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Das Erste Jahr STAN LEE PRÄSENTIERT abnett • lanning • eaglesham ™ das erste jahr STAN LEE PRÄSENTIERT PUNISHERPUNISHER DAS ERSTEDAS ERSTE JAHR JAHR DAN ABNETT SCOTT KOBLISH RAM ANDY LANNING Tusche Lettering Autoren REINHARD SCHWEIZER MARIE JAVINS Übersetzung DALE EAGLESHAM ELECTRIC CRAYON DON DALEY Zeichner JUSTIN GABRIE FREDDY MENDEZ COLIN JORGENSEN Redaktion USA LE PUNISHERFarben PUNISHER: DAS ERSTE JAHR erscheint bei PANINI COMICS, Rotebühlstr. 87, D-70178 Stuttgart. Geschäftsführer Hermann Paul, Publishing Director Europe Marco M. Lupoi, Finanzen Felix Bauer, Marketing Director Holger Wiest, Marketing Fabio Cunetto, Thorsten Kleinheinz, Vertrieb Alexander Bubenheimer, Logistik Ronald Schäffer, PR/Presse Steffen Volkmer, Publishing Manager Lisa Pancaldi, Redaktion Tommaso Caretti, Carlo Del Grande, Christian Endres, ENZA, Harald Gantzberg, Christian Grass, Oriol Schreibweis, Antonio Solinas, Monika Trost, Daniela Uhlmann, Übersetzung Reinhard Schweizer, Proofreading Genoveva Fincias Alonso, Lettering RAM, grafische Gestaltung Marco Paroli, Art Director Mario Corticelli, Redaktion Panini Comics Annalisa Califano, Beatrice Doti, Prepress Cristina Bedini, Nicola Soressi, Repro/Packager Alessandro Nalli (coordinator), Mario Da Rin Zanco, Valentina Esposito, Luca Ficarelli, Paolo Garofalo, Simone Guidetti, Linda Leporati, Ivano Martin, Fabio Melatti. Deutsche Edition bei Panini Verlags-GmbH unter Lizenz von Marvel Characters B.V. Cover von Ariel Olivetti, The Punisher: Year One (1994) TPB; Variant-Cover von Steve Dillon, The Punisher (2009) 8 Variant-Cover-Edition. Für die digitale Ausgabe: Supervision Carlo Del Grande, Grafik und Layout Andrea Lusoli. Digitale Ausgaben: ISBN 978-3-7367-2717-5 (.pdf) / ISBN 978-3-7367-2716-8 (.epub) Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. AXEL ALONSO Chefredakteur USA Die “Origin“ ist ein essenzielles Element des Su- JOE QUESADA perhelden-Genres. Manchmal wurde und wird Chief Creative Officer USA die Herkunfts- bzw. Hintergrundgeschichte einer DAN BUCKLEY Herausgeber Figur direkt beim ersten Auftritt erzählt, manch- ALAN FINE mal erst später – und ab und an ist die bewusste Produzent USA EINLEITUNGEINLEITUNGVerschleierung der Ursprünge Teil eines Charak- ters. Marvels Punisher debütierte 1974 in einer Spider-Man-Story, und 1975 wurde seine Origin erstmals enthüllt. Seither weiß die Comic-Welt, dass der Kriegsveteran Frank Castle zum Pu- nisher wurde, nachdem seine Familie bei einer Mafia-Hinrichtung im New Yorker Central Park ins Kreuzfeuer geriet und starb. Im Laufe der Jah- re wurde diese Geschichte immer wieder aufge- griffen oder nacherzählt, um zu zeigen, was den gnadenlosen Verbrecherjäger und Antihelden antreibt. Allerdings wurde den Stunden und Ta- gen direkt nach diesem tragischen Moment, in dem der aus Vietnam heimgekehrte Frank Castle alles verlor, nie so viel Raum eingeräumt wie in dieser abgeschlossenen Miniserie von 1994. Da- mals traten die Autoren Dan Abnett und Andy Lanning sowie Zeichner Dale Eaglesham an, um zu zeigen, was unmittelbar nach dem Blut- bad im Park mit Frank geschah, wie es für ihn weiterging und er zum Punisher wurde. Wie die Origin ist auch die Year-One-Story – die erweiter- te Geschichte der Anfänge einer Figur – eine be- währte Formel, wobei Frank Millers Mehrteiler über Daredevil und Batman großen Anteil an der Etablierung hatte. Macht euch bereit für ei- nen harten Krimi mit 70er-Jahre-Flair… Christian Endres Kapitel 1 Cover von DALE EAGLESHAM und VINCE EVANS indessen, im central park... h-hmm... w-was? mit einem mal ist er wach. sein kopf dröhnt, seine augen schmerzen im licht. gerade will er die parkbank verfluchen, als... wieder ein knall. er kommt auf die beine, folgt dem echo. der schnaps macht jeden er denkt, ich bring es um, seiner schritte das dumme pack... dafür, dass f-feuer- schwer. es mich so erschreckt hat. werk?! oh m-mann. er verflucht die leute und ihren lärm. und er hört tennisbälle und das kratzende rauschen von rollschuhen auf teer. er hört das blut, das in seinen ohren pocht. und die luft riecht nach nahendem regen. und nach pulverdampf. * *familiensache und überall glitzert blut wie morgentau. und die leute vor ihm sind reglos und still. er hat viel zu viel getrun- ken. aber nicht genug, um das zu ertragen. oh, gütiger gott. hier lang, sir. sieht nach mehrfa- chem mord aus. zurück, wir-- detective laviano. ach? was serviert ihr mir heute, stan? hi, johnny. fünf tote... so voller komplettes kugeln, dass sie ras- bist ein poet, menü. seln, wenn man sie witts. bewegt. einer hängt sogar kopf- über an ‘nem baum. hinrich- tung? hat sich sicher nicht selbst da hingehängt. die an- deren, die hat‘s wo- möglich zufällig erwischt. die ande- ren? vierköpfige ... ah... cast- familie. wur- le. frank. de identifi- name der ziert als... frau: maria. moment... noch keine namen für die beiden kinder. haben wir aber bald. verdammt. eine ganze familie. zeugen? wäre fast zu schön. wer-- oh, der, der sie #&%§! gefunden hat. du kennst ihn, johnny. mcteer? der versa- ger?!? ihr mögt euch nicht, hm? zwei sachen hasse ich, stan. miese reporter und säufer. dieser mcteer ist beides. okay. noch mal... irgendwas hat mich geweckt und ich hab sie gefun- den. keine ahnung, wer die armen schweine sind. geschlafen? am helllichten tag? das reicht, ah, johnny! leute. gut, dass du der detective da bist! will mit ihm reden. detective laviano, mister mcteer. weiss ich, johnny. dann nennen sie mich so. wieder mal abgestürzt, mc- teer? aber wieso frag ich eigent- lich? sie stinken wie ein ganzer schnapsladen. aber du... ich meine... wie rüh- rend. ... sie können nicht... ... ich bin traumatisiert, detective. da liegen fünf tote, zwei davon kinder. ihr geflenne ist mir #&%$§ egal..
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