who showed me what it means to love someone that won’t ask you to be a rock or an amethyst or the pink chalcedony I picked out and she bought me, on the day after he touched me and stripped away my skin; tapping lightly on a breast that had been chiseled from the breast of a mother and her mother before that, both bearing witness to men in the pursuit of pleasure sans pain. What we take lies before us in the dim moonlight, watching only for the sake of watching. Eyes of judgement shall be cast on you for what you want, what you steal, what you can never return because it has been dirtied by the tobacco underneath your nails and the stench of blood filling your lungs– with each breath you are drowning, but blood does not simmer, it boils, bubbles, and coats your voice until you are begging for ice that will not melt: a rock so pure that when you saw it, you were sure it had to be crystal. I am a woman who has been carved from the canyons and chasms so deep, they do not echo. Their screams into my belly do not escape into the windless nights of December, I carry them with me, and their cries go unanswered because I am not a monolith. I am not a stone that stands firmly in place. ! 4 NOVEMBER 3RD, 2019 Sometimes I cruelly think it would be better if we had never become friends, then I would not have this pain of losing him. ! 5 I FOUND THE CLEARING IN THE FOREST WHERE GOD KEEPS ALL THE BRIDGES YOU CAN CROSS INTO HEAVEN, BUT THEY’RE ROTTED AWAY I am looking to find the way past the bridges and the openings through the leaves in the sycamore trees, where the sunlight floods through and I can see his shadow waiting to dance with me in the joyous reunion of love, taken, quickly without remorse, or even a moment to whisper: goodbye, don’t go, I want you, only you, and I will keep you alive through my undying adoration. May I cross to the other side where the brook runs over the smoothed stones or is He standing, arms crossed, a silent watcher – making sure I do not step forward onto the molded planks of honey-colored cedar wood? It has blackened from weakness and pond water; I am too afraid to ask if there is another way across the sloshing waters to meet my lost friend. What can I do when I am choking; my face turned blue from the loss, or worse, the act of losing? God, I know you can see me on the phone, answering the same call every morning before sunrise– his mother and the single tear she shed telling me her son, oh her beloved son, is dead. It is five a.m. and I am waking to the ringing and the dread and then stumbling through my kitchen, grasping for the countertops so I do not slip through the cracks in our faux wooden floor. I am gasping for the air from our conditioner and crawling to my roommate’s bedroom, dragging my legs, my torso; inching forward until I can reach for the arm of the couch and learn to stand again, like a calf first ! 6 finding its footing on the pasture where its mother grazes and doesn’t have to think about how she’d muster the strength to chew grass after the loss of her baby. He called her, said that weekend was the happiest he’d ever been, ever will be, and how do you stand on two feet when every bone in your body has snapped in three, for there’s nothing to make her whole again, that’s what she said to me over the phone to let me know the toxicology report came back clean, and we are reminded of his responsibility, like we didn’t know he was perfect– so kind, his father has likened him to Jesus in his eulogy that I downloaded to a hard drive on my computer because I got stuck five hours from the funeral without a ride or a license to drive and I got drunk instead and my friends said it’s the happiest they’d ever seen me, which I know means he’s here, hand on my shoulder, waiting
Recommended publications
  • The Raw Art Review: Summer 2019
    The Raw Art Review: A Journal of Storm and Urge Summer 2019 The Raw Art Review A Journal of Storm and Urge Summer 2019 The Raw Art Review: A Journal of Storm and Urge The Raw Art Review is a publication of UnCollected Press published quarterly. RAR accepts submissions for publication from the Submittable platform or by email invitation from RAR editors. Subscriptions to RAR are $35 per year and can be purchased at the RAR website. Subscriptions for 2019 will include all 4 issues of RAR and at least 2 books published by UnCollected Press. Please consider subscribing, donating or becoming a patron. All three levels of giving can be found on the RAR “Subscribe and Support” page: https://therawartreview.com/subscribe-and-support/ COVER ART: Heisenberg by J. Ray Paradiso 24”x24” Mixed Media on Board (Winner of the RAR Summer Cover Art Contest) ©2019 Henry G. Stanton, UnCollected Press Liars Fire wouldn't scorch you. You're exempt from the ash and fizzle, the cold stain that daybreak leaves. The flapping blind, the drain that chokes, will heal unhandled. Not a cent demands the baker when you ask for bread. Your latest love would give you lungs to breathe beneath the sea. (Is that what you believe?) I never needed your adventurous bed, your one-way spectacles. I saw a day the sun refused to rise, but you maintained my eyes alone were black as burnt-down wood. No, I could turn a thousand times away: the song that's ceased, sweetest of all refrains. I'm only saying this for your own good.
