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Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having
Preview: Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having recently finished an enterprise feature for another publication on the glut of national music festivals and what role that glut creates for regional festivals with a lot more personality, I’m more excited this year for the Gathering of the Vibes than I have been in quite some time. As the man said, “He’d have to be one charming motherfuckin pig”…er, sorry, “Personality goes a long way.” Compared to the Roo- and Coachella-sized behemoths, and a lot of the sexy new kids with names both playful and official-sounding—Rothbury might be a bit of both, and allegedly, it was quite the time—the Vibes is a creakier, more elegant dinosaur. A glorious, humble triceratops of a festival, yes, secure in its size, pleasant in its modest ambition and its abilities, not ostentatious, and kindly manageable. And damn isn’t it great to have it back in New England proper (it returned in 2007 after several years of renovation to Bridgeport’s Seaside Park and a few years at various upstate New York locales)? For this born/bred New Englander, it’s not only in a New England/Tri-State area happy medium, but it fills a still-felt void left by the big Phish festivals of yore and especially the can’t-believe-it’s-been-five-years-now departed Berkshire Mountain Music Festival (1997-2003). (For Berkfest alums from those heady days, monsoon conditions and all, have a scoop of nostalgia on the house) The Vibes doesn’t have the gaudy cache of some festivals, or some of the nationally dazzling headliners. -
Grateful Dead Records: Realia
http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. -
Real World Concert Photography Concert Photography Can Be One of the Most Exciting and Frustrating Types of Photography
Real World Concert Photography Concert photography can be one of the most exciting and frustrating types of photography. Constantly moving lights, dark venues, fast moving subjects, limited shooting times, and limited access all make concert photography one of the more difficult subjects to master. The first hurdle to overcome is just being allowed to photograph the show. GETTING ACCESS There are just a handful of people who control the access to shoot concerts. You need to ask one (or more) of these folks for permission to photograph the show. The following people can usually grant you access to shoot a show: • The Promoter: The folks who are putting on the show. This also includes the companies like Live Nation or AEG. • The Publicist: Works for the band or label. • The Venue: They usually have a or need a house photographer. • The Band: You know, The Band! To find these folks takes some searching skill and it is time to make Google your friend. Some things to search for: • Search the band website for contact information. • Search publicity companies for contacts. • Look at the promoters for the shows you want to shoot. • Contact the band directly asking who their press contact is. • Look for the venue contacts. Once you have contact information it is time to offer something for something. What is in it for the person giving you the pass? What can you offer them? This is pretty easy to answer if you are working for a newspaper, magazine or wire service. You are offering good publicity. It is a little more difficult if you are a freelance photographer or just a fan. -
Jason Cale Band Song List Izabella
Jason Cale Band Song list Izabella - Hendrix Heavy (I Want You)-- Beatles Tired of Talking--Robben Ford Get in the Clear-- Original *Tall and Lanky-- Jeff Coffin World of Wonder-- Original *Rock me Right-- Susan Tedeschi Mountain Time-- Joe Bonamassa Tell Me I’m Your Man-- Robben Ford Stranglehold-- Ted Nugent Made a Fool of My Heart --Original Django-- Jeff Beck Walk On-- Original Afro Blue-- Fusion jazz standard Our way back--Original Rugged Road-- Robben Ford What ya Say--Original Last Night-- Tab Benoit New Orleans Ladies--Louisiana Lareaux Keep Movin-- Marcus King Band A Fool Like You- Original Cissy Strut--- The Meters *What is and What Should Never Be-- Zeppelin The Chicken-- James Brown *Day of the Eagle*-- Robin Trower Freedom-- Hendrix Never Make Your Move Too Soon-- BB King Say One Thing-- Doyle Bramhall Jump In-- Original Couldn’t Stand the Weather-- SRV *My Love Will Never Die-- Willie Dixon Tightrope--SRV *Anyhow-- Tedeschi Trucks Let Love Take Control--Tab Benoit some kind of wonderful--Grand Funk Railroad Problem Child-- Doyle Bramhall Slave to Society-- Original Iko Iko-- Dr. John When I’m Missing You-- Original? The Storm-- Joe Bonamassa *Human Nature-- Michael Jackson Little Wing-- Hendrix I’m Here to Tell Ya-- Original Lenny-- SRV *Stairway to Heaven-- Zeppelin Mississippi Queen-- Mountain Down the Road- Henrik Fleischander That’s messed UP-- My 3 Sons trio Lay There and Hate Me-- Ben Harper Can’t Always Get What ya Want-- Rolling Stones Her Mind is Gone-- Professor Longhair Scapegoat Blues-- Jimmy Herring *Honky Tonk Women-- Rolling Stones All Blues-- Jazz standard Good love Gone Bad-- Original Sweet Melissa-- Allman Bros Empty Arms-- SRV Burn it Down- blues standard Asking Around for You-- Joe Bonamassa Too Sweet for Me-- Tab Benoit Whipping Post-- Allman Bros Gravity-- John Mayer *Rock and Roll-- Zeppelin Come Together-- Beatles Who Did You Think I Was-- John Mayer Over You-- Original Somber-- Original . -
MIKE GORDON and the Gordonanastasio/Marshall/Herman 05 Hoodoomr
For best results, print this page out on: Note: Make sure to print actual size NEATO Glossy CD Labels, Booklet, and Tray liners (ink-jet printers), or (do not choose 'Shrink to fit oversize page' option) NEATO Economatte Cd Labels, Booklet, and Tray liners (laser printers) OUTSIDE BACK OUTSIDE FRONT DISC 1 Set I DISC 2 Set II 01 BestBack Reason On The ToTrain Buy (3:43) The Sun (5:54) Benevento/RussoAnastasio/Marshall 01 WelcomeDig A Pony Red (4:29) (7:57) Benevento/RussoLennon/McCartney*** 02 BeckyLove That (7:51) Breaks All Lines (3:57) Benevento/RussoAnastasio 02 ForeverPush On Night Til The Shade Day (10:34)Mary (12:24) Hidalgo/Perez#Anastasio/Lawton/Markellis 03 CleanWilson Up (3:11) Woman (9:55) Kerr/Seymour*Anastasio/Marshall/Woolf 03 ThemeGloomy From Sky (6:26) Rockford Files (6:15) Post/Carpenter##Anastasio* 04 AquiNight Como Speaks Alla To (7:21) A Woman (7:09) Rodriquez**Anastasio/Marshall 04 Mephisto46 Days (11:09) (11:25) Benevento/RussoAnastasio/Marshall 05 ThePlasma Beltless (10:45) Buckler (8:41) MIKE GORDON and the GordonAnastasio/Marshall/Herman 05 HoodooMr. Completely Voodoo (11:35)(8:37) Bennett/Bragg/Commer/Guthrie/Obialo/Stirratt/Tweedy####Anastasio BENEVENTO/RUSSO DUO 06 BigCayman Whopper Review (6:16) (7:16) Benevento/RussoAnastasio/Marshall/Herman 06 HeartbreakerThe Way I Feel (8:31) (10:04) Baldwin/Bonham/Page/Plant#### Anastasio Twi-Ro-PaSalem Armory 07 What's Done (7:33) NewSalem, Orleans, OR LA Anastasio* 07 FoamCome (12:02)As Melody (7:25) 04.30.0512.01.94 AnastasioAnastasio* THEThe Band:BAND: 08 Drifting (8:36) MikeTrey AnastasioGordon -- –bass guitar, vocals Anastasio/Lawton/Markellis Encore MarcoPeter ChwazikBenevento – bass -- keyboards JoeLes RussoHall – guitar,-- drums keyboard 09 In The Light (11:14) 08 SerpentineI Am The Walrus Fire (8:13) (8:22) Ray Paczkowski – keyboard Baldwin/Page/Plant** Burke/White/White#####Lennon/McCartney**** Recorded and Post-Production by Brad Serling (nugs.net)Skeeto Valdez – drums AllRecorded selections by copyright Paul Languedoc. -
September 1995
Features CARL ALLEN Supreme sideman? Prolific producer? Marketing maven? Whether backing greats like Freddie Hubbard and Jackie McLean with unstoppable imagination, or writing, performing, and producing his own eclectic music, or tackling the business side of music, Carl Allen refuses to be tied down. • Ken Micallef JON "FISH" FISHMAN Getting a handle on the slippery style of Phish may be an exercise in futility, but that hasn't kept millions of fans across the country from being hooked. Drummer Jon Fishman navigates the band's unpre- dictable musical waters by blending ancient drum- ming wisdom with unique and personal exercises. • William F. Miller ALVINO BENNETT Have groove, will travel...a lot. LTD, Kenny Loggins, Stevie Wonder, Chaka Khan, Sheena Easton, Bryan Ferry—these are but a few of the artists who have gladly exploited Alvino Bennett's rock-solid feel. • Robyn Flans LOSING YOUR GIG AND BOUNCING BACK We drummers generally avoid the topic of being fired, but maybe hiding from the ax conceals its potentially positive aspects. Discover how the former drummers of Pearl Jam, Slayer, Counting Crows, and others transcended the pain and found freedom in a pink slip. • Matt Peiken Volume 19, Number 8 Cover photo by Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 100 ROCK 'N' 10 UPDATE 24 NEW AND JAZZ CLINIC Terry Bozzio, the Captain NOTABLE Rhythmic Transposition & Tenille's Kevin Winard, BY PAUL DELONG Bob Gatzen, Krupa tribute 30 PRODUCT drummer Jack Platt, CLOSE-UP plus News 102 LATIN Starclassic Drumkit SYMPOSIUM 144 INDUSTRY BY RICK -
Press Contacts: Madelyn Gardner, (413) 448-8084 X15 [email protected]
Press Contacts: Madelyn Gardner, (413) 448-8084 x15 [email protected] www.BerkshireTheatreGroup.org Rebecca Brighenti, (413) 448-8084 x11 [email protected] www.BerkshireTheatreGroup.org For immediate release, please: October 3, 2017 Jefferson Airplane, Jefferson Starship, Hot Tuna and Grateful Dead Alumni Reunite for The Airplane Family with Live Dead ’69 at the Colonial Pittsfield, MA– Berkshire Theatre Group welcomes The Airplane Family with Live Dead ’69 to The Colonial Theatre on Friday, October 27 at 8pm. Tickets are $25 and $50. The Airplane Family reunites Jefferson Airplane, Jefferson Starship, Hot Tuna, Grateful Dead & New Riders of The Purple Sage alumni & legacy/family, and other musical luminaries, comprising a veritable “Who’s Who” of “The Summer of Love’s” legendary musicians. The Airplane Family with Live Dead ’69 fresh off their critically acclaimed 2016 inaugural tour, add 2 members of The New Riders, and continue in 2017 to celebrate the 50th Anniversary of “The San Francisco Sound." The halcyon era performers are: Tom Constanten, Grateful Dead’s original pianist, inducted into The Rock Hall of Fame in 1995. Slick Aguilar, Jefferson Starship lead guitarist (1992-2015), also David Crosby Band lead guitarist (1983-1986). Since co founding The Kantner, Balin, Casady Band in 1985, Aguilar performed longer with the late Paul Kantner & with Marty Balin - and played the songs of Jefferson Airplane and Jefferson Starship more than any other musician ever. Mark Karan, lead guitarist with Bob Weir’s Rat Dog and The Other Ones for 14 years, now also appears with Phil Lesh & the Terrapin Family Band. Mike Falzarano, a long time member of Jefferson Airplane spinoff Hot Tuna in the 1980s; and, in recent years, helped forge and lead a resurgent, acclaimed iteration of Grateful Dead spinoff, The New Riders Of The Purple Sage. -
Jmoriginal 143.Pdf
JANUARY/FEBRUARY 1994 c 0 N T E N T s VOLUME 4 , NUMBER 4 ISSUE 22 F E A T U R E S 52 IN THE DAWG HOUSE A couple of decades after the Grateful Dead's American Beauty and the bluegrass milestone Old and in the Way, David Grisman and Jerry Garcia are teaming up again to celebrate their acoustic roots. Jeffrey Pepper Rodgers catches up with the dynamic duo in Grisman's home studio. 60 HARP OF GLORY Jody Stecher explores the legacy and genius of Bahamian guitarist Joseph Spence. Includes music and lyrics to "Won't That Be a Happy Time," plus reflections on Spence from Taj Mahal, John Renbourn, David Gris man, and Henry Kaiser. 68 DA CAPO The capo may be the most useful accessory a guitar player can buy, and a bewildering variety of brands and styles are now available. Dale Miller checks out 11 contenders to help you choose the right one. 32 74 FREESTYLE FOLK Fingerstyle master Duck Baker plays Irish airs, Appalachian ballads, barrelhouse jazz ... but it's all folk to him. Baker talks with Michael Crane about composing, arranging, and improvising, and introduces his solo "Opening the Eyes of Love." D E P A R T M E N T S A_ CONTRIBUTORS 42 SHOPTALK What's the Buzz: How to diagnose and repair fret wear ...6... LITTERS and buzz. By Harry Fleishman 46 10 MUSIC NOTATION KEY WOOD CHOPS Perpetual Motion: Exercises for developing a killer tremolo. By Muriel Anderson 12 JUMP STREET Jimmie Dale Gilmore, John McLaughlin's Notre 92 Blues biographies and Dame guitar, the Desert-IsleTop REVIEWS guitar rags on record. -
WEDNESDAY 7.25 DREAMING CREEK MAIN STAGE STREAMLINE STAGE at HILL HOLLER PINK FLOYD GARDEN STAGE FERRUM WORKSHOP PORCH V
DREAMING CREEK STREAMLINE STAGE PINK FLOYD FERRUM WORKSHOP MAIN FIELD THROWDOWN FOREVER WEDNESDAY VIP STAGE 7.25 MAIN STAGE at HILL HOLLER GARDEN STAGE PORCH LIBATIONS TENT STAGE YOUNG STAGE Wed. 4:00 PM :15 :30 :45 Wed. 5:00 PM :15 Willie DE Band (OTR) :30 5:00-6:15pm :45 (OtR) Garden Wed. 6:00 PM :15 6:00-7:00pm :30 Mad Iguanas :45 Wed. 7:00 PM :15 TBD (OTR) :30 7:00-8:15pm :45 Garden The National Reserve Wed. 8:00 PM 7:30-9:00pm :15 VIP Welcome Party 8:00-9:00pm :30 GOTE :45 Wed. 9:00 PM :15 Dharma Bombs :30 9:00-10:15pm Garden :45 9:30-10:45pm Wed. 10:00 PM The Jam :15 :30 :45 Wed. 11:00 PM South Hill Banks :15 10:45pm-Midnight :30 Garden :45 Wed. 12:00 AM DREAMING CREEK STREAMLINE STAGE PINK FLOYD FERRUM WORKSHOP MAIN FIELD THROWDOWN FOREVER THURSDAY 7.26 VIP STAGE MAIN STAGE at HILL HOLLER GARDEN STAGE PORCH LIBATIONS TENT STAGE YOUNG STAGE Thu. 9:00 AM :15 :30 :45 Thu. 10:00 AM :15 :30 :45 Thu. 11:00 AM :15 :30 :45 Thu. 12:00 PM :15 :30 :45 Lindsay Lou Thu. 1:00 PM 12:45-1:45pm :15 Garden :30 :45 Thu. 2:00 PM :15 Blue Mule :30 The Change 2:15-3:15pm TBD (OtR) Mad Iguanas Willie DE Band (OtR) 2:00-3:00pm :45 Hill Holler 2:30-3:15ppm 2:30-3:15ppm 2:30-3:30pm VIP Libations Thu. -
Right Arm Resource Update
RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 9/6/2017 Good Old War “The River” The first single from their new EP Part Of Me, out now The full EP is available for download on PlayMPE Early at KVNA This is the first of three EPs that the band plans to release over the next year On tour in October and November with Josh Ritter: 10/22 Dallas, 10/23 Birmingham, 10/24 Atlanta, 10/25 Carrboro, 10/27 Boston, 10/28 Portland ME, 10/29 Brooklyn, 11/1 Millvale... Ted Leo “Can’t Go Back” The first single from his new solo album, out this Friday, on PlayMPE now Early: WNKU, WBJB, KBAC, WYCE, KRCL, KHUM, KVNA, Open Air This is his first solo album since his work with The Pharmacists and with Aimee Mann as The Both On tour: 9/17 Boston, 9/20 Detroit, 9/22 Chicago, 9/23 Cleveland, 9/24 Pittsburgh, 10/23 Richmond, 10/24 Carrboro, 10/25 Atlanta... The National “Day I Die” The follow up to their first #1 single “The System Only Dreams In Total Darkness” from Sleep Well Beast, in stores Friday Most Added including KCSN, KCMP, WFUV, WXPN, WPYA, KTBG, KVNV, KUTX, KJAC, KVNA, WDST, WNKU, WVOD... Playing on Colbert this Thursday and featured on CBS This Morning Saturday this weekend US tour dates kick off in October Joan Osborne “Quinn The Eskimo (The Mighty Quinn)” The first single from Songs Of Bob Dylan, out now Most Added AGAIN! New this week at KRCC and WUTC Already on WFUV, XM Loft, WYEP, WEXT, WNCW, KBAC, WMVY, WBJB, WFIV, KVNA, WMWV, KOZT, WCBE, KMTN, KHUM.. -
Introduction in Their Thirty Years Together, the Grateful Dead Forever
Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement. -
The Mann Center and AEG Live Present Furthur
FOR IMMEDIATE RELEASE CONTACT: Christine Reimert / 610‐639‐2136 / [email protected] Lucy MacNichol / 215‐568‐2525 / [email protected] Corey Bonser / 215‐546‐7900 / [email protected] The Mann Center and AEG Live Present Furthur Celebrating 75 Years of Live Music in the Park: July 10 & 11 Feature Rock Legends Phil Lesh and Bob Weir PHILADELPHIA – June xx, 2010 – Grateful Dead members Phil Lesh and Bob Weir are embarking on a musical adventure with their new band Furthur. Fans can expect Lesh and Weir to push the musical envelope with jaw-dropping improvisations and loving renditions of Grateful Dead classics along with an all-star band that includes keyboardist Jeff Chimenti (RatDog), drummer Joe Russo (Benevento - Russo Duo, Trey Anastasio), and guitarist John Kadlecik (Dark Star Orchestra). New and old fans of the Grateful Dead alike will be entranced as the two rock legends take the musical journey "further," exploring some of the Grateful Dead's most beloved songs in a tour that promises to keep the feet stomping and the bodies shaking. Tickets for this event are $43.50 & $33.50. Saturday & Sunday performances begin at 7:30 PM. For detailed ticket information, call 215.893.1999, visit the Mann Center box office at 52nd and Parkside Avenue in Fairmount Park, or buy online: www.manncenter.org, www.ticketphiladelphia.org or www.ticketmaster.com. For ticket package information, call 215.893.1955 or visit www.manncenter.org. Editor's Note: Photos of artists are available at http://www.manncenter.org/news/pressroom and upon request. About AEG Live AEG Live, the live-entertainment division of Los Angeles-based AEG, is dedicated to all aspects of live contemporary music performance.