2006–2007 rt l Repo a nnu A Roundabout ROUNDABOUTTHEATRECOMPANY BOARD OF DIRECTORS

Chairman Thomas E. Tuft Steven F. Goldstone Laura Pels Managing Director Silver Spring Group, LLC President Goldman Sachs & Co. The Laura Pels Foundation Perry B. Granoff Vice Chairman Psychotherapist Jill F. Rachesky Mary C. Solomon Maureen A. Hayes Neila B. Radin Vice Chairman Senior Vice President Christian C. Yegen Chuck Imhof JPMorgan Chase & Co. President Managing Director – Yegen Companies Greater NY Division Charles Randolph-Wright American Airlines President Lois Robbins Todd Haimes Gene R. Korf Artistic Director Attorney Steven A. Sanders Roundabout Theatre Company Korf & Rosenblatt Partner Sanders, Ortoli, Vaughn-Flam & Treasurer Carole S. Krumland Rosenstadt LLP Bob Donnalley Cathy Lasry Steven Schroko Secretary Resident Director Lawrence Kaplen Mark J. Manoff Merrill Lynch & Co. Vice Chairman, Northeastern Leslie E. Bains Area Managing Partner Chip Seelig Vice Chairman Ernst & Young LLP Dune Capital Management The Modern Bank, N.A. David E. Massengill Donna J. Slade James J. Burke Jr. Partner Founder Simpson, Thacher & Bartlett Barbara Schaps Thomas Stonington Partners, Inc. Senior Vice President and John P. McGarry, Jr. Chief Financial Officer Samuel R. Chapin Chief Executive Officer HBO Sports Vice Chairman McGarry Bowen Merrill Lynch & Co. Akiko Mikumo Todd Haimes Mary Cirillo-Goldberg Partner Artistic Director Weil, Gotshal, & Manges LLP Mike de Graffenried Harold Wolpert Carol Mitchell Managing Director Douglas Durst Co-President Kenneth F. Murphy Julia C. Levy The Durst Organization Executive Director Cynthia Nixon Niko Elmaleh Scott Ellis Associate Artistic Director leadership council

Chairman Christine LaSala Natasha Richardson Yolanda R. Turocy President and CEO Managing Director WTC Captive Insurance Ron Rifkin Neuberger Berman LLC Company, Inc. Patricia A. Stockhausen Rozlyn L. Anderson Frank Langella President Emergency Management Training Polly Bergen Marsha Mason Rebecca Sullivan Lynn Davis Helen Mirren Project Director Managing Director The Arnold P. Gold Foundation U.S. Trust, Bank of America Brian Murray Private Wealth Management Barry C. Waldorf Liam Neeson Retired, Managing Director Christopher Formant U.S. Trust Company of New York Executive Vice President Cathryn Palmieri BearingPoint, Inc. Managing Director Tony Walton Korn/Ferry International Boyd Gaines Patricia S. Wolpert Christopher Plummer Wolpert Consulting Eric Hanson

Cherry Jones

Cover photo: Audra McDonald in 110 in the Shade Letter from the Chairman

Each season, the success of Roundabout can be measured in many ways: the accolades from subscribers for a play or musical they have discovered on one of our stages; the satisfaction of an artist being given the chance to experiment creatively; the enthusiasm of a student discovering theatre for the first time through our education programs. By these measures, our 41st Season was a rousing success. We owe a big debt of gratitude to those who made a wonderful season of theatre possible: our loyal subscribers, our generous donors, our incredible staff, our supremely talented artists and, of course, my fellow Board members.

As New York’s largest not-for-profit theatre, we produce eight productions annually on three stages both on and Off-Broadway, more than any other theatre in the city. This wealth and depth of activity earned us a record number of subscribers this season–over 44,000—along with praise from audiences and critics alike. Roundabout is privileged to work with the best and brightest of the theatre world whose passion and talent ensures that each performance on our stage is a reflection of the highest level of artistry.

Yet even with these successes, we faced new challenges this season: single ticket sales were below projections and production costs continued to soar. Thus, we realized an operating deficit for the first time in more than a decade. Always an innovator, Roundabout has already begun finding solutions to these challenges. We are rethinking how we can extend our tremendous success with subscribers to attract more single ticket buyers with new e-marketing initiatives and are unveiling a revamped, user-friendly website that will create more opportunities for our subscribers and audiences to engage with the work and the artists on our stages.

Over our 41-year history, we have grown from a small theatre company to a major cultural institution. We are represented not only by the productions in our three theatrical homes, but also by the important behind-the-scenes programs that serve an ever-increasing community of artists and audiences. This includes our work in public schools, new play commissions, the Associate Artists program, and national tours. Our next steps are very important ones to our continued success: the completion of our capital improvements on our theatres, and the creation of an endowment for Roundabout. Just as our permanent theatres have allowed us to focus less on real estate and more on the work that happens on our stages, a strong endowment will allow Roundabout to take greater artistic risks while ensuring our continued financial stability.

As Roundabout plans for our future, we are thrilled that you have chosen to join us. Thanks to our many donors, individual gifts increased this year to a record high. Also, our capital campaign is making major strides in meeting an ambitious financial goal that will help us prosper for years to come. By the measure of your ongoing support and generosity, Roundabout will continue to succeed in surprising and delighting audiences for seasons to come.

Thomas E. Tuft Chairman of the Board

1 2 Philip Bosco in Heartbreak House Letter from the Artistic Director

One of the greatest pleasures of my job as Artistic Director is creating a dynamic environment that artists at all points of their careers can call home. Whether it’s a young actor tackling his or her first Broadway role or a seasoned director taking on one of the most difficult plays in the dramatic canon, I hope they find that Roundabout is a place where they return throughout their careers to experiment and flourish as a member of our theatrical family. Our entire staff works hard to make sure our artists feel safe and welcome so they can stretch their abilities by taking on the challenging work we produce. In turn, this allows us to present our valued subscribers and audiences with the industry’s finest artists redefining great theatrical works. This is, and always will be, why Roundabout exists.

In the 2006-2007 Season, we continued a proud tradition of theatrical excellence that audiences have come to expect, serving an eclectic mix of plays and musicals. We featured first-class revivals of two masterpieces (Heartbreak House, Suddenly Last Summer), a contemporary classic (Prelude to a Kiss), and a forgotten gem (Old Acquaintance). In addition, we produced the first Broadway revivals of two little- known musicals (The Apple Tree, 110 in the Shade) and the New York premieres of two new plays (Howard Katz, Beyond Glory). These productions featured some of the most extraordinary actors, writers, directors and designers currently working in the theatre.

Our season drew 44,000 subscribers, showing that New York area audiences clearly have a hunger for the type of programming we provide and want to be a part of Roundabout. In order to continue meeting the needs of our subscribers and to reach new audiences, we must continue to grow and evolve. Yet our central purpose of reviving plays and musicals will remain unchanged. We have been an integral part of the New York theatre scene for 41 years and plan to be a permanent part of the landscape for many more years to come.

Of course, each season we have invaluable help. Our Board of Directors provides incredible support under the leadership of Tom Tuft, our new Chairman of the Board, and it is truly a joy to work with this extraordinary group of people. Our generous donors continue to make our work possible. One donor in particular has continued to help us in new and unexpected ways: The Harold and Mimi Steinberg Charitable Trust. They helped launch our new play initiative back in 1995 and have been incredible supporters and friends ever since. We are so proud that our Off-Broadway theatre center bears their name. This year, they created the Steinberg Challenge Grant, a $250,000 matching grant, which many of you participated in to galvanize our fundraising efforts. I feel so lucky to have the Steinberg family as friends and supporters of Roundabout.

In the following pages, you will read about all the work undertaken last season. Our mainstage productions will hopefully be familiar to you. The other work you may be less familiar with but is no less important to the lifeblood of our theatre and our community: a full slate of developmental readings and workshops to nurture plays and musicals for future seasons; our annual gala, in which artists give so freely of their time and talent to raise funds for Roundabout; and our city-wide education programs that represent our investment in the artists and audiences of tomorrow. I hope you enjoy reading about this work that your own investment in the future of Roundabout has made possible. And, of course, I hope to see you at one of our theatres very soon!

