The 'Reet Petite' Man, Is Back

Total Page:16

File Type:pdf, Size:1020Kb

The 'Reet Petite' Man, Is Back MFLODY MAKER. June 21, J9G'l-PaRt: 13 Jackie Wilson, the 'Reet Petite' man, is back Sahara m Las Vegas. THIS YEAR has been He manages to gene.rate the year of the re­ excitement in a II his songs although he is _ not vived singles with BY ROYSTON ELDRIDGE confined to the wilder re - issued records R&B numbers. With a In America though Jackie came when Elvis Presley. vocal style that 1s a cross becoming a domi­ Wilson's name was often Sammy Davies, Frankie between Sam Cooke and nating force in the in the chart. Jn 1958 he Avalon and Fabian Marvin Gaye, his reper· won his first gold disc among others all came to toire includes slow charts. with " Lonely Teardrops " see him in hospital. ballads, jazz and blues ... Amidst all the revivals, a combination that meets to be followed two years And more recently Jackie none is stranger than later with " Night " and with great success in the success that has "Doggin' Around." even managed to bring cabaret. Presley away from his With a sixteen day tour of ROCER CHAPMAN : no commercial success yet greeted Jackie Wil­ The rollowing year Jackie closely guarded home to Britain lined up for son's two• year• old was shot by a girl fan the Trip Club in Holly­ September with the Band­ outside his apartment jn single "Higher And wood where he was wagon and _The . Fla­ Manhattan and was on appearing. mingoes. Jackie Wilso_n Higher" which has the danger list for several climbed steadily to It is his stage appearances should consolidate his days as doctors round it success with " Higher difficult to remove one of that have kept Jackie ~l the higher reaches of 1s and Higher'' and make WHATEVER the chart. the two bul(ets that hit the top whether he him, appearing at Harlem·s sure it's not another Apollo or in the top night twelve years before he Proor of his status as a top clubs like the Copaca­ gains the recognition his VIRTUAL entertainer in the States bana in New York or the talent deserves in Britain HAPPENED TO .. What is so unusual about ? Jackie's apart hit is that T A.LL FAIR. bi-erdt"d Rog er from one hit lWELVE t " "'P"'•n ,-.f rh.,- Fam11> p u ffNJ " We play whDt we IJk e and years ago, the Detroit• h•• tlflh c,aa ~Ut' in half an wha t we reel Wht:n he have a born singer has remained MARK LINDSAY r and said: ·• It"s been a Alan Walsh finds rehea rsal, we all contribute a virtual unknown in •k>w pn.gress. but the group ideas and mlluences and it Britiam despite tre• ha& n:alt) bet'f"lme pc,pular hy !~:m';';~a~~s~~~ only ~:c~~s o u s American ,...!Td rl{ mou1n ~~~~= : Family. one Of th'!" bttt and out what's been roc.,st muotically proficient pl~/ ~~n·~~=:~';\~: v.;~at Y~~ Jackie's big Bntlsh hit was hands oper.atme here, were can't put yourself in a bag " Reel Petite," a number \rppcd as \he bta new thing l ~ happening with Others have to do tha1 All I he recorded soon after •,nth& ,:r so ago. Thal mau know ii. thal people come up leaving Billy War's Do- rtc:c,gmtion as a commerc,al and. say we are 'orJRmal.' The minoes to be replaced succesi. has n<,t yet arrived, audience says It, not u1. We: later by Clyde McPhatter. but they are well pleased with the Family iu1t play our music our way." That was the last time the life of the poup and tts Smee John Weider Joined Jackie hit the British pc.gh,on ,n thr music scene the group six weeks ago to chart, ·• J can see what 1ou mean "We haven·t had the com­ 0 PACE 17 when you say that big success mercial success yet, but, hun't hap~ned y"t." said ~ft~~heRi~~c~r~~hu'n~eFa1th, he has made his tmusical e~/;d r.::============================::-::-::-::-::------------ Rozer as we sipped a lagPr 1n :/~h:tgtia:·vrhi~~ut~~/ b~~~ mark on the group " He plays • Fl~t S1eet pub in the ,low, really I know that this bcautifol acousllc R,uilar and m1ddlt' c,f Lnndon's heatwave 1, the best way we have starled to feature •• We ha,·en't made the t1'p of " Flt>etwood Mac did the: him," said Roger. tht charts or anything like same: They built up a big " II adds something fresh that But we are workint five ~nd gives us a break from the nishts ,a week. aettini re~ ~,~~o~h:n rf:,~wet:e u~ou:~3: :a~~~.nl energy thing on bookNI wherever we grJ and tW<J really big hil records we have built up our nwn which established them as a foUowmg round the country 'name.' Now they ,:t>t respect ...,-ho come and u'" u, and d,~ from everyone STOLEN what we arf' playm~ " Besides, we: don't want l() 0 s r~:y cl~~:~r1y nie e~!~~ fi rotai'1~ev::ce:~~k ~~~:n~1 RISE 0 ~h~·1~ rci;~ry~~d ac:te~ny~~d t:iet/!~g.~p~t "':~!n't h~ilhc::: Rn,tt-r likened the progress that mt'ans workin,t rou nd lhe passpnrt stolen from the hotel of Family t,, tht rise in country a lot." and wasn·t allowed into popularity of lhe Incredible de~~~!ca~~;;[.~m;!{,:Oa,;~ ;~ CanadD J had to hong around 5t i:!i,) Baunpd to anyr.,ne 1n the ~ ~~:cu~;;upJo;;;; ~~~s~1w:~~1e:hl~ti~~; :h~~en00 ~:i~:~h' :~:,t ~h: ~~~r:~~b/o-s d +~~~ We1d~r, the former member of ~~~stn:e:'e~!1t:f~ 31nd~:~a'fa~ probably won't have heard of Eric Burdon·, Animals on .. Generally the audiences thie-m Dul the ,:roup 15 bau and acoustic guitar - were, nice. It's a change to drawing fantastic- c-rowd! have wlde musical l.Utes. And piny to people who don't \\bercver they play it shows m lht:ir music kn<1w w, fl's a challenge. too _.:...;, __________________7 ;"h~;Jgh re~~~vr~d !!re w~II, r:~ problems with promoters al 11 ..--------------------,1 R~'/' they found that the people who did know them, expected their music to be Then you·,e .1ho we,y w11c like their alhums made some lim1- ago. A sm.1II •cf,..c,t11en,cnt in the cl.1u1f1rd colun,ns of Melody ~hlic, lt'h thing-, n,o,..in1- ARE YOU f~.1-1- f1 Whcrhrr you'rr EXPLAIN buy,n,: o, selltn,i looltintc: fo, mu1ic1 .1n1 or ;iiftc, boolun,:1. "We used tt, xet requ£'sts SMALL Mclodr M.1k c, u there 10 ror numhers from our first help yov album. I used tn have to expl:un that we just didn't AND en R.ESUL TS FAST' ph1y like that any morr. I don'l think they liked that reallv " But,'' said Roger cheer• MINDED? fully, "you can'I look back• Melody w,1rd1 when you'rt playing mu sit. You•v~ got to look for­ ward Th•t music was two yeurs old. We don't reel it that Maker way nny mnre and W(• Just couldn't play it" SMALL ADS tlrnrbirt MEAN BUSINESS! -.
