Including
® It’s the sound.®
Rev. F Part Number 910584-006
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CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, The exclamation point within an equilateral triangle is intended DO NOT REMOVE THE COVER. to alert the user to the presence of important operating and NO USER SERVICEABLE PARTS INSIDE. maintenance (servicing) instructions in the literature REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. accompanying the product. IMPORTANT SAFETY & INSTALLATION INSTRUCTIONS INSTRUCTIONS PERTAINING TO THE RISK OF FIRE ELECTRIC SHOCK , OR INJURY TO PERSONS WARNING: When using electric products, basic precautions should 8. The product should be connected to a power supply only of the always be followed, including the following: type described in the operating instructions or as marked on the product. 1. Read all the Safety and Installation Instructions and Explanation of Graphic Symbols before using the product. 9. This product may be equipped with a polarized line plug (one blade wider than the other). This is a safety feature. If you are 2. This product must be grounded. If it should malfunction or unable to insert the plug into the outlet, contact an electrician to break down, grounding provides a path of least resistance for replace your obsolete outlet. Do not defeat the safety purpose of electric current to reduce the risk of electric shock. This product the plug. is equipped with a power supply cord having an equipment- grounding conductor and a grounding plug. The plug must be 10. The power supply cord of the product should be unplugged plugged into an appropriate outlet which is properly installed and from the outlet when left unused for a long period of time. When grounded in accordance with all local codes and ordinances. unplugging the power supply cord, do not pull on the cord, but grasp it by the plug. DANGER: Improper connection of the equipment-grounding conductor can result in a risk of electric shock. Do not modify the 11. 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This product should be located so that its location or position cord, or place the product in a position where anyone could trip does not interfere with its proper ventilation. over, walk on, or roll anything over cords of any type. Do not allow the product to rest on or be installed over cords of any type. 7. The product should be located away from heat sources such as Improper installations of this type create the possibility of a fire radiators, heat registers, or other products that produce heat. hazard and/or personal injury. RADIO AND TELEVISION INTERFERENCE WARNING: Changes or modifications to the instrument not expressly • Increase the separation between the instrument and the receiver. approved by Young Chang could void your authority to operate the • Connect the instrument into an outlet on a circuit other than the instrument. one to which the receiver is connected. IMPORTANT: When connecting this product to accessories and/or • If necessary consult your dealer or an experienced radio/television other equipment use only high quality shielded cables. technician for additional suggestions. NOTE: This instrument has been tested and found to comply with the The normal function of the product may be disturbed by strong limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. electromagnetic interference. If so, simply reset the product to resume These limits are designed to provide reasonable protection against normal operation by following the instructions in the manual. If normal harmful interference in a residential installation. This instrument function does not resume, please use the product in another location. generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause NOTICE harmful interference to radio communications. However, there is no This apparatus does not exceed the Class B limits for radio noise guarantee that interference will not occur in a particular installation. If emissions from digital apparatus set out in the Radio Interference this instrument does cause harmful interference to radio or television Regulations of the Canadian Department of Communications. reception, which can be determined by turning the instrument off and on, the user is encouraged to try to correct the interference by one or AVIS more of the following measures: Le present appareil numerique n’emet pas de bruits radioelectriques depassant les limites applicables aux appareils numeriques de la • Reorient or relocate the receiving antenna. class B prescrites dans le Reglement sur le brouillage radioelectrique edicte par le ministere des Communications du Canada. SAVE THESE INSTRUCTIONS ii IMPORTANT SAFETY INSTRUCTIONS 1) Read these instructions. 2) Keep these instructions. 3) Heed all warnings. 4) Follow all instructions. 5) Do not use this apparatus near water. 6) Clean only with dry cloth. 7) Do not block any of the ventilation openings. Install in accordance with the manufacturer’s instructions. 8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet 10) Protect the power cord and power supply adapter from being walked on or pinched, particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11) Only use power adapters and attachments/accessories specified by the manufacturer. 12) Use only with a cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over. 13) Unplug this apparatus during lightning storms or when unused for long periods of time. 14) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. Warning: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. Do not expose this equipment to dripping or splashing and ensure that no objects filled with liquids, such as vases, are placed on the equipment. To completely disconnect this equipment from the AC Mains, disconnect the power supply cord plug from the AC receptacle. Prop 65 Warning: This product contains chemicals known to the state of California to cause cancer, or birth defects or other reproductive harm. [As with most electronic equipment, the outer cables may contain phthalate and the copper alloy power plug contains lead. Wash hands after handling.]
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iv Table of Contents Table of Contents
Getting Started...... 1-1 Features of the SP6...... 1-1 Quick Start...... 1-2 The Front Panel...... 1-4 The Rear Panel...... 1-9 SP6 Sounds...... 1-12 Modes...... 1-15 Program Mode...... 2-1 Selecting Programs...... 2-1 Program Demo...... 2-2 The LCD...... 2-2 Favorites...... 2-3 Controllers...... 2-3 SPLIT/LAYER...... 2-7 Program Save Dialog...... 2-11 Changing the MIDI Channel...... 2-13 PANIC...... 2-13 Program Edit Mode...... 3-1 Assignable Params Page...... 3-1 Arpeggiator Page...... 3-2 Master Page...... 3-5 All Parameters Page...... 3-7 Save User Programs...... 3-9 Multi Mode...... 4-1 Selecting Multis...... 4-1 The LCD...... 4-2 Favorites...... 4-2 Controllers...... 4-2
TOC-i Table of Contents SPLIT/LAYER...... 4-6 Multi Save Dialog...... 4-10 PANIC...... 4-12 Multi Edit Mode...... 5-1 Main Page...... 5-1 Mixer Page...... 5-2 Key/Velocity Page...... 5-3 Transpose/Bend Page...... 5-4 FX Page...... 5-5 Buttons Page...... 5-5 Switch Pedals Page...... 5-6 CC Pedal Page...... 5-7 Controllers Page...... 5-8 Channel Page...... 5-10 Common Page...... 5-11 Save User Multis...... 5-12 Global Mode...... 6-1 Settings Page...... 6-1 Overrides Page...... 6-6 File Page...... 6-8 Delete Page...... 6-10 Info Page...... 6-11 Reset Page...... 6-11 Troubleshooting...... 7-1 Maintenance...... 7-1 Power On Problems...... 7-1 Audio Problems...... 7-2 MIDI Problems...... 7-3 Pedal Problems...... 7-4 Kurzweil Support...... 7-5 MIDI Implementation...... A-1 MIDI Control...... A-2
TOC-ii Table of Contents Physical Specifications...... B-1 Programs...... C-1 Multis...... D-1 Index...... Index-1
TOC-iii Getting Started Features of the SP6 Chapter 1 Getting Started
This chapter will give you a quick overview of the SP6. Be sure to keep this manual on hand as you familiarize yourself with the features and functions of the SP6. Features of the SP6 • FlashPlay technology utilizing 2GB of instrument samples including: • Optimized German D and Japanese C7 Pianos, Triple Strike Piano, 73 Electric Piano, Clavinets, Harpsichords, Celeste, Bowed and Hit Crotales, Vector Synthesis Waveforms • Updated Rock, Synth and Orchestral sounds from Kurzweil’s Forte SE, PC3, and KORE64 • 10 Categories of Programs (Piano, E. Piano, Clav, Organ, Strings/Pads, Brass/Winds, Voices/Misc, Leads/Synths, Guitar/Bass, Drums/Perc) • Space for 1024 Factory and 1024 User Programs and Multis • KSR: Kurzweil String Resonance (Piano String Resonance Simulation) • Support for optional Half-Damper pedal • KB3 Organ simulations with control of 9 drawbars • Arpeggiator with dedicated On/Off and Tap Tempo buttons (up to 4 simultaneous in Multi Mode) • High quality audio effects with dedicated knob assignments • 4 knobs with Shift button (3 shift rows for 12 assignments per Program) • Support for up to 4 switch pedals • 128 voices of polyphony • 16 MIDI Channels for multitimbral applications • 4 Zone MIDI Controller
1-1 Getting Started Quick Start Quick Start Be sure to check the Kurzweil website at www.kurzweil.com for new sounds, documentation and software updates.
Setting Up the SP6 1. If your SP6 keyboard has been out in the cold during shipping, give it time to warm up to room temperature before powering it on, since condensation may have formed inside. 2. Place the SP6 on a keyboard stand or on a hard, flat, level surface. 3. Connect the DC power adaptor to the SP6 DC Power jack. 4. Make sure your power outlet is compatible with the included power adaptor, then plug the power cable into the power outlet. 5. Plug the included Switch Pedal into the SW1 (SUSTAIN) jack on the SP6 rear panel. 6. If you have an additional switch pedal, plug it into the SW2 jack for Sostenuto control. 7. If you have a MIDI CC pedal (also known as a MIDI expression or volume pedal), plug it into the CC (VOLUME) jack for volume control. 8. If you are using speakers, turn the master volume all the way down on your amplifier or mixer. Using standard (1/4-inch) audio cables, first plug into the input jacks of your amplifier or mixer, then plug the other end of the cables into the SP6 AUDIO OUT jacks. (Connecting in this order minimizes the possibility of static discharge damage.) For a mono signal, only use the LEFT (MONO) jack, and leave the RIGHT jack unplugged. Balanced (“TRS” or “Stereo”) cables are recommended if your mixer or amp supports balanced inputs. 9. If you are using headphones, connect stereo headphones to the headphone jack on the rear panel. 10. Turn the SP6 VOLUME knob (on the far left side of the front panel) to MIN.
Powering On the SP6 1. Power on the SP6 by pressing the POWER button on the right rear panel. 2. If you are using speakers, turn up the volume on your amplifier or mixer. 3. Slowly turn up the SP6 VOLUME knob and play some notes to check the volume level. (If you have a CC pedal plugged into the CC (VOLUME) jack, make sure it is set to the maximum volume position).
1-2 Getting Started The Front Panel 4. If you are using speakers and the SP6 is not loud enough, turn up the volume on your amplifier or mixer. 5. If you are using a mixer and hear distortion, reduce the gain level on the mixer, or use the mixer’s Pad button if it has one (a button that typically decreases the audio input level by 20dB). 6. After using the SP6, if you are using speakers, turn the master volume all the way down on your amplifier or mixer before powering off the SP6.
Auditioning SP6 Sounds 1. The SP6 starts up in Program Mode. Use the PREVIOUS and NEXT buttons, ALPHA WHEEL, or CATEGORY buttons to select a different Program. See SP6 Sounds on page 1-12 for more details on selecting Programs or Multis. 1. To hear a Program Demo song for the current Program, press the KEYPAD and ENTER buttons simultaneously. 2. To hear the capabilities of the SP6, you can play the multi-channel demo songs. Press the KEYPAD and DRUMS/PERC buttons simultaneously to listen to a multi-channel demo song. 3. To switch between auditioning Programs or Multis, press the PROGRAM or MULTI Mode button under the MODE label to the right of the LCD display.
Automatic Power Saving The SP6 has an automatic power saving feature (Auto Power Off) that can automatically power off the SP6 after a period of inactivity, in order to conserve electricity. The Auto Power Off feature is enabled by default. The default Power Off Time is 8 hours, which will cause the SP6 to power off after 8 hours of inactivity. A count down timer warning will be shown in the LCD display a few minutes before the SP6 is powered off. At any time, touching any SP6 control or playing a note will cause the SP6 to remain powered on, until the SP6 has been inactive for the set Power Off Time. Auto Power Off can be disabled in Global Mode. The Power Off Time can also be adjusted in Global Mode.
1-3 Getting Started The Front Panel The Front Panel
TRANSPOSE Buttons VOLUME Knob ARP ON/OFF Button and TAP TEMPO Button ZONE ON/OFF Buttons CHANNEL/PAGE Buttons LCD Display ALPHA WHEEL MODE Buttons and USER Button CATEGORY Buttons
LOCAL DEST Button and EXIT Button PREVIOUS/NEXT Buttons and FAVORITES Buttons SAVE Button and EDIT Button KNOBS SHIFT Button VARIATION Button PITCH WHEEL and MODULATION WHEEL
VOLUME Knob The VOLUME knob controls the volume level of the AUDIO OUT and HEADPHONE jacks.
LCD Display The LCD display is the main user interface for the SP6. Use the LCD display to view Program and Multi names, controller assignments, and editing functions.
