Two Day National Seminar on Contribution of Trinity to Karnataka Music

February 5th & 6th, 2018 | Department of Music & Fine Arts, Central University of Tamil Nadu, Thiruvarur

SCHEDULE OF SESSIONS

th 05 ​ February 2018 (Monday) ​

Session -1

05-02-2018 Room 11am – 1 pm no. 2 Chairperson – Prof B M Jayashree

Name Title of Paper

Madhu M The dimensions of application in the compositions of Trinity

Varanasi Jyothsna Lakshmi, Saint Tyagaraja and Harikhambhoji Dr

Shyla R K Tyagaraja revealing the secrets of Nadayoga

Ganga Ramachandran The influence of the musical styles of the Trinity in the musical compositions of Ennapadam Venkitarama Bhagavatar (1880-1961)

Sriranjitha C Depletion of nayika bhava in Sri Tyagaraja’s opera, Nauka caritram

Shilpa Shashidhar Unique features of Sri Muttuswamy Dikshita’s compositions

1

Session - 1

05-02-2018 Room no. 4 11am – 1 pm Chairperson – Dr Latha Varma

Name Title of Paper

Niranjana Srinivasan, Dr Melodic aspects in the Kamalamba vibhakti kritis of Sri Muthuswami Dikshita

Manjula Surendra Group compositions Muttuswamy Dikshita with special reference to Guruguha Vibhakti Krtis

Ragini A R Sri Muttuswamy Dikshita’s -s on unsung deities

Aparna M Rare handled by Tyagaraja

Chudamani D An Insight into the Dancing Musical Elements of Sri Tyagaraja Compositions

Sharanya Sreeram Vinta Raga-s of Tyagaraja with special reference to the raga-s of

2

Session - 2

05-02-2018 Room no. 2 2 pm – 4pm Chairperson – Prof Ritha Rajan

Name Title of Paper

Aravindhan T R, Dr. Krithis of Sri Thyagaraja with different Raga lakshanam – few examples from Walajapet notations

Prasanth V Kaimal “A day with Thyagaraja”, A study about Thyagaraja by Dr. S.Ramanathan

Poorna Vaidhyanathan Trinity Compositions as presented by the Legend Smt D K Pattammal

Arati N Rao, Dr. Guṇḍakriyā rāga as seen in Dīkṣitar and Tyāgarāja compositions

Nagaranjani Audava Sampoorna Ragas–An analysis through the compositions of Trinity

Sudheer C V, Dr. Compositions of Trinity: Style differences in the compositions of different schools

3

Session - 2

05-02-2018 Room no. Chairperson – Prof Mandapaka Sarada 4 2 pm – 4pm

Name Title of Paper

Radhika K P Kambhoji raga Krti-s of Muttuswamy Dikshita (Telugu)

Jagadeeswara Rao T Rama Bhakti portrayed in select krtis of Tyagaraja (Telugu)

Subrahmanyam K Tyagaraja - The Unique Composer

Syam Kumar R A study of “Ninnu vina gamari” of Syama Sastri (Telugu)

Kameswari M The concept of Graha in the compositions of Tyagaraja

Udhaya Bhaskar J Raga Ranjaka phrases in the compositions of Muttuswamy Dikshita in raga (Telugu)

4

th Tuesday, 06 ​ February 2018 ​

Session – 3

06-02-2018 Room no. Chairperson – Prof Mandapaka Sarada 2 9am – 11 am

Name Title of Paper

Srilatha K Yadukula Kambhoji – Insights from the Trinity

Ratheesh P R A comparative analysis of the selected compositions of Trinity in the raga TŌḌI

Harish Narayan K, Dr. Musical Compositions of Tyāgarāja in Dēśādi tāḷā and their adaptation to Ādi tāḷa.

Narayanaswamy J Appreciation of the song “Sari evvaramma” of Syama sastri in Raga Bhairavi (Telugu)

Ramanaih, B “Sri Tyagaraja Krtulalo Raga svarupamu “ – Telugu (Raga svarupa in Tyagaraja’s Compositions”)

Radha A Comparative analysis of compositions of Trinity

5

Session – 3

06-02-2018 Room Chairperson – Dr R S Jayalakshmi no. 4 9am – 11 am

Name Title of Paper

Gowthami K Impact of Sri Muthuswami Dikshita on the compositions of the Tanjore Quartet

Sivagowri S, Dr. Madhyama Kala sahitya in the compositions of Muttuswamy Dikshita (Tamiz)

Vijayalakshmi R Muttuswamy Dikshita’s compositions on Lord Tyagaraja of Tiruvarur (Tamiz)

Sankar Ganesh J Melodic magnificence of Raga Sankarabharana in select Vilambakala Kritis of Trinity

Jayakrishna A Musical forms composed by Trinity

Meenakshi .S Tyagaraja and Dikshita compositions on Siva

6

Session – 4

06-02-2018 Room Chairperson – Dr. Latha Varma no. 2 11pm – 1pm

Name Title of Paper

Anjana P Rao Melodic and Rhythmic organization in the compositions of Trinity

Shubhamangala G K A study on Neelotpalaamba Navaavarana Kritis of Muttuswamy Dikshita

Uma Kumar Influence of western Music on Tyagaraja and Muthuswami Dikshita

Veena K Murthy Portrayal of Ragas by Saint Tyagaraja and Sri Muthuswami Dikshita

Bhavana.P Bhashanga raga-s of Muttuswami Dikshita

Kamaraj K Influence of Tyagaraja compositions on Nagaswara Music and rituals

7

Session - 4

06-02-2018 Room Chairperson – Dr. R Kausalya no. 4 11pm – 1pm

Name Title of Paper

Anuradha. A, Dr. Influence of Tyagaraja on the composers of post Trinity period

Sivakumar N Tyagaraja compositions in which melody is appropriate for instrumental playing (Telugu)

Lalitha R Meenakshi Navaratnamalika of Syama Sastri

Sivaraman R, Dr. “Swaminatha paripalaya” of Muttuswamy Dikshita – a study

Hemalatha Bhat, Dr. Bangalore Nagaratnamma: The symbol of social transformation behind the Tyagarja Aradhana

Rayaprolu Ramani, Dr. Elaboration of Raga Alapana with Shodasa Ganapati Krithis of

Muttuswamy Dikshita

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