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Jackie Wilson Mr
    Jackie Wilson Mr. Excitement mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Blues / Pop Album: Mr. Excitement Country: UK Released: 2011 Style: Rock & Roll, Soul, Doo Wop, Rhythm & Blues MP3 version RAR size: 1263 mb FLAC version RAR size: 1354 mb WMA version RAR size: 1237 mb Rating: 4.3 Votes: 823 Other Formats: VOC MP2 MP4 AIFF AUD VQF MMF Tracklist Hide Credits Reet Petite 1 2:44 Written-By – Berry Gordy, Tyran Carlo Night 2 2:48 Written-By – Herb Miller, John Lehman Lonely Teardrops 3 2:43 Written-By – Berry Gordy, Gwen Gordy Fuqua, Tyran Carlo To Be Loved 4 2:29 Written-By – Berry Gordy, Gwen Gordy Fuqua, Tyran Carlo Why Can't You Be Mine? 5 2:00 Written-By – Alonzo Tucker, William Weatherspoon That's Why 6 2:04 Written-By – Berry Gordy, Gwen Gordy Fuqua, Tyran Carlo The Joke (Is On Me) 7 1:54 Written-By – Berry Gordy, Gwen Gordy Fuqua, Janie Bradford Only You, Only Me 8 3:10 Written-By – Benny Davis, Ted Murry Behind The Smile Is A Tear 9 2:22 Written-By – Paul Hack Talk That Talk 10 2:12 Written-By – Sidney J. Wyche If I Can't Have You 11 1:43 Written-By – Winfield Scott I'll Be Satisfied 12 2:07 Written-By – Berry Gordy, Gwen Gordy Fuqua, Tyran Carlo You Better Know It 13 1:59 Written-By – Jackie Wilson, Norman Henry Please Tell Me Why 14 2:00 Written-By – Paul Tarnopol Someone To Need Me (As I Need You) 15 2:18 Written-By – Berry Gordy, Tyran Carlo Doggin' Around 16 2:49 Written-By – Lena Agree Your One And Only Love 17 2:40 Written-By – Billy Myles Am I The Man? 18 2:33 Written-By – Bob Hamilton, Tom King A Woman, A Lover, A Friend 19 2:35 Written-By – Sidney J.
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • ADJS Decade Song Lists.Xlsx
    The Top 200 Songs of the 1950s Rank Title Artist 1 Johnny B. Goode Chuck Berry 2 Jailhouse Rock Elvis Presley 3 Rock Around The Clock Bill Haley & His Comets 4 Tutti-Frutti Little Richard 5 Whole Lot of Shakin' Going On Jerry Lee Lewis 6 What'd I Say Ray Charles 7 Summertime Blues Eddie Cochran 8 Hound Dog Elvis Presley 9 Long Tall Sally Little Richard 10 That'll Be The Day Buddy Holly & the Crickets 11 Maybellene Chuck Berry 12 Bo Diddley Bo Diddley 13 Shake, Rattle And Roll Joe Turner 14 Blue Suede Shoes Carl Perkins 15 Don't Be Cruel Elvis Presley 16 Bye Bye Love Everly Brothers 17 Great Balls Of Fire Jerry Lee Lewis 18 Earth Angel Penguins 19 Why Do Fools Fall In Love Frankie Lymon & the Teenagers 20 Good Golly Miss Molly Little Richard 21 Be-Bop-A-Lula Gene Vincent & the Bluecaps 22 School Day Chuck Berry 23 Rock And Roll Music Chuck Berry 24 Peggy Sue Buddy Holly 25 Lawdy Miss Clawdy Lloyd Price 26 Lucille Little Richard 27 Roll Over Beethoven Chuck Berry 28 In The Still Of The Nite Five Satins 29 I Only Have Eyes For You Flamingos 30 For Your Precious Love Jerry Butler & the Impressions 31 Blueberry Hill Fats Domino 32 Please, Please, Please James Brown & the Famous Flames 33 Sh-Boom Chords 34 Money Honey Drifters featuring Clyde McPhatter 35 I Walk The Line Johnny Cash and the Tennessee Two 36 Fever Little Willie John 37 The Great Pretender Platters 38 Ain't It A Shame Fats Domino 39 That's All Right Elvis Presley with Scotty and Bill 40 Your Cheatin' Heart Hank Williams 41 Sweet Little Sixteen Chuck Berry 42 The Train Kept-A-Rollin
    [Show full text]
  • The Social and Cultural Changes That Affected the Music of Motown Records from 1959-1972
    Columbus State University CSU ePress Theses and Dissertations Student Publications 2015 The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 Lindsey Baker Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Baker, Lindsey, "The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972" (2015). Theses and Dissertations. 195. https://csuepress.columbusstate.edu/theses_dissertations/195 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 by Lindsey Baker A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Music in Performance Schwob School of Music Columbus State University Thesis Advisor Date Dr. Kevin Whalen Honors Committee Member ^ VM-AQ^A-- l(?Yy\JcuLuJ< Date 2,jbl\5 —x'Dr. Susan Tomkiewicz Dean of the Honors College ((3?7?fy/L-Asy/C/7^ ' Date Dr. Cindy Ticknor Motown Records produced many of the greatest musicians from the 1960s and 1970s. During this time, songs like "Dancing in the Street" and "What's Going On?" targeted social issues in America and created a voice for African-American people through their messages. Events like the Mississippi Freedom Summer and Bloody Thursday inspired the artists at Motown to create these songs. Influenced by the cultural and social circumstances of the Civil Rights Movement, the musical output of Motown Records between 1959 and 1972 evolved from a sole focus on entertainment in popular culture to a focus on motivating social change through music.