1-4 Getting Started The Front Panel ALPHA WHEEL In Program and Multi Mode, use the ALPHA WHEEL to navigate through the Program or Multi list. In Program Edit or Multi Edit Mode, use the ALPHA WHEEL to scroll through the list of values for the currently selected parameter. Turn the ALPHA WHEEL counter-clockwise or clockwise to select the previous or next value. Turn the ALPHA WHEEL slowly to change the value by one increment, or turn it quickly to jump several increments.
PREVIOUS and NEXT Buttons In Program and Multi Mode, use the PREVIOUS and NEXT buttons to navigate through the Program or Multi list. In Program and Multi Mode, press the PREVIOUS and NEXT buttons simultaneously to access the Split/Layer function. In Program Edit or Multi Edit Mode, use the PREVIOUS and NEXT buttons to navigate to each parameter on the current page.
MODE Buttons Press the MODE buttons to access PROGRAM, MULTI or GLOBAL Mode. See Modes on page 1-15 for a description of each Mode.
CATEGORY Buttons In Program Mode, the CATEGORY buttons allow you to select and browse Programs in 10 categories of instruments. Engaging the KEYPAD button allows you to use the CATEGORY buttons as an alphanumeric keypad. The KEYPAD button is always on in Multi Mode, and where needed for editing parameter values.
FAVORITES Buttons The FAVORITES buttons can be used to instantly recall your favorite Programs and Multis. To assign the currently selected Program or Multi to a FAVORITES button, press and hold the desired FAVORITES button for a few seconds until the LCD display indicates that the favorite has been saved. Press a FAVORITES button to instantly select the stored Program or Multi.
1-5 Getting Started The Front Panel TRANSPOSE Buttons The TRANSPOSE buttons can be used to change the tuning of notes played on the SP6 keyboard in semitones (also known as half steps). The current transpose amount is shown in the LCD display (for example, the default is “Xp:0st”). Press both TRANSPOSE buttons simultaneously to reset the transposition to 0.
PITCH WHEEL and MODULATION WHEEL Use each wheel to respectively perform pitch bends or vary the modulation amount. The MODULATION WHEEL will perform a pre-assigned modulation for each Program or Multi. The name of the current assignment is shown in the LCD display when the wheel is moved.
VARIATION Button Pressing the VARIATION button will perform a pre-assigned variation for each Program or Multi. The name of the current assignment is shown in the LCD display when the button is pressed. The VARIATION button has two states, off (not lit) and on (lit). The VARIATION button will typically modify the sound by adding an orchestral string section or synth pad layer, or enabling an effect. For KB3 Organ Programs, the VARIATION button controls the Rotary Speaker speed, changing between fast and slow. The LCD display shows “KB3” when a KB3 Program is selected.
KNOBS The KNOBS are used to control various Program and Multi parameters. Press the SHIFT button to shift between 3 rows of 4 knob assignments. In Program Mode: The top row of knob assignments control user-assignable parameters, and the bottom two rows of knob assignments perform the functions labeled on the front panel. The top row of user-assignable parameters can be adjusted in Program Edit Mode. In Multi Mode: The top row of knob assignments control Multi Zone volumes, and the bottom two rows of knob assignments perform the functions labeled on the front panel. For the bottom two rows of KNOBS, value scaling and offset can be adjusted per Zone for each knob in Multi Edit Mode. This allows each knob range to be adjusted or disabled per Zone. In Program and Multi Mode: When a KB3 Organ Program is selected, some of the knobs may perform Organ drawbar functions instead of the functions labeled on the front panel. The LCD display shows “KB3” when a KB3 Program is selected.
1-6 Getting Started The Front Panel SHIFT Button The SHIFT button allows you to shift between 3 groups of knob assignments. The available knob assignments are labeled in 3 rows below the knobs. Press the SHIFT button to shift to the next assignment group, indicated by a lit LED to the left of each row.
ARP ON/OFF Button Use the ARP ON/OFF button to turn on and off the SP6’s Arpeggiator.
TAP TEMPO Button Use the TAP TEMPO button to set the rate of the Arpeggiator or tempo synced FX (such as Delay). Press the TAP TEMPO button a few times at the desired rate to set the tempo. You can also set a tempo by pressing the TAP TEMPO button, then using the ALPHA WHEEL or PREVIOUS/NEXT buttons to set a tempo, or use the keypad function of the CATEGORY buttons to type a numeric value followed by pressing the ENTER button.
ZONE ON/OFF Buttons In Multi Mode, these buttons allow you to turn each of the 4 Zones on or off. When a Zone is on, the corresponding button is lit. When a Zone is off, the corresponding button is not lit. Press each Zone button to turn each Zone on or off.
SAVE and EDIT Buttons These buttons are used when editing Programs or Multis to create User sounds. In Program Mode, press the SAVE button to save a User Program with the current controller settings.
EXIT Button In Program Edit Mode, Multi Mode, or Global Mode, press the EXIT button to return to Program Mode. In Multi Edit Mode, press the EXIT button to return to Multi Mode.
USER Button Press and enable the USER button to access previously saved User Programs or Multis. Press and disable the USER button to access all Programs or Multis (Factory and User).
1-7 Getting Started The Front Panel CHANNEL/PAGE Buttons Use the CHANNEL/PAGE buttons to change the current MIDI Channel in Program Mode, or the current page in Program Edit or Multi Edit Mode.
LOCAL DEST Button The LOCAL DEST button controls the destination of MIDI notes produced by playing the SP6 keyboard. Pressing the LOCAL DEST button will step through the options, LOCAL, MIDI, or LOCAL + MIDI. When the LOCAL DEST button is pressed, the current setting is briefly shown in the LCD display. The color of the LOCAL DEST button changes depending on the current setting. LOCAL + MIDI: MIDI notes will be sent to the local SP6 sound engine, as well as the MIDI OUT and USB Computer ports. LOCAL: MIDI notes will only be sent to the local SP6 sound engine. MIDI: MIDI notes will only be sent to the MIDI OUT and USB Computer ports.
1-8 Getting Started The Rear Panel The Rear Panel
POWER Button Press the POWER button to power the SP6 on or off.
DC Power Jack Plug the included power adaptor into the DC Power jack.
USB Ports Use the USB ports to connect the SP6 to a computer/tablet or USB hard drive in order to do the following: • Use the SP6 as a MIDI controller to play software instruments on a computer/tablet. • Use a computer/tablet to sequence multi-channel songs on the SP6. • Backup and restore User Programs and Multis on a computer/USB hard drive. • Update the software and sounds of the SP6.
MIDI IN and OUT Ports Use the MIDI ports to communicate with other MIDI modules and controllers. The OUT port is the MIDI transmitting port, and the IN port is the MIDI receiving port. To use the SP6 as a MIDI controller for another sound module, use a MIDI cable to connect the SP6’s MIDI OUT port to the MIDI input port of the module that you want to control. To control the SP6 using another MIDI controller, use a MIDI cable to connect the SP6’s MIDI IN port to the MIDI output port of the controller that you will be using.
1-9 Getting Started The Rear Panel SW1 (SUSTAIN) and SW2 Jacks Use the SW1 (SUSTAIN) and SW2 jacks to connect switch pedals. One switch pedal is included with the SP6. In Program Mode, SW1 (SUSTAIN) defaults to controlling Sustain, and SW2 defaults to controlling Sostenuto. (For KB3 Organ Programs, SW1 (SUSTAIN) defaults to controlling the Rotary Speaker speed, changing between fast and slow. This assignment can be changed in Global Mode. The LCD display shows “KB3” when a KB3 Program is selected.) In Multi Mode, pedal assignments can vary per Multi. Pedal assignments can be adjusted for each Zone by using Multi Edit Mode. Global Mode can be used to set pedal overrides, which can change the pedal assignments for all Programs and Multis.
NOTE : Switch pedals must be plugged in before powering on the SP6. Do not to step on the switch pedals when powering on the SP6, as the state of the pedals is detected as part of the start up sequence.
Dual Switch Pedals
The SW1 (SUSTAIN) and SW2 jacks can be connected to dual switch pedals (2 pedals per jack), allowing up to four switch pedals to be used. Compatible pedals should use a single 1/4 inch tip-ring-sleeve plug. Pedals plugged into the SW1 (SUSTAIN) jack are referred to as SW1a and SW1b, and pedals plugged into the SW2 jack are referred to as SW2a and SW2b. In Program Mode the default assignments are:
SW1a Sustain SW1b Sostenuto SW2a Sostenuto SW2b Soft Pedal
1-10 Getting Started The Rear Panel To emulate the 3 pedals of an acoustic piano, plug a single switch pedal into the SW1 (SUSTAIN) jack, and a dual switch pedal into the SW2 jack.
Continuous Switch Pedals (Half-Damper) The SW1 (SUSTAIN) jack is also compatible with continuous switch pedals (Half-Damper) that use a 1/4 inch tip-ring-sleeve plug (such as the Kurzweil KP-1H). When connected to the SW1 (SUSTAIN) jack, a Half Damper pedal enables finer control of Sustain than a standard switch pedal. Half Damper control is enabled for Programs in the Piano category. Programs outside of the Piano category will respond to a Half Damper pedal as if it is a standard switch pedal.
CC (VOLUME) Jack Use the CC (VOLUME) jack to connect a MIDI CC pedal (also known as a MIDI expression or volume pedal). By default this pedal is assigned to control Program and Multi volume (pre-FX). For KB3 Organ Programs, the CC (VOLUME) pedal controls organ swell. Organ swell is similar to Program volume, except volume can not be turned all the way down to silence. The LCD display shows “KB3” when a KB3 Program is selected. For User Multis, the CC pedal can be assigned to a different function for each Zone by using Multi Edit Mode. The optional Kurzweil CC-1 continuous control pedal will work best with the SP6, but it is also possible to use third-party continuous control pedals designed for keyboards. Compatible pedals should use a 10 kΩ linear-taper potentiometer, with a 1/4 inch tip-ring- sleeve (stereo) plug with the wiper connected to the tip.
AUDIO OUT LEFT (MONO) and RIGHT Jacks Use the AUDIO OUT jacks to connect to an amplifier or mixer. See Quick Start on page 1-2 for details.
HEADPHONE Jack Use the HEADPHONE jack located on the left rear panel of the instrument to listen to the SP6 on stereo headphones. You will need a 1/8-inch-to-1/4-inch adapter in order to use headphones that have a smaller mini plug connector. When headphones are plugged in, audio is still transmitted from the AUDIO OUT jacks.
1-11 Getting Started SP6 Sounds SP6 Sounds The SP6 contains Programs and Multis. A Program is typically a single instrument sound such as a Piano, Organ, or Synth. Programs are organized by instrument type in 10 categories. A Multi is a combination of Programs arranged as layers and/or splits across the keyboard. Multis are not categorized by instrument type, so the KEYPAD button is always on when in Multi Mode.
Selecting Programs In Program Mode, use any of the methods below to select a Program.
Browse All Programs Make sure the USER button is off, then use the ALPHA WHEEL or PREVIOUS and NEXT buttons to select a Program from all of the available Programs.
Select a Program by Category Make sure the KEYPAD button is off, then press one of the CATEGORY buttons to select the first Program of a category (or the current Category Default Program). The selected CATEGORY button will turn on. Use the ALPHA WHEEL or PREVIOUS and NEXT buttons to select Programs from the selected category.
Select a Previously Saved User Program Press and turn on the USER button, then use the ALPHA WHEEL or PREVIOUS and NEXT buttons to browse only User Programs. To return to browsing Factory and User Programs, press and turn off the USER button.
Select a Program by ID Number Press and turn on the KEYPAD button. The keypad button allows you to use the numbers labeled on the CATEGORY buttons to select Programs or Multis by ID number. Type an ID number followed by pressing the ENTER button to select the associated Program.
Select a Category Default Program Each category has a Category Default Program (the Program which is selected when each CATEGORY button is pressed). By default the Category Default Program is set to the first Program of each category. To set a different Category Default Program, select a Program, make sure the KEYPAD button is off, then press and hold the currently lit CATEGORY button.
1-12 Getting Started SP6 Sounds Selecting Multis In Multi Mode, use any of the methods below to select a Multi.
Browse All Multis Make sure the USER button is off, then use the ALPHA WHEEL or PREVIOUS and NEXT buttons to select a Multi from all of the available Multis.