    [Show full text]
  • Stranje House
    Stranje House A School for Unusual Girls by Kathleen Baldwin Stranje House, School for Unusual Girls Kathleen Baldwin, page 2 Chapter 1 Banished London, 1814 “I’ll wager Sir Isaac Newton’s parents didn’t pack him off to a school to reform his manners.” I smoothed my traveling skirts and risked a glance at my parents. They sat across from me, stone-faced and indifferent to my arguments. “Do be quiet, Georgiana.” With gloved fingers my mother massaged her forehead. Our coach slowed and rolled to a complete standstill, waylaid by crowds spilling into the road. All of London celebrated Napoleon’s capture and imprisonment on the isle of Elba. Rich and poor danced in the streets, rejoicing together and singing songs around makeshift fires. Their jubilation made my journey to exile all the more dismal. My father drummed fingers against his thigh and muttered curse words about our snail-like progress through London. Mother closed her eyes as if in slumber, a ploy to evade my petitions. She could not possibly be sleeping while holding her spine in such an erect formation. She didn’t even allow herself the luxury of leaning back against the squibs for fear of crumpling the feathers on her bonnet. Somehow, some way, I had to make them see reason. “This is a pointless expense. Surely you realize I have no more use for a schoolroom. Next week I turn sixteen, and since I have already been out in society--” Mother snapped to attention, suddenly wide awake. “Oh yes, Georgiana, I’m well aware of the fact that you have already been out in society.
    [Show full text]
  • Disability and Music
    th nd 19 November to 22 December UKDHM 2018 will focus on Disability and Music. We want to explore the links between the experience of disablement in a world where the barriers faced by people with impairments can be overwhelming. Yet the creative impulse, urge for self expression and the need to connect to our fellow human beings often ‘trumps’ the oppression we as disabled people have faced, do face and will face in the future. Each culture and sub-culture creates identity and defines itself by its music. ‘Music is the language of the soul. To express ourselves we have to be vibrating, radiating human beings!’ Alasdair Fraser. Born in Salford in 1952, polio survivor Alan Holdsworth goes by the stage name ‘Johnny Crescendo’. His music addresses civil rights, disability pride and social injustices, making him a crucial voice of the movement and one of the best-loved performers on the disability arts circuit. In 1990 and 1992, Alan co- organised Block Telethon, a high-profile media and community campaign which culminated in the demise of the televised fundraiser. His albums included Easy Money, Pride and Not Dead Yet, all of which celebrate disabled identity and critique disabling barriers and attitudes. He is best known for his song Choices and Rights, which became the anthem for the disabled people’s movement in Britain in the late 1980s and includes the powerful lyrics: Choices and Right That’s what we gotta fight for Choices and rights in our lives I don’t want your benefit I want dignity from where I sit I want choices and rights in our lives I don’t want you to speak for me I got my own autonomy I want choices and rights in our lives https://youtu.be/yU8344cQy5g?t=14 The polio virus attacked the nerves.
    [Show full text]
  • January 1988
    VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J.
    [Show full text]
  • Lyrics Words and Music by Edward Eliscu, Billy Rose and Vincent Youmans
    Great Day Lyrics Words and Music by Edward Eliscu, Billy Rose and Vincent Youmans When you’re down and out Lift up your head and shout “There’s gonna be a great day!” Angels in the sky promise that by and by there’s gonna be a great day! Gabriel will warn you, Some early morn you will hear his horn. Rooty, tootin’. It’s not far away, Lift up your head and say, ”There’s gonna be a great day, great day!” When you’re down and out, Lift up your head and shout, “There’s gonna be a great day!” Angels in the sky Promise that by and by There’s gonna be a great day! Gabriel will warn you, Some early morn you will hear his horn. Rooty, tootin’. It’s not far away, Lift up your head and say, ”There’s gonna be a great day, great day!” When you’re down and out, Lift up your head and shout, “There’s gonna be a great day!” Angels in the sky say that by and by There’s gonna be a great day. Gabriel will warn you, Some early morn you will hear his horn. Rooty, tootin’, rooty tootin’, rooty tootin’, rooty tootin’. It’s not very far away, Lift your head and say, ”There’s gonna be a great day!” ”There’s gonna be a great day!” © 1929 WB Music Corp., Chappell & Co. (admin. by © Warner Chappell Music) / LSQ Music Company (admin. by Songwriters Guild of America). All rights reserved. Used by permission. Love Is Like a River Lyrics Words and Music by Suzanne Jennings and Jeff Silvey His love is like a river, runnin’ and a rollin’, Flowin’ from the lazy streams.
