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2014 BAFTA Breakthrough Brits, in Partnership with Burberry
2014 BAFTA Breakthrough Brits, in partnership with Burberry Jonathan Asser - Writer Jonathan Asser, 50, grew up in Tadmarton, Oxfordshire and now lives in Camden, north London. His first ever script became 2013’s powerful and visceral prison drama Starred Up. For the film, Asser was named Best British Newcomer award at the 2013 BFI London Film Festival and was nominated in Best Screenplay category at the British Independent Film Awards. The film drew on Asser’s own experience of working as a psychotherapist within the prison system, where he developed a new therapeutic way to help violent criminals called Shame/Violence Intervention. Asser said: “I feel proud to have been named as a BAFTA Breakthrough Brit. It feels like an honour and it’s also humbling to be associated with such a talented group of much younger people. It means a lot to me and to my future.” Mike Brett & Steve Jamison - Producer/Directors Mike Brett, 33, grew up in Haywards Heath, Sussex and now lives in Tufnell Park, north London. Steve Jamison, 33, grew up in Saddleworth, Greater Manchester and now lives in Hackney, east London. Brett and Jamison have taken a circuitous route into filmmaking, with past careers between them including teaching, journalism, advertising agency scriptwriting, and as an artist. In 2008 they set up their production company, Archer’s Mark. Their debut documentary feature, Next Goal Wins, about the American Samoan soccer team, reportedly the worst football team in the world, was released earlier this year to critical acclaim. As well as directing their own films, both factual and fictional, Brett and Jamison are also keen to support other new filmmakers with the production and release of their features. -
Watching the Asian Body on Western Screens and but the Girl
INVENTORY OF PAIN: WATCHING THE ASIAN BODY ON WESTERN SCREENS and BUT THE GIRL Jessica Yu 0000-0002-9570-2667 Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy (by creative work and dissertation) November 2019 The School of Culture and Communication The University of Melbourne ABSTRACT The title of this thesis, “Inventory of Pain,” draws on Edward Said’s idea that Orientalism was an attempt to “inventory the traces upon me [him], the Oriental subject, of the culture whose domination has been so powerful a factor in the life of all Orientals” (25). In this thesis, I make an inventory of the painful traces upon me and others like me from being constructed both vaguely and specifically as an “Asian” body in Australia. In my work, being constructed as an Asian body is not taken as an abstract or theoretical idea. Rather, it is described as a material and mundane, sticky and violent, lived and living experience. I use mainstream Australian and American films and television shows as case studies to discuss the implications of not just these Othering texts but of being seen and of seeing oneself as “Other” through them. I focus on mainstream screen texts because of the way that the racially inscribed film and media stereotypes they frequently deal in become part of our cultural memories. While such stereotypes are not determinative they still have what Kent Ono and Vincent Pham call a “controlling social power”; in a recent study, Chyng Sun et al. found that while stereotypes of Asian characters on screen were seen as accurate by many of those surveyed and for Asian-Americans these stereotypes evoked a sense of pain. -
Respect, Cho Chang, and Asian Representation: a Critical Analysis of the White Gaze in Harry
Respect, Cho Chang, and Asian Representation: A Critical Analysis of the White Gaze in Harry Potter A Senior Project Presented to The Faculty of the Communication Studies Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment Of the Requirements for the Degree Bachelor of Arts By Kaitlin Pham Dr. Richard Besel Senior Project Advisor Signature Date Dr. Bernard Duffy Department Chair Signature Date © Kaitlin Pham Pham 2 Table of Contents Introduction 3 Respect & Representation: How Asian Labels Are Perpetuated Negatively Through Cho Chang Consumption and Creation of Media under the “White Gaze” 7 The Yellow Peril and the Repercussions it Faces with the White Gaze 9 Cho Chang: Athlete, Scholar, Courageous Friend, and/or Temptress? 