Select a Multi by ID Number The KEYPAD button allows you to use the numbers labeled on the CATEGORY buttons to select Multis by ID number. Use the CATEGORY buttons to type an ID number followed by pressing the ENTER button. Multis are not organized by category, so the KEYPAD button is always on in Multi Mode.
Select a Previously Saved User Multi Press and turn on the USER button, then use the ALPHA WHEEL or PREVIOUS and NEXT buttons to browse only User Multis. To return to browsing Factory and User Multis, press and turn off the USER button.
Controllers The Knobs, Wheels, Pedals and Buttons can control each of the Factory Programs and Multis, to produce variations to the sound. Don’t forget to try these out as you explore the Factory sounds on the SP6. Generally, each control will perform the assignment labeled on the front panel, although some controls may have different assignments per Program or Multi. When a controller is moved, the name of the current assignment is shown in the LCD display. Controller assignments can be adjusted in Program and Multi Edit Mode.
Favorites Use the FAVORITES buttons to quickly store and recall a set of 5 favorite Programs and/or Multis while in Program or Multi Mode. To recall a favorite Program or Multi, simply press one of the FAVORITES buttons. The FAVORITES buttons work from both Program or Multi Mode, and pressing a FAVORITES button will automatically bring you to Program Mode or Multi Mode if required. To assign the currently selected Program or Multi to a FAVORITES button, press and hold the desired FAVORITES button for a few seconds until the LCD display indicates that the favorite has been saved.
1-13 Getting Started SP6 Sounds Splits and Layers The Split and Layer function can be used to Split or Layer the current Program or Multi. Different keyboard regions can play different Programs, or multiple Programs can be played from the same region. To Split or Layer a Multi, it must contain at least one Zone which is unused (Off). In Program or Multi Mode, press the PREVIOUS and NEXT buttons simultaneously to view the Split/Layer Page. You will then be able to configure up to three additional Programs to create a Split or Layered Multi containing up to four Programs. Press the SAVE button once to view the Save Dialog. The Save Dialog allows you to choose an ID number and name for the Split/Layer Multi you are saving. Use the CHANNEL/ PAGE buttons to switch between ID selection and naming pages. On the Multi Save Page, press the SAVE button again to save the Split/Layer Multi. After saving the Split or Layer as a Multi, additional Multi Controller and FX settings can be edited in Multi Edit Mode.
1-14 Getting Started Modes Modes Program Mode The SP6 always powers up in Program Mode, where single instrument sounds can be played directly from the keyboard, or multitimbrally via MIDI.
Saving Programs If you make changes to the current Program using any of the controllers (Knobs, Wheels or Buttons), the SAVE button turns on to indicate that a change has been made to that Program. To save a copy of the Program with the changes you’ve made, press the SAVE button once to view the Save Dialog. The Save Dialog allows you to choose an ID number and name for the Program you are saving. Use the CHANNEL/PAGE buttons to switch between ID selection and naming pages. On the Program Save Page, press the SAVE button again to save the Program as a User Program.
Program Edit Mode Program Edit Mode allows you adjust the current Program’s Arpeggiator settings, select parameters for the 4 assignable knobs, and adjust other Program parameters. See above for details on saving an edited Program as a User Program.
Multi Mode Multi Mode allows you to play Multis, which are arrangements of up to 4 Programs split and/or layered in Zones across selected ranges of the keyboard. The volume of the Program in each Zone can be easily adjusted while playing by using the top row of knobs assignments, and each Zone can be turned on or off by using the ZONE ON/OFF buttons above these knobs. The bottom two rows of knob assignments control the Program parameters. Controller settings can be adjusted in Multi Edit Mode.
Multi Edit Mode Multi Edit Mode is used to modify the many parameters that make up Multis, including Program Selection, Key Range, Volume, Pan, and Controller assignments. Use Multi Edit Mode to create custom sound combinations.
1-15 Getting Started Modes To save a copy of the Multi with the changes you’ve made, press the SAVE button once to view the Save Dialog. The Save Dialog allows you to choose an ID number and name for the Multi you are saving. Use the CHANNEL/PAGE buttons to switch between ID selection and naming pages. On the Multi Save Page, press the SAVE button again to save the Multi as a User Multi.
Global Mode Use Global Mode to adjust common settings that are shared between all Modes, such as velocity sensitivity and power saving options. Global Mode is also used for storing or loading User backup files, and restoring Factory default settings. Some of the more common settings are summarized below.
Info The Info Page shows the currently installed operating system and sound object versions. Use this page to check if your SP6 is up to date with the most recent software and sounds posted at www.kurzweil.com.
Reset You can return the SP6 to the Factory default state by doing a Reset.
NOTE : Reset will erase ALL User Programs and Multis, so it is important to back up your User sounds before doing a Reset. Factory Program/Multis are not affected.
Saving to External Storage Programs and Multis that you have created can be saved to a USB Flash Drive or a computer.
Loading from External Storage Programs and Multis can be loaded onto the SP6 from USB Flash Drives or a computer. This allows you to load new sounds from Kurzweil or other developers, or to load sounds that you have previously saved.
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1-17 Program Mode Selecting Programs Chapter 2 Program Mode
Use Program Mode to play a Program directly from the keyboard, or to play up to 16 Programs multitimbrally via MIDI. Programs typically contain a single instrument sound, although some Programs may contain multiple instrument sounds. The SP6 always powers on with Program Mode selected. To enter Program Mode from another Mode, press and turn on the PROGRAM Mode button, or press the EXIT button repeatedly until you reach Program Mode. The SP6 powers on with Program 1 selected, or the Program that was selected the last time Global Mode was exited. Selecting Programs In Program Mode, use any of the methods below to select a Program.
Browse All Programs Make sure the USER button is off, then use the ALPHA WHEEL or PREVIOUS and NEXT buttons to select a Program from all of the available Programs.
Select a Program by Category Make sure the KEYPAD button is off, then press one of the CATEGORY buttons to select the first Program of a category (or the current Category Default Program). The selected CATEGORY button will turn on. Use the ALPHA WHEEL or PREVIOUS and NEXT buttons to select Programs from the selected category.
Select a Previously Saved User Program Press and turn on the USER button, then use the ALPHA WHEEL or PREVIOUS and NEXT buttons to browse only User Programs. To return to browsing Factory and User Programs, press and turn off the USER button.
2-1 Program Mode Program Demo Select a Program by ID Number Press and turn on the KEYPAD button. The keypad button allows you to use the numbers labeled on the CATEGORY buttons to select Programs or Multis by ID number. Type an ID number followed by pressing the ENTER button to select the associated Program.
Select a Category Default Program Each category has a Category Default Program (the Program which is selected when each CATEGORY button is pressed). By default the Category Default Program is set to the first Program of each category. To set a different Category Default Program, select a Program, make sure the KEYPAD button is off, then press and hold the currently lit CATEGORY button. Program Demo To hear a Program Demo song for the current Program, press the KEYPAD and ENTER buttons simultaneously. The LCD
In Program Mode, the top line of the LCD shows the current Mode, MIDI transposition, and MIDI Channel. The Program ID number and name are displayed in the center of the LCD. When a controller is moved, the controller assignment and value is briefly displayed below the Program ID and name. The values of the KNOBS currently selected by the SHIFT button are displayed at the bottom of the LCD.
2-2 Program Mode Favorites Favorites Use the FAVORITES buttons to quickly store and recall a set of 5 favorite Programs and/or Multis while in Program or Multi Mode. To recall a favorite Program or Multi, simply press one of the FAVORITES buttons. The FAVORITES buttons work from both Program or Multi Mode, and pressing a FAVORITES button will automatically bring you to Program Mode or Multi Mode if required. To assign the currently selected Program or Multi to a FAVORITES button, press and hold the desired FAVORITES button for a few seconds until the LCD display indicates that the favorite has been saved. Controllers In Program Mode, you can use the SP6 physical controllers (the Knobs, Buttons, Wheels, and Pedals) to modify an instrument sound during a performance to add variation or expression. The basic function of each controller is labeled on the front panel. For some controllers (MODULATION WHEEL, Variation Button, P1 through P4, FX 1 and FX 2) the assigned parameter will vary for each Program. Move a controller to view the assigned parameter name and value in the LCD display. If you make changes to the current Program using any of the controllers, the SAVE button lights up to indicate that a change has been made to that Program. For more information on the SAVE button, see Program Save Dialog on page 2-11.
TRANSPOSE Buttons The TRANSPOSE buttons can be used to change the tuning of notes played on the SP6 keyboard in semitones (also known as half steps). This is a convenient way to change the key of a song without learning to play it in a different key. The current transpose amount is shown in the LCD display (for example, the default is “Xp:0st”). Press both TRANSPOSE buttons simultaneously to reset the transposition to 0. The TRANSPOSE buttons also transpose MIDI notes sent to the USB and MIDI Out ports.
PITCH WHEEL Use the PITCH WHEEL to perform pitch bends. The Bend Up and Bend Down amount can be adjusted for each Program in Program Edit Mode.
2-3 Program Mode Controllers MODULATION WHEEL Use the MODULATION WHEEL to vary the modulation amount. The MODULATION WHEEL will perform an assigned modulation for each Program. The name of the current assignment is shown in the LCD display when the wheel is moved.
VARIATION Button Pressing the VARIATION button will perform an assigned variation for each Program. The name of the current assignment is shown in the LCD display when the button is pressed. The VARIATION button has two states, off (not lit) and on (lit). The VARIATION button will typically modify the sound by adding an orchestral string section or synth pad layer, or enabling an effect. For KB3 Organ Programs, the VARIATION button controls the Rotary Speaker speed, changing between fast and slow. The LCD display shows “KB3” when a KB3 Program is selected.
ARP ON/OFF Button Use the ARP ON/OFF button to turn on and off the SP6’s Arpeggiator. The Arpeggiator takes note input from the keyboard and outputs a rhythmic and/or melodic pattern of MIDI notes. The Arpeggiator can affect both the internal Programs and external MIDI instruments. The Arpeggiator settings can be adjusted in Program Edit Mode.
TAP TEMPO Button Use the TAP TEMPO button to set the rate of the Arpeggiator or tempo synced FX (such as Delay). Press the TAP TEMPO button a few times at the desired rate to set the tempo. You can also set a tempo by pressing the TAP TEMPO button, then using the ALPHA WHEEL or PREVIOUS/NEXT buttons to set a tempo, or use the keypad function of the CATEGORY buttons to type a numeric value followed by pressing the ENTER button.
KNOBS Press the SHIFT button to shift between 3 rows of 4 knob assignments.
2-4 Program Mode Controllers The top row of knob assignments control user-assignable parameters (P1 through P4). Move a knob to see the assigned parameter and value in the LCD display. These assignments can be adjusted in Program Edit Mode. The bottom two rows of knob assignments perform the functions labeled on the front panel: The FILTER 1 knob is usually assigned to filter frequency. The FILTER 2 knob is usually assigned to filter resonance. These knobs may be assigned to different filter parameters for each Program. Move a knob to see the assigned parameter and value in the LCD display. The ATTACK knob is assigned to amplitude attack time (the time it takes for each note to reach its full volume). When the ATTACK knob is set to a low value, the attack time will be fast, and each note will quickly reach its full volume. When the ATTACK knob is set to a high value, the attack time will be slow, and each note will slowly fade up to its full volume. This can be useful for making acoustic instrument Programs sound like synth “pad” sounds. The RELEASE knob is assigned to amplitude release time (the time it takes for each note to fade to silence after a key is released). When the RELEASE knob is set to a low value, the release time will be fast, and each note will quickly fade to silence. When the RELEASE knob is set to a high value, the release time will be slow, and each note will slowly fade to silence. The FX 1 and FX 2 knob assignments vary for each Program. The knobs are usually assigned to effects such as Chorus, Phaser, Flanger, Tremolo, or Distortion. Move a knob to see the assigned parameter and value in the LCD display. For most FX 1 and FX 2 knob assignments, setting the knob to a low value will disable the effect, and setting the knob to a high value will increase the amount of the effect that is heard. The DELAY knob is assigned to Delay amount, which controls an echo effect. Setting the knob to a low value will disable the effect, and setting the knob to a high value will increase the amount of the effect that is heard. Tap the TAP TEMPO button at the desired rate to change the delay time of the effect. You may be able to control additional Delay parameters (such as feedback amount) by using Program Edit Mode to change the assignments of the user-assignable parameters. The REVERB knob is assigned to Reverb amount, which controls a reverb effect. Reverb can give the impression of playing in a large room or concert hall. Setting the knob to a low value will disable the effect, and setting the knob to a high value will increase the amount of the effect that is heard. You may be able to control additional Reverb parameters (such as Reverb Time) by using Program Edit Mode to change the assignments of the user-assignable parameters. When a KB3 Organ Program is selected, some of the knobs may perform Organ drawbar functions instead of the functions labeled on the front panel. The LCD display shows “KB3” when a KB3 Program is selected. Move a knob to see the assigned parameter and value in the LCD display.