    [Show full text]
  • Complicated Views: Mainstream Cinema's Representation of Non
    University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e.
    [Show full text]
  • THE BEST in CLASSIC ROCK and ROLL Lancaster’S Premier Classic Rock Band
    THE BEST IN CLASSIC ROCK and ROLL Lancaster’s premier classic rock band Booking Information Contact Kim Garner Phone: 717-421-2626 EMail: [email protected] www.offourrockers.org “Like” us on Facebook at www.facebook.com/lancasterrockers About Off Our Rockers Off Our Rockers is a group of musicians who on average have over thirty years of professional experience. We all share a love for classic 60’s and 70’s music and have deep roots in the Delaware, New Jersey and Pennsylvania music scene. Music Style: 60’s, 70’s and 80’s Rock / British Invasion (Our specialty) Musical Influences: Jeff Beck, Joe Perry, Ritchie Blackmore, The Beatles, Grand Funk Railroad, Steve Howe, Led Zeppelin, John Fogerty, Cream, Joe Bonamassa, ZZ Top Members: Derek Weaver: Guitar , Dave Mutzabaugh : Drums , Jeff Barninger : Guita r, Buddy Tomko Bass , Kim Garner: Vocals , Iggy Taylor: Keyboards. Albums / CD’s: Iggy Taylor: Best of Bad Betsy, Bad Betsy Again?, Media, Alter Ego, Schtuff, All Alone, Ataraxis Off our Rockers is also available for corporate or private events and concert type venues. A Few Songs covered by: Off Our Rockers Day Tripper The Beatles From Me to You The Beatles I Am the Walrus The Beatles Slow Down The Beatles I Saw Her Standing There The Beatles Hey Bulldog The Beatles She Loves You The Beatles Black Velvet Alannah Myles Born on Bayou CCR Born to be Wild Stepenwolf Cheap Sunglasses ZZ Top Crossfire Stevie Ray Vaughan Fire Woman The Cult Free Ride Edgar Winter Green River CCR Give Me One Reason Tracy Chapman Good Girls Don't The Knack
    [Show full text]
  • OUR GUARANTEE You Must Be Satisfied with Any Item Purchased from This Catalog Or Return It Within 60 Days for a Full Refund
    Edward R. Hamilton Bookseller Company • Falls Village, Connecticut February 26, 2016 These items are in limited supply and at these prices may sell out fast. DVD 1836234 ANCIENT 7623992 GIRL, MAKE YOUR MONEY 6545157 BERNSTEIN’S PROPHETS/JESUS’ SILENT GROW! A Sister’s Guide to ORCHESTRAL MUSIC: An Owner’s YEARS. Encounters with the Protecting Your Future and Enriching Manual. By David Hurwitz. In this Unexplained takes viewers on a journey Your Life. By G. Bridgforth & G. listener’s guide, and in conjunction through the greatest religious mysteries Perry-Mason. Delivers sister-to-sister with the accompanying 17-track audio of the ages. This set includes two advice on how to master the stock CD, Hurwitz presents all of Leonard investigations: Could Ancient Prophets market, grow your income, and start Bernstein’s significant concert works See the Future? and Jesus’ Silent Years: investing in your biggest asset—you. in a detailed but approachable way. Where Was Jesus All Those Years? 88 Book Club Edition. 244 pages. 131 pages. Amadeus. Paperbound. minutes SOLDon two DVDs. TLN. OU $7.95T Broadway. Orig. Pub. at $19.95 $2.95 Pub. at $24.99SOLD OU $2.95T 2719711 THE ECSTASY OF DEFEAT: 756810X YOUR INCREDIBLE CAT: 6410421 THE MAMMOTH BOOK OF Sports Reporting at Its Finest by the Understanding the Secret Powers ANTARCTIC JOURNEYS. Ed. by Jon Editors of The Onion. From painfully of Your Pet. By David Greene. E. Lewis. Collects a heart-pounding obvious steroid revelations to superstars Interweaves scientific studies, history, assortment of 32 true, first-hand who announce trades in over-the-top TV mythology, and the claims of accounts of death-defying expeditions specials, the world of sports often seems cat-owners and concludes that cats in the earth’s southernmost wilderness.