14 Athlete 15 Scholar 17 Courageous Friend 19 Temptress 21 Conclusion 23 Works Cited 26 Pham 3 Respect & Representation: How Asian Labels Are Perpetuated Negatively Through ‘Cho Chang’ I was first drawn to The Harry Potter series during middle school after hearing the hype around J.K Rowling’s incredibly imaginative tale about the magical forces between good and evil. I had always been enthralled about stories regarding fantastical worlds, and Rowling’s stories are so remarkably thought-out, that the Latin-based Incantations to even minor character’s name contain a deeper subliminal meaning. That is, until we look at Harry’s first love interest, Cho Chang. It appears that many readers are absolutely perplexed about Cho Chang’s ethnicity. Her name indicates an Asian ethnic origin, but this distinction stops there. There are partial interpretations of her name within Japanese and Chinese languages, however, the full name does not make complete sense in either language. -
Entertainment Memorabilia & Vintage Posters
Toys, Textiles & Collectables 21st May 2015 Textiles Toys, Entertainment Memorabilia & Vintage Posters Thursday 25th & Friday 26th June 2015 £5 Chris Ewbank, FRICS ASFAV Senior partner [email protected] Alastair McCrea, MA Partner and Entertainment and Memorabilia Specialist [email protected] Andrew Ewbank, BA ASFAV Partner [email protected] John Snape, BA ASFAV Partner [email protected] Andrew Delve, MA ASFAV Partner Front/Back Cover Lot 250 [email protected] Inside Front Cover Lot 42 Inside Back Cover Lot 39 Tim Duggan, ASFAV Partner [email protected] ENTERTAINMENT & MEMORABILIA AUCTION Surrey’s premier antique and fine art auction rooms Celebrating 25 Years ENTERTAINMENT MEMORABILIA & VINTAGE POSTERS Music Memorabilia, Sporting Memorabilia, Memorabilia, Film Memorabilia, Vintage Posters SALE: Thursday 25th & Friday 26th June 2015 at 12.00 noon VIEWING: Tuesday 23rd June 10.00am - 7.00pm Wednesday 24th June 10.00am - 5.00pm Mornings of sale For the fully illustrated catalogue and to leave bids please visit our new website www.ewbankauctions.co.uk The Burnt Common Auction Rooms London Road, Send, Surrey GU23 7LN Tel +44 (0)1483 223101 E-mail: [email protected] Buyers Premium 27% inclusive of VAT MEMBERS OF THE SOCIETY OF FINE ART AUCTIONEERS AND VALUERS FOUNDER MEMBERS OF THE ASSOCIATION OF ACCREDITED AUCTIONEERS http://twitter.com/EwbankAuctions www.facebook.com/Ewbanks1 INFORMATION FOR BUYERS 1. Introduction.The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. -
PIERCE BROSNAN Liam Hennessy
1 METROPOLITAN FILMEXPORT STXfilms, Sparkle Roll Media Corporation, Wanda Media Co., Ltd et Huayi Brothers Pictures présentent une production The Fyzz Facility/Arthur Sarkissian/The Entertainer Production Company Limited un film de Martin Campbell THE FOREIGNER Jackie Chan Pierce Brosnan Scénario : David Marconi D’après le roman de Stephen Leather The Chinaman Un film produit par Jackie Chan, Wayne Marc Godfrey, p.g.a., Arthur Sarkissian, Qi Jian Hong, Claire Kupchak, John Zeng, Scott Lumpkin, p.g.a., Jamie Marshall, p.g.a. et Cathy Schulman Durée : 1h54 Sortie nationale : 8 novembre 2017 Vous pouvez télécharger l’affiche et des photos du film sur : www.metrofilms.com Distribution : Relations presse : METROPOLITAN FILMEXPORT KINEMA FILM 29, rue Galilée - 75116 Paris François Frey Tél. 01 56 59 23 25 15, rue Jouffroy-d’Abbans - 75017 Paris Fax 01 53 57 84 02 Tél. 01 43 18 80 00 [email protected] Fax 01 43 18 80 09 Programmation : Partenariats et promotion : Tél. 01 56 59 23 25 AGENCE MERCREDI Tél. 01 56 59 66 66 Relations presse internet : MENSCH AGENCY Zvi David Fajol 58, avenue de Wagram 75017 Paris Tél. 06.12.18.89.27 [email protected] 2 L’HISTOIRE Modeste propriétaire d’un restaurant londonien, Quan perd sa fille dans un attentat terroriste politique. Prêt à tout pour retrouver les responsables et venger sa mort, il se tourne vers un membre du gouvernement irlandais haut placé, Liam Hennessy, qui a, tout comme lui, un passé trouble… Alors que Quan s’engage dans un chassé-croisé de plus en plus tendu avec Hennessy, il va voir ressurgir ce qu’il croyait avoir enfoui en lui de plus sombre… 3 NOTES DE PRODUCTION Virtuose d’un cinéma d’action aussi spectaculaire que prenant, Martin Campbell (CASINO ROYALE, GOLDENEYE) nous offre avec THE FOREIGNER un thriller palpitant et très actuel, une histoire de justice, de vengeance et de rédemption dans laquelle deux hommes voient leur sombre passé ressurgir avec son cortège de fantômes et de violence. -
London Book FAIR 2017 Fiction RIGHTS Guide
london BooK FAIR 2017 HoddER & SToUGHTon JoHn MURRAY PRESS FICTIon RIGHTS GUIdE CONTACTS Jason Bartholomew Emma Thawley Rights Director Deputy Rights Director Tel: +44 (0) 20 3122 6351 Tel: +44 (0) 203 122 7070 [email protected] [email protected] Joanna Kaliszewska Anna Alexander Head of Foreign Rights Senior Rights Manager LITERARY FICTION Tel: +44 (0) 20 3122 6927 Tel: +44 (0) 20 3122 6291 [email protected] [email protected] Flora McMichael Nathaniel Alcaraz-Stapleton Senior Rights Manager Rights Manager Tel: +44 (0) 203 122 7071 Tel: +44 (0) 203 122 6617 [email protected] [email protected] Grace McCrum Hannah Geranio Senior Rights Executive Rights Assistant Tel: +44 (0) 20 3122 6237 Tel: +44 (0) 20 3122 6137 [email protected] [email protected] Carmelite House, 50 Victoria Embankment, London EC4Y 0DZ THE BLOOD MIRACLES DEVIL’S DAY LISA MCINERNEY ANDREW MICHAEL HURLEY The second novel from the author of the Baileys Prize- The second novel from the author of the award-winning winning The Glorious Heresies bestseller The Loney Like all twenty-year-olds, Ryan Cusack is trying to get his The Oxbarrows live in a small village on the Lancashire head around who he is. This is not a good time for his boss moors. The father, Richard, has recently died, but his to exploit his dual heritage by opening a new black market thirteen-year-old daughter Rosie refuses to believe it. route from Italy to Ireland. It is certainly not a good time for When a recently retired psychiatrist is persuaded by an his adored girlfriend to decide he’s irreparably corrupted. -
The Music of Harry Potter: Continuity and Change in the First
THE MUSIC OF HARRY POTTER: CONTINUITY AND CHANGE IN THE FIRST FIVE FILMS by JAMIE LYNN WEBSTER A DISSERTATION Presented to the School ofMusic and Dance and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Doctor ofPhilosophy December 2009 11 University of Oregon Graduate School Confirmation of Approval and Acceptance of Dissertation prepared by: Jamie Webster Title: "The Music ofHarry Potter: Continuity and Change in the First Five Films" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the Doctor ofPhilosophy degree in the Department ofMusic by: Marian Smith, Chairperson, Music Anne McLucas, Member, Music Mark Levy, Member, Music Carl Bybee, Outside Member, Journalism and Communication and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. December 12, 2009 Original approval signatures are on file with the Graduate School and the University of Oregon Libraries. III © 2009 Jamie Lynn Webster IV An Abstract ofthe Dissertation of Jamie Lynn Webster for the degree of Doctor ofPhilosophy in the School ofMusic and Dance to be taken December 2009 Title: THE MUSIC OF HARRY POTTER: CONTINUITY AND CHANGE IN THE FIRST FIVE FILMS Approved: _ Marian Smith Despite the immense popular and critical response given to the Harry Potter narrative and phenomenon, little has been written about the music for the Harry Potter films. I establish that the aesthetic differences that viewers perceive between the different Harry Potter films are largely due to the musical approaches ofcomposers John Williams, Patrick Doyle, and Nicholas Hooper over the course offour director/composer collaborations for the first five films. -
British Academy of Film and Television Arts Review of the Year 2014 –15 Contents
British Academy of Film and Television Arts Review of the Year 2014 –15 Contents 2 Executive Message 3 What is BAFTA? 4 Awards 6 Case Study: Chris Lunt 8 Awards in Numbers 9 A Tribute to Lord Attenborough 10 Events 12 Case Study: BAFTA Kids Hospice Screenings 14 Events in Numbers 15 Nurturing Talent 17 Case Study: Elizabeth Mercuri 20 Nurturing Talent in Numbers 21 Other Activities 21 Membership 22 Fundraising 23 Partnerships 24 BAFTA Archive, Heritage and Exhibitions 25 BAFTA 195 Piccadilly 26 BAFTA in Numbers 27 A Year in the Life of BAFTA 28 Key Performance Indicators and Finances 2014 29 Officers of the Academy 30 With Thanks British Academy of Film and Television Arts Review of the YeaR 2014–15 1 ExEcutivE MEssagE One of a Kind As a charity supporting, developing and promoting the art forms of film, television and games, BAFTA is unique. verything we do is aimed at identifying and With more than 200 events, initiatives and projects in rewarding excellence, inspiring practitioners and the UK alone, this Review (covering June 2014 to May E benefiting the wider community by providing 2015) could not possibly cover them all, so instead it opportunities to learn about the creative process. We tries to capture a snapshot of our work. You can find keep the lifeblood of our industries flowing by sharing more detail on the events included here, as well as all the insights and expertise of the very best individuals our other charitable work, on our website, bafta.org, working today with talented newcomers and young and through our social media sites (we’re on Facebook, people.