2-5 Program Mode Controllers SW1 (SUSTAIN) and SW2 Pedals The SW1 (SUSTAIN) pedal defaults to controlling Sustain, which will sustain any note that is played while the pedal is pressed, for as long as the pedal is held. The SW1 (SUSTAIN) jack is compatible with continuous switch pedals (Half-Damper) that use a 1/4 inch tip-ring-sleeve plug (such as the Kurzweil KP-1H). When connected to the SW1 (SUSTAIN) jack, a Half Damper pedal enables finer control of Sustain than a standard switch pedal. Half Damper control is enabled for Programs in the Piano category. Programs outside of the Piano category will respond to a Half Damper pedal as if it is a standard switch pedal. For KB3 Organ Programs, the SW1 (SUSTAIN) pedal controls the Rotary Speaker speed, changing between fast and slow. The LCD display shows “KB3” when a KB3 Program is selected. The SW2 pedal defaults to controlling Sostenuto, which will sustain notes from any keys that are being held when the pedal is pressed, for as long as the pedal is held. Global Mode can be used to set pedal overrides, which can change the pedal assignments for all Programs.
CC (VOLUME) Pedal The CC (VOLUME) pedal is assigned to control Program volume (pre-FX). For KB3 Organ Programs, the CC (VOLUME) pedal controls organ swell. Organ swell is similar to Program volume, except volume can not be turned all the way down to silence. The LCD display shows “KB3” when a KB3 Program is selected.
2-6 Program Mode SPLIT/LAYER SPLIT/LAYER
Press the PREVIOUS and NEXT buttons simultaneously to access the Split/Layer function. The Split and Layer functions have identical parameters, but produce different results. The Split function allows you to quickly create a Multi such that keys in one range of the keyboard produce different sounds than another range. The Layer function allows you to layer Programs and Multis such that more than one instrument sound can be produced by playing one key. The Split and Layer functions allow you to quickly create Multis without using Multi Edit Mode to configure Zone key ranges, Programs, and volumes. After creating and saving a Split or Layer Multi, you can edit additional Multi parameters in Multi Edit mode.
SPLIT
When you create a Split in Program Mode, you are creating a Multi with two Zones set to On. The Program you were using in Program Mode is used in the right hand of the Split as the Zone 1 Program. You can choose a Program that will be used in the left hand of the Split as the Zone 2 Program. Follow these steps to create a Split: 1. In Program Mode, select a Program for the right hand of the Split. 2. Press the PREVIOUS and NEXT buttons simultaneously to access the “Split or Layer” Page.
2-7 Program Mode SPLIT/LAYER 3. On the “Split or Layer” Page, use the PREVIOUS or NEXT buttons to select “Split
LAYER
When you create a Layer in Program Mode, you are creating a Multi with two Zones set to On. The Program you were using in Program Mode is used for the Zone 1 Program. You can choose a Program that will be used as the layered Zone 2 Program. Follow these steps to create a Layer: 1. In Program Mode, select a Program that you wish to layer. 2. Press the PREVIOUS and NEXT buttons simultaneously to access the “Split or Layer” Page. 3. On the “Split or Layer” Page, use the PREVIOUS or NEXT buttons to select “Layer
2-8 Program Mode SPLIT/LAYER 5. Additional Layer parameters are described in Split/Layer Parameters on page 2-9. Use the CHANNEL/PAGE buttons to navigate between each of the 3 Layer function pages. Use the PREVIOUS or NEXT buttons to select each parameter, and the ALPHA WHEEL or CATEGORY buttons to change the value of each parameter. 6. Press the SAVE button to save your Layer as a Multi (See below for details on saving). After saving your Layer Multi, you can edit additional Multi parameters in Multi Edit mode.
Split/Layer Parameters The following parameters are available for each of the 4 Zones. The ZONE ON/OFF parameters are controlled by using the front panel ZONE ON/OFF buttons. The remaining parameters are accessed on each of the pages listed below. Use the CHANNEL/PAGE buttons to navigate between each of the 3 Layer or Split function pages. On these pages, the left hand Zn column indicates the Zone number associated with each of the 4 rows of parameters.
ZONE ON/OFF While creating a Split or Layer, Zones 3 and 4 can be turned On by turning on the ZONE ON/OFF 3 and 4 buttons. By default the keyrange of Zones 3 and 4 cover the whole keyboard range, allowing these Zones to be used as additional layers.
Split Page / Layer Page
Program The default Split or Layer Program will appear in Zone 2. Use the ALPHA WHEEL or CATEGORY buttons to select a different Program for Zone 2.
2-9 Program Mode SPLIT/LAYER Split Mixer Page / Layer Mixer Page
Volume The Volume parameter sets the volume of each Zone. To change the volume of a Zone: 1. Select a Volume parameter for the desired Zone by using the PREVIOUS and NEXT buttons. 2. Change the volume by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a volume value (0-127) followed by pressing the ENTER button. A value of “None” can also be selected, which will use the last volume value used by the Zone’s MIDI channel. (This volume values is often set by the expression pedal.) A value of “None” can be entered by using the ALPHA WHEEL to scroll below 0.
Pan The Pan parameter sets the panning (left/right stereo placement) of each Zone. To change the panning of a Zone: 1. Select a Pan parameter for the desired Zone by using the PREVIOUS and NEXT buttons. 2. Change the panning by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a pan value (0-127) followed by pressing the ENTER button. A value of 0 is full left, 64 is center, and 127 is full right. Other values will move the stereo placement in between these positions. A value of “None” can also be selected, which will use the last pan value used by the Zone’s MIDI channel. A value of “None” can be entered by using the ALPHA WHEEL to scroll below 0.
2-10 Program Mode Program Save Dialog Split Key Range Page / Layer Key Range Page
Key Low / Key High The Key Low and Key High parameters set the keyboard ranges for each Zone. Using Split sets the boundary between Zone 1 and Zone 2 to E3. Using Layer sets the Zone 2 keyboard range to C1 - G9. Change these parameters for each Zone to create custom Split and Layer key ranges. Values for the currently selected Key Low or Key High parameter can be selected by holding down the ENTER button and then playing the desired key on the keyboard. Values can also be selected by using the ALPHA WHEEL, or by using the keypad function of the CATEGORY buttons, followed by pressing the ENTER button. Program Save Dialog If you make changes to the current Program using any of the controllers (Knobs, Wheels or Buttons), the SAVE button turns on to indicate that a change has been made to that Program. To save a copy of the Program with the changes you’ve made, press the SAVE button once to view the Save Dialog. The Save Dialog allows you to choose an ID number and name for the Program you are saving. Use the CHANNEL/PAGE buttons to switch between ID selection and naming pages. On the Program Save Page, press the SAVE button again to save the Program as a User Program.
Changing ID Numbers
The display shows the first available ID number and the current Program name. You can save Programs with ID numbers from 1025 to 2048.
2-11 Program Mode Program Save Dialog If you are saving a Program that has not been previously edited, the next available unused ID number will be selected. If you are saving a previously edited User Program, the ID number that the Program was last saved with will be selected. Press the PREVIOUS and NEXT buttons simultaneously to toggle between selecting the ID number that the Program was last saved with and the next available unused ID number. To change the ID number, use the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type an ID number (1025-2048) followed by pressing the ENTER button. If you select an ID number that is already used by another Program, the bottom of display will show a message to warn that you are going to replace a Program.
Naming a User Program
In the Save Dialog, you can name a Program by using the Program Name Page. Use the CHANNEL/PAGE buttons to select the Program Name Page. The display shows the current Program name. Program names can total 16 characters in length. To name a Program: 1. Use the PREVIOUS and NEXT buttons to move the cursor to each character. 2. Change the current character by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a character. To insert a space before the selected character, press and hold the NEXT button. The selected character and all characters to the right will move one space to the right. To delete the selected character, press and hold the PREVIOUS button. All the characters to the right of the selected character will move one space to the left. After naming the Program, press the SAVE button to return to the Program Save Page. On the Program Save Page, press the SAVE button again to save the Program as a User Program.
2-12 Program Mode Changing the MIDI Channel Saving a User Program To save a User Program, select the Program Save Page and press the SAVE button, (or press the EXIT button to exit without saving). The display will show a brief message to confirm that the Program was saved. After successfully saving, the Program will be selected in Program Mode in the User ID range (1025-2048). To find the Program again later, make sure to press the USER button. Changing the MIDI Channel The current MIDI channel is shown on the right side of the top line of the display. Use the CHANNEL/PAGE buttons to change the MIDI channel. Pressing both CHANNEL/PAGE buttons simultaneously will reset the current MIDI channel to 1. A different Program can be selected for each MIDI Channel. All channels can be played simultaneously from an external MIDI sequencer or computer. One Reverb effect is shared between Programs on all channels. The Reverb settings (such as Reverb Time) of the Program on the currently selected MIDI Channel is used for Programs on all Channels. Programs on each channel can adjust the amount of Reverb used by using the REVERB knob. The MIDI OUT and USB ports will also transmit MIDI to the selected Channel when the keyboard is played. This is useful for playing external MIDI instruments or software on a computer/tablet. PANIC Pressing the 0 and ENTER buttons simultaneously performs the PANIC function. PANIC deactivates all sounding notes and resets controller values by sending an “All Notes Off ” message and a “Reset All Controllers” message on all 16 MIDI channels.
2-13 Program Edit Mode Assignable Params Page Chapter 3 Program Edit Mode
Program Edit Mode allows you to edit and customize Programs. Any Program can be edited in Program Edit Mode and saved to one of the 1024 User IDs. To enter Program Edit Mode, first press the PROGRAM Mode button to enter Program Mode, then press the EDIT button. In Program Edit Mode, the top line of the display shows the current page name and number. Navigate to each page by using the CHANNEL/PAGE buttons. Navigate to each parameter on the current page by using the PREVIOUS and NEXT buttons. Change the value of the selected parameter by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a numeric value followed by pressing the ENTER button. Assignable Params Page
Use the Assignable Params Page to view and edit the 4 user assignable parameters of the knobs (P1 through P4). The left column shows the name of the parameter assigned to each of the 4 knobs. The right column shows the current value of each parameter.
Parameter Column When the Parameter column is selected with the cursor, change the parameter assignment for the selected knob by using the ALPHA WHEEL. For all Programs, the assignable parameters can be set to control EQ parameters, panning, Delay time and feedback parameters, and Reverb time. Each Program may also have additional parameters that are specific to the Program’s FX or instrument category.
3-1 Program Edit Mode Arpeggiator Page Value Column The Value column shows the current value (0-127) of each parameter. The values that are shown when the Program is saved will be recalled each time the Program is selected. To adjust the value of each parameter by using the knobs, use the SHIFT button to select the top row of knob assignments. When the Value column is selected with the cursor, change the value of the selected parameter by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a numeric value followed by pressing the ENTER button. A value of “None” can be selected by using the ALPHA WHEEL to scroll below 0. When a parameter is set to a value of “None”, the parameter will not be set to a default value when the Program is selected. This allows the parameter to use the last value it had in the previously selected Program (if the previously selected Program had the same parameter). Arpeggiator Page
Use the Arpeggiator Page to edit the settings of the Program’s Arpeggiator.
Latch Use the Latch parameter to set how the Arpeggiator responds to played keys. Select from the following settings: Standard: Press and hold a key to add it to the arpeggiation. Release a key to remove it from the arpeggiation. Autohold: Autohold is useful for arpeggiating chords. When you play a chord, it continues arpeggiating after you release the chord. When you play another chord, the previous chord stops arpeggiating, and the new chord begins arpeggiating. You can use the ARP ON/OFF button to stop arpeggiation at any time.
