DOCSLIB.ORG

IPPL Classical Music CD Collection

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

IPPL Classical Music CD Collection Call Number/Location Ttile Composer CD CLASSICAL A TO Z The A to Z of classical music. CD CLASSICAL ACKERMAN William Ackerman : a Windham Hill retrospective. Ackerman, Will, CD CLASSICAL AMERICAN American classics. CD CLASSICAL ANDERSON Orchestral music. Anderson, Leroy, CD CLASSICAL ANDERSON The best of Leroy Anderson : Sleigh ride / Anderson, Leroy, CD CLASSICAL ANDSNES Horizons : a personal collection of piano encores. Andsnes, Leif Ove, CD CLASSICAL ARTEMIS Piano quintets / Schumann, Robert, CD CLASSICAL AVE Ave Maria. CD CLASSICAL BACH Arias / Bach, Johann Sebastian, CD CLASSICAL BACH Bach : a strange beauty / Bach, Johann Sebastian, CD CLASSICAL BACH Bach concertos. Bach, Johann Sebastian, CD CLASSICAL BACH Bach sacred masterpieces : cantatas / Bach, Johann Sebastian, CD CLASSICAL BACH Bach trios Bach, Johann Sebastian, CD CLASSICAL BACH Brandenburg concertos = Brandenburgische Konzerte = Concertos BrandebourgeoisBach, Johann Sebastian,/ CD CLASSICAL BACH Cello suites / Bach, Johann Sebastian, CD CLASSICAL BACH Goldberg variations : BWV 988 / Bach, Johann Sebastian, CD CLASSICAL BACH Goldberg variations / Bach, Johann Sebastian, CD CLASSICAL BACH Greatest hits / Bach, Johann Sebastian, CD CLASSICAL BACH Johann Sebastian Bach : 1685-1750. Bach, Johann Sebastian, CD CLASSICAL BACH Mass in B minor, BWV 232 / Bach, Johann Sebastian, CD CLASSICAL BACH Peace be with you: cantatas, motets and organ works / Bach, Johann Sebastian, CD CLASSICAL BACH Piano sonatas, op. 17 / Bach, Johann Christian, CD CLASSICAL BACH Three partitas / Bach, Johann Sebastian, CD CLASSICAL BACH Violin and voice / Bach, Johann Sebastian, CD CLASSICAL BALL From a distant time. Ball, Patrick, CD CLASSICAL BARBER Music of Samuel Barber. Barber, Samuel, CD CLASSICAL BAROQUE Baroque duet. CD CLASSICAL BARRUECO Manuel Barrueco spielt Albeniz & Turina. Barrueco, Manuel. CD CLASSICAL BEDTIME Bedtime beats : the secret to sleep. CD CLASSICAL BEETHOVEN Beethoven concertos nos. 4 and 5 / Beethoven, Ludwig van, CD CLASSICAL BEETHOVEN Cello and piano sonatas. Beethoven, Ludwig van, CD CLASSICAL BEETHOVEN Musik für Bläser = Wind music / Beethoven, Ludwig van, CD CLASSICAL BEETHOVEN Piano concerto no. 1 ; Sonatas op. 26 and op. 54 / Beethoven, Ludwig van, CD CLASSICAL BEETHOVEN Piano concerto no. 3, op. 37 ; Piano concerto no. 4, op. 58 / Beethoven, Ludwig van, CD CLASSICAL BEETHOVEN Piano sonatas, op. 109, 110 & 111 / Beethoven, Ludwig van, CD CLASSICAL BEETHOVEN Symphony no. 5 in C minor, op. 67 ; Egmont overture : op. 84 / Beethoven, Ludwig van, CD CLASSICAL BEETHOVEN Symphony no. 9 in D minor, op. 125 "choral" / Beethoven, Ludwig van, CD CLASSICAL BEETHOVEN The five piano concertos / Beethoven, Ludwig van, CD CLASSICAL BEETHOVEN The late string quartets = Die späten Streichquartette / Beethoven, Ludwig van, CD CLASSICAL BEETHOVEN The nine symphonies / Beethoven, Ludwig van, CD CLASSICAL BEETHOVEN Variations ; Dances ; Bagatelles / Beethoven, Ludwig van, CD CLASSICAL BEETHOVEN Violin concerto in D, op. 61 / Beethoven, Ludwig van, CD CLASSICAL BELL Presenting Joshua Bell. Bell, Joshua, CD CLASSICAL BELL