An A-Z Guide to the UK's Most Exciting Event Destination
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Enquiries To: Information Team Our Ref: FOI608454 Request-496130
Enquiries to: Information Team Our Ref: FOI608454 [email protected] Dear Mr Grant Freedom of Information Request 608454 Thank you for your recent request received 9 July 2018. Your request was actioned under the Freedom of Information Act 2000 in which you requested the following information – Can you please provide the following information under the Freedom of Information Act: - address of residential properties where the owner does not live in Liverpool - the names of the owners of these properties - the contact address for these owners - the listed number of bedrooms and reception rooms for these properties. Response: Liverpool City Council would advise as follows – 1. Please refer to the appended document. 2. This information is considered to constitute personal data and as such is being withheld from disclosure under the provisions of the Exemption set out at Section 40(2) Freedom of Information Act 2000. 3. This information is considered to constitute personal data and as such is being withheld from disclosure under the provisions of the Exemption set out at Section 40(2) Freedom of Information Act 2000. 4. This information is not recorded as there is no operational or legislative requirement for us to do so. To extract this information would require a manual review of all applications (in excess of 20,000 applications and, allowing for 1 minute to review each application, would require substantially in excess of 18 hours to complete. In accordance with the provisions of Section 12 FOIA the City Council therefore declines to provide this information on the basis that substantially more time than the 18 hours prescribed by legislation would be required to fulfil your request. -
ART NORTH WEST July 2019 Open Call for Artists Based in North West England Application Deadline: 10 September, 12:00 Tate Liver
ART NORTH WEST July 2019 Open call for artists based in north west England Application deadline: 10 September, 12:00 Tate Liverpool Royal Albert Dock Liverpool L3 4BB United Kingdom Website <http://www.tate.org.uk> Twitter <https://www.twitter.com/tateliverpool> Facebook <https://www.facebook.com/tateliverpool> Instagram<http://www.instagram.com/tateliverpool> Tate Liverpool is launching a new programme for artists living and working in the north west of England (Cheshire, Cumbria, Greater Manchester, Lancashire and Merseyside), offering the opportunity for one selected artist or artist collective to have their work represented at the internationally renowned art museum in spring 2021. We invite artists to respond to this open call for a new commission or exhibition of new or existing work. The selected artist will work closely with Tate Liverpool staff throughout an 18-month period between November 2019 and March 2021 to develop a presentation of their work in Spring 2021 (exact dates tbc), in either the ground floor Wolfson gallery or part of the 4th floor galleries. The exhibition or project will be free and open to all our visitors. The artist will receive a fee and production/presentation budget of up to £30,000 and will have the opportunity to spend time with Tate Liverpool staff across Curatorial, Learning, Development, Communications and Art Handling as required, in support of their artistic development and project planning. A schedule will be agreed with the artist depending on their other commitments. Tate Liverpool is the most visited gallery of modern and contemporary art outside of London, showing the Tate Collection alongside ambitious temporary exhibitions. -
BOROUGH BUILDINGS, WATER ST (1859 – Ca. 1970)
Water Street in the 1880s with Borough Buildings in the centre. Photo courtesy of Colin Wilkinson. WALKING ON WATER STREET Graham Jones explores the histories of various buildings in the Water Street area. Part 3 – BOROUGH BUILDINGS, WATER ST (1859 – ca . 1970) 1 In its early years Borough Buildings lived gracefully between two buildings which captured greater attention: Oriel Chambers (1864) at 14 Water Street, for which Peter Ellis was so rudely criticised when the building was originally constructed, and Middleton Buildings (ca. 1859) at 8 Water Street which, until 1916, was the home of the Cunard Line. The comment in Charles Reilly's 1921 tour of Water Street, 2 – “After the empty site, where the old Cunard Building was, comes the oddest building in Liverpool – Oriel Chambers,...” gives the impression that Borough Buildings did not exist. But it did, and during the century of its existence it provided office accommodation for The Liverpool Steam Ship Owners' Association, the American Chamber of Commerce and a variety of important businesses and shipping lines. Trade between America and the U.K.'s premier port had become so important by the end of the 18th century that an American Chamber of Commerce was formed in 1801. The first three attempts at laying a transatlantic cable between 1857 and 1865 had ended in failure when the cables broke or developed faults, but success was finally achieved in 1866, with the Great Eastern being one of the ships involved in cable laying. On September 20th of that year, following a letter from the Liverpool Chamber of Commerce regarding their proposal for a public dinner to celebrate the laying of the cable, the American Chamber met at Borough Buildings (to which they had moved their offices in 1864 from Exchange Street West). -