    [Show full text]
  • English Song Booklet
    English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR.
    [Show full text]
  • Read an Excerpt
    Excerpt Terms & Conditions This excerpt is available to assist you in the play selection process. You may view, print and download any of our excerpts for perusal purposes. Excerpts are not intended for performance, classroom or other academic use. In any of these cases you will need to purchase playbooks via our website or by phone, fax or mail. A short excerpt is not always indicative of the entire work, and we strongly suggest reading the whole play before planning a production or ordering a cast quantity of scripts. Family Plays THE HAPPY SCARECROW Drama by I.E. Clark © Family Plays THE HAPPY SCARECROW “Thank you for The Happy Scarecrow. Never have I directed a play quite like it. The cast loved it. At District Festival we received the superior rating and everybody raved and asked, ‘Where did you get that play?’” (Marion, Va.) “My small Sunday school class has agreed to put on The Happy Scarecrow for our family night ... I have used your play a couple of times in the past and still think it is fun to do.” (Jo Smith, Faith United Methodist Church, Austin, Texas) Drama. By I.E. Clark. Cast: 6m., 5w. A mean witch dares a frilly little fairy to prove there’s such a thing as happiness. So the fairy brings a scarecrow to life and promises to make him a real man if he can find happiness. It’s a strange search, sometimes comical, sometimes sad. The scarecrow meets a variety of characters, each providing an insight into human relations as well as excellent roles for your actors and actresses.
    [Show full text]
  • Angry, for the Way I Have Treated Myself
    Meet Sam Literary Magazine Staff Members & Editorial/Advertising Policy Anabel Hjellen Editor-in-Chief Suben Hwang Associate Editors-in-Chief Natasha Britt Entertainment Editor Juan Gomez Chyanne Chambers Yaneli Cortes Paul Cummings Jada Jackson Shahed-Fatim Aisheh Staff Writers Kyle LoJacono Advisor Contents By Suben Hwang ........................................................................................................................................... 4 By Juan Gomez .............................................................................................................................................. 8 By Shahed-Fatim Aisheh ............................................................................................................................. 12 By Anabel Hjellen-Diaz ................................................................................................................................ 16 By Chyanne Chambers ................................................................................................................................ 22 By Jada Jackson ........................................................................................................................................... 29 By Paul Cummings ....................................................................................................................................... 38 By Natasha Britt .......................................................................................................................................... 48 By
    [Show full text]
  • John Wetton's Official Website
    John Wetton's Official Website http://www.johnwetton.com/index.html LATEST NEWS January 31st 2020--- Today is the 3rd anniversary of the untimely death of John Wetton. Today we remember the genius of John and we share love with John’s son, Dylan, and John’s wife Lisa. Please keep subscribed to John’s social media. More details relating to the forthcoming John Wetton box set will shortly be released. The stories and tributes being assembled are a mind-blowing testament to John’s legacy. December 12th 2019--- American guitarist Fernando Perdomo has recorded a tribute album of King Crimson songs. The Crimson Guitar includes two songs from John Wetton's time in the band - Starless and Book of Saturday. There is also a dedication to John Wetton's memory inside the album. Amazon CD: https://geni.us/CrimsonGuitar June 12th 2019--- The John Wetton Estate proudly announces work has commenced on a solo career box set featuring expanded editions of his iconic albums and a lavish hardback book. 12th June 2019 would have been John’s 70th birthday. 1 of 42 16/03/2020, 12:18 John Wetton's Official Website http://www.johnwetton.com/index.html Since John Wetton’s passing in January 2017, his family, friends and management have been working on finding a fitting tribute to such a remarkable man and iconic artist. The result of this labour of love is a box set entitled “An Extraordinary Life”, dedicated entirely to John’s solo career. The project has the full support of John’s wife, Lisa, and his son, Dylan, who are wholly involved with compiling the contents.
    [Show full text]