Romance of the violin / Bell, Joshua, CD CLASSICAL BELL The essential Joshua Bell. Bell, Joshua, CD CLASSICAL BELL The four seasons : concertos for violin, strings and basso continuo, op.Vivaldi, 8, nos. Antonio,1-4 / CD CLASSICAL BERLIOZ Harold en Italie : symphonie avec un alto principal, op. 16 ; Rêverie et capriceBerlioz, (romance),Hector, op. 8 / CD CLASSICAL BERNSTEIN A portrait : Bernstein conducts Bernstein : Theatre works (vol. I) / Bernstein, Leonard, CD CLASSICAL BERNSTEIN Leonard Bernstein, a portrait : Bernstein conducts Bernstein. Bernstein, Leonard, CD CLASSICAL BERNSTEIN The Americans : complete recordings on Deutsche Grammophon. Bernstein, Leonard, CD CLASSICAL BEST OVERSIZED Best romantic classics 100. CD CLASSICAL BOCELLI Cieli di Toscana. Bocelli, Andrea, CD CLASSICAL BOCELLI Cinema / Bocelli, Andrea. CD CLASSICAL BOCELLI Concerto : : one night in Central Park / Bocelli, Andrea. CD CLASSICAL BOCELLI Romanza / Bocelli, Andrea. CD CLASSICAL BOCELLI Sacred arias. Bocelli, Andrea, CD CLASSICAL BOCELLI Sentimento / Bocelli, Andrea. CD CLASSICAL BOCELLI Si / Bocelli, Andrea, CD CLASSICAL BOCELLI Under the desert sky / Bocelli, Andrea. CD CLASSICAL BRAHMS A German requiem ; op. 45 Brahms, Johannes, CD CLASSICAL BRAHMS String quartets, op. 51, nos. 1 & 2 ; ; String quartet, op. 67 ; Piano quintet,Brahms, op. 34 Johannes, / CD CLASSICAL BRAHMS Violin concerto in D major, op. 77 / Brahms, Johannes, CD CLASSICAL BRAHMS Violin concertos / Brahms, Johannes, CD CLASSICAL BRIGHTMAN Hymn / Brightman, Sarah, CD CLASSICAL BRUCKNER Symphony no. 9 : / Bruckner, Anton, CD CLASSICAL CANADIAN English renaissance music / Canadian Brass. CD CLASSICAL CARMINA Live from the forbidden city : Carmina Burana / CD CLASSICAL CARRERAS Carreras Domingo Pavarotti in concert. Carreras, José. CD CLASSICAL CHOPIN Concerto no. 1 for piano and orchestra, op. 11, E minor ; Barcarolle, op.Chopin, 60, F-sharp Frédéric, major ; Berceuse, op. 57, D-flat major ; Fantaisie, op. 49, F minor / CD CLASSICAL CHOPIN Essential Chopin. Chopin, Frédéric, CD CLASSICAL CHOPIN Favourite Chopin / Chopin, Frédéric, CD CLASSICAL CHOPIN Polonaises / Chopin, Frédéric, CD CLASSICAL CHOPIN The Nocturnes / Chopin, Frédéric, CD CLASSICAL CHOPIN The piano concertos / Chopin, Frédéric, CD CLASSICAL CHOPIN Waltzes / Chopin, Frédéric, CD CLASSICAL CHURCH Prelude : the best of Charlotte Church. Church, Charlotte, CD CLASSICAL CINEMA Cinema classics 2007. CD CLASSICAL CLASSIC The classic selection. CD CLASSICAL CLASSICAL Classical hits : the best music from today's classical superstars. CD CLASSICAL CLASSICAL Classical thunder [I & II].. CD CLASSICAL CLEVELAND The Farewell recording. Cleveland Quartet. CD CLASSICAL CLIBURN Schumann, MacDowell piano concertos / Cliburn, Van, CD CLASSICAL CLIBURN Van Cliburn in Moscow. Cliburn, Van, CD CLASSICAL COFFEEHOUSE V. 1 Coffeehouse classics. CD CLASSICAL COFFEEHOUSE V. 2 Coffeehouse classics. CD CLASSICAL COFFEEHOUSE V. 3 Coffeehouse classics. CD CLASSICAL COFFEEHOUSE V. 4 Coffeehouse classics. CD CLASSICAL COPLAND The Copland collection. Copland, Aaron, CD CLASSICAL DAEDALUS String quartets / Daedalus String Quartet, CD CLASSICAL DEBUSSY L'oeuvre pour piano / Debussy, Claude, CD CLASSICAL DEBUSSY Nocturnes ; Premiere