3-2 Program Edit Mode Arpeggiator Page Beats The Beats parameter sets the rate of the arpeggiator, based on a measure of 4 beats. Select from the following settings:
1/1 1 note per measure (whole notes) 1/2 2 notes per measure (half notes) 1/4 4 notes per measure (quarter notes) 1/8 8 notes per measure (eighth notes) 1/12 12 notes per measure (eighth note triplets) 1/16 16 notes per measure (sixteenth notes) 1/24 24 notes per measure (sixteenth note triplets) 1/32 32 notes per measure (thirty-second notes)
Play Order The Play Order parameter determines the order in which the arpeggiator plays notes of pressed keys. Select from the following settings: Played: Notes play in the chronological order in which you played them. Upwards: Notes play from lowest to highest pitch. Downwards: Notes play from highest to lowest pitch. UpDown: Notes play from lowest to highest pitch, then from highest to lowest pitch. Shuffle: Notes play in random order. Simul: Notes play simultaneously.
3-3 Program Edit Mode Arpeggiator Page Velocity TheVelocity parameter determines how the arpeggiator processes the attack velocity of the played notes. Select from the following settings: Constant: All notes play at the velocity of the first played note. Played: Each note plays at the velocity which you played. Human1 through Human4: These settings randomly change played note velocities within a range in order to make arpeggiation sound more human like, with each note varying slightly in velocity. The Human settings use the velocity received from the first note played as the center of the randomization range. Each note of the arpeggiator will randomly choose a velocity within a range, with Human1 having the smallest range, and Human4 having the largest range. Chimp1 through Chimp4: These settings function in a similar fashion to the Human settings (see above). Like the Human settings, the Chimp settings randomly change played note velocities within a range, but the Chimp settings have larger randomization ranges. The Chimp settings use the velocity received from the first note played as the center of the randomization range. Each note of the arpeggiator will randomly choose a velocity within a range, with Chimp1 having the smallest range, and Chimp4 having the largest range. MissNotes1 through MissNotes9: These settings make the arpeggiator randomly miss playing a percentage of inputted notes. With MissNotes1 missing the fewest notes, and MissNotes9 missing the most notes. Each of these settings also randomly changes some of the inputted velocities, with the purpose of simulating a more human played sound. The MissNotes settings use the velocity received from the first note played as the center of the velocity randomization range.
Duration Duration determines how long each arpeggiated note plays, based on the current Beats value. For example, 100% means that a note sustains until the next one sounds. 50% means that the note fills half the space between itself and the next note. This parameter has no effect on percussion sounds or other sounds whose duration is fixed.
Shift The Shift parameter sets how much transposition will occur for each cycle of notes. Setting Shift to 12 and ShiftLimit to 12 or 24 creates an arpeggio that repeats the same pattern of notes in different octaves.
3-4 Program Edit Mode Master Page Shift Limit When the Shift parameter is set to a value other than 0, Shift Limit determines how far up or down the Arpeggiator can shift the arpeggiated notes.
Limit Option The Limit Option parameter determines what the Arpeggiator does when it has shifted the currently arpeggiated notes up (or down) to the value set by the Shift Limit parameter. Select from the following settings: Reset: When the Arpeggiator reaches the Shift Limit, the Arpeggiator returns to its original pitch. Unipolar: When the Arpeggiator reaches the Shift Limit, the Arpeggiator begins shifting notes in the opposite direction, until it reaches the original pitch. When the Arpeggiator reaches the original pitch, it reverses direction again. Bipolar: When the Arpeggiator reaches the Shift Limit, the Arpeggiator begins shifting notes in the opposite direction, until it reaches the shift limit in the opposite direction, where it reverses direction again. Master Page
Use the Master Page to control overall settings of the current Program.
PBendUp and PBendDwn Use these parameters to set how much the pitch will change when you move the PITCH WHEEL up or down. For both Pitch Bend parameters, positive values will cause the pitch to bend up, while negative values will cause the pitch to bend down. Pitch bend values are set in cents (ct), where 100 cents equals 1 semitone (also known as a half step). Large positive values can cause samples to bend to their maximum upward pitch before the PITCH WHEEL is fully up (or down). This will not happen when bending pitch down.
3-5 Program Edit Mode Master Page Mono When the Mono parameter is set to Off, the Program is polyphonic—it can play multiple notes at a time. When the Mono parameter is set to On, the Program will play only one note at a time. The Mono parameter is not available for KB3 Organ programs. When the Mono parameter is selected and set to On, press the EDIT button to view the Mono Parameters Page. See below for details.
Mono Parameters Page
Legato When Legato is on, a note will play its attack amplitude envelope only if no other notes are being held.
Portamento When the Portamento parameter is set to On, pitch will glide between played notes.
Port Rate When the Portamento parameter is set to On, the Port Rate parameter determines how many seconds a note takes to glide one semitone to the next played note (in keys per second). For example, at a setting of 12 keys/second the pitch would glide an octave every second.
Port Attk When the Portamento parameter is set to On and the Port Attk parameter is set to Off, pitch will only glide between notes when two keys are held at once. When the Portamento parameter is set to On and the Port Attk parameter is set to On, pitch will always glide between notes.
MonoSamp X When the Portamento parameter is set to On, setting the MonoSamp X parameter to On can create a smoother sound when using certain sample based Programs.
3-6 Program Edit Mode All Parameters Page OutGain Use the OutGain parameter to adjust the overall volume of a Program.
Category This parameter sets the category that the Program will be grouped into when you press one of the CATEGORY buttons in Program Mode. For example, if you were to edit a Program in the VOICES/MISC category that you want to use primarily as a Synth, you could make it appear in the LEADS/SYNTHS category by changing this parameter to Leads/Synths. All Parameters Page
When the Global Mode Show Params parameter is set to Yes, the All Parameters page appears in Program Edit Mode. See Show Params on page 6-6 for details. The All Parameters page is useful for advanced users who wish to view or change MIDI assignments for SP6 programs. This can be useful when using an external MIDI sequencer or controller. The All parameters page can also be useful for viewing or changing default values for each Parameter.
Parameter Column Use the Parameter column to select a parameter for the current Program. When the Parameter column is selected, you can select a parameter by using the ALPHA WHEEL, or by holding the ENTER button and moving the currently assigned controller.. When any column is selected, you can use the PREVIOUS/NEXT buttons to navigate through all parameters in the current row until a parameter in the next row is selected.
3-7 Program Edit Mode All Parameters Page Control Column Use the Control column to assign an SP6 control or MIDI CC number for the Parameter in that row. Use the PREVIOUS/NEXT buttons to navigate to the Control column. To assign an SP6 control, select the Control column for the desired Parameter, then hold the ENTER button and move the desired SP6 control (knob, VARIATION button, MODULATION WHEEL, or pedal). When the Control column is selected, you can also select a MIDI CC number by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a numeric value followed by pressing the ENTER button. MIDI CC numbers used by SP6 controls will show the SP6 control name instead of the MIDI CC number. See SP6 Physical Controllers on page A-2 for a list of MIDI CC numbers used by SP6 controls.
Val Column The Val column shows the current value (0-127) of each parameter. The values that are shown when the Program is saved will be recalled each time the Program is selected. Use the PREVIOUS/NEXT buttons to navigate to the Val column. To set a value, select the Val column for the desired Parameter, then change the value by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a numeric value followed by pressing the ENTER button. If an SP6 control or MIDI CC number is assigned to a parameter, moving the assigned SP6 control or sending a MIDI CC from an external MIDI device will set the value. A value of “None” can be selected by using the ALPHA WHEEL to scroll below 0. When a Parameter is set to a value of “None”, the parameter will not be set to a default value when the Program is selected. This allows the Parameter to use the last value it had in the previously selected Program (if the previously selected Program had the same parameter).
KB3 Organ FX Chain Parameters For programs containing KB3 Organ FX Chain Parameters, different Val settings can activate different effects. See below for each parameter and the available Val settings.
Chorus/Vibrato Select Values 0-63 = Vibrato, 64-127 = Chorus.
Chorus/Vibrato Depth Values 0-42 = Depth 1, 43-85 = Depth 2, 86-127 = Depth 3. Depth 1 has the least amount of effect applied, Depth 3 has the most. Note: In factory KB3 Organ programs, the FX2 knob controls dry/wet for an additional
3-8 Program Edit Mode Save User Programs chorus effect. This is independent of the classic switchable chorus/vibrato KB3 effect (selected with the Chorus/Vibrato Select parameter), and the FX2 knob does not control dry/wet for the classic effect. Save User Programs For details on saving User Program, see Program Save Dialog on page 2-11.
3-9 Multi Mode Selecting Multis Chapter 4 Multi Mode
Use Multi Mode to play up to 4 split or layered Programs directly from the keyboard. Each of the 4 Zones in a Multi can have a different Program, controller settings, and MIDI transmit channel. Zones can also control external sound modules or computer software through a MIDI or USB cable. To enter Multi Mode from another Mode, press and turn on the MULTI Mode button. The SP6 powers on with Multi 1 selected, or the Multi that was selected the last time Global Mode was exited. Selecting Multis In Multi Mode, use any of the methods below to select a Multi.
Browse All Multis Make sure the USER button is off, then use the ALPHA WHEEL or PREVIOUS and NEXT buttons to select a Multi from all of the available Multis.
Select a Multi by ID Number The KEYPAD button allows you to use the numbers labeled on the CATEGORY buttons to select Multis by ID number. Use the CATEGORY buttons to type an ID number followed by pressing the ENTER button. Multis are not organized by category, so the KEYPAD button is always on in Multi Mode.
Select a Previously Saved User Multi Press and turn on the USER button, then use the ALPHA WHEEL or PREVIOUS and NEXT buttons to browse only User Multis. To return to browsing Factory and User Multis, press and turn off the USER button.
4-1 Multi Mode The LCD The LCD
In Multi Mode, the top line of the LCD shows the current Mode and MIDI transposition. The Multi ID number and name are displayed in the center of the LCD. When a controller is moved, the controller assignment and value for each Zone is briefly displayed below the Multi ID and name. The values of the KNOBS currently selected by the SHIFT button are displayed at the bottom of the LCD. Favorites Use the FAVORITES buttons to quickly store and recall a set of 5 favorite Programs and/or Multis while in Program or Multi Mode. To recall a favorite Program or Multi, simply press one of the FAVORITES buttons. The FAVORITES buttons work from both Program or Multi Mode, and pressing a FAVORITES button will automatically bring you to Program Mode or Multi Mode if required. To assign the currently selected Program or Multi to a FAVORITES button, press and hold the desired FAVORITES button for a few seconds until the LCD display indicates that the favorite has been saved. Controllers In Multi Mode, you can use the SP6 physical controllers (the Knobs, Buttons, Wheels, and Pedals) to modify an instrument sound during a performance to add variation or expression. The basic function of each controller is labeled on the front panel. For some controllers (MODULATION WHEEL, Variation Button, FX 1 and FX 2) the assigned parameter will vary for each Multi. Move a controller to view the assigned parameter name and value for each Zone in the LCD display. Some controllers can also be disabled or reassigned for each Zone in Multi Edit Mode. Because of this, controllers may function differently for each Zone in each Multi.
4-2 Multi Mode Controllers ZONE ON/OFF Buttons The ZONE ON/OFF buttons allow you to turn each of the 4 Zones on or off. When a Zone is on, the corresponding button is lit, and you can hear the Program in the Zone. When a Zone is off, the corresponding button is not lit, and the Program in the Zone is silent. Press each Zone button to turn each Zone on or off.
TRANSPOSE Buttons The TRANSPOSE buttons can be used to change the tuning of notes played on the SP6 keyboard in semitones (also known as half steps). This is a convenient way to change the key of a song without learning to play it in a different key. The current transpose amount is shown in the LCD display (for example, the default is “Xp:0st”). Press both TRANSPOSE buttons simultaneously to reset the transposition to 0. The TRANSPOSE buttons also transpose MIDI notes sent to the USB and MIDI Out ports.
PITCH WHEEL Use the PITCH WHEEL to perform pitch bends. The Bend Up and Bend Down amount can be adjusted for each Zone in Multi Edit Mode.