    [Show full text]
  • Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
    Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home
    [Show full text]
  • Journal of Hip Hop Studies
    et al.: Journal of Hip Hop Studies Published by VCU Scholars Compass, 2014 1 Journal of Hip Hop Studies, Vol. 1 [2014], Iss. 1, Art. 1 Editor in Chief: Daniel White Hodge, North Park University Book Review Editor: Gabriel B. Tait, Arkansas State University Associate Editors: Cassandra Chaney, Louisiana State University Jeffrey L. Coleman, St. Mary’s College of Maryland Monica Miller, Lehigh University Editorial Board: Dr. Rachelle Ankney, North Park University Dr. Jason J. Campbell, Nova Southeastern University Dr. Jim Dekker, Cornerstone University Ms. Martha Diaz, New York University Mr. Earle Fisher, Rhodes College/Abyssinian Baptist Church, United States Dr. Daymond Glenn, Warner Pacific College Dr. Deshonna Collier-Goubil, Biola University Dr. Kamasi Hill, Interdenominational Theological Center Dr. Andre Johnson, Memphis Theological Seminary Dr. David Leonard, Washington State University Dr. Terry Lindsay, North Park University Ms. Velda Love, North Park University Dr. Anthony J. Nocella II, Hamline University Dr. Priya Parmar, SUNY Brooklyn, New York Dr. Soong-Chan Rah, North Park University Dr. Rupert Simms, North Park University Dr. Darron Smith, University of Tennessee Health Science Center Dr. Jules Thompson, University Minnesota, Twin Cities Dr. Mary Trujillo, North Park University Dr. Edgar Tyson, Fordham University Dr. Ebony A. Utley, California State University Long Beach, United States Dr. Don C. Sawyer III, Quinnipiac University Media & Print Manager: Travis Harris https://scholarscompass.vcu.edu/jhhs/vol1/iss1/1 2 et al.: Journal of Hip Hop Studies Sponsored By: North Park Universities Center for Youth Ministry Studies (http://www.northpark.edu/Centers/Center-for-Youth-Ministry-Studies) . FO I ITH M I ,I T R T IDIE .ORT ~ PAru<.UN~V RSllY Save The Kids Foundation (http://savethekidsgroup.org/) 511<, a f't.dly volunteer 3raSS-roots or3an:za6on rooted :n h;,P ho,P and transf'orMat:ve j us6c.e, advocates f'or alternat:ves to, and the end d, the :nc..arc.eration of' al I youth .