Todd Haimes Artistic Director

3 The year in review

or 41 years, Roundabout Theatre Company programming and the core of all that has pursued its core mission of teaming Roundabout does. Fgreat theatrical works with the industry’s finest artists and creating world-class productions For instance, the first production of the season both on and off-Broadway. In our 2005-2006 was Heartbreak House, a revival of one of George season, as Roundabout celebrated its 40th Bernard Shaw’s most complex and difficult anniversary, the company took the opportunity plays. In it, Shaw introduces a wealthy group to look back at its accomplishments and take of Brits who spend a weekend at a country stock of its incredible growth. For much of that manor obliviously obsessing over their love lives time, real estate was a constant and pressing while the world around them dissolves into issue. But after moving through eight theatres chaos. Although Shaw wrote it as a scathing in seven locations, Roundabout now has three indictment of upper class society before World permanent theatrical homes. In the process, it War I, it seemed like his myopic characters has developed a sterling reputation, won a host could resonate with audiences today. Heartbreak of awards, and become the largest not-for-profit House was one of the few of Shaw’s plays that theatre company in the nation. Roundabout had never produced and hadn’t been seen on Broadway in over 20 years. In addition, Captain Shotover was a role that longtime Roundabout [Roundabout] has done so much to ensure that favorite and acclaimed Shavian “ interpreter Philip Bosco longed New York’s vibrant cultural community—one of to play. To tackle this behemoth, our proudest defining features—remains strong Roundabout put together one of the most impressive ensembles and growing. on Broadway: Bosco was joined ” by two other longtime friends —Michael R. Bloomberg, Mayor of Roundabout, Byron Jennings and Swoosie Kurtz, along with This newfound security is allowing Roundabout exciting artists making their Roundabout debuts to focus fully on the theatre’s long-term future. such as Laila Robins, Lily Rabe and director In its 2006-2007 season, the company was Robin Lefevre. This was a classic Roundabout decidedly looking forward. Having managed such production in many ways: a crack ensemble incredible growth in its first 40 years, what new weaving an intricate, large-scale play into an ways could it continue to meet the changing engaging and thought-provoking evening that needs of the community while remaining true to audiences eagerly devoured. its mission during the next 40 years? There has never been a more challenging time to produce On each production, Roundabout always works theatre in America. Costs continue to skyrocket diligently to pair the right artist with the right far beyond the rate of inflation. As Times Square project. With the amount of time, effort and increasingly becomes a family-oriented tourist expense that goes into mounting a play or destination, much of Broadway and the touring musical, we want to know that we have given market is dominated by productions that appeal the production the biggest chance of success to family audiences. Yet Roundabout remains possible by bringing together artists that will each steadfast in its belief that there is a place for bring something unique to the process. In turn, serious theatre for mature audiences. To create this allows Roundabout audiences to see these these top-notch productions, Roundabout enlists works in a new, illuminating light. Roundabout the best artists working in the industry and would rather wait for the right artists—even if provides them with the materials and confidence that means postponing a show we’ve already with which to create theatre magic. The resulting announced—rather than rush a production onto collaborations are the foundation of its theatrical 4 The year in review

the stage. Thus, sometimes putting together a theatrical dream team requires both patience and perseverance.

A case in point this past season was Patrick Marber’s new play Howard Katz. Artistic Director Todd Haimes first read this ferocious play about the unraveling of a theatrical agent’s life in 2004. With a cast of nine and many different settings, this would be the largest play produced in the intimate Laura Pels Theatre and it was important that the production was anchored with just the right actor in the central role. Immediately, Haimes knew the actor that could

breathe fierce yet human light into this complex John Mahoney in Prelude to a Kiss character: Alfred Molina. After doing a reading of the play with Molina, everyone agreed it was a perfect match. But Molina had many stage The result was an impassioned performance by and film commitments, so Roundabout waited McDonald and the entire company that breathed three years for his schedule to free up so the thrilling new life into this wonderful gem of a production could move forward. Yet it is exactly musical that hadn’t been seen on Broadway in this type of ambitious, uncompromising work that 43 years. Roundabout is dedicated to producing, no matter how long the wait. Readings and workshops are invaluable opportunities to hear a play read by top actors, A similar story played out with our revival of 110 or to see a production on its feet in rehearsal in the Shade. Part of Roundabout’s mission is to conditions. Last year, Roundabout held 33 mount revivals of musicals that normally wouldn’t readings and workshops over the course of the receive a commercial production, allowing season. For Roundabout, it’s a chance to work these works to be seen by a new generation of on plays or musicals that are under consideration theatregoers. 110 in the Shade was perfectly in for a future season. One of the readings was of keeping with this mission. This little-known 1964 Christopher Durang’s The Marriage of Bette and musical by Tom Jones and Harvey Schmidt, Boo, which was staged as part of the Friends of based on N. Richard Nash’s play The Rainmaker, Roundabout Playreading Series. This complex was eclipsed during its initial run by two other dark comedy hit such a chord with the audience shows that debuted that season with iconic roles that a second, private reading was held to further for women: Funny Girl and Hello, Dolly! To revive explore the material with both Mr. Durang and this show for a modern audience, it was essential director Walter Bobbie. Through these two to find the perfect actress to play Lizzie Curry. readings, a successful collaboration was born and Director Lonny Price suggested Audra McDonald, Roundabout is proudly presenting this play as one of the finest actresses working on Broadway part of the 2007–2008 season. whom Haimes had been eager to feature on a Roundabout stage. The company quickly put This season also saw Roundabout hit the road together a workshop to try out the idea and it was with its first self-produced national tour. Twelve a match. Even with great excitement from the Angry Men was unanimously acclaimed by both workshop, it would be two years before this in- audiences and critics when it made its Broadway demand actress fulfilled her many commitments premiere at Roundabout in 2004 under the to other projects. During this time, Roundabout inspired direction of Scott Ellis. Although very held a second workshop where the material was few plays tour, especially one with a 13-member further honed towards its ultimate production.

5 VOICES students take a bow

cast, this seemed the perfect opportunity to bring Roundabout is actively implementing a financial a Roundabout production on the road. The result, plan that will secure the company’s future featuring Richard Thomas as Juror #8, was again through good times and bad, successes and met with unanimous raves everywhere it played. disappointments. A large part of this plan is More importantly, it gave Roundabout a national the creation of a permanent endowment to presence. As Twelve Angry Men has been seen secure Roundabout’s financial future. Once across the country in 21 cities over 34 weeks, it established, the endowment would provide a has brought the unique Roundabout experience steady, predictable flow of income over time to audiences that never venture to New York City: while the principal continues to grow. This would a world-class production of an ambitious play be a permanent safeguard against unforeseeable never before performed professionally in America. circumstances that might arise in today’s It also brought its intensive Education programs turbulent world while allowing Roundabout to to audiences around the country, reaching take advantage of future opportunities for growth students and teachers in every city in which and achievement. it performed. Such was the success of Twelve Angry Men that it is going out for a second year While continuing its rich artistic tradition of top- on tour—unheard of for a straight play—and a quality theatre productions, Roundabout will London production is in the works. continue to look forward: scaling new heights, reaching new audiences, and thriving in the world Last season, Roundabout produced five Broadway of professional theatre. What will undoubtedly productions, three Off-Broadway productions, result will be a strong organization that will serve and one national tour. In the process, these its artists and audiences. By looking forward, productions played to over 800,000 audience Roundabout is committed to maintaining the vital members around the country, served 44,000 presence of not-for-profit theatre on both the subscribers, hired over 1,200 artists and Broadway and the American stage for years technicians, and reached almost 7,000 students to come. in New York City alone. But even with such success, Roundabout’s faced a financial shortfall for the first time since moving to Broadway. This has made the need for financial security all the more urgent.

6 Blythe Danner in Suddenly Last Summer 7 8 Byron Jennings and Swoosie Kurtz in Heartbreak House Heartbreak House By George Bernard Shaw

September 15, 2006 through December 17, 2006

Director: Robin Lefevre Set Design: John Lee Beatty A merican irlines Thea Costume Design: Jane Greenwood Lighting Design: Peter Kaczorowski Harriet Harris and Margaret Colin in Old Acquaintance Original Music/Sound Design: John Gromada

Original Cast: Philip Bosco, Swoosie Kurtz, Byron Jennings, Lily Rabe, Laila Robins, Bill Camp, John Christopher Jones, Gareth Saxe, Old Acquaintance Jenny Sterlin By John van Druten OPENING NIGHT: October 11, 2006 June 1, 2007 through August 19, 2007 Performances: 109 Attendance: 73,238 Director: Michael Wilson Capacity: 90.8% Set Design: Alexander Dodge Costume Design: David C. Woolard This program was supported, in part, by public funds Lighting Design: Rui Rita from the New York City Department of Cultural Affairs Original Music/Sound Design: John Gromada

Original Cast: Margaret Colin, Harriet Harris, Stephen Bogardus, Diane Davis, Corey Prelude to a Kiss Stoll, Cynthia Darlow, Gordana Rashovich

By Craig Lucas OPENING NIGHT: June 28, 2007

February 17, 2007 through May 20, 2007 Performances: 92 Attendance: 49,938 Director: Daniel Sullivan Capacity: 73.4% Set Design: Santo Loquasto Costume Design: Jane Greenwood Lighting Design: Donald Holder Original Music/Sound Design: John Gromada

Original Cast: John Mahoney, Annie Parisse, Alan Tudyk, Robin Bartlett, James Rebhorn, Francois Battiste, Brandon J.