MODULATION WHEEL Use the MODULATION WHEEL to vary the modulation amount. The MODULATION WHEEL will perform an assigned modulation for the Program in each Zone. The name and value of the current assignment for each Zone is shown in the LCD display when the wheel is moved. The modulation amount can be adjusted for each Zone in Multi Edit Mode.
VARIATION Button Pressing the VARIATION button will perform an assigned variation for the Program in each Zone. The name of the current assignment for each Zone is shown in the LCD display when the button is pressed. The VARIATION button can be enabled or disabled for each Zone in Multi Edit Mode. The VARIATION button has two states, off (not lit) and on (lit). The VARIATION button will typically modify the sound by adding an orchestral string section or synth pad layer, or enabling an effect.
4-3 Multi Mode Controllers ARP ON/OFF Button Use the ARP ON/OFF button to turn on and off the Arpeggiator in each Zone. Each Zone in a Multi has an arpeggiator, allowing up to 4 simultaneous arpeggiations. The ARP ON/ OFF button can be enabled or disabled for each Zone in Multi Edit Mode. The Arpeggiator takes note input from the keyboard and outputs a rhythmic and/or melodic pattern of MIDI notes. The Arpeggiator can affect both the internal Programs and external MIDI instruments. The Arpeggiator settings for the Program in each Zone can be adjusted in Program Edit Mode.
TAP TEMPO Button Use the TAP TEMPO button to set the rate of the Arpeggiator or tempo synced FX (such as Delay). Press the TAP TEMPO button a few times at the desired rate to set the tempo. You can also set a tempo by pressing the TAP TEMPO button, then using the ALPHA WHEEL or PREVIOUS/NEXT buttons to set a tempo, or use the keypad function of the CATEGORY buttons to type a numeric value followed by pressing the ENTER button.
KNOBS Press the SHIFT button to shift between 3 rows of 4 knob assignments. In Multi Mode, the top row of knob assignments (ZN1 VOL through ZN4 VOL) control the volume of each Zone. Move a knob to see the selected Zone volume value in the LCD display. The Zone volume value can be adjusted for each Zone in Multi Edit Mode. The bottom two rows of knob assignments perform the functions labeled on the front panel (see below for details). The amount of each function applied can be adjusted for each Zone in Multi Edit Mode. Because of this, the bottom two rows of knob assignments may function differently for each Zone in each Multi. The FILTER 1 knob is usually assigned to filter frequency. The FILTER 2 knob is usually assigned to filter resonance. These knobs may be assigned to different filter parameters for each Program. Move a knob to see the assigned parameter and value for each Zone in the LCD display. The ATTACK knob is assigned to amplitude attack time (the time it takes for each note to reach its full volume). When the ATTACK knob is set to a low value, the attack time will be fast, and each note will quickly reach its full volume. When the ATTACK knob is set to a high value, the attack time will be slow, and each note will slowly fade up to its full volume. This can be useful for making acoustic instrument Programs sound like synth “pad” sounds.
4-4 Multi Mode Controllers The RELEASE knob is assigned to amplitude release time (the time it takes for each note to fade to silence after a key is released). When the RELEASE knob is set to a low value, the release time will be fast, and each note will quickly fade to silence. When the RELEASE knob is set to a high value, the release time will be slow, and each note will slowly fade to silence. The FX 1 and FX 2 knob assignments vary for each Program. The knobs are usually assigned to effects such as Chorus, Phaser, Flanger, Tremolo, or Distortion. Move a knob to see the assigned parameter and value for each Zone in the LCD display. For most FX 1 and FX 2 knob assignments, setting the knob to a low value will disable the effect, and setting the knob to a high value will increase the amount of the effect that is heard. The DELAY knob is assigned to Delay amount, which controls an echo effect. Setting the knob to a low value will disable the effect, and setting the knob to a high value will increase the amount of the effect that is heard. Tap the TAP TEMPO button at the desired rate to change the delay time of the effect. You may be able to control additional Delay parameters (such as feedback amount) by using Program Edit Mode to change the assignments of the user-assignable parameters. The REVERB knob is assigned to Reverb amount, which controls a reverb effect. Reverb can give the impression of playing in a large room or concert hall. Setting the knob to a low value will disable the effect, and setting the knob to a high value will increase the amount of the effect that is heard. You may be able to control additional Reverb parameters (such as Reverb Time) by using Program Edit Mode to change the assignments of the user-assignable parameters. When a KB3 Organ Program is selected in a Zone, some of the knobs may perform Organ drawbar functions instead of the functions labeled on the front panel. Move a knob to see the assigned parameter and value for each Zone in the LCD display.
SW1 (SUSTAIN) and SW2 Pedals The SW1 (SUSTAIN) pedal defaults to controlling sustain, which will sustain any note that is played while the pedal is pressed, for as long as the pedal is held. For KB3 Organ Programs, the SW1 (SUSTAIN) pedal controls the Rotary Speaker speed, changing between fast and slow. The LCD display shows “KB3” when a Multi containing a KB3 Program is selected. The SW2 pedal defaults to controlling Sostenuto, which will sustain notes from any keys that are being held when the pedal is pressed, for as long as the pedal is held. The SW1 (SUSTAIN) and SW2 pedals can be enabled, disabled, or reassigned for each Zone in Multi Edit Mode. Because of this, the pedals may function differently for each Zone in each Multi. Global Mode can be used to set pedal overrides, which can change the pedal assignments for all Multis.
4-5 Multi Mode SPLIT/LAYER CC (VOLUME) Pedal The CC (VOLUME) pedal defaults to control Program volume (pre-FX). For KB3 Organ Programs, the CC (VOLUME) pedal controls organ swell. Organ swell is similar to Program volume, except volume can not be turned all the way down to silence. The LCD display shows “KB3” when a Multi containing a KB3 Program is selected. The CC (VOLUME) pedal can be enabled, disabled, or reassigned for each Zone in Multi Edit Mode. Because of this, the pedals may function differently for each Zone in each Multi. SPLIT/LAYER
Press the PREVIOUS and NEXT buttons simultaneously to access the Split/Layer function. The Split and Layer functions have identical parameters, but produce different results. The Split function allows you to quickly create a Multi such that keys in one range of the keyboard produce different sounds than keys in another range. The Layer function allows you to layer Programs and Multis such that more than one instrument sound can be produced by playing one key. The Split and Layer functions allow you to quickly create Multis without using Multi Edit Mode to configure Zone key ranges, Programs, and volumes. After creating and saving a Split or Layer Multi, you can edit additional Multi parameters in Multi Edit mode.
SPLIT
When you create a Split in Multi Mode, you are creating a copy of the selected Multi with a new Zone which covers the left hand of the keyboard.
4-6 Multi Mode SPLIT/LAYER To create a Split in Multi Mode, the selected Multi must have at least one ZONE ON/ OFF button set to off (an inactive Zone). When creating a Split in Multi Mode, the lowest numbered inactive Zone will be used for the new left hand Zone. You can choose a Program that will be used in the new left hand Zone of the Split Multi. Follow these steps to create a Split: 1. In Multi Mode, select a Multi for the right hand of the Split. The selected Multi must have at least one ZONE ON/OFF button set to off (an inactive Zone). 2. Press the PREVIOUS and NEXT buttons simultaneously to access the “Split or Layer” Page. 3. On the “Split or Layer” Page, use the PREVIOUS or NEXT buttons to select “Split
LAYER
When you create a Layer in Multi Mode, you are creating a copy of the selected Multi with a new Zone which covers the entire keyboard. To create a Layer in Multi Mode, the selected Multi must have at least one ZONE ON/ OFF button set to off (an inactive Zone). When creating a Layer in Multi Mode, the lowest numbered inactive Zone will be used for the new Layer Zone. You can choose a Program that will be used in the new Zone of the Layer Multi.
4-7 Multi Mode SPLIT/LAYER Follow these steps to create a Layer: 1. In Multi Mode, select a Multi that you wish to layer. The selected Multi must have at least one ZONE ON/OFF button set to off (an inactive Zone). 2. Press the PREVIOUS and NEXT buttons simultaneously to access the “Split or Layer” Page. 3. On the “Split or Layer” Page, use the PREVIOUS or NEXT buttons to select “Layer
Split/Layer Parameters The following parameters are available for each of the 4 Zones. The ZONE ON/OFF parameters are controlled by using the front panel ZONE ON/OFF buttons. The remaining parameters are accessed on each of the pages listed below. Use the CHANNEL/PAGE buttons to navigate between each of the 3 Layer or Split function pages. On these pages, the left hand Zn column indicates the Zone number associated with each of the 4 rows of parameters.
ZONE ON/OFF While creating a Split or Layer, inactive Zones can be turned On by turning on the ZONE ON/OFF buttons.
4-8 Multi Mode SPLIT/LAYER Split Page / Layer Page
Program The default Split or Layer Program will appear in the lowest numbered inactive Zone. Use the ALPHA WHEEL or CATEGORY buttons to select a different Program for the selected Zone.
Split Mixer Page / Layer Mixer Page
Volume The Volume parameter sets the volume of each Zone. To change the volume of a Zone: 1. Select a Volume parameter for the desired Zone by using the PREVIOUS and NEXT buttons. 2. Change the volume by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a volume value (0-127) followed by pressing the ENTER button. A value of “None” can also be selected, which will use the last volume value used by the Zone’s MIDI channel. (This volume values is often set by the expression pedal.) A value of “None” can be entered by using the ALPHA WHEEL to scroll below 0.
Pan The Pan parameter sets the panning (left/right stereo placement) of each Zone. To change the panning of a Zone: 1. Select a Pan parameter for the desired Zone by using the PREVIOUS and NEXT buttons.
4-9 Multi Mode Multi Save Dialog 2. Change the panning by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a pan value (0-127) followed by pressing the ENTER button. A value of 0 is full left, 64 is center, and 127 is full right. Other values will move the stereo placement in between these positions. A value of “None” can also be selected, which will use the last pan value used by the Zone’s MIDI channel. A value of “None” can be entered by using the ALPHA WHEEL to scroll below 0.
Split Key Range Page / Layer Key Range Page
Key Low / Key High The Key Low and Key High parameters set the playable key range of each Zone by setting the lowest and highest playable key of each Zone. Keys played within this range will trigger a note for the selected Zone. Using Split sets the boundary between the left hand and right hand Zones to E3. Using Layer sets the new Layer Zone keyboard range to C1 - G9. Change these parameters for each Zone to create custom Split and Layer key ranges. Values for the currently selected Key Low or Key High parameter can be selected by holding down the ENTER button and then playing the desired key on the keyboard. Values can also be selected by using the ALPHA WHEEL, or by using the keypad function of the CATEGORY buttons, followed by pressing the ENTER button. Multi Save Dialog Press the SAVE button to save a Split or Layer Multi as a User Multi, or to save a Multi with the current state of the ZONE ON/OFF buttons. The current state of the VARIATION button and/or the ARP ON/OFF button is saved if any of the Arp and/or Variation parameters are set to Yes on the Multi Edit Buttons Page. To save changes made by using the MODULATION WHEEL or any of the Knobs, you must set the value of each controller on the Multi Edit Mode Controllers Page.
4-10 Multi Mode Multi Save Dialog To save a copy of the Multi, press the SAVE button once to view the Save Dialog. The Save Dialog allows you to choose an ID number and name for the Multi you are saving. Use the CHANNEL/PAGE buttons to switch between ID selection and naming pages. On the Multi Save Page, press the SAVE button again to save the Multi as a User Multi.
Changing ID Numbers
The display shows the first available ID number and the current Multi name. You can save Multi with ID numbers from 1025 to 2048. If you are saving a Multi that has not been previously edited, the next available unused ID number will be selected. If you are saving a previously edited User Multi, the ID number that the Multi was last saved with will be selected. Press the PREVIOUS and NEXT buttons simultaneously to toggle between selecting the ID number that the Multi was last saved with and the next available unused ID number. To change the ID number, use the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type an ID number (1025-2048) followed by pressing the ENTER button. If you select an ID number that is already used by another Multi, the bottom of display will show a message to warn that you are going to replace a Multi.
Naming a User Multi
In the Save Dialog, you can name a Multi by using the Multi Name Page. Use the CHANNEL/PAGE buttons to select the Multi Name Page. The display shows the current Multi name. Multi names can total 16 characters in length.
