The Complete Writings of Charles Dudley Warner (Volume I)
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Campaign Funds from Developer Go Undeclared
THE TWEED Spring Volume 3 #07 Thursday, October 14, 2010 Into Advertising and news enquiries: Phone: (02) 6672 2280 Action [email protected] [email protected] Page 12 www.tweedecho.com.au LOCAL & INDEPENDENT Campaign funds from developer go undeclared Ken Sapwell Government, Barbara Perry, to inves- tigate the former mayor for possible Veteran Tweed councillor Warren breaches of the NSW Electoral Act Polglase faces a new probe after fail- during the 2008 elections. ing to declare a string of secretive pay- Cr Polglase, who was mayor when ments to his re-election campaign. the council was sacked in 2005 be- Brisbane based developer Godfrey cause of an uproar over developer Mantle reveals that companies un- donations, says he’s always declared der the umbrella of his Mantle Group an interest when Mr Mantle’s matters gave $5,000 to Cr Polglase in six sepa- come to council and took no part in rate donations on September 12, 2008, the voting. the day before voters turned out to ‘I am not required to disclose do- elect a new council. nations under $1,000 if they come According to his political donations from different sources and in this case disclosure statement lodged last year, they did,’ he said from overseas where Beekeeper Laurie Waldron inspects a frame of one of his hives. Laurie says different entities sharing the same he is on holiday. the wet weather has made the bees a little sluggish. Photo Jeff ‘Hi Home I’m East Brisbane address as the Mantle ‘I have taken legal advice on this Big wet Honey’ Dawson Group, gave five amounts of $900 matter and I can assure you that ev- and one of $500 to ‘council candidate erything is above board.’ about 300 hives in the Tweed region Tweed earlier this month and a fur- Warren Polglase’. -
XRF Hits: Zn Non-‐Reported W No
Unintended contamination? A selection of Munch’s paintings with non-original zinc white Tine Frøysaker Conservation Studies, Department of Archaeology, Conservation and History (IAKH), University of Oslo Background Among the paintings by Munch owned by public institutions in Oslo, there are two well-documented cases of the presence of non-original zinc white (ZnO): the university’s Aula painting entitled Chemistry (1914-16,1 Fig. 1) and the Munch Museum’s version of Puberty (1894,2 Fig. 2).3 Zinc-containing applications were introduced by a small group of Norwegian restorers and conservators, who applied zinc white (in spite of its ‘seeding’4 effect) to the versos of sever- al paintings during a period of more than 50 years. Zinc white was probably used as an antiseptic additive, although never referred to as such. The first known example is Munch’s Chemistry and ZnO was also applied to the reverse side of the other 10 Aula paintings during the mid 1920s while the paintings (c. 220 m2 in total) were lying on the Aula floor.5 The last reported application was in 1977 to Munch’s History,6 a painted Aula sketch in the Stenersen Collec- tion.7 Conservation records for the Munch paintings at the Munch Museum, the Stenersen Collection and the Bergen Art Museum hold information on two paste-lined paintings each and where zinc white is mentioned as part of the lining-adhesive recipes.8 This poster will consider the phenomenon of non-original ZnO in Munch’s paintings, which undoubtedly points to less-thoroughly reported examples of zinc-contaminated paintings in Norwegian museums.9 Metal soaps and oxalates The presence of zinc across the surface of some of Munch’s paintings was first detected in 2008 and 2009 when the EU- Ac- cess, Research and Technology for the conservation of the European Culture Heritage (EU-ARTECH MOLAB) research team examined Chemistry and Puberty. -
Charles Dudley Warner the Complete Writings
CHARLES DUDLEY WARNER THE COMPLETE WRITINGS 2008 – All rights reserved Non comercial use permited The Complete Writings of Charles Dudley Warner Volume 1 CONTENTS: MY SUMMER IN A GARDEN BACKLOG STUDIES BADDECK INTRODUCTORY LETTER MY DEAR MR. FIELDS,--I did promise to write an Introduction to these charming papers but an Introduction,--what is it?--a sort of pilaster, put upon the face of a building for looks' sake, and usually flat,--very flat. Sometimes it may be called a caryatid, which is, as I understand it, a cruel device of architecture, representing a man or a woman, obliged to hold up upon his or her head or shoulders a structure which they did not build, and which could stand just as well without as with them. But an Introduction is more apt to be a pillar, such as one may see in Baalbec, standing up in the air all alone, with nothing on it, and with nothing for it to do. But an Introductory Letter is different. There is in that no formality, no assumption of function, no awkward propriety or dignity to be sustained. A letter at the opening of a book may be only a footpath, leading the curious to a favorable point of observation, and then leaving them to wander as they will. Sluggards have been sent to the ant for wisdom; but writers might better be sent to the spider, not because he works all night, and watches all day, but because he works unconsciously. He dare not even bring his work before his own eyes, but keeps it behind him, as if too much knowledge of what one is doing would spoil the delicacy and modesty of one's work. -
Evelyn Yaussy • Creative Director
Resilience surviving in the face of everything a collection of work by (C)AMAB trans writers Edited by Amy Heart, Larissa Glasser, & Sugi Pyrrophyta Heartspark Press Olympia, WA Copyright © 2017 by Heartspark Press Heartspark Press PO Box 1659 Olympia, WA 98501-1659 ISBN (hardback): 978-0-692-95108-8 ISBN (paperback): 978-0-9996730-0-3 Library of Congress Control Number: 2017914110 The text in this volume and all graphical properties are released under the Creative Commons Attribution-ShareAlike 4.0 Unported (CC BY-SA 4.0) license, the full text of which can be found at creativecommons.org/licenses/ by-sa/4.0/ In all cases, works should be attributed to the original authors, and derivative works must be released and distributed under the same license. For commercial permissions, please address written requests to: [email protected]. If you’re a TERF, don’t bother asking. We won’t say yes. In loving memory of our fallen sisters in 2017 Alloura Wells Ally Steinfeld Alphonza Watson Ava Le’Ray Barrin Brian Fitzgerald Sherrell Faulkner Brooklyn BreYanna Stevenson Candace Towns Chay Reed Chyna Doll Dupree Ciara McElveen Derricka Banner Ebony Morgan Elizabeth Stephanie Montez Gwynevere River Song Hilario López Ruiz Jamie Lee Wounded Arrow Jaquarrius Holland Jessica Rubi Mori Jojo Striker Kenne McFadden Kendra Marie Adams Kiwi Herring Misty Garcia Mesha Caldwell Pepper “Phoenix” K Sisi Thibert Sherrell Faulkner Scout Schultz Tavita Montes TeeTee Dangerfeld Tiara Lashay Richmond Yadira and to those who have never been heard Rest in Power Contents Foreword Julia Serano • 1 Black, Trans, and Still Breathing KOKUMO • 4 Puzzle Box Rahne Alexander • 8 Before They Were Flesh Magpie Leibowitz • 11 Canary Connifer Candlewood • 14 Weekend Casey Plett • 15 1 AM Ana Valens • 26 MEMORIES.seq CHRYSALISAMIDST • 27 Mosca’s Last Ride Sascha Hamilton • 28 Holy Love Talia C.