Dirden, MacIntyre Dixon, Marceline Hugot, t re Susan Pellegrino, Matthew Rauch, John Rothman, Karen Walsh

OPENING NIGHT: March 8, 2007

Performances: 84 Attendance: 52,875 Capacity: 85.1%

Lead support was provided by our Play Production Fund partners: Steven and Liz Goldstone, The Blanche and Irving Laurie Foundation, Mary and David Solomon

9 Byron Jennings and Swoosie Kurtz in Heartbreak House John Mahoney, Annie Parisse & Alan Tudyk in Prelude to a Kiss 10 Studio 54 Audra McDonaldandJohnCullumin110theShade Capacity A Performances: OPENING NIGHT: December14,2006 Dennis Stowe McGowan, SeanPalmer, EricSantagata, rell, JustinKeyes,LorinLotarro,Mike Sarah JaneEverman,JenniferTaylor Far Charles, MeggieCansler, JulieConnors, Walter Kudisch, Marc James, d’Arcy Brian Original Cast Sound Design:DanMosesSchreier Lighting Design:DonaldHolder Costume Design:JessGoldstein Set Design:JohnLeeBeatty Orchestrations: JonathanTunick Rob Fisher Musical Director/VocalArranger: Choreographer: AndyBlankenbuehler Director: GaryGriffin 2007 November 29,2006throughMarch11, Stockton &JulesFeiffer R. Frank Twain, Mark by Stories on Based Coopersmith Jerome by material book Additional Sheldon Harnick and Bock Jerry by Lyrics & Music Book, The Apple Tree ttendance: 95,355 : 80.3% Kristin Chenoweth, Chenoweth, Kristin : 118 -

Capacity A Performances: OPENING NIGHT: May9,2007 Wall, BetsyWolfe Richards, MichaelScott,Will Swenson,Matt Little, DariusNichols,MamieParris,Devin Van Duyne,ColleenFitzpatrick,Valisia Lekae Elisa Steggert, Bobby Innvar, Christopher ren, Cullum, SteveKazee,ChrisButler, CarlaDu- Original Cast Sound Design:DanMosesSchreier Lighting Design:ChristopherAkerlind Set &CostumeDesign:SantoLoquasto Orchestrations: Music Director:PaulGemignani Choreographer: DanKnechtges Director: LonnyPrice April 13,2007throughJuly29, Based onaplaybyN.RichardNash Lyrics byTom Jones Music byHarveySchmidt Book byN.RichardNash 110 in the Shade Endowment fortheArts Additional supportwasprovidedbytheNational The Blanche&IrvingLaurieFoundation Major supportforthisproductionwasprovidedby Diane Tuft Tomand McGarry, Gilda and John Foundation, Kaplen The Granoff, Marty and Perry partners: Fund Theatre Musical our by provided was support Lead Board members MarySolomonand Tom Tuft with AudraMcDonald. ttendance: : 87.0% 104,868 : AudraMcDonald,John 121 Jonathan Tunick

11 Kristin Chenoweth in The Apple Tree 12 Alfred Molina and Patrick Henney in Howard Katz Harold and Miriam Steinberg Center for Theatre/Laura Pels Theatre 13

John Boesche 100 : Stephen Lang : 88.7% Stephen Lang in Beyond Glory Carla Gugino, Board Member Laural Pels and Blythe Danner ttendance: 36,372 Ethan Neuburg Projection Design: June 21, 2007 OPENING NIGHT: Performances: A Capacity Support of our New Play Initiative was provided by Altria Group, Inc. Produced in association with The Goodman Theatre, Written and Performed by Stephen Lang and Written From the book by Larry Smith May 25, 2007 through August 19, 2007 Director: Robert Falls Cisek Set Design: Tony Costume Design: David C. Woolard Lighting Design: Dan Covey Sound Design: Cecil Averett Original Music: Robert Kessler and Original Cast Productions and Steven Suskin Tribute Beyond GloryBeyond 106 : Max Baker, Alvin Epstein, : Becky Ann Baker, Blythe 43,018 99.0% : 88.3% :

ttendance: 39,455 ttendance: Support of our New Play Initiative was provided by Support of our New Play Initiative was provided by Altria Group, Inc. Performances: 109 A Capacity Original Cast March 1, 2007 OPENING NIGHT: Director: Doug Hughes Set Design: Scott Pask Costume Design: Catherine Zuber Lighting Design: Christopher Akerlind Van David Design: Music/Sound Original Tieghem Elizabeth Franz, Edward Hajj, Jessica Hecht, Alfred Molina, Euan Morton, Patrick Henney, Charlotte Parry February 2, 2007 through May 6, 2007 By Patrick Marber This production was presented by arrangement with the University of the South, Sewanee, Tennessee Katz Howard Performances: A Capacity Original Cast November 15, 2006 OPENING NIGHT: Director: Mark Brokaw esign: Santo Loquasto Set & Costume D : David Weiner Lighting Design Powers Sound Design: Peter Golub & Ryan Original Music: Peter Golub Harold, Sandra Carla Gugino, Gale Danner, Wilcox Wayne Karen Walsh, Shipley, October 20, 2006 through January 20, 2007 October 20, 2006 Summer Williams By Tennessee Suddenly Last 14 Twelve Angry Men national Tour Twelve Men Angry Cast ofTwelve AngryMen Randle Mell Morettini, Patrick New, Jim Saltouros, Hayenga, David Lively, Alan Mandell, Mark Cunningham,Scott Julian Gamble, Jeffrey Wendt, Charles Borland, Todd T. Cerveris, O O S L C Set D ReginaldBy Rose ighting o ostu irector riginal C riginal C Sacramento u D nd D Los Angeles Los esign Seattle me D esign D : Scott Ellis Scott ast ompositions esign esign : Allen Moyer : Richard George Thomas, : Brian Ronan : : Michael Krass Paul Palazzo : John Gromada Dallas Minneapolis Houston A Performances CITIES: 19 was generouslywas provided by American Airlines. for theMajor support national tour Men of Twelve Angry : 317,875ttendance Birmingham Appleton Chicago Cincinnati Louisville Columbus Atlanta : 256 Washington Baltimore Philadelphia Miami New Haven New Boston 110 in the Shade Heartbreak House TONY TONY Nomination for Best Revival of a Musical Nomination for Best Performance Nomination for Best Performance by a by a Leading Actress in a Play Leading Actress in a Musical– –Swoosie Kurtz Audra McDonald Nomination for Best Costume Design Nomination for Best Performance by a of a Play–Jane Greenwood Aw Featured Actor in a Musical–John Cullum Nomination for Best Lighting Design of a OUTER CRITIC’S CIRCLE Musical–Christopher Akerlind Nomination for Outstanding Featured Nomination for Best Orchestrations– Actress in a Play–Lily Rabe a Jonathan Tunick rds & Nomirds DRAMA DESK Suddenly Last Summer Outstanding Actress in a Musical– DRAMA DESK Audra McDonald Nomination for Outstanding Actress Nomination for Outstanding Revival of in a Play–Blythe Danner a Musical Nomination for Outstanding Costume Design–Santo Loquasto OUTER CRITIC’S CIRCLE Nomination for Outstanding Revival of a OUTER CRITIC’S CIRCLE Musical Nomination for Outstanding Actress Nomination for Outstanding Actress in a in a Play–Carla Gugino Musical–Audra McDonald Nomination for Outstanding Featured Actor in a Musical–Bobby Steggert Prelude to a Kiss OUTER CRITIC’S CIRCLE Outstanding Featured Actress in a Play–

The Apple Tree Robin Bartlett na TONY Nomination for Best Revival of a Musical

DRAMA DESK Twelve Angry Men tio Nomination for Outstanding Revival of a Independent Reviewers of Musical New England (Boston) Nomination for Outstanding Actress in a Best Visiting Production–Large Stage Award Musical–Kristin Chenoweth The Acclaim Awards (Cincinnati) Nomination for Outstanding Orchestrations– n Jonathan Tunick Best Touring Production s OUTER CRITIC’S CIRCLE Nomination for Outstanding Revival of a Musical Nomination for Outstanding Actress in a Musical–Kristin Chenoweth

15 Beyond the t our annual Spring Gala on March 19, house, its use shifted from opera to theatre 2007, over 500 Board members, donors, to dinner club to CBS television studio. But it Apatrons, and guests of Roundabout was in 1977 that it became a legend when it gathered for an extraordinary evening celebrating transformed into New York City’s most famous– the 30th anniversary of the opening of the and infamous–hotspot, Studio 54: part nightclub, legendary Studio 54. For one unforgettable part circus, part concert…but all fabulous! night, guests were granted VIP access to an incredible moment in New York City history when To celebrate this extraordinary history, disco reigned and people lined up on West 54th Roundabout created a one-night-only musical Street for the chance to get Beyond the Velvet celebration featuring Broadway’s hottest stars Rope. Led by Gala Chairs Lois Robbins-Zaro and singing the unforgettable music of Studio Steven Schroko, the event raised nearly $1.2 54’s heyday. Directed by Tony Award® winner million for Roundabout’s Musical Theatre Fund. Kathleen Marshall, the original revue featured These important funds will help ensure that unforgettable performances of the music of the Roundabout’s rich musical productions such as Bee Gees, Elton John, Styx, Stevie Wonder, this past season’s The Apple Tree and 110 in the Donna Summer, and many more. Among the Shade can be enjoyed by today’s audiences. impressive talent who entertained the audience were: Jane Krawkoski, Raúl Esparza, Kelli The building that became Studio 54 has had a O’Hara, Mark Kudish, Mario Cantone, Megan long, storied history. Built in 1927 as an opera Lawrence, Alex Gemignani and Roz Ryan. Also, in a live auction led by Sotheby’s amazing Hugh Hildesly, guests had the opportunity to

Jane Krakowski

New York City Coucil member Dominic Recchia Jr., Audra McDonald, Gala Co-Chairs Lois Robbins-Zaro and Steve Schroko