4-11 Multi Mode PANIC To name a Multi: 1. Use the PREVIOUS and NEXT buttons to move the cursor to each character. 2. Change the current character by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a character. To insert a space before the selected character, press and hold the NEXT button. The selected character and all characters to the right will move one space to the right. To delete the selected character, press and hold the PREVIOUS button. All the characters to the right of the selected character will move one space to the left. After naming the Multi, press the SAVE button to return to the Multi Save Page. On the Multi Save Page, press the SAVE button again to save the Multi as a User Multi.
Saving a User Multi To save a User Multi, select the Multi Save Page and press the SAVE button, (or press the EXIT button to exit without saving). The display will show a brief message to confirm that the Multi was saved. After successfully saving, the Multi will be selected in Multi Mode in the User ID range (1025-2048). To find the Multi again later, make sure to press the USER button. PANIC Pressing the 0 and ENTER buttons simultaneously performs the PANIC function. PANIC deactivates all sounding notes and resets controller values by sending an “All Notes Off ” message and a “Reset All Controllers” message on all 16 MIDI channels.
4-12 Multi Edit Mode Main Page Chapter 5 Multi Edit Mode
Multi Edit Mode allows you to edit and customize Multis. Any Multi can be edited in Multi Edit Mode and saved to one of the 1024 User IDs. To enter Multi Edit Mode from another Mode, press and turn on the MULTI Mode button to enter Multi Mode, then press and turn on the EDIT button. In Multi Edit Mode, the top line of the display shows the current page name and number. Navigate to each page by using the CHANNEL/PAGE buttons. Navigate to each parameter on the current page by using the PREVIOUS and NEXT buttons. Change the value of the selected parameter by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a numeric value followed by pressing the ENTER button. Many parameters apply only to one of the 4 Zones (Zone specific parameters). Pages with Zone specific parameters show “Zn” in the top left of the page and list Zone numbers 1-4 on the lines below. This indicates that the parameters in lines 1-4 each respectively apply only to Zones 1-4. Main Page
Use the Main Page to select a Program for each of the 4 Zones. Only one KB3 Organ Program can be loaded at a time. The Main Page shows “KB3” to the left of the Program name when a KB3 Program is loaded in a Zone. See KB3 Chan on page 5-12 for details. Use any of the methods below to select a Program for each Zone.
5-1 Multi Edit Mode Mixer Page Browse All Programs Make sure the USER button is off, then use the ALPHA WHEEL or PREVIOUS and NEXT buttons to select a Program from all of the available Programs.
Select a Program by Category Make sure the KEYPAD button is off, then press one of the CATEGORY buttons to select the first Program of a category (or the current Category Default Program). The selected CATEGORY button will turn on. Use the ALPHA WHEEL or PREVIOUS and NEXT buttons to select Programs from the selected category.
Select a Previously Saved User Program Press and turn on the USER button, then use the ALPHA WHEEL or PREVIOUS and NEXT buttons to browse only User Programs. To return to browsing Factory and User Programs, press and turn off the USER button.
Select a Program by ID Number Press and turn on the KEYPAD button. The keypad button allows you to use the numbers labeled on the CATEGORY buttons to select Programs or Multis by ID number. Type an ID number followed by pressing the ENTER button to select the associated Program. Mixer Page
Use the Mixer Page to set the Volume and panning for each Zone.
Volume The Volume parameter sets the volume of each Zone. Change the volume of a Zone by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a volume value (0-127) followed by pressing the ENTER button.
5-2 Multi Edit Mode Key/Velocity Page A value of “None” can be selected by using the ALPHA WHEEL to scroll below 0. This is useful if you wish to manually set Zone volumes with the SP6 knobs, rather than using default values when the Multi is selected. A value of “None” will use the last volume value used by the Zone’s MIDI channel (a MIDI channel from the previously selected Multi, or from Program Mode).
Pan The Pan parameter sets the panning (left/right stereo placement) of each Zone. Change the panning of a Zone by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a pan value (0-127) followed by pressing the ENTER button. A value of 0 is full left, 64 is center, and 127 is full right. Other values will move the stereo placement in between these positions. A value of “None” can be selected by using the ALPHA WHEEL to scroll below 0. A value of “None” will use the last pan value used by the Zone’s MIDI channel (a MIDI channel from Program Mode or from the previously selected Multi). Key/Velocity Page
Key Low / Key High The Key Low and Key High parameters set the playable key range of each Zone by setting the lowest and highest playable key of each Zone. Keys played within this range will trigger a note for the selected Zone. (You can also set a range where playing keys will not trigger a note, by setting Key Low to a higher key than Key High). A Value for the currently selected Key Low or Key High parameter can be selected by holding down the ENTER button and then playing the desired key on the keyboard. Values can also be selected by using the ALPHA WHEEL, or by using the keypad function of the CATEGORY buttons, followed by pressing the ENTER button.
5-3 Multi Edit Mode Transpose/Bend Page Velocity Low / Velocity High The Velocity Low and Velocity High parameters set the playable velocity range of each Zone by setting the lowest and highest playable velocity of each Zone. Velocities within this range will trigger a note for the selected Zone. (You can also set a range where playing velocities will not trigger a note, by setting Velocity Low to a higher velocity than Velocity High). Transpose/Bend Page
Xpose The Xpose parameters set the transposition of each Zone. The Xpose parameters change the pitches generated by each Zone, without changing the Key Low and Key High range on the keyboard. This is done by changing the MIDI note numbers generated by the keys in the Zone. If you transpose out of the range of the selected Program in the selected Zone, notes from that Zone’s Program will not produce sound, though MIDI notes will still be transmitted from the Zone.
Bend Up / Bend Down The Bend Up and Bend Down parameters set the pitch bend up and pitch bend down range of the PITCH WHEEL for each Zone. Use these parameters to set how much the pitch will change when you move the PITCH WHEEL up or down. Change the Bend Up or Bend Down values by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a value (0-88) followed by pressing the ENTER button. A value of “Prog” can also be selected, which will use the respective PBendUp or PBendDwn value of the Program in the selected the Zone. A value of “Prog” can be entered by using the ALPHA WHEEL to scroll below 0. Bend Up values greater than 12 can cause samples to bend to their maximum upward pitch before the PITCH WHEEL is fully up.
5-4 Multi Edit Mode FX Page FX Page
Use the FX Page to enable or disable the FX of the Program in each Zone. Each Zone can be set to Y to enable effects, or to N to disable effects. Some Zones set to Y may be displayed as (Y). This means that there are not enough effects resources available for that Zone, and that Zone’s effects are not loaded. If you want to use the FX for a Zone displayed as (Y), try setting other Zones to N to make more FX resources available. Buttons Page
Arp The Arp parameters set whether the ARP ON/OFF button is functional for the Program in each Zone. When a Zone’s Arp parameter is set to Yes, the Arpeggiator for the Program in that Zone will be controlled by the ARP ON/OFF button. When a Zone’s Arp parameter is set to No, the Arpeggiator for the Program in that Zone is set to Off.
Variation The Variation parameters set whether the VARIATION button is functional for the Program in each Zone. When a Zone’s Variation parameter is set to Yes, the variation for the Program in that Zone will be controlled by the VARIATION button. When a Zone’s Variation parameter is set to No, the variation for the Program in that Zone is set to Off.
5-5 Multi Edit Mode Switch Pedals Page Switch Pedals Page
Use the Switch Pedals Page to select an assignment for each switch pedal in each Zone. When a switch pedal is plugged into the SW1 (SUSTAIN) and/or SW2 jacks, use the parameters in the SW1a and SW2a columns to select an assignment for the switch pedals in each Zone. When a dual switch pedal is plugged into the SW1 (SUSTAIN) jack, use the parameters in the SW1a and SW1b columns to select an assignment for the dual switch pedals in each Zone. When a dual switch pedal is plugged into the SW2 jack, use the parameters in the SW2a and SW2b columns to select an assignment for the switch pedals in each Zone. Note: If a Switch Pedal Override has been selected in Global Mode, Multi Edit Mode will display overridden functions with an asterisk “*” to indicate that the selected function has been overridden. See Switch Pedal Overrides on page 6-6 for details on Switch Pedal Overrides. Each switch pedal can be assigned to these functions:
OFF When OFF is selected, the selected pedal is disabled in the selected Zone.
Sust / Rota When Sust is selected, the selected pedal is assigned to the Sustain function in the selected Zone. Pedals assigned to Sust will sustain any note that is played in the selected Zone while the pedal is pressed, for as long as the pedal is held. For Zones containing KB3 Organ Programs, the Rota function is available instead of Sust. The Rota assignment controls the Rotary Speaker speed, changing between fast and slow.
5-6 Multi Edit Mode CC Pedal Page Sost When Sost is selected, the selected pedal is assigned to the Sostenuto function in the selected Zone. Pedals assigned to Sost will sustain notes from any keys that are being held in the selected Zone when the pedal is pressed, for as long as the pedal is held.
Soft When Soft is selected, the selected pedal is assigned to the Soft pedal function in the selected Zone. Pedals assigned to Soft will perform the Soft pedal function for Piano category Programs in the selected Zone. For Programs in the Piano category, the Soft pedal function simulates applying dampers to the piano strings. Soft will dampen any Piano note that is played in the selected Zone while the pedal is pressed. CC Pedal Page
CC Pedal Assignments Use the CC Pedal Page to select an assignment for the CC pedal in each Zone. The CC pedal can be assigned to these functions:
OFF When OFF is selected, the CC pedal is disabled in the selected Zone.
Expression / Swell Expression controls the pre-FX Program volume, scaling between silence and the current Zone volume. The Expression assignment can also be used to send MIDI CC 11 to external MIDI devices. For Zones containing KB3 Organ Programs, the Swell function is available instead of Expression. Organ swell is similar to Program volume, except volume can not be turned all the way down to silence. The Multi Edit Main Page shows “KB3” to the left of the Program name when a KB3 Program is loaded in a Zone.
5-7 Multi Edit Mode Controllers Page Foot The Foot assignment controls a wah effect for some Programs. Usually the wah effect must be enabled with the VARIATION button. The Foot assignment can also be used to send MIDI CC 4 to external MIDI devices.
Pan The Pan assignment controls panning (left/right stereo placement). The Pan assignment can also be used to send MIDI CC 10 to external MIDI devices.
Value Use the Value parameter to set a default value (0-127) for the CC Pedal, which will be applied whenever the Multi is selected. When the Value parameter is selected, you can set a value by using the ALPHA WHEEL, or by using the keypad function of the CATEGORY buttons to type a value (0-127) followed by pressing the ENTER button. A value of “None” can be selected by using the ALPHA WHEEL to scroll below 0. A value of “None” allows the CC pedal assignment in each Zone/MIDI channel to use the last value it had in the previously selected Multi (if the previously selected Multi had the same assignments in the same Zones/MIDI channels). For example, when controlling the volume of your Multis with the Expression assignment, a value of “None” is useful so that the Expression value does not get set to a default value when selecting a new Multi. Controllers Page
Use the Controllers Page to adjust controller settings for each Zone. Settings can be adjusted for the MODULATION WHEEL, as well as the KNOBS assignments.
5-8 Multi Edit Mode Controllers Page Ctl Use the Ctl parameter to select a controller. When the Ctl parameter is selected, you can select a controller by using the ALPHA WHEEL, or by holding the ENTER button and moving the MODULATION WHEEL or one the KNOBS.
Value Use the Value parameter to set a value (0-127) for the selected controller. When the Value parameter is selected, you can set a value by using the ALPHA WHEEL, or by using the keypad function of the CATEGORY buttons to type a value (0-127) followed by pressing the ENTER button. When the Value parameter is selected, you can also set a value by holding the ENTER button and moving the MODULATION WHEEL or one the KNOBS.
State Use the State parameter to enable or disable the selected controller in the selected Zone. When a Zone’s State parameter is set to Yes, the selected controller is active. When a Zone’s State parameter is set to No, the Program in that Zone will not be controlled by the selected controller. The Program in that Zone will use the controller setting that the Program was saved with in Program Mode.
Scale Use the Scale parameter to scale the value of the selected controller for each Zone. The Scale parameter multiplies the current value of the controller by the selected Scale amount (-300% through 300%). Press the MULTI Mode button to quickly apply the selected value. The Scale parameter effectively allows you to apply different values to each Zone, while maintaining a single value for each controller. For example, with the Ctl parameter set to Reverb, you could set the Zone 1 Scale parameter to 100%, and the Zone 2 Scale parameter to 50%. With the REVERB knob set to 127, Zone 1 would have a Reverb value of 127, and Zone 2 would have a Reverb value of 63. With the REVERB knob set to 64, Zone 1 would have a Reverb value of 64, and Zone 2 would have a Reverb value of 32.
5-9 Multi Edit Mode Channel Page Add Use the Add parameter to offset the value of the selected controller for each Zone. The Add parameter offsets the current value of the controller by the selected Add amount (-128 through 127). Press the MULTI Mode button to quickly apply the selected value. The Add parameter effectively allows you to apply different values to each Zone, while maintaining a single value for each controller. For example, with the Ctl parameter set to Reverb, you could set the Zone 1 Add parameter to 0, and the Zone 2 Add parameter to 10. With the REVERB knob set to 0, Zone 1 would have a Reverb value of 0, and Zone 2 would have a Reverb value of 10. With the REVERB knob set to 15, Zone 1 would have a Reverb value of 15, and Zone 2 would have a Reverb value of 25. Channel Page
Use the Channel Page to select a MIDI Channel and Destination for each Zone. The Chan and Destination parameters are useful when using the SP6 to send MIDI to external equipment, or when receiving MIDI from external equipment. If you are not using external MIDI equipment, these parameters can be left at their default values.
Chan The Chan parameters set the MIDI transmit and receive channel for each Zone. For most uses, each Zone should be set to a different MIDI channel. If you set multiple Zones to the same MIDI channel, the same Program will be used for each of those Zones.
Destination The Destination parameters determine where MIDI data generated from each Zone is sent when playing the SP6 keyboard and moving the SP6 controllers. MIDI data from each Zone can be sent to a SP6 Program (LOCAL), to the MIDI OUT port (MIDI), to the USB COMPUTER port (USB), or to any combination of these destinations.
5-10 Multi Edit Mode Common Page The Destination parameters work in combination with the LOCAL DEST button on the front panel. The Destination parameters and the LOCAL DEST button each act like filters. For example, if the Zone 1 Destination parameter is set to LOCAL, and the LOCAL DEST button is set to LOCAL + MIDI, MIDI data from Zone 1 will be sent to LOCAL only. Common Page
Tempo Use the Tempo parameter to set the rate of the Arpeggiator or tempo synced FX (such as Delay). You can set a value by using the ALPHA WHEEL, or by using the keypad function of the CATEGORY buttons to type a value followed by pressing the ENTER button. The value of the Tempo parameter can also be set by tapping the TAP TEMPO button at the desired rate.
Clock Src Use the Clock Src (Clock Source) parameter to set whether the selected Multi will use its own tempo, or whether it will sync with the tempo from an external MIDI device. Set the Clock Src parameter to Internal to use the tempo set by the Tempo parameter. Set the Clock Src parameter to External to use the tempo from an external MIDI device. When the Clock Src parameter is set to External, an external MIDI device must be sending MIDI clock data to the USB or MIDI in port.
Revrb Chan Use the Revrb Chan (Reverb Channel) parameter to set the MIDI channel which will be used for Reverb. The Reverb effect of the Program loaded in the selected MIDI channel will be used for all Programs in the current Multi. To view the MIDI Channel of each Zone, see Channel Page on page 5-10.
5-11 Multi Edit Mode Save User Multis KB3 Chan Use the KB3 Chan (KB3 Channel) parameter to set the MIDI channel which will be used for KB3 organ Programs. Only one KB3 Program can be loaded at a time. If KB3 Programs are selected for more than one Zone, this parameter specifies which MIDI channel has priority to load a KB3 Program. If you want a KB3 Program to play in a Zone, set KB3 Chan to the channel of the Zone. To view the MIDI Channel of each Zone, see Channel Page on page 5-10. Save User Multis For details on saving User Multis, see Multi Save Dialog on page 4-10.
5-12 Global Mode Settings Page Chapter 6 Global Mode
Global Mode allows you to adjust performance settings which affect all Programs and Multis. Global Mode also allows you to Store, Load, and Delete Programs and Multis, or restore factory defaults by performing a Reset. Navigate to each page by using the CHANNEL/PAGE buttons. Navigate to each parameter on the current page by using the PREVIOUS and NEXT buttons. Change the value of the selected parameter by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a numeric value followed by pressing the ENTER button. Settings Page
Tune Use the Tune parameter to adjust the fine tuning of all Programs and Multis.
VelocityMap The VelocityMap parameter determines the way the SP6 generates MIDI velocity information. Different maps generate different MIDI velocity values for the same physical key strike velocity. The default map (Linear) provides the widest range of velocity expression, but you may want to choose a different map if the default does not suit your playing style. You can select from any of the following settings:
6-1 Global Mode Settings Page
Light3 Makes it increasingly easier to produce high MIDI velocity values for the Light2 same key strike velocity (with Light3 being the easiest). These maps work best for those with a light touch. Light1 The default map. Linear, allows MIDI velocities to pass unchanged. It Linear follows a linear response. Hard1 Makes it increasingly harder to produce high MIDI velocity values for the Hard2 same key strike velocity (with Hard3 being the hardest). These maps work best for those with a heavy touch. Hard3 Simulates the general velocity response of an acoustic piano, and is PianoTouch best suited for playing acoustic piano Programs. Similar to the Light1/Light2/Light3 settings. Makes higher velocities easier to play, but allows more sensitive control over playing high EasyTouch velocities by not boosting the MIDI velocity for fast strike velocities as much as it does for medium strike velocities. Mimics the velocity response commonly used by keyboards that use the General MIDI (GM) sound set. The GM Receive map makes medium GM Receive strike velocities produce higher MIDI velocities compared to the Linear map.
IntonatMap Most modern western music uses what is known as equal temperament. This means that the interval between each semitone of the 12 tone octave is precisely the same as every other semitone. However, many different intonation intervals have evolved over the centuries and across cultures and instruments, so equal temperament will not sound appropriate for certain styles of music. The SP6 supplies you with 18 different factory intonation maps which are useful for a range of different styles. Each of these maps defines different intervals between each of the semitones in a single octave (used for all octaves) by setting pitch offsets for each note in cents. Like many instruments before the adaptation of equal temperament, most of these intonation maps were designed to sound best in one specific key. Though some may have historically been in a different key, all of the SP6’s factory intonation maps are set to root note C by default. You can change the root key of the current intonation map by using the IntonatKey parameter (see the IntonatKey section below).
0 None No intonation map is used, intonation is equal. 1 Equal No detuning of any intervals. The standard for modern western music. Tunings are defined based on the ratios of the frequencies between 2 Just intervals. The original tuning of Classical European music. 3 Just/b7th Similar to Just, but with the Dominant 7th flatted an additional 15 cents.
6-2 Global Mode Settings Page
4 Harmonic The perfect 4th, Tritone, and Dominant 7th are heavily flatted. 5 JustHarm Approximation of a historical intonation. Named for its inventor, Andreas Werkmeister, it was developed to enable 6 Werkmeiste transposition with less dissonance than classic equal temperament. 7 1/5thCmma Approximation of a historical intonation based on the comma system. 8 1/4thCmma Approximation of a historical intonation based on the comma system. 9 IndianRaga Based on the tunings for traditional Indian music. 10 Arabic Oriented toward the tunings of Mid-Eastern music. 11 BaliJava1 Based on the pentatonic scale of Balinese and Javanese music. 12 BaliJava2 A variation on BaliJava1, slightly more subtle overall. 13 BaliJava3 A more extreme variation. 14 Tibetan Based on the Chinese pentatonic scale. Developed by Wendy Carlos, an innovator in microtonal tunings, this 15 Carlos A intonation map flats each interval increasingly, resulting in an octave with quarter-tone intervals. This is a Pythagorean tuning, based on the Greek pentatonic scale. The 16 Pyth/aug4 tritone is 12 cents sharp. This is a Pythagorean tuning, based on the Greek pentatonic scale. The 17 Pyth/dim5 tritone is 12 cents flat. 18 EastMed Eastern Mediterranean. The Major 3rd and Major 7th are flat by 50 cents.
IntonatKey Use the IntonatKey parameter to set the tonic (or base note) from which the currently selected intonation map calculates its intervals. If you select G as the intonation key, for example, and the intonation map you select tunes the minor 2nd down by 50 cents, then G# will be a quartertone flat relative to equal intonation. If you change the intonation key to D, then D# will be a quartertone flat. If you use nonstandard intonations, you’ll want to set IntonatKey to the key you’re playing in. If the Intonation parameter is set to Equal, changing IntonatKey has no effect.
Local Chan The Local Chan parameter enables an external MIDI keyboard to function as if it is the SP6’s keyboard and physical controllers. This allows all Channels/Zones of a Multi to be played simultaneously from an external MIDI keyboard transmitting on a single MIDI channel (or a single MIDI channel of a sequencer), with split and layered Zones laid out across the external MIDI keyboard. To do this, set Local Chan to the same MIDI channel that your external MIDI keyboard or sequencer is transmitting.
6-3 Global Mode Settings Page If you are not using an external MIDI device to play Multis, you can ignore this parameter and leave it set to None. When Local Chan is set to None, an external MIDI device transmitting on one channel will only play one Channel/Zone of a Multi. In Program Mode, an external MIDI keyboard or sequencer transmitting on the Local Chan will always play the Program on the currently selected Program Mode MIDI channel.
AutoPwrOff The SP6 has an automatic power saving feature (Auto Power Off) that can automatically power off the SP6 after a period of inactivity, in order to conserve electricity. Use the AutoPwrOff parameter to enable or disable the automatic power saving feature. When the AutoPwrOff parameter is set to On, the SP6 will automatically power off after the Power Off Time has expired, from the last key press (physical or MIDI), button press, controller movement, or USB MIDI activity. A count down timer warning will be shown in the LCD display a few minutes before the SP6 is powered off. At any time, touching any SP6 control or playing a note will cause the SP6 to remain powered on, until the SP6 has been inactive for the set Power Off Time.
APwrOffTime Use the APwrOffTime parameter to set the Power Off Time. If the AutoPwrOff parameter is set to On, then the SP6 will automatically power off after the Power Off Time has expired, from the last key press (physical or MIDI), button press, controller movement, or USB MIDI activity. A count down timer warning will be shown in the LCD display a few minutes before the SP6 is powered off. At any time, touching any SP6 control or playing a note will cause the SP6 to remain powered on, until the SP6 has been inactive for the set Power Off Time.
MultiChange Use the MultiChange parameter to set the behavior of how Multis are loaded when selecting a Multi in Multi Mode. When MultiChange is set to Immediate, a selected Multi will be loaded immediately. When MultiChange is set to AllKeysUp, a selected Multi will be loaded when you’ve released all currently held notes.
6-4 Global Mode Settings Page SysEx ID The SysEx ID parameter sets the ID number for the unit if you are using more than one device with the same MIDI manufacturer ID number. You can set this parameter to any number from 0 to 127. Unless you have multiple SP6 keyboards receiving SysEx messages from a single source, you will not need to change the SysEx ID from the default setting of 0. If you do have multiple SP6s receiving SysEx messages from a single source, make sure each SP6 has a different SysEx ID. This will allow you to direct SysEx messages to the appropriate SP6 by specifying which unit with the SysEx ID byte that’s included with every SysEx message. To have the unit respond to SysEx messages regardless of the SysEx ID, set SysEx ID to 127. LCDContras Use the LCDContras parameter to adjust the contrast of the LCD display.
BankMode The BankMode parameter determines the MIDI controller number(s) that will be used to select MIDI Program Banks. When using an external MIDI device to send MIDI bank change messages to the SP6, different manufacturers may use different MIDI controller numbers for sending bank change messages (usually 0, 32, or both 0 and 32). You can use the BankMode parameter to ensure that the SP6 responds to bank change messages from external MIDI devices. Set BankMode to any of the following settings:
Ctl 0 MIDI Bank change messages are received with controller number 0. Ctl 32 MIDI Bank change messages are received with controller number 32. Ctl 0/32 MIDI Bank change messages are received with both controller numbers 0 and 32.
FXMode The FXMode parameter determines how effects resources are used in Program Mode. Use the Perform setting when playing a single Program in Program Mode. With FXMode set to Perform, the SP6 minimizes disruption of effects when changing Programs or MIDI channels in Program Mode. When controