Two Day National Seminar on Contribution of Trinity to Karnataka Music
February 5th & 6th, 2018 | Department of Music & Fine Arts, Central University of Tamil Nadu, Thiruvarur
SCHEDULE OF SESSIONS
th 05 February 2018 (Monday)
Session -1
05-02-2018 Room 11am – 1 pm no. 2 Chairperson – Prof B M Jayashree
Name Title of Paper
Madhu M The dimensions of Raga application in the compositions of Trinity
Varanasi Jyothsna Lakshmi, Saint Tyagaraja and Harikhambhoji Dr
Shyla R K Tyagaraja kritis revealing the secrets of Nadayoga
Ganga Ramachandran The influence of the musical styles of the Trinity in the musical compositions of Ennapadam Venkitarama Bhagavatar (1880-1961)
Sriranjitha C Depletion of nayika bhava in Sri Tyagaraja’s opera, Nauka caritram
Shilpa Shashidhar Unique features of Sri Muttuswamy Dikshita’s compositions
1
Session - 1
05-02-2018 Room no. 4 11am – 1 pm Chairperson – Dr Latha Varma
Name Title of Paper
Niranjana Srinivasan, Dr Melodic aspects in the Kamalamba vibhakti kritis of Sri Muthuswami Dikshita
Manjula Surendra Group compositions Muttuswamy Dikshita with special reference to Guruguha Vibhakti Krtis
Ragini A R Sri Muttuswamy Dikshita’s Kriti-s on unsung deities
Aparna M Rare ragas handled by Tyagaraja
Chudamani D An Insight into the Dancing Musical Elements of Sri Tyagaraja Compositions
Sharanya Sreeram Vinta Raga-s of Tyagaraja with special reference to the Janya raga-s of Kharaharapriya
2
Session - 2
05-02-2018 Room no. 2 2 pm – 4pm Chairperson – Prof Ritha Rajan
Name Title of Paper
Aravindhan T R, Dr. Krithis of Sri Thyagaraja with different Raga lakshanam – few examples from Walajapet notations
Prasanth V Kaimal “A day with Thyagaraja”, A study about Thyagaraja by Dr. S.Ramanathan
Poorna Vaidhyanathan Trinity Compositions as presented by the Legend Smt D K Pattammal
Arati N Rao, Dr. Guṇḍakriyā rāga as seen in Dīkṣitar and Tyāgarāja compositions
Nagaranjani Audava Sampoorna Ragas–An analysis through the compositions of Trinity
Sudheer C V, Dr. Compositions of Trinity: Style differences in the compositions of different schools
3
Session - 2
05-02-2018 Room no. Chairperson – Prof Mandapaka Sarada 4 2 pm – 4pm
Name Title of Paper
Radhika K P Kambhoji raga Krti-s of Muttuswamy Dikshita (Telugu)
Jagadeeswara Rao T Rama Bhakti portrayed in select krtis of Tyagaraja (Telugu)
Subrahmanyam K Tyagaraja - The Unique Composer
Syam Kumar R A study of “Ninnu vina gamari” of Syama Sastri (Telugu)
Kameswari M The concept of Graha in the compositions of Tyagaraja
Udhaya Bhaskar J Raga Ranjaka phrases in the compositions of Muttuswamy Dikshita in Bhairavi raga (Telugu)
4
th Tuesday, 06 February 2018
Session – 3
06-02-2018 Room no. Chairperson – Prof Mandapaka Sarada 2 9am – 11 am
Name Title of Paper
Srilatha K Yadukula Kambhoji – Insights from the Trinity
Ratheesh P R A comparative analysis of the selected compositions of Trinity in the raga TŌḌI
Harish Narayan K, Dr. Musical Compositions of Tyāgarāja in Dēśādi tāḷā and their adaptation to Ādi tāḷa.
Narayanaswamy J Appreciation of the song “Sari evvaramma” of Syama sastri in Raga Bhairavi (Telugu)
Ramanaih, B “Sri Tyagaraja Krtulalo Raga svarupamu “ – Telugu (Raga svarupa in Tyagaraja’s Compositions”)
Radha A Comparative analysis of compositions of Trinity
5
Session – 3
06-02-2018 Room Chairperson – Dr R S Jayalakshmi no. 4 9am – 11 am
Name Title of Paper
Gowthami K Impact of Sri Muthuswami Dikshita on the compositions of the Tanjore Quartet
Sivagowri S, Dr. Madhyama Kala sahitya in the compositions of Muttuswamy Dikshita (Tamiz)
Vijayalakshmi R Muttuswamy Dikshita’s compositions on Lord Tyagaraja of Tiruvarur (Tamiz)
Sankar Ganesh J Melodic magnificence of Raga Sankarabharana in select Vilambakala Kritis of Trinity
Jayakrishna A Musical forms composed by Trinity
Meenakshi .S Tyagaraja and Dikshita compositions on Siva
6
Session – 4
06-02-2018 Room Chairperson – Dr. Latha Varma no. 2 11pm – 1pm
Name Title of Paper
Anjana P Rao Melodic and Rhythmic organization in the compositions of Trinity
Shubhamangala G K A study on Neelotpalaamba Navaavarana Kritis of Muttuswamy Dikshita
Uma Kumar Influence of western Music on Tyagaraja and Muthuswami Dikshita
Veena K Murthy Portrayal of Ragas by Saint Tyagaraja and Sri Muthuswami Dikshita
Bhavana.P Bhashanga raga-s of Muttuswami Dikshita
Kamaraj K Influence of Tyagaraja compositions on Nagaswara Music and rituals
7
Session - 4
06-02-2018 Room Chairperson – Dr. R Kausalya no. 4 11pm – 1pm
Name Title of Paper
Anuradha. A, Dr. Influence of Tyagaraja on the composers of post Trinity period
Sivakumar N Tyagaraja compositions in which melody is appropriate for instrumental playing (Telugu)
Lalitha R Meenakshi Navaratnamalika of Syama Sastri
Sivaraman R, Dr. “Swaminatha paripalaya” of Muttuswamy Dikshita – a study
Hemalatha Bhat, Dr. Bangalore Nagaratnamma: The symbol of social transformation behind the Tyagarja Aradhana
Rayaprolu Ramani, Dr. Elaboration of Raga Alapana with Shodasa Ganapati Krithis of
Muttuswamy Dikshita
8