Roz Ryan performing “Last Dance” with Roxane Barlow, Bridget Berger, 16 Marielys Molina, Jordan Cable, Justin Greer and Spencer Liff Velvet Rope bid on unique entertainment packages such an who spoke eloquently about the importance of afternoon on the set of “30 Rock” with Alec the arts to the life of New York City. Baldwin and Jane Krakowski, and tickets to the “American Idol” semi-final in Hollywood. The 2007 Gala was a remarkable tribute to Studio 54’s extraordinary contribution to the We also celebrated Studio 54’s return to rich history of New York City. Now, under Broadway. Beginning with our landmark production Roundabout’s stewardship, Studio 54 will remain of Cabaret, Studio 54 became a legitimate at the forefront of the cultural community for Broadway house for the first time in 50 years. We years to come. soon purchased the building, making it our home for musicals and large-scale productions such as A Streetcar Named Desire and Assassins. For their invaluable support that made the purchase and subsequent renovations possible, we honored Mayor Michael Bloomberg and the City of New York, and Speaker Christine Quinn and the New York City Council with the Jason Robards Award for Excellence in Theatre. Accepting on their behalf were Commissioner of the New York City Kelli O’Hara and Andrew Zaro Department of Cultural Affairs, Kate Levin and City Council member Domenic M. Recchia, Jr.,

Peter Benson, Alexander Gemingnani, and Jonathan Dokuchitz

Board member Perry Granoff and NYC Commissioner of Cultural Affairs, Kate Levin

17 18 Workshops & Readings LI Walker Beth Mays,Jefferson Mary Peil, Benjamin Jim Dale, Diane Davis, Elizabeth Marvel, CAST: Bill Camp, Kathleen Chalfant, December 18, 2006 Bernard George By Shaw P Reed, Nick Westrate Gareth Saxe, Danny Scheie, Christa Scott- Keating, Caralyn Kozlowski, Tom Lacy, Laura Heisler, Michael Izquierdo, John CAST: Jane Carr, Michel Gill, Natalie Gold, DIRECTOR: John Rando December 7, 2006 AmyBy Freed S Nadia Wahhab Michael Stahl-David, David Strathairn, Charles Socarides, Samantha Soule, CAST: Margaret Colin, Beth Mary Fisher, DIRECTOR: Carolyn Cantor February 1, 2007 JamieBy Pachino S Gallagher Christina Bennett Lind, Amy Ryan, Richard CAST: Shana Dowdeswell, Darren Pettie, DIRECTOR: Daniella Topol January 16, 2007 SheilaBy Callaghan LASCIVIOUS SOME Andrew Gehling Hickey, Hecht, Jessica Christopher Meloni, CAST: Megan Mullally, John Benjamin DIRECTOR: Mantello Joe January 16, 2007 TerrenceBy McNally RES A T 2006–2007 season. 2006–2007 Theprocess. following artistic workshops and donor playreadings were produced during developmentRoundabout’sthe of stages early givethe in theatre seeing and enthusiastic audienceuniqueof experiencethe Roundabout an donors of front in performed work their have to opportunity the with F peers. their of group small a of in front works test can DiSalvo Gideon Glick, Susan Blackwell, Mike CAST: Steven Levenson, Sarah Steele, DIRECTOR: Jason Moore February 6, 2007 StephenBy Karam P P YGMALION rtistic R PS T EECH &DEBA LI T TT ORA s omte t cliaig e pas n mscl a wl a r-okn classics. re-working as well as musicals and plays new cultivating to committed is of series a hrough Workshops OGE ING INFINI T eadings and W ION COMEDY T HER provide an intensive forum in which playwrights, composers, lyricists, and directors , T T E T EE T Y HING T H AP A rtistic rtistic orkshops AR T W orkshops and and F riends of of riends T Nielsen, Mike DiSalvo Marvel, Keith Nobbs, Skipp Sudduth, Kristine CAST: Robin Bartlett, Ryan King, Elizabeth DIRECTOR: Sher Bartlett March 23, 2007 CraigBy Lucas P Harriet Harris, Lily Rabe, Mike DiSalvo Davidson, Edelman, Gregg Tina Fabrique, CAST: Blair Brown, Cynthia Darlow, Jeremy DIRECTOR: Michael Wilson March 12, 2007 JohnBy van Druten T OLD AC Strozier, Tamara Tunie, Darian Dauchan Phylicia Rashad, Samantha Soule, Henry Victor Dixon, Arthur French, David Rasche, CAST: Tony Carlin, Jarlath Conroy, Brandon DIRECTOR: Charles Randolph-Wright February 20, 2007 AliceBy Childress T Sietz, Testa, Mary David Turner, Chris Henry Perez, Michael Rispoli, Seth Rudetsky, Adam Patrick Kerr, Matthew Montelongo, Rosie Chamberlin, Suzanne Grodner, Steve Kazee, CAST: Ashmanskas, Brooks Noah Bean, Kevin DIRECTOR: Mantello Joe April 1, 2007 TerrenceBy McNally Pentecost, David Costabile, Clohessy, Robert Grifasi, Michael Mastro, Darren Goldstein, Del CAST: Wilkof, Lee Peter Frechette, Joe DIRECTOR: Michael Greif April 20, 2007 Adapted by John Guare HIS GIRL FRIDAY Waterston Annie Parisse, Austin Pendleton, Katherine Philip Seymour Hoffman, Meredith Holtzman, Halley Jason Butler Gross, Wegryn Harner, Guy Boyd, Marylouise Burke, Michael Cullen, CAST: Ann Becky Baker, Connor Barrett, DIRECTOR: Adam Rapp April 16, 2007 AdamBy Rapp HE RI HE ME ROUBLE IN MIND RAYER FOR MY ENEMY riends TZ Q R T playreadings both provide these artists artists these provide both playreadings UAIN oundabout Playreadings oundabout AL CHILDREN T ANCE , Roundabout , A rtistic William Sadler, Michael Arden, Allison Janney, August 18, 2007 John Carter, Alfred Molina, Sam Robards, Ana DIRECTOR: Robert Longbottom Reeder, Richard Poe, Carson Elrod, Barbara MUSICAL DIRECTOR: Fred Lassen Bryne, Stephen DeRosa, J.T. Arbogast, CAST: Gavin Lee, Stephanie J. Block, Jonathan Fielding, Michael Warner Benjamin Walker, Meredith Hagner, Bill Irwin, Kaitlin Hopkins, Noah Galvin, Jayne WE THREE Houdyshell, Sarah Hyland, Matt Doyle, By Charles Grodin Harrison Chad, Skylar Astin, Jenny Rose April 30, 2007 Baker, Hayley Podschun, Brynn Williams, CAST: Larry Bryggman, Mitch Greenberg, Remy Zaken, Kate Chapman, Paula Leggett Charles Grodin, Alfred Molina Chase, Michael DeVries, Colleen Fitzpatrick, Tom Galantich, Rosena M. Hill, Daniel FINKS Marcus, David McDonald, Jane Pfitsch By Joe Gilford May 15, 2007 Friends of Roundabout Playreadings DIRECTOR: Lonny Price STAGE DOOR CAST: Reed Birney, Norbert Leo Butz, Adam By Edna Ferber and George S. Kaufman Dannheisser, Mike DiSalvo, Peter Jacobson, November 6, 2006 Richard Poe, Miriam Shor DIRECTOR: Robert Longbottom CAST: Jolly Abraham, Pascale Armand, Bill GOOD CANARY Buell, Marylouise Burke, Kristen Bush, Kevin By Zach Helm Cahoon, Aya Cash, Paula Leggett Chase, June 3, 2007 Anna Chlumsky, Stephen DeRosa, Annbritt DIRECTOR: Michael Mayer duChateau, Jonathan Fielding, Daniel Gerroll, CAST: Mary Louise Parker, Michael C. Hall, Daniel Eric Gold, Natalie Gold, Kate Guyton, Adam Arkin, Daniel Davis, Adam Scott, Mark Patrick Heusinger, Denis Holmes, Virginia Harelik, Virginia Smith, Nick Mennell Kull, Kathleen McNenny, Koh Mochizuki, Caitlin Muelder, Kristine Nielsen, Susan SIX DEGREES OF SEPARATION Louise O’Connor, Joe Paulik, Lily Rabe, By John Guare Ana Reeder, Daniel Stewart Sherman, July 24, 2007 Samantha Soule, Jessica Stone, Alison Walla, DIRECTOR: Scott Ellis Karen Walsh CAST: Debra Monk, Alec Baldwin, Daniel Gerroll, Ato Essandoh, Mike DiSalvo, Carolyn ENEMIES, A LOVE STORY McCormick, David Rasche, Glenn Fleshler, Adapted by Sarah Schulman Sarah Steele, Colin Donnell, Dan Bittner, Mark Based on the novel by Isaac Bashevis Singer Lotito, Brian Charles Johnson, Edward Hyland, December 4, 2006 Sebastian Stan, Benjamin Walker, Lindsay DIRECTOR: Trip Cullman Nader CAST: Matthew Arkin, Vivienne Benesch, Scott Cohen, Tovah Feldshuh, Peter Frechette, UNCHAINED MEMORIES Andrew Gehling, Elizabeth Marvel, Annie Adapted by Lynn Nottage Parisse August 2, 2007 DIRECTOR: Seret Scott THE MARRIAGE OF BETTE AND BOO MUSIC DIRECTOR: Richard Harper By Christopher Durang CAST: Ron Cephas Jones, Larry Gilliard, Jr., April 16, 2007 Brenda Pressley, Quincy Tyler Bernstine, DIRECTOR: Walter Bobbie Stanley Wayne Mathis, Charl Brown, Harriett CAST: Kate Jennings Grant, Tyne Daly, John D. Foy, Barrett Doss Christopher Jones, Kerry O’Malley, Heather Goldenhersh, Christopher Evan Welch, James WAITING FOR THE FLOOD Naughton, Sigourney Weaver, T.R. Knight, By Carey Perloff Dick Latessa, Karen Walsh August 3, 2007 DIRECTOR: Chay Yew STREAMERS CAST: Betsy Aidem, Mia Barron, Rebecca By David Rabe Brooksher, Gordana Rashovich, Kathleen July 9, 2007 Widdoes, Lori Wilner DIRECTOR: Scott Ellis CAST: Daniel Eric Gold, Nick Westrate, Ato BYE BYE BIRDIE Essandoh, Benjamin Walker, J.D. Williams, Book by Michael Stewart Robert Clohessy, Michael O’Keefe, Matte Lyrics by Lee Adams Osian, J.T. Arbogast, Mike DiSalvo Music by Charles Strouse 19 Since it (Bronx Theatre High School) “opened, the school has made very good progress. Under the authoritative leadership of the principal it has a clear, well-constructed philosophy. Its academic program is set well to the fore, with a coherent and powerful theatrical and artistic dimension. The teachers skillfully weave both aspects together. This approach is making strong contributions to the students’ personal and social development and to their academic process.” —NYC Department of Education 2006–07 Quality Review

20 education 21 —Mark Lord, Teacher, Robert F. Kennedy High School High Kennedy F. Robert Teacher, Lord, —Mark Teaching for more than twenty years can often take its toll on on toll its take often can years twenty than more for Teaching professional four-day Roundabout’s at But level. energy one’s sufficiently I was 2000, summer in workshop development enthusiasm of a level with year school the approach to invigorated workshop the with so taken I was fact, In years. in felt I hadn’t Page Roundabout’s in classes my of one involve to I decided that program.” (classroom-partnership) Stage to “

after-school student-driven theatre companies for at-risk youth at-risk for companies theatre student-driven after-school

—Monique Rivera, parent of participant in VOICES, one of our two our of one VOICES, in participant of parent Rivera, —Monique I’ve noticed a drastic change in John’s self confidence. He has He confidence. self John’s in change a drastic noticed I’ve maturity, more much shown has and better himself know to gotten and a positive him gives VOICES self-love. and drive ambition, something doing is he I know importantly, Most be. to place safe time.” his with constructive

 “ Bronx Theatre High School Graduation Jazzland, an original play about Hurricane Katrina

n June 26, 2007, a small crowd approach to education could have in a fully- gathered outside the historic Studio integrated setting. Two years later, after a O54. The famed venue has witnessed competitive application process and intense the gathering of many diverse crowds during planning with administrators, teachers, and its 90-year history. However, this group of parents, Roundabout’s first New Century

n people was there to attend a first in the High School, the Bronx Theatre High School, history of Studio 54: a high school graduation. opened its doors. The school was located in As parents, siblings, friends, and teachers one small wing in the larger John F. Kennedy waited for the doors to open there was an High School. The challenges were plenty, understandable buzz and excitement in but students and teachers alike, under the the air. For this was not only the first such leadership of Principal Debi Effinger, were ceremony to be held at Studio 54, it was the determined to make their small school work. a tio very first graduation for the Bronx Theatre The students and teachers began to integrate High School (BTHS), established in 2003. the process of theatre into every facet of the This early summer day would serve as a classroom and soon had a framework within pinnacle moment in the lives of 64 ecstatic which they could both explore their artistic students and in the history of Roundabout talents and, at the same time, employ those Theatre Company’s 11-year-old Education talents to further their general academic and Program. The graduation was a culmination personal success.

educ of one bold idea, two years of intensive planning, and four years of hard work and Four exciting years later, over 75% of the groundbreaking innovations in arts education BTHS’s original freshman class gathered by countless teachers, administrators, and as seniors in the front three rows at Studio theatre professionals. 54 to be recognized by their peers. It was a truly emotional experience for all, as the In 2001, then Education Director Margaret students reflected on their experiences at Salvante-McCann approached Roundabout’s BTHS through word and song. The morning leadership with the seemingly bold idea that got off to an inspirational start with speeches Roundabout should explore applying to a new from Manhattan’s Deputy Borough President, initiative begun by New Visions to support Rosemonde Pierre-Louis, actress Portia, and the creation of small, effective high schools, director Scott Ellis. Then the audience heard in which students could meet high standards from the students themselves. Salutatorian of both academic and personal success. At Zuleyka Polanco and Valedictorian Julia Rivera first the idea to start its own school seemed spoke passionately and emotionally about the bold for an Education Program that was impact their experience at BTHS has had on formalized only five years earlier. However, their own lives and the lives of their fellow both Todd Haimes and Julia Levy knew students. the profound impact Roundabout’s unique 22 Jazzland, an original play about Hurricane Katrina Students at a Postcard production workshop.

The graduation was truly a memorable event • The attendance rate was consistently at and a testament to the success and impact of 90%, compared to 82% in other City the Bronx Theatre High School. This success schools. is evident in the statistics of this graduating • Regents test scores averaged above 85%, class: compared to 50% City-wide. • The senior class had a graduation rate of 76.6%, in comparison to 50% City-wide.

In other Education Department activities during the 2006-2007 school year, Roundabout’s diverse programming from school-wide to classroom partnerships to professional development continued at a steady pace. This past year, Roundabout’s multi-faceted after-school program completed its first full cycle with 50 students from 9 participating schools. Roundabout’s arts-education curriculum also gained a national presence with the tour of Twelve Angry Men. In each of the 35 tour stops, Roundabout offered online curriculum materials, discount student tickets, and even workshops run by the actors themselves who had formally trained as teaching artists.

2006–2007 Education Program Statistics Artist Program Students Teachers Schools Classrooms Sessions Theatre Access 1,388 36 24 36 86 Classroom Partnerships 1,632 27 21 51 1,142 School-wide Partnerships 3,040 61 7 95 2,740 Professional Development x 160 45 x 741 After-School Programs 50 x 9 x 134 Career Development 37 x 27 x x TOTALS 6,147 284 133 182 4,843

For more in-depth information about all of Roundabout’s education programs, or to request a copy of the 2006–07 Education Report, please contact our Education Department at 212.642.9629 or refer to our website at www.roundabouttheatre.org/education.htm

23 Our Supporters

Dear Friends,

With the ending of a season, we are reminded that our success is truly the collective effort of so many friends. Our 41st season was filled with compelling works that represented the human condition and you were there to support it. Thank you for recognizing the need for and value of Roundabout’s work and being the reason it flourishes on our stages. We want you involved with us for a very long time.

Once again, your valuable feedback through our popular Playreading Series helped drive some of our artistic decisions for the current season. The reading of Christopher Durang’s dark comedy, The Marriage of Bette and Boo, which included a stellar cast of theatre veterans, was such a success that it will receive a full production at the Harold and Miriam Steinberg Center for Theatre/Laura Pels Theatre in Summer 2008. Our donors are important to us every step of the way, and we’re always working to keep you close to Roundabout’s artistic process.

All of us here are thrilled with the overwhelming response we received for the Harold and Mimi Steinberg Charitable Trust Challenge. Roundabout secured nearly $800,000 in new and increased funds in two months due to this extraordinary effort. From Board members to new friends, the Steinberg Challenge galvanized our fundraising efforts for this fiscal year. We could not have met the challenge without our strong leadership. Our Board and Leadership Council raised a third of the funds towards the Challenge. In particular, special thanks go to Board member Carole Krumland and her fellow trustees of the Harold and Mimi Steinberg Charitable Trust. They were the force behind creating this special challenge, and our friends, like you, made it a success.

You are an important stakeholder in Roundabout’s mission to revitalize great theatrical works with the industry’s finest artists. Looking to the future, we hope you’ll continue to be with us. To secure our long-term financial security, we’re establishing our first true endowment driven by our current capital campaign, Building Partnerships for Artistic Excellence: A Campaign for Roundabout Theatre Company. You’ll be hearing more about this in the coming months as we reach out to our long-time supporters to help us in this endeavor.

We are ever inspired by your generosity and we thank you so much for your investment in Roundabout. The work you see on our stages is only possible because you have been there for us, and we are all so grateful for your loyalty and commitment.