Heritage Month Low Res 670173165.Pdf
£1 Welcome to Liverpool Heritage Open Month! Determined Heritage Open Days are managed nationally by to build on the Heritage Open Days National Partnership the success and funded by English Heritage. of Heritage Heritage Open Month could never happen Open Days, without the enthusiasm and expertise of local celebrating people. Across England thousands of volunteers England’s will open their properties, organise activities fantastic and events and share their knowledge. To architecture everyone in Liverpool who has contributed and heritage, Liverpool is once to the fantastic 2013 Heritage Open Month again extending its cultural heritage programme we would like to say thank you. programme throughout September. The information contained in this booklet was In 2013 over 100 venues and correct at the time of print but may be subject organisations across the city are to change. involved in this year’s programme and buildings of a variety of architectural Further events may have also been added style and function will open their to the programme. Full details of the doors offering a once-a-year chance to Heritage Open Month programme and discover hidden treasures and enjoy a up to date information can be viewed on wide range of tours, and participate in VisitLiverpool.com/heritageopenmonth events bringing history alive. or call 0151 233 2008. For the national One of the attractions new to 2013 Heritage Open Days programme please is the Albany Building, former cotton go to broker’s meeting place with its stunning www.heritageopendays.org.uk cast iron work, open air staircase. or call 0207 553 9290 There is something to delight everyone during Heritage Open Month with new ways to experience the heritage of Liverpool for all the family. -
Impacts 08 Evaluation
Impacts 08 Team Dr Beatriz García, Director Ruth Melville and Tamsin Cox, Programme Managers Ann Wade, Programme Coordinator Document Reference: Impacts 08 – Miah & Adi (2009) Liverpool 08 – Centre of the Online Universe Liverpool 08 Centre of the Online Universe The impact of the Liverpool ECoC within social media environments October 2009 Report by Prof Andy Miah and Ana Adi Faculty of Business & Creative Industries Impacts 08 is a joint programme of the University of Liverpool and Liverpool John Moores University Commissioned by Liverpool City Council Impacts 08 – Miah & Adi | Liverpool 08 – Centre of the Online Universe | 2009 Executive Summary Background to the study One of the major topics of debate in media research today is whether the Internet should be treated as the dominant form of information distribution, outstripping the impact of other media, such as television, radio or print. Opinions vary about this, but numerous examples of successful online media campaigns abound, such as Barack Obama‟s use of social media during the US Presidential campaign. Today, other governments are quick to utilise similar environments, and 10 Downing Street has accounts with both YouTube and Flickr, the popular websites used for video and photo sharing respectively. Additionally, marketing and communications departments in business, industry, the arts and the media are rapidly re-organising their strategies around the rise of digital convergence and in light of evidence that demonstrates the decline (or fragmentation) of mass media audiences. These circumstances are pertinent to the hosting of European Capital of Culture by Liverpool in 2008. In short, if we want to understand how audiences were engaged during 2008, we need to complement a range of surveys and reporting with analyses of online activity, which have the potential to reflect both broader media perspectives and the views of people on the street. -
Student Guide to Living in Liverpool
A STUDENT GUIDE TO LIVING IN LIVERPOOL www.hope.ac.uk 1 LIVERPOOL HOPE UNIVERSITY A STUDENT GUIDE TO LIVING IN LIVERPOOL CONTENTS THIS IS LIVERPOOL ........................................................ 4 LOCATION ....................................................................... 6 IN THE CITY .................................................................... 9 LIVERPOOL IN NUMBERS .............................................. 10 DID YOU KNOW? ............................................................. 11 OUR STUDENTS ............................................................. 12 HOW TO LIVE IN LIVERPOOL ......................................... 14 CULTURE ....................................................................... 17 FREE STUFF TO DO ........................................................ 20 FUN STUFF TO DO ......................................................... 23 NIGHTLIFE ..................................................................... 26 INDEPENDENT LIVERPOOL ......................................... 29 PLACES TO EAT .............................................................. 35 MUSIC IN LIVERPOOL .................................................... 40 PLACES TO SHOP ........................................................... 45 SPORT IN LIVERPOOL .................................................... 50 “LIFE GOES ON SPORT AT HOPE ............................................................. 52 DAY AFTER DAY...” LIVING ON CAMPUS ....................................................... 55 CONTACT -
Guide to Liverpool Waterfront
Guide to Liverpool Waterfront “Three Graces” – Together the Royal Liver Building, Cunard Building and the Port of Liverpool Building make up the Mersey’s ‘Three Graces’ and are at the architectural centre of Liverpool’s iconic waterfront. A massive engineering project has recently extended the canal in front of these three buildings, adding beautifully landscaped seating areas and viewpoints along the canal and the river. Museum of Liverpool – this brand new museum, opened in 2011 is a magnificent addition to Liverpool’s waterfront. Celebrating the origins and heritage of the city, it features collections from National Museums Liverpool that have never been seen before. Otterspool Promenade – The construction of Otterspool Promenade (1950) provided both a new amenity for Liverpool and an open space dividend from the disposal of Mersey Tunnel spoil and household waste; a project repeated three decades later to reclaim the future International Garden Festival site. A favourite with kite fliers this often overlooked wide open space is perfect for views of the river and picnics Antony Gormley’s “Another Place” - These spectacular sculptures by Antony Gormley are on Crosby beach, about 10 minutes out of Liverpool. Another Place consists of 100 cast-iron, life-size figures spread out along three kilometres of the foreshore, stretching almost one kilometre out to sea. The Another Place figures - each one weighing 650 kilos - are made from casts of the artist's own body standing on the beach, all of them looking out to sea, staring at the horizon in silent expectation. Mersey Ferry - There's no better way to experience Liverpool and Merseyside than from the deck of the world famous Mersey Ferry listening to the commentary. -
Dover Society Trip to Liverpool
16 Dover Society Trip to Liverpool Friday 14th to Monday 17th September 2018 Introduction Sheila Cope he fact that this trip took place at Tall is due to Patricia's sheer determination and perseverance as, together with Patrick's support, she gradually found more participants, even beyond the deadline, so that the event could go ahead without incurring a loss to The Society. I trust that the great success of the venture justified Pat's efforts in the end and those of us who were able to go owe her a real debt of gratitude for providing such an interesting and enjoyable experience. Albert Dock Liverpool We have found the coach firm of Leo's Pride was a little tedious due to heavy traffic and reliable and efficient on previous occasions. the homeward journey was delayed by an Janet was our driver this time. One would accident on the M25, but these were mere never have guessed that she had not driven blips which only served to emphasise how on this particular trip before, yet we were trouble-free and pleasurable the whole trip able to relax, feeling assured that we were had been. And what excellent value for in safe hands. Janet's skill in manoeuvring money! There was even an extra bonus for such a large coach around Liverpool and four members who were able to meet up Chester at the bidding of the City Guides on with their grandchildren. board was most admirable. National Memorial Arboretum Our hotel was comfortable with helpful staff Friday 14th who remedied our minor problems. -
Cunard Line · Reisebureau G
LIST OF PASSENGERS :m .~ ~ " 1l •t . '' c'"'~· c"' '· ;;s. c- ~qut anta QUADRUPLE SCREW- GROSS TONNAGE, 45,647 FROM NEW YORK TUESDAY, MARCH 20th, 1923 TO CHERBOURG AND SOUTHAMPTON Information for Passensers (Subject to ChanE,e) Public Telephone-The steamer is equipped with a telephone, conveniently located, which may be used by passengers until discon nection (without notice) a few minutes before departure. Telephones with booths and Operators are also provided on the New York piers. Meals will be served at the following times in the First-Class Dining Saloon: Breakfast from 8 to 10 a.m. Luncheon from 1 to 2 p.m. Dinner . from 7 to 9 p.m. and in Second-Class Dining Saloon: Breakfast from 7:30 to 8:30 a.m. Luncheon from 12 :30 to 1 :30 p.m. Dinner from 6 to 7 p.m .. The Bars in the First-Class will not be open later than 11 :30 p.m. and in the Second-Class not later than 11 p.m., but it is within the discretion of the Commander to close them during the voyage at any time should he consider this course desirable. Seats at Table-Application may be made at any of the Chief Offices in advance or to the Se.__·ond Steward on board the steamer on day of sailing. Chairs and Rugs may be hired at a cost of $1.50 each, on .application to the Deck Steward. Each rug is contained in a sealed cardboard box, and bears a serial number worked into the material so that passengers will have no difficulty in identifying their rugs. -
Design & Empire [Working Title]
Design & Empire [working title] 24 – 26 November 2017 Liverpool, various venues Design & Empire [working title] is a weekend of events exploring the power structures embedded within contemporary and historical design, visual art, and consumer culture. Presented by Liverpool Biennial and Liverpool John Moores University and curated by Prem Krishnamurthy, Emily King, and Joasia Krysa, Design & Empire brings together practitioners from the fields of art, design, architecture, and fashion. Framed by guided city tours exploring Liverpool’s architectural past and a cooking event serving a colonial-style Christmas, the weekend presents a series of talks from leading creative voices. These conversations touch upon topics ranging from national identity and the display of museum collections, copying within creative manufacturing, distributed models of property ownership, postcolonial approaches to contemporary fashion, reuse and revaluation of bio-industrial materials, the politics of computer interfaces, and beyond. With Liverpool as both the subject and stage, Design & Empire will collaborate with its citizens in challenging aspects of Liverpool’s imperial legacy whilst reflecting on current practices within design and visual culture. All events are free with booking required via www.biennial.com Delivered in partnership with RIBA North and The Serving Library at Liverpool John Moores University’s Exhibition Research Lab. Funded by Arts Council England. Organised with support from Jana Lukavečki. Thanks to Ian Mitchell, Mike O'Shaughnessy and -
Agents Names
EXPRESSIONS OF INTEREST Whether you want to occupy 3000 sq ft or considerably more, Royal Liver Building can accommodate your requirements. For more information and to arrange a viewing contact Mark Worthington, CBRE. www.royalliverbuilding.co.uk ROYAL LIVER BUILDING CBRE for themselves and for the vendors or lessors of this property, whose agents they are, give notice that: These particulars are produced in good faith, but are set out as a general guide only and do not constitute any part of a contract; No person in the employment of CBRE has the authority to make or give any representation or warranty whatsoever in relation to this property. Unless otherwise stated all rents or prices quoted are exclusive of VAT which may be payable in addition. All plans are for indicative purposes only and not to scale. THE ICONIC FACE OF LIVERPOOL 01/13 Creative: Alphabet Design www.alphabet-design.co.uk +44 (0)151 707 1199 Royal Liver Building, one of the ‘ THE DOMINANT FEATURE OF A WORLD RENOWNED WATERFRONT Overlooking the River Mersey and dominating one of the world’s most famous waterfront skylines, is Royal Liver Building. This iconic symbol of Liverpool built in 1911, and at the time the tallest building in Europe, has the enviable status of a Grade 1 listed landmark building. Classic on the outside yet modern, light and chic on the inside with large open plan interiors that push the boundaries of contemporary design and technology. THE FOCUS OF LIVERPOOL’S BUSINESS COMMUNITY Royal Liver Building, one of the Three Graces, is as much a part of the City’s business community now as when it was completed in 1911. -
Regeneration of a City Centre Liverpool
liverpool 1 regeneration of a city centre liverpool regeneration of a city centre Front cover; Liverpool One site boundary overlaid on the Designed by BDP city’s historic shoreline. (BDP). © 2009 BDP Produced by contents 2 Looking north towards the 3 Mersey Estuary – Liverpool One in the Heart of the City. introduction 4 1 a historical overview of liverpool 6 2 city regeneration 22 3 masterplan evolution 42 4 planning strategy 60 5 concept designs 70 6 the park 98 7 active streets 112 8 beyond 2008 128 epilogue 136 acknowledgments 138 introduction 4 by terry davenport It’s very rare to lead an undertaking that and fitted out in an eight year period plus, of undoubted impact that Liverpool One has had 5 transforms the fortunes of a great city. It’s course, all the enormous infrastructure works on the city, its visitors and proud inhabitants. even more unusual for that city to be your required for such an initiative. However, more importantly in these uncharted home town and place of birth. Because of The public support for the project times, the challenge to the industry is how my personal familiarity it has been a great was evident from the outset. So many to maintain the regeneration of our towns privilege for me to have led the Liverpool One disappointments over so many past years and cities under a quite different set of masterplan team, on behalf of Grosvenor, from meant that the public’s appetite for change was circumstances, circumstances which mean that the first day of the project.