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Janie Bradford
    Finding Aid to The HistoryMakers ® Video Oral History with Janie Bradford Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Bradford, Janie, 1939- Title: The HistoryMakers® Video Oral History Interview with Janie Bradford, Dates: November 19, 2019 and November 28, 2012 Bulk Dates: 2012 and 2019 Physical 10 uncompressed MOV digital video files (4:26:04). Description: Abstract: Songwriter Janie Bradford (1939 - ) was a songwriter at Motown Records for twenty-eight years, writing songs such as “Money (That's What I Want),” “Tie a String Around Your Finger,” and “Too Busy Thinking About My Baby.” Bradford was interviewed by The HistoryMakers® on November 19, 2019 and November 28, 2012, in Los Angeles, California. This collection is comprised of the original video footage of the interview. Identification: A2012_252 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Songwriter Janie Bradford was born on June 2, 1939 in Charleston, Missouri to Richard Henry and Elizabeth Bradford. Bradford attended Birds Mill Elementary School and Lincoln High School. Upon graduation, Bradford attended the Detroit Institute of Technology in 1956. In Detroit, Bradford lived with her sister, Clea Ethel. Their neighbor was Jackie Wilson, who introduced Bradford to the founder of Motown Records, Berry Gordy. In 1958, Bradford joined Motown Records as a secretary, but soon became a songwriter for Motown singers. The first two songs she co-authored with Gordy were included on Jackie Wilson’s album, Lonely Teardrops. The next collaboration that Bradford co-wrote with Gordy was the song “Money (That’s What I Want),” which has been covered over two hundred times by artists such as The Beatles, The Rolling Stones, Muddy Watters, The Supremes, The Flying Lizards and Boyz II Men.
    [Show full text]
  • Typologies of Black Male Sensitivity in R&B and Hip
    Chaney and Mincey: Typologies of Black Male Sensitivity in R&B and Hip Hop JOURNAL OF HIP HOP STUDIES . Typologies of Black Male Sensitivity in R&B and Hip Hop Cassandra Chaney and Krista D. Mincey Abstract A qualitative content analysis was conducted on the lyrics of 79 R&B and Hip Hop songs from 1956-2013 to identify the ways that these Black male artists expressed sensitivity. The songs were determined by Billboard Chart Research Services, and Phenomenology provided the theoretical foundation on which the themes were identified. Qualitative analysis of the lyrics revealed Black male sensitivity in R&B and Hip Hop to be based on the following four typologies: (a) Private Sensitivity; (b) Partnered Sensitivity; (c) Perceptive Sensitivity; and (d) Public Sensitivity. Private Sensitivity occurred when the Black male is alone; feels lonely; disguises or hides his tears from his romantic partner or others; and expresses a determination to not cry and/or continue crying. Partnered Sensitivity occurred when the Black male encourages and/or connects with his romantic partner, other men, and/or members of the Black community through crying. Perceptive Sensitivity was demonstrated when Black men acknowledge the tears shed by others, and shed tears themselves while being conscious of society’s expectation that men suppress emotion and/or refrain from crying. Public Sensitivity was exemplified when the Black male cries publicly and verbally expresses that he does not care what others think of him. Qualitative examples are provided to support each of the aforementioned themes. R&B and Hip Hop are two music genres that have gained global appeal in recent years.
    [Show full text]
  • Berry Gordy Jr
    Biographies by Andrew Schwartz Berry Gordy Jr. After work he haunted the local jazz clubs, digging the sounds of Charlie Parker and Thelonious Monk. In 1953 he borrowed enough capital from his father to open a jazz-specialty shop, called the 3-D Record M art But the store closed in 1955, and Berry was forced to take a grueling assembly-line job at the Ford M otor Com­ pany to support his growing family. H e continued to make the music scene around Detroit, now as an aspiring songwriter. Berry’s persistence paid off in 1957, when "Reet Petite,” a tune he’d written with Billy Davis, became a Top Twenty R&B hit for Jackie Wilson. More hits for Wilson followed, each containing audible elements of what would later become the M o­ town sound: a carefully refined blend of pop’s upbeat catchiness, the soul power of rhythm and blues and the repetitive intensity of gospel music In 1959, Berry Gordy Jr. moved from songwriter to producer with his first national R&B hit, Marv Johnson’s "Come to M e .||§ | Events moved with astonishing speed. In 1959, Berry established his own Tamla label, and within a year he made a stunning break­ through with the Miracles’ "Shop Around,” which was not only a Number One R&B smash but a Number Two pop hit as well. Soon the Berry Gordy roster (spfead across a number of labels, including Motown, Tamla, Gordy and Soul) would include the Marvelettes, Mary Wells, Marvin Gaye, Little Stevie Wonder and Martha and the Vandellas.