Warm regards,

Jeffory Lawson Director of Development

Philippa Whalen, Harriet Harris and Board member Board member Mary Cirillo-Goldberg and husband Board members Chip Seelig and John James Burke, Jr. Jay Goldberg toast the naming of the “Mary Cirillo- McGarry, Jr. Goldberg and Jay Goldberg Mezzanine Lobby” at Studio 54 24 Board members Jill Rachesky Leadership Council member Board member Gene Korf James and Carla O’Rorke with Laura Baron of the Blanche and Sam Chapin and Beth Eric Hanson and guest with and wife Madeline with Board member Bob Donnalley and Irving Laurie Foundation Chapin Stephen Lang Roundabout’s Associate with Bryan D’Arcy James Artistic Director Scott Ellis

FOUNDERS Kurt F. Leopold Ann L. Bernstein Louise and Arde Bulova Fund John Archibald and James Costa Altria Group, Inc. David and Anita Massengill John and Penelope Biggs Mr. and Mrs. William J. Burke Jody and John Arnhold American Airlines, Inc. Joe Masteroff Laura and Lloyd Blankfein Simona and Jerome A. Chazen Axe-Houghton Foundation American Express Gilda and John P. McGarry, Jr. Christina Bloom Michael T. Cohen and Arielle Johanna Weber and Edwin Carnegie Corporation of New Akiko Mikumo Karen Calby and Douglas Calby Hart Bacher York Carol Mitchell Patricia Cembalest Con Edison Stephen and Kathi Bard JPMorgan Chase Kenneth and Ginny Murphy Michael Chepiga and Pamela Al and Kathy Diamant Gilbert Hahn and Barbara Benezet Office of Juvenile Justice and New York State Music Fund Rogers Chepiga The Samuel and Rae Eckman Delinquency Prevention Charitable Foundation, Inc. Genie and Bob Birch Newman’s Own Foundation, CIT The Kaplen Foundation Inc. Douglas S. 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Collins The Council of The City of The Fan Fox and Leslie R. David and Anita Knechel Thomas and Sharon Collins New York Samuels Foundation Lori and Edward Forstein Liz Claiborne Corgan Associates Architects Diane and Tom Tuft Steven A. Sanders Glenn Fuhrman Jodi Lustig PC The Peter Jay Sharp Foundation Mr. and Mrs. Ned I. Gerstman Jack Makoujy Edmund C. and Terry D. Duffy SUSTAINERS Donna and Elliott Slade Irving and Yetta Geszel Martin Maleska and Julie Bonnie and Cliff Eisler Ronald B. Bruder Melissa M. Gibbs Barbara Schaps Thomas, David McGee Dr. Gregory Elder State of New York Department M. Thomas Jane Goldman and Benjamin Mark J. Manoff In memory of Susan Fastow of State United States Trust Company of Lewis The McGraw-Hill Companies The Educational Foundation of New York John and Kiendl Gordon Dr. William J. Sweeney III, In loving memory America Chris and Lonna Yegen The Marc Haas Foundation, Inc. Peter and Elsbeth Moller Jeanne Donovan Fisher Ernst & Young LLP Hangar One Vodka Robert and Ornella Morrow Motorola Barbara G. Fleischman Steven and Liz Goldstone DIRECTORS Eric Hanson Austin and Gwen Fragomen The Hearst Foundation, Inc. Adrian and Jessie Archbold Maureen A. Hayes Kathryn Myers Wilma and Arthur Gelfand Cathy and Marc Lasry Charitable Trust Sally and Robert Huxley Murray L. Nathan Gloria Gelfand Peter and Leni May Mr. and Mrs. Robert Arnow Bill Huxley New York City Department of Cultural Affairs Carolyn Gentile Merrill Lynch & Co. Mr. and Mrs. Samuel R. Chapin Catherine Ladnier and J.M. Eliot and Wilson Nolen National Endowment for the The Gladys Krieble Delmas Robinson Fredric and Myrna Gershon Arts Foundation Trudy K. Lampert The George A. Ohl, Jr. Trust Edda and James Gillen The Laura Pels Foundation The Durst Family Michael Lynch and Susan Baker Elizabeth Olmsted and Randall Edith Ginsberg Kau The Picower Foundation Esurance Inc. Carol and Earle I. 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The Leon Levy Foundation Beaches of Fort Myers & Sanibel Martin and Toni Sosnoff John E. Schowalter, M.D. Holtzmann Dan Navarro and Jim Grapka James J. Burke and Philippa The M. N. Emmerman and P. A. Dr. and Mrs. Thomas P. Sculco Bruce Horten Whalen The New York Times Company Stockhausen Foundation Stephanie and Fred Shuman H. Brett Humphreys and Foundation Ms. Mary Cirillo-Goldberg and Rebecca Sullivan and Stephen Barbara Slifka Samantha Merton Mr. Jay N. Goldberg Cathryn and Victor Palmieri Greenwald Margaret Smith International Strategy & Benjamin M. Rosen Citi Foundation Time Warner Jay and Mary Dale Spach Investment Group Daryl and Steven Roth Clarins USA Michael Tuch Foundation, Inc. Ted and Vada Stanley Hugh P. Jones Rudin Foundation, Inc. Eleanor Naylor Dana Charitable Linda and Daniel Waintrup Leila and Melville Straus Joseph Family Charitable Trust Trust Daniel and Janet Scapin Barry C. 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Wolpert The Williams Capital Group Sheila and Bill Lambert Jeanne and Tom Hagerty Anonymous (2) Donald and Barbara Zucker Anonymous (2) Jeffrey Landsman The Heckscher Foundation for Anonymous (1) Theresa Lang Foundation Children LEADERS PARTNERS Diane Lederman and Arthur Hines Michael Arougheti BENEFACTORS Margot Adams Levin Soledad DeLeon Hurst and The Avellino Family Stanley and Barbara Arkin Judith Adel and Robert Arnold Richard and Karen LeFrak Robert J. Hurst Foundation, Inc. Paula Freedman and Kulbir The Aeroflex Foundation Lester Taylor Family F.M. Kirby Foundation, Inc. The Theodore H. Barth Arora Howard Aibel Liberty Travel Norma S. Langworthy Foundation, Inc. Dr. Bernard I. Belasco Mariette Allen Imelda Liddiard Lehman Brothers Roger Berlind Robert Brenner 25 Byron Jennings with Board member Steven Leadership Council member American Airlines and Stephanie and Michael Goldstone and wife Liz with Barry Waldorf, Leadership Roundabout Board member McClendon Julia Levy (center) Council Chairman Yolanda Chuck Imhof and wife Maria Turocy and Stanley Gotlin (left) with Margaret Colin

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William Fox Foundation Carol and William Achenbaum Phyllis and Herbert Chernin McClendon Nancy and Sidney Freedman Lauren Howard Edna and Kenneth Adelberg Carol and Wallace Chinitz Joseph McGrath The Friars Foundation Miriam and John Hunt Alyson Adler and William Janet and Kent David Moreen and John McGurk Martin Fridson and Elaine John H. Insabella Green Christensen Joyce Menschel Sisman Andrew and Connie Ippolito Edward and Karen Adler Dolores and Jack Clarke Norman and Sharon Michaels Janet and J. Michael Fried Carl M. Jacobs Elaine Adler Walter and Ursula Cliff Pamela and Michael Miles Mary Alison Friel Lola Jaffe Greg Albiero Janet Coffey Sean Mitchell Lawrence and Rubie Fruchtman Diane Jaffee and David O’Brian Ann B. Alford Edward and Arlene Cohen Helene and Henry Morrison Manuel and Vivian Furer Eric and Victoria Jensen Anne Altucher Lois and Irvin Cohen Mr. Stanley Newman and Dr. Barbara A. Gallay James W. 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Levy Mr. and Mrs. Harry Henshel Charles Werner Dick and Rose-Marie Lewent 26 Georgina Dzubak and Alice Alfred Molina and Board Leadership Council member Board members Mike de Perlmutter member Niko Elmaleh Rozlyn Anderson and Swoosie Graffenried (left) and Ken Kurtz Murphy with wives Pilar and Ginabeth

Anonymous Richard S. Pechter Lesley Silvester Lucille Werlinich Dick and Rose-Marie Lewent Richard and Rebecca Lindsey Toby Pecker Linda G. Singer and Louis Neil Westreich Anonymous Kathleen Lingo Arnold S. Penner and Klein, Jr. Tanya Wexler and Amy Tami and Fredric Mack Judith Anne and Michael Madaleine Berley Joan Sirefman Zimmerman David and Anita Massengill Lipstein James Perakis Loren and Marlene Skeist Anita and Byron Wien Gilda and John P. McGarry, Jr. David and Debbie Livingstone Barbara and David Perlmutter Violeta Smadbeck Susan and Maury Wilkins Merrill Lynch & Co. William and Diane Lloyd Jane Perlmutter Foundation Barry S. Smith Margo Wintersteen Carol Mitchell Cary and Jan Lochtenberg Dr. Frank Petito Dudley and Liliane Smith Debi and Steven Wisch David and Lori Moore Shelly London and Charles Renee K. Petrofes Floyd and Jane Smith Linda Wolff and John M. Eddie Muentes and Denise Kanter Eileen Ryan Pettus Meredyth and Brooks Smith Romanow Bernardo Linda Loughren Frank Plateroti Lynn and Jeffrey Smith Bernice Wollman and Warren Kenneth and Ginny Murphy Rubin Donald and Barbara Louria Michael Pollack and Barbara Vincent M. Smith and Alice Kathryn Myers Mr. and Mrs. Michael J. Lyons Marcus Silkworth Billy F. B. Wong and Stephanie Gordon The New York Times Muriel L. Macnab Tony and Ruthe Ponturo Lavinia and Brian Snyder Valerie and Thomas Wood Brent Nicklas Reeva and Ezra P. Mager Robert A. Press, M.D. Denise Sobel and Norman Peter and Susi Wunsch Paul, Weiss, Rifkind, Wharton Caryn and James Magid Dr. and Mrs. Peter Pressman Keller & Garrison LLP John J. Yarmick Richard H.M. and Gail Lowe Jeffrey and Judith Prussin Leon and Marilyn Sokol Laura Pels Eva Young Maidman Rita and Louis V. Quintas Herbert and Helene Solomon Robert M. Raiff and Harley A. Michael A. Young Warren and Susan Malone Zoila A. Quintero Annaliese Soros Farber Gloria Zeche Dr. Joseph Mandelbaum and Timothy and Joyce Ratner Jeffrey Sosnick & Albert A. Lois Robards Mrs. Reva D. Mandelbaum Carucci Fund of Stonewall Mr. and Mrs. Al Zemel Michael Recanati and Ira J. Lois Robbins Zaro and Andrew Community Foundation James Manfredonia Statfeld Anonymous (21) Zaro Jodie and Sean Sovak Barry Margolius Cherie Reid Lizanne and Barry Rosenstein Ruth and Howard Sovronsky Edwina and Marvin Marks David and Donna Reilly GALA DONORS ($3,000+) Paul and Tina W. Rotstein Sophia and Edward Spehar Wayne P. Marshall and John Denice Rein American Airlines, Inc. Rudin Foundation, Inc. Iaconetti Lois and Arthur Stainman Elaine and Ely Reiss Johanna Weber and Edwin Ryder Construction Charles and Deborah Marzo- Lee R. Steelman Bacher Incorporated Jack Richard Mele Kathryn Steinberg Beaches of Fort Myers & Sanibel Ned Sadaka Judith Stern Riklis Jeffrey and Wendy Maurer Lenore Steiner and Perry Christina Bloom Steven A. Sanders Albert and Adele Robbins Diane L. Max Lerner Jerry and Patti Bock Lawrence and Carol Saper Rachel and Richard Robbins Enken and Jerome Mayer Sperber & Steinfeld Families Bob Boyett Steven Schroko Fred and Judy Robins Charitable Trust Robert and Donna McCoy John and Susan Canavan Harvey M. Schwartz Sandra Rocks Barbara and David Stoller Jason and Paige McDevitt Kathryn and Kenneth Chenault Chip Seelig Hila and Saul Rosen Charles Sullivan Martin J. McLaughlin Ms. Mary Cirillo-Goldberg and Mary and David Solomon Jeffrey and Marjorie Rosen Leonard Swartz James and Wren McNiel Mr. Jay N. Goldberg Thomas and Bonnie Strauss Joseph S. Rosenberg Morton Swinsky Melissa Meyer and Peter Michael T. Cohen and Arielle Theatrical Stage Employees Pamela and Robert J. Rosenberg Mensch Mr. and Mrs. David Swope Hart Local No. One IATSE Beth and Jason Rosenthal Herman and Susan Merinoff Mr. and Mrs. Toby E. Symonds Lisa Pevaroff Cohn and Gary Diane and Tom Tuft Carol and James Rotenberg Cohn Anne Miller and Stuart Breslow Linda and Jay Tanenbaum Yolanda Turocy Paul and Tina W. Rotstein Kenneth Cole Foundation Mr. and Mrs. Gerald D. Mintz Michael Tarpley and Amy United States Trust Company of Suzanne Mirra Barbara H. Rudd Nathan Mike and Pilar de Graffenried New York Marilyn B. Monter Tamar E. Rudich Patricia and Jeff Tarr The Diller-Von Furstenberg Claudia Wagner Family Foundation Charles and Barbara Moore Peter M. and Bonnie Sacerdote Andrew Tavel Michael and Carol Weisman Cory and Bob Donnalley Elisabeth S. Morten Karen L. Sacks Glenn and Diane Taylor Joseph Wender and Ann Colgin Irene Duell James T. Morton Jeffrey and Dorothy Samel Barbara Goldfarb Tepperman Matthew White and Fred Tepperman The Durst Family Saleem and Sara Jane Barbara and John Samuelson Allen Wolpert and Marie Muqaddam Elaine Sargent Barb and Wayne Thornbrough Eliran Murphy Group Battaglino Carl and Cathleen Myers Carol and Chuck Schaefer Myra Leigh Tobin Niko Elmaleh Chris and Lonna Yegen Jordan and Sue Nager The Lucy Foundation Marcia Townley Alice and Glenn Engel Anne and Andrew Namm Roger M. Schaffland Litsa and Constantine Tsitsera Ernst & Young LLP The Dorothy Strelsin Pam and Scott Schafler Ruth Turner Dr. and Mrs. Stanley Friedman Foundation Michael and Fiona Scharf Melissa and Gerald Uram Jeffrey and Susan Goldenberg Michael J. Nesspor Dr. and Mrs. Burton A. Scherl Bernardette Vaskas Steven and Liz Goldstone Ronald M. Neumann and Jane Francis E. Schiller, Esq. Beate and Klaus von Perry and Marty Granoff A. Zimmy Stutterheim Carole A. Schwartz William Haber Richard Neustadter Gerald Wachs and Gail Postal Kathleen A. Scott Eric Hanson Sheila Nevins Joan Waricha Elias and Barbara Sedlin Ruth and Stephen Hendel Dennis Newman Andrea Marks and David Betsey and Arthur Selkowitz Pamela J. Hoiles Leonard and Randi Newman Warmflash Selkowitz Family Foundation Home Box Office, Inc. Anh-tuyet Nguyen and Robert Shawn Warren Design Dr. and Mrs. Gary Selmonsky Hudson Scenic Studio, Inc. Pollock Melvin and Sandra Warshal Dr. and Mrs. Alan Shalita Soledad DeLeon Hurst and Fred and Gilda Nobel Terri Poli and J. Craig Weakley Harold and Myra Shapiro Robert J. Hurst Nancy Jeanne O’Connor Toby and Stacie Webb JuJu Chang and Neal Shapiro Sally and Robert Huxley Norman Odlum A. J. Weber Stephen Shapiro and Amy Attas The Kaplen Foundation Irma Oestreicher Evelene Wechsler Kenneth G. Shelley Alan and Gail Koss Kathleen O’Grady Peter Weigel The Shen Family Foundation Nanette L. Laitman David C. Olstein Bryan and Margie Weingarten Dr. Howard I. Sherman Norma S. Langworthy One World Fund Michael and Leah Weisberg Martha E. Sherman Cathy and Marc Lasry Nicole and Bruce Paisner Ruth and Peter Weiss Nicholas Silao Steve and Arlene Lazarus Michael and Gabrielle Palitz Sylvia Welsh Jack and Shirley Silver Kurt F. Leopold Gerald and Naomi Patlis Arthur and Hilda Wenig Maida and Howard Silver Michael Lesser and Mindy Don Melnick and Mary Pearl Joanne R. Wenig Schneider Eileen Silvers and Richard Bronstein 27 revenue & expenses

Operating Fund (in thousands) 8/31/07 8/31/06 REVENUE FROM OPERATIONS INCOME BY SOURCE Subscription Ticket Income 13,343 11,775 Single Ticket Income 27% Single Ticket Income 12,230 16,773 Contributions 22% Tour Fees 7,137 Investment Income 306 312 Net Sponsorship Income 750 750

Rental/Other Income 794 797 Other 4% Total Earned Revenues 34,560 30,407

Subscription Ticket CONTRIBUTED REVENUES Tour Income 30% Fees 18% Individuals 4,576 4,012 CONTRIBUTIONS: Foundations 1,889 1,589 Individuals 10% Corporations 1,902 1,005 Foundations 4% Government Grants 519 406 Corporations 4% Government 1% Net Benefit Income 994 1,032 Net Benefit 2% Total Contributed Revenues 9,879 8,044 OTHER: Total Revenues 44,439 38,451 Investment Income <1% Net Sponsorship Income 2% Rental/Other Income 2%

EXPENSES Expenses by services Program Services General and Administrative 3% American Airlines Theatre 12,037 14,554 Education Fundraising 4% Studio 54 17,540 12,885 3% American Steinberg Center/Laura Pels Theatre 6,841 6,058 Airlines Theatre 25% Tour 6,181 Education 1,234 922 Steinberg Supporting Services Center/ General and Administrative 1,624 1,992 Laura Pels Theatre 14% Fundraising 2,091 1,757 Total Expenses 47,547 38,168 Tour 13% Studio 54 37%

Net Surplus (Deficit) Before Depreciation (3,108) 283 Depreciation 2,121 2,001 Net Change from Operations (5,229) (1,718)

Total Net Assets Beginning of Year 75,520 72,258 Change from Subscription Operations (5,229) (1,718) Change from Capital / Other / Restricted 7,445 4,980 Net Assets End of Year 77,736 75,520

2006-2007 Audience Figures* Number of Productions: 8 Number of Performances: 839 *Audience figures exclude Twelve Angry Men Tour. Number of Subscribers: 43,735 A copy of Roundabout’s 2006–2007 audited financial statement is available by Community Tickets: 46,454 contacting the Roundabout Theatre Development Office at 212.719.9393. Total Attendance: 493,229 Roundabout Theatre Company is a 501(c)(3) not-for-profit organization. Capacity: 87%

28 ROUNDABOUTTHEATRECOMPANY staff

Todd Haimes, Artistic Director Frank Surdi, Accounts Payable Pamela A Ezell, Stephen Fontana, Maria Harold Wolpert, Managing Director Administrator Gerhard, Elsie Jamin-Maguire, Rebecca Julia C. Levy, Executive Director Yonit Kafka, Financial Associate Knell, Richard McNanna, Idair Melendez, Scott Ellis, Associate Artistic Director Joshua Cohen, Business Office Assistant Kimberly Oliver, Victoria Tjoelker, Jose Artistic Staff Development Staff N. Vasquez, James Watanachaiyot, Adam Wier, Jim Carnahan, Director of Artistic Jeffory Lawson,Director of Development House Staff Julious Russell, Development/Director of Casting Julie K. D’Andrea, Director, Institutional Security Jerry Hobbs, Willie Philips, Daniel Pellew, Robyn Goodman, Artistic Consultant Giving Magali Western, Doug Hughes, Resident Director Steve Schaeffer,Director, Special Events Maintenance Scott Elliott, Bill Irwin, Joe Mantello, Joy Pak, Director, Major Gifts Studio 54 Theatre Staff Mark Brokaw, Kathleen Marshall, Kara Kandel, Manager, Individual Giving Denise Cooper, Company Manager Associate Artists Corey Young, Manager, Corporate Relations Matthew Armstrong, Theatre Manager Jerry Patch, Consultant Dramaturg Lise Speidel, Manager, Donor Information Jaime Perlman, Box Office Manager Jill Rafson, Artistic Associate Systems Krystin Macritchie, Assistant Box Office Carrie Gardner, Casting Director Dan Fingerman, Assistant to the Executive Manager Kate Schwabe, Casting Associate Director LaConya Robinson, House Manager Stephen Kopel, Casting Associate Kate Bartoldus, Individual Giving Associate Jack Watanachaiyot, Associate House Erica Rotstein, Artistic Assistant John Haynes, Patrons Services Assistant Manager Josh Fiedler, Literary Associate Joshua Poole, Development Assistant Anna Bak-Kuapil, April Belmond, Justin Education Staff Gavin Brown, Acting Telefunding Manager Brown, Jose Cuello, Linda Edwards, Judith Fanelli, Erin Fitch, Paula Gallo- David A. Miller, Education Director Marketing Staff Kcira, Linda Gjonbalaj, Haijah Karriem, Reneé Flemings, Director of Instruction and David B. Steffen,Director of Marketing and Clinton Kennedy, Jennifer Kneeland, Curriculum Development Sales Promotion Jonathan Martinez, Essence Mason, Dana Jennifer DiBella, Education Program Wendy Hutton, Associate Director of McCaw, Sharon McNeil, Kim Mills, Nicole Manager Marketing Ramirez, Micheal Read, Delilah Rivera, Amanda Hinkle, Program Associate for Margaret Casagrande, Marketing/ Franco Roman, Nicholas Wheatley, Stella School-Based Programs Publications Manager Varriale, Jay Gerlach, Program Associate for Theatre- Stefanie Schussel, Marketing Associate House Staff Dan Hoffman, Based Programs Shannon Marcotte, Marketing Assistant House Carpenter Josh Weitzman, Allison Figley, Education Assistant Keith Powell Beyland, Website Consultant House Electrician Lawrence Jennino, Ted Sod, Education Dramaturg Daniel Weiss, Director of Telesales Special House Properties Nadine Hettel, Phil Alexander, Cynthia Babak, Victor Promotions Wardrobe Supervisor Ralph Mohan, John Franzoza, Barbella, Mark Bloom, Clemens Boelt, Michael Pace, Telesales Manager Maintenance LaTonya Borsay , Miss Stella, Joseph Anthony Merced, Telesales Office The Harold and Miriam Steinberg Clancy, Joe Doran, Katie Down, Janet Coordinator Center for Theatre Staff Edwards, Amy Fortoul, Kevin Free, Larry Ticket Services Staff Nicholas Caccavo, Company Manager Freeman, Sheri Graubert, Matthew Matthew Armstrong, Charlie Garbowski, Jr., Director of Sales Theatre Manager Gregory, Adam Gwon, Karla Hendrick, Andrew Clements, Operations Box Office Manager Jim Jack, Lisa Renee Jordan, Jamie Nicole Nicholson, Ellen Holt, Ticket Services Manager Assistant Box Office Kalama, Alvin Keith, Shawn Lewis, Ethan Ubell, Subscription Manager Manager Rebecca Lord, Tami Mansfield, Erin Edward P. Osborne, Andrew Clements, Nicholas Wolf Lyndon, Master Technician McCready, Romy Sharon Nordlinger, Robert W. Dowling II, Jamie Perlman, Box Office Managers Assistant Technician Jordana Oberman, Andrew Ondrecjak, Carrie L. Kamerer, Jeff Monteith,Group Sales Manager Wardrobe Supervisor Gregory Payne, Laura Poe, Nicole Press, Krystin MacRitchie, Robert Morgan, Dorothea J. Kenul, House Manager Leah Reddy, Amanda Rehbein, Taylor Kristin Allard, Kelly Allen, Frances Nicole Nicholson, Assistant Box Office Ruckel, Chris Rummel, Cassy Rush, Barrios, Joseph Bartolotta, Grisel Managers Kristin Scafuri, Nick Simone, Daniel Robert Kane, Bill Klemm, Carlos Morris, Bermejo, Jasmine Bermudez, Joseph Robert Sullivan, Vickie Tanner, Jolie Tong, Beuerlein, Roger Calderon, Christopher Assistant Ticket Services Managers Olivia Tsang, Cristina Vaccaro, Jennifer M. Czyz, Mohammed Farukhi, Drew Thomas Walsh, Customer Services Varbalow, Maya Visco, Lisa Walker, Eric Gotesman, Ivonne Herrera, Ricardo Coordinator Wallach, Gail Winar, Teaching Artists Solangel Bido, Lauren Cartelli, David Hinoa, Barry Horbal, Jason J. Jacoby, Administrative Staff Carson, Joseph Clark, Mike DePope, Christopher Kaminstein, Marlene Marin, Nicole Moses, Dante Neil, Jeffrey Alan Sydney Beers, General Manager Barbara Dente, Nisha Dhruna, Adam Nichols, Katherine Roscher, Kaitlin Stern, Greg Backstrom, Associate Managing Elsberry, Lindsay Ericson, Scott Mai Ushiroku, Christopher Von Hoffman, Director Falkowski, Catherine Fitzpatrick, James Sara Waugh, Rebecca Habel, General Manager, Steinberg Graham, Tova Heller, Nichole Ishmael, House Staff Edward Perez, Mateo Santos, Center Kate Longosky, Elisa Mala, Mead Maintenance Nancy Hirschmann, General Counsel Margulies, Chuck Migliaccio, Adam General Press Representatives Stephen Deutsch, Human Resource Owens, Ethan Paulini, David Pittman, Adrian Bryan-Brown, Matt Polk, Jessica Manager Kaia Rafoss, DeeAnna Row, Benjamin Johnson, Amy Kass, Boneau/Bryan-Brown Jeff Goodman,MIS Director Schneider, Heather Siebert, Nalene Singh, Roundabout Theatre Company Maggie Cantrick, Assistant General Manager Lillian Soto, Donald Thacker, Pam Unger, 2006-2007 Annual Report Tania Camargo, Management Associate Ticket Services Robert Weinstein, Dan Fingerman, Project Abraham David, Facilities Manager American Airlines Theatre Staff Managers/Editors Ron Henry, Maintenance Nichole Jennino, Company Manager Margaret Casagrande, Designer Nancy Mulliner, Manager of Corporate and Glenn Merwede, House Carpenter Steve Schaeffer,Feature Writer Party Rentals Brian Maiuri, House Electrician Julie D’Andrea, Joy Pak, Jill Rafson, Joshua Scott Kelly, Office Manager Andrew Forste, House Properties Poole, Sarah Krasnow, Contributors Micah Kraybill, MIS Associate Susan J. Fallon, Wardrobe Supervisor Dena Beider, Raquel Castillo, Elisa Papa, Photo Credits Ted Osborne, Box Office Manager Allison Patrick, Monica Sidorchuk, Production Photos, Joan Marcus Robert Morgan, Assistant Box Office Education Photos, Lorenzo Ciniglio, Receptionists Manager Darnell Franklin, Messenger Jennifer Weibord and Anita Shevett Steve Ryan, House Manager Special Events photos, Anita and Steve Finance Staff Zipporah Aguasvivas, Associate House Shevett Susan Neiman, Director of Finance Manager John LaBarbera, Assistant Controller Jacklyn Rivera, Head Usher Kristin Asher, Ashley Blenman, Ilia Diaz, Roundabout

The mission of Roundabout Theatre Company:

Re-energize classic plays and musicals in an effort to team great theatrical works with the industry’s finest artists.

Develop and produce new works by today’s great writers and composers.

Provide educational programs that will enrich the lives of children and adults.

Retain a loyal audience through a commitment to the subscription model.

ROUNDABOUTTHEATRECOMPANY 231 West 39th Street, Suite 1200 New York, NY 10018 Telephone: 212.719.9393 Fax: 212.642.9636 www.roundabouttheatre.org

Roundabout Theatre Company is a 501(c)(3) not-for-profit organization.