rhapsodie pour orchestre avec clarinet principaleDebussy, ; Jeux ; La Claude, mer / CD CLASSICAL DEBUSSY Piano works / Debussy, Claude, CD CLASSICAL DUBEAU Ludovico Einaudi : portrait Einaudi, Ludovico, CD CLASSICAL ELGAR Elgar's enigma variations : Cockaigne ; Pomp & circumstance I. Elgar, Edward, CD CLASSICAL ELGAR Enigma variations : introduction & allegro for strings / Elgar, Edward, CD CLASSICAL ESSENTIAL Essential adagios. CD CLASSICAL ESSENTIAL Essential Baroque. CD CLASSICAL ESSENTIAL Essential cello. CD CLASSICAL FEINBERG Basically Bull : or, The adventurous keyboard works of the vexatious ElizabethanFeinberg, Alan.composer John Bull, and his contemporaries, the virginalists who invented virtuoso keyboard music, as performed on a Steinway D and recorded one cold winter's day in Virgina. CD CLASSICAL FIEDLER Pops stoppers / Fiedler, Arthur, CD CLASSICAL FIFTY 25 classical greats. CD CLASSICAL FIFTY 50 classics for relaxation. CD CLASSICAL FINGERHUT Russian piano music of "the mighty handful". Fingerhut, Margaret. CD CLASSICAL FLEISHER The essential Leon Fleisher. Fleisher, Leon, CD CLASSICAL FLEMING Homage : : the age of the diva. Fleming, Renée. CD CLASSICAL FLETCHER Erik Satie. Satie, Erik, CD CLASSICAL FORMOSA Mozart, Schubert, Debussy, Wolf. Formosa Quartet. CD CLASSICAL FORTY 40 most beautiful winter classics. CD CLASSICAL FRAY Piano concertos 22 & 25 / Mozart, Wolfgang Amadeus, CD CLASSICAL GALWAY Annie's song and other Galway favorites / Galway, James. CD CLASSICAL GALWAY The wind beneath my wings / Galway, James CD CLASSICAL GARRETT David Garrett. Garrett, David, CD CLASSICAL GARRETT Free / Garrett, David, CD CLASSICAL GARRETT Music / Garrett, David, CD CLASSICAL GERSHWIN Cole plays Gershwin / Gershwin, George, CD CLASSICAL GERSHWIN Gershwin plays Gershwin : : ...and other great composers. Gershwin, George, CD CLASSICAL GERSHWIN Rhapsody in blue ; An American in Paris / Gershwin, George, CD CLASSICAL GLASS Kronos Quartet performs Philip Glass. Glass, Philip. CD CLASSICAL GLASS Philip on film : : filmworks by Philip Glass. Glass, Philip. CD CLASSICAL GLAZUNOV The Seasons, opp. 67 and 67a : Scènes de ballet, op. 52 / Glazunov, Aleksandr Konstantinovich, CD CLASSICAL GORDON Silver rain / Gordon, Ricky Ian. CD CLASSICAL GORECKI Symphony no. 3 : 'Symphony of sorrowful songs' : op. 36 / Górecki, Henryk Mikołaj, CD CLASSICAL GOTTSCHALK The lady fainted : piano fantasies, caprices, meditations, and paraphrasesGottschalk, / Louis Moreau, CD CLASSICAL GRIEG Piano concerto in A minor, op. 16 / Grieg, Edvard, CD CLASSICAL HAHN Violin concerto no. 1 / Paganini, Nicolò, CD CLASSICAL HAHN Violin concertos / Hahn, Hilary, CD CLASSICAL HANDEL Messiah highlights / Handel, George Frideric, CD CLASSICAL HANDEL Music for the royal fireworks = / Feuerwerkmusik = Musique pour les feuxHandel, d'artifice George royaux Frideric, ; Concerto grosso : "Alexander's Feast" ; Overtures : The arrival of the Queen of Sheba ; Belshazzar ; Alceste ; Saul ; Samson / CD CLASSICAL HANDEL Water music / Handel, George Frideric, CD CLASSICAL HAYDN Symphony in D, H. I, no. 101 : "The clock" ; Symphony in E flat, H. I, no.Haydn, 103 : "DrumJoseph, roll"
Recommended publications
  • Interpreting Tempo and Rubato in Chopin's Music

    Interpreting Tempo and Rubato in Chopin's Music

    Interpreting tempo and rubato in Chopin’s music: A matter of tradition or individual style? Li-San Ting A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of the Arts and Media Faculty of Arts and Social Sciences June 2013 ABSTRACT The main goal of this thesis is to gain a greater understanding of Chopin performance and interpretation, particularly in relation to tempo and rubato. This thesis is a comparative study between pianists who are associated with the Chopin tradition, primarily the Polish pianists of the early twentieth century, along with French pianists who are connected to Chopin via pedagogical lineage, and several modern pianists playing on period instruments. Through a detailed analysis of tempo and rubato in selected recordings, this thesis will explore the notions of tradition and individuality in Chopin playing, based on principles of pianism and pedagogy that emerge in Chopin’s writings, his composition, and his students’ accounts. Many pianists and teachers assume that a tradition in playing Chopin exists but the basis for this notion is often not made clear. Certain pianists are considered part of the Chopin tradition because of their indirect pedagogical connection to Chopin. I will investigate claims about tradition in Chopin playing in relation to tempo and rubato and highlight similarities and differences in the playing of pianists of the same or different nationality, pedagogical line or era. I will reveal how the literature on Chopin’s principles regarding tempo and rubato relates to any common or unique traits found in selected recordings.
  • 1) 3Tjcj COUNCIL DISTRICT NO. 13

    1) 3Tjcj COUNCIL DISTRICT NO. 13

    COUNCIL FILE NO. /{) -1) 3tJCJ COUNCIL DISTRICT NO. 13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1 075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _ } B. Quitclaim of Easement(s). _ } C. Dedication of Easement(s). _} D. Release of Restriction(s). _x} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _ } G. Resolution to Vacate or Ordinance submitted in response to Council action. _ } H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date ____ notice and report copy mailed to interested parties advising of Council date for this item. Date ____ scheduled in Council. AFTER COUNCIL ACTION: Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ____J Other: PLEASE DO NOT DETACH THIS APPROVAL SHEETFROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS- E Office of the City Engineer Los Angeles California To the Honorable Council Of the City of Los Angeles fEB 1:8 2010 Honorable Members: C.
  • Old Time Banjo

    Old Time Banjo

    |--Compilations | |--Banjer Days | | |--01 Rippling Waters | | |--02 Johnny Don't Get Drunk | | |--03 Hand Me down My Old Suitcase | | |--04 Moonshiner | | |--05 Pass Around the Bottle | | |--06 Florida Blues | | |--07 Cuckoo | | |--08 Dixie Darling | | |--09 I Need a Prayer of Those I Love | | |--10 Waiting for the Robert E Lee | | |--11 Dead March | | |--12 Shady Grove | | |--13 Stay Out of Town | | |--14 I've Been Here a Long Long Time | | |--15 Rolling in My Sweet Baby's Arms | | |--16 Walking in the Parlour | | |--17 Rye Whiskey | | |--18 Little Stream of Whiskey (the dying Hobo) | | |--19 Old Joe Clark | | |--20 Sourwood Mountain | | |--21 Bonnie Blue Eyes | | |--22 Bonnie Prince Charlie | | |--23 Snake Chapman's Tune | | |--24 Rock Andy | | |--25 I'll go Home to My Honey | | `--banjer days | |--Banjo Babes | | |--Banjo Babes 1 | | | |--01 Little Orchid | | | |--02 When I Go To West Virginia | | | |--03 Precious Days | | | |--04 Georgia Buck | | | |--05 Boatman | | | |--06 Rappin Shady Grove | | | |--07 See That My Grave Is Kept Clean | | | |--08 Willie Moore | | | |--09 Greasy Coat | | | |--10 I Love My Honey | | | |--11 High On A Mountain | | | |--12 Maggie May | | | `--13 Banjo Jokes Over Pickin Chicken | | |--Banjo Babes 2 | | | |--01 Hammer Down Girlfriend | | | |--02 Goin' 'Round This World | | | |--03 Down to the Door:Lost Girl | | | |--04 Time to Swim | | | |--05 Chilly Winds | | | |--06 My Drug | | | |--07 Ill Get It Myself | | | |--08 Birdie on the Wire | | | |--09 Trouble on My Mind | | | |--10 Memories of Rain | | | |--12
  • Rachmaninoff's Early Piano Works and the Traces of Chopin's Influence

    Rachmaninoff's Early Piano Works and the Traces of Chopin's Influence

    Rachmaninoff’s Early Piano works and the Traces of Chopin’s Influence: The Morceaux de Fantaisie, Op.3 & The Moments Musicaux, Op.16 A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Division of Keyboard Studies of the College-Conservatory of Music by Sanghie Lee P.D., Indiana University, 2011 B.M., M.M., Yonsei University, Korea, 2007 Committee Chair: Jonathan Kregor, Ph.D. Abstract This document examines two of Sergei Rachmaninoff’s early piano works, Morceaux de Fantaisie, Op.3 (1892) and Moments Musicaux, Opus 16 (1896), as they relate to the piano works of Frédéric Chopin. The five short pieces that comprise Morceaux de Fantaisie and the six Moments Musicaux are reminiscent of many of Chopin’s piano works; even as the sets broadly build on his character genres such as the nocturne, barcarolle, etude, prelude, waltz, and berceuse, they also frequently are modeled on or reference specific Chopin pieces. This document identifies how Rachmaninoff’s sets specifically and generally show the influence of Chopin’s style and works, while exploring how Rachmaninoff used Chopin’s models to create and present his unique compositional identity. Through this investigation, performers can better understand Chopin’s influence on Rachmaninoff’s piano works, and therefore improve their interpretations of his music. ii Copyright © 2018 by Sanghie Lee All rights reserved iii Acknowledgements I cannot express my heartfelt gratitude enough to my dear teacher James Tocco, who gave me devoted guidance and inspirational teaching for years.
  • The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes In

    The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes In

    THE USE OF THE POLISH FOLK MUSIC ELEMENTS AND THE FANTASY ELEMENTS IN THE POLISH FANTASY ON ORIGINAL THEMES IN G-SHARP MINOR FOR PIANO AND ORCHESTRA OPUS 19 BY IGNACY JAN PADEREWSKI Yun Jung Choi, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2007 APPROVED: Adam Wodnicki, Major Professor Jeffrey Snider, Minor Professor Joseph Banowetz, Committee Member Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Choi, Yun Jung, The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes in G-sharp Minor for Piano and Orchestra, Opus 19 by Ignacy Jan Paderewski. Doctor of Musical Arts (Performance), May 2007, 105 pp., 5 tables, 65 examples, references, 97 titles. The primary purpose of this study is to address performance issues in the Polish Fantasy, Op. 19, by examining characteristics of Polish folk dances and how they are incorporated in this unique work by Paderewski. The study includes a comprehensive history of the fantasy in order to understand how Paderewski used various codified generic aspects of the solo piano fantasy, as well as those of the one-movement concerto introduced by nineteenth-century composers such as Weber and Liszt. Given that the Polish Fantasy, Op. 19, as well as most of Paderewski’s compositions, have been performed more frequently in the last twenty years, an analysis of the combination of the three characteristic aspects of the Polish Fantasy, Op.19 - Polish folk music, the generic rhetoric of a fantasy and the one- movement concerto - would aid scholars and performers alike in better understanding the composition’s engagement with various traditions and how best to make decisions about those traditions when approaching the work in a concert setting.
  • Cellist Yo-Yo Ma Returns to Symphony Center to Present a Distant Mirror—New Music Inspired by Diverse Cultural Traditions

    Cellist Yo-Yo Ma Returns to Symphony Center to Present a Distant Mirror—New Music Inspired by Diverse Cultural Traditions

    For Immediate Release: Press Contacts: May 31, 2016 Eileen Chambers/CSO, 312-294-3092 Lisa Dell/The Silverman Group, Inc., 312-932-9950 Photos Available By Request [email protected] CELLIST YO-YO MA RETURNS TO SYMPHONY CENTER TO PRESENT A DISTANT MIRROR—NEW MUSIC INSPIRED BY DIVERSE CULTURAL TRADITIONS Ma Performs Alongside CSO Musicians and Friends Sunday, June 12, at 3:00 p.m. CHICAGO—Celebrated cellist and the CSO’s Judson and Joyce Green Creative Consultant Yo- Yo Ma returns to Symphony Center on Sunday, June 12, at 3:00 p.m. for the final concert of the 2015/16 Symphony Center Presents PowerShares QQQ Chamber Music series. Ma performs his innovative program A Distant Mirror, and is joined by CSO cellists Loren Brown, Richard Hirschl, Katinka Kleijn, CSO principal cello John Sharp, CSO principal percussionist Cynthia Yeh, Silk Road Ensemble cellist Mike Block and percussionist Shane Shanahan, and guest cellists Jeffrey Zeigler and Ashley Bathgate. Ma curated A Distant Mirror to explore similarities between the cultural landscape of the 16th and 17th centuries and our own times. The intriguing, cello-centric program of new music is a modern response to the era’s cultural accomplishments and newly-found interest in curiosity, foreshadowing the Age of Enlightenment. The program also celebrates the impact of new ideas from the period's biggest literary figures, Shakespeare and Cervantes. Featured works include a modern twist on traditional Incan music arranged by Silk Road Ensemble cellist Mike Block and the Distant Mirror Suite with new arrangements of works by three composers—Juan Arañés, Claude Gervaise, and Ali Ufkî Bey.
  • Rachmaninov Symphony No. 2Conducted by Leopold Stokowski with the Hollywood Bowl Orchestra

    Rachmaninov Symphony No. 2Conducted by Leopold Stokowski with the Hollywood Bowl Orchestra

    Rachmaninov Symphony No. 2 Conducted by Leopold Stokowski with the Hollywood Bowl Orchestra and Robert Russell Bennett Violin Concerto Bernard Herrmann conducting the London Symphony Orchestra, Louis Kaufman, violin RACHMANINOV ible music. And when it was done, the host of home that much. That all changed in 1918. With SYMPHONY NO. 2 whatever program it was came on and informed the war on and Russia in turmoil, Rachmaninov us listeners that we’d just heard Rachmaninov’s accepted a series of concerts in Scandinavia. Quick – what do Eric Carmen’s hit song “Never second symphony, conducted by Adrian Boult There he stayed until the tour was finished, and Gonna Fall in Love Again,” Don Sebeskey’s on London Records. I knew Mr. Boult’s work then he boarded a boat for the United States “You Can’t Go Home Again,” Barry Manilow’s because the second piece of music I bought and arrived in New York City eleven days later. “If I Should Love Again,” Danilo Perez’s “If I on LP after “The Moldau” was Fantasia on He became an in-demand conductor and per- Ever Forget You,” and the film Birdman all have Greensleeves by Vaughan Williams, conducted former, and also signed a deal to record for the in common? Yes, the all “borrow” from Rach- by Boult. Well, I immediately drove directly to Victor Talking Machine Company. Audiences maninov’s brilliant Symphony No. 2. While Vogue Records in Westwood. They had a won- loved him, but critics were divided on the worth Birdman used parts of the first and second derful classical department there and I asked of his music.
  • Edgar Meyer Biography by IMG Artists - IMG Artists Imgartists.Com

    Edgar Meyer Biography by IMG Artists - IMG Artists Imgartists.Com

    Edgar Meyer Biography by IMG Artists - IMG Artists imgartists.com Edgar Meyer In demand as both a performer and a composer, Edgar Meyer has formed a role in the music world unlike any other. Hailed by The New Yorker as “...the most remarkable virtuoso in the relatively un-chronicled history of his instrument”, Mr. Meyer’s unparalleled technique and musicianship in combination with his gift for composition have brought him to the fore, where he is appreciated by a vast, varied audience. His uniqueness in the field was recognized by a MacArthur Award in 2002. As a solo classical bassist, Mr. Meyer can be heard on a concerto album with the St. Paul Chamber Orchestra conducted by Hugh Wolff featuring Bottesini’s Gran Duo with Joshua Bell, Meyer’s own Double Concerto for Bass and Cello with Yo-Yo Ma, Bottesini’s Bass Concerto No. 2, and Meyer’s own Concerto in D for Bass. He has also recorded an album featuring three of Bach’s Unaccompanied Suites for Cello. In 2006, he released a self-titled solo recording on which he wrote and recorded all of the music, incorporating piano, guitar, mandolin, dobro, banjo, gamba, and double bass. In 2007, recognizing his wide-ranging recording achievements, Sony/BMG released a compilation of “The Best of Edgar Meyer”. In 2011 Mr. Meyer joined cellist Yo-Yo Ma, mandolinist Chris Thile, and fiddler Stuart Duncan for the Sony Masterworks recording “The Goat Rodeo Sessions” which was awarded the 2012 Grammy® Award for Best Folk Album. As a composer, Mr. Meyer has carved out a remarkable and unique niche in the musical world.
  • A Concert Like No Other, in a Place Like No Other. ينـــــــــاير

    A Concert Like No Other, in a Place Like No Other. ينـــــــــاير

    A concert like no other, in a place like no other. ينـــــــــاير FEB01 2019 اﻟﺸﺮﻳﻚ اﻟﺮﺳﻤﻲ ﻟﻠﺮﺣﻼت A warm welcome to one of the world’s best kept secrets, Al-Ula, and especially to your Winter at Tantora experience. You are one of the first to encounter Winter at Tantora, to stand in our specially-built concert hall, to hear the music of world-famous musicians ring across the Al-Ula County. We are honored to have you with us. Winter at Tantora Team, Majesty: Andrea Bocelli Running Order of the Evening: 6:00 - 7:30: Welcome drinks and canapes Guests are invited to enjoy the immersive art installation ‘Van Gogh, Starry Night’ 7:30 - 9.30: Performance by Andrea Bocelli 9: 30 - 11: Dinner Guests are invited to enjoy a dinner following the concert *Valet parking is available at the venue In the Reception VAN GOGH, STARRY NIGHT An AMIEX® production (2018) Created by Gianfranco Iannuzzi, Renato Gatto, Massimiliano Siccardi. Musical arrangement: Luca Longobardi This exhibition is a visual and sound creation bringing together the immense production of Vincent Van Gogh (1853-1890), a tormented genius of painting. The contrasting journey suggests the artist’s inner world and expressive force through the density of colour and his penetrating and challenging gaze. A Provencal light is opposed to the darker one of the artist’s first pieces of art; sun-drenched landscapes are followed by interior compositions, a reflection of a tormented soul expressed in the force of the stroke and the intensity of its palette. The artist’s singular style is revealed in this exhibition, evoking a disproportionate, chaotic and poetic world.
  • Rachmaninoff and the Flexibility of the Score: Issues Regarding Performance Practice

    Rachmaninoff and the Flexibility of the Score: Issues Regarding Performance Practice

    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Rachmaninoff and the Flexibility of the Score: Issues Regarding Performance Practice Tanya Gabrielian The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2762 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] RACHMANINOFF AND THE FLEXIBILITY OF THE SCORE: ISSUES REGARDING PERFORMANCE PRACTICE by TANYA GABRIELIAN A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2018 Ó 2018 TANYA GABRIELIAN All Rights Reserved ii Rachmaninoff and the Flexibility of the Score: Issues Regarding Performance Practice by Tanya Gabrielian This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Musical Arts. Date Anne Swartz Chair of Examining Committee Date Norman Carey Executive Officer Supervisory Committee: Geoffrey Burleson Sylvia Kahan Ursula Oppens THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Rachmaninoff and the Flexibility of the Score: Issues Regarding Performance Practice by Tanya Gabrielian Advisor: Geoffrey Burleson Sergei Rachmaninoff’s piano music is a staple of piano literature, but academia has been slower to embrace his works. Because he continued to compose firmly in the Romantic tradition at a time when Debussy, Stravinsky, and Schoenberg variously represented the vanguard of composition, Rachmaninoff’s popularity has consequently not been as robust in the musicological community.
  • 6600 Locarno Tel

    6600 Locarno Tel

    Orselina 1996 - 2020 Edizione XXV Numero unico in omaggio Einzelne Ausgabe, Kostenlos www.pro-orselina.ch PROGRAMMA MANIFESTAZIONI 2020 [email protected] alle pagine 18-19 50 anni di cultura popolare, 2-5 arte e gastronomia 50 Jahre Volkskultur, Kunst und Gastronomie Orselina e il successo turistico 7/9 locarnese Orselina und der touristiche Erfolg des Locarnese Catalogata la biblioteca 11/13 del Santuario 2-5 Katalogisierung der Klosterbibliothek Gli amici selvatici dei boschi 14-15 Die wilden Freunde aus dem Wald Il mondo circense di Remo Rossi 16 Die Zirkuswelt des Remo Rossi Piante da cinque continenti 21/23 sulle Isole di Brissago Fünf Kontinente vereint auf den 11/13 Brissago Inseln L’ultimo soggiorno di Paul Klee 24-25 Paul Klees letzter Aufenthalt Il sentiero didattico interattivo 27/29 Der interaktive Lehrpfad Cardada dinamica realtà turistica 31/33 Cardada, eine dynamische Tourismusattraktion Brione s/Minusio: nomi e toponimi 35 27/29 Brione s/Minusio: Namen, Ortsnamen www.pro-orselina.ch [email protected] 31/33 Pro Orselina CH-6644 Orselina Manifestazioni al Parco di Orselina Veranstaltungen im Park von Orselina 18-19 Programma/Programm 2020 Editore: Pro Orselina Comitato Pro Orselina: Marco Garbani Nerini (presidente), René Schürpf (vice presidente), Claudio Lanini (cassiere), Françoise Pohl, Nigel Gilbert, Silvio Cantiello, Maria Luisa Scandella (segretaria) Comitato di redazione: Diego Erba, Marco Garbani Nerini, Carlo Branca, Gianni Caminada, Luca Bieri Pubblicità: Marco Garbani Nerini, Marco Sasselli, René Schürpf, Silvio Cantiello Traduzioni: Francesco Welti, Antje Bergmann Foto: Garbani, Locarno Impaginazione: Rezzonico Editore, Locarno Editing: Enrica Gazzaroli Stampa: RPrint SA, Locarno Sommario/Inhalt ORSELINA 2020 / 1 LA STORIA DEL PARCO DI ORSELINA, ANGOLO RICREATIVO E TURISTICO DEL VILLAGGIO 50 anni di cultura popolare, arte e gastronomia di ALBERTO AMSTUTZ era una volta un ca- un tavolo di granito nel mezzo promotori.
  • Broadway Our Way the University Club Foundation Proudly As Nightclub Singer Shug Avery in the Revival of Welcomes Heather Headley, Tony and Grammy the Color Purple

    Broadway Our Way the University Club Foundation Proudly As Nightclub Singer Shug Avery in the Revival of Welcomes Heather Headley, Tony and Grammy the Color Purple

    7 U NIVERSITY C LUB OF C HICAGO 6 June 2017 | Vol. 73 No. 6 broadway our way The University Club Foundation proudly as nightclub singer Shug Avery in the revival of welcomes Heather Headley, Tony and Grammy The Color Purple. Headley also features heavily with Award winner, at a special performance at the Club Andrea Bocelli on his American and international on Thursday, September 28, for the Foundation’s tours and his Live in Tuscany PBS special and his education fund. Due to the Foundation’s generosity, Under the Desert Sky live concert. She won her first hundreds of employees’ children have received grants Grammy for Audience of One in 2010. allowing them to further their college education. The evening begins with a pre-dinner reception and An alumnus of Northwestern University, Headley a specially created seasonal menu by Chef Mark Baker. honed her skills in the arts. Making a splash on $150 of the price is tax-deductible. Broadway, first as Nala in the original Lion King, Reservations: . online at the Club calendar then the title character in the Elton John and Tim Limited premium Club seating: . $300+grat+tax Rice musical Aida, for which she won a Tony for . (includes post-performance meet and greet best actress. Last summer, Headley was back on . .reception with Ms . Headley and photo-op) Broadway wowing fans and critics anew in her role Club seating: . $250+grat+tax Stephanie A. Pelligra, University of Notre Dame ‘07 ELECTED Proposer: Amy Gowans Seconder: Laura Diane Lewandowski Supporter: Michael S. Wolz to membership David D.