    [Show full text]
  • How to Use This Songfinder
    as of 3.14.2016 How To Use This Songfinder: We’ve indexed all the songs from 26 volumes of Real Books. Simply find the song title you’d like to play, then cross-reference the numbers in parentheses with the Key. For instance, the song “Ac-cent-tchu-ate the Positive” can be found in both The Real Book Volume III and The Real Vocal Book Volume II. KEY Unless otherwise marked, books are for C instruments. For more product details, please visit www.halleonard.com/realbook. 01. The Real Book – Volume I 10. The Charlie Parker Real Book (The Bird Book)/00240358 C Instruments/00240221 11. The Duke Ellington Real Book/00240235 B Instruments/00240224 Eb Instruments/00240225 12. The Bud Powell Real Book/00240331 BCb Instruments/00240226 13. The Real Christmas Book – 2nd Edition Mini C Instruments/00240292 C Instruments/00240306 Mini B Instruments/00240339 B Instruments/00240345 CD-ROMb C Instruments/00451087 Eb Instruments/00240346 C Instruments with Play-Along Tracks BCb Instruments/00240347 Flash Drive/00110604 14. The Real Rock Book/00240313 02. The Real Book – Volume II 15. The Real Rock Book – Volume II/00240323 C Instruments/00240222 B Instruments/00240227 16. The Real Tab Book – Volume I/00240359 Eb Instruments/00240228 17. The Real Bluegrass Book/00310910 BCb Instruments/00240229 18. The Real Dixieland Book/00240355 Mini C Instruments/00240293 CD-ROM C Instruments/00451088 19. The Real Latin Book/00240348 03. The Real Book – Volume III 20. The Real Worship Book/00240317 C Instruments/00240233 21. The Real Blues Book/00240264 B Instruments/00240284 22.
    [Show full text]
  • Zwarte Lijst 2012 - Radio 6 Soul & Jazz
    Zwarte Lijst 2012 - Radio 6 Soul & Jazz 1 Otis Redding (Sittin' on) The dock of the bay 2 Bill Withers Ain't no sunshine 3 Marvin Gaye What's going on 4 Aretha Franklin Respect 5 Sam Cooke A change is gonna come 6 Kyteman Sorry 7 Curtis Mayfield Move on up 8 Amy Winehouse Back to black 9 Miles Davis So what 10 Al Green Let's stay together 11 Temptations Papa was a rolling stone 12 Nina Simone Ain't got no - I got life 13 D'Angelo Brown sugar 14 Michael Jackson Billie Jean 15 Marvin Gaye I heard it through the grapevine 16 Gregory Porter 1960 What 17 Stevie Wonder Superstition 18 Dave Brubeck Take five 19 Marvin Gaye Let's get it on 20 Erykah Badu Tyrone (live) 21 Etta James At last 22 Bill Withers Harlem 23 B.B. King The thrill is gone 24 Adele Rolling in the deep 25 James Brown Sex machine 26 Stevie Wonder As 27 Ray Charles Georgia on my mind 28 Otis Redding Try a little tenderness 29 Marvin Gaye Sexual healing 30 Curtis Mayfield Superfly 31 Bobby Womack Across 110th street 32 John Coltrane A love supreme (part 1) 33 Louis Armstrong What a wonderful world 34 Stevie Wonder I wish 35 Jamie Lidell Multiply 36 Aloe Blacc I need a dollar 37 Aretha Franklin I say a little prayer 38 Billie Holiday Strange fruit 39 Mark Ronson & Amy Winehouse Valerie 40 Bob Marley Redemption song 41 Sam & Dave Soul man 42 Ruben Hein Elephants 43 Otis Redding I've got dreams to remember 44 Ike & Tina Turner Proud Mary 45 Donny Hathaway A song for you 46 Buckshot LeFonque Another day 47 Dusty Springfield Son of a preacher man 48 Michael Jackson Don't stop 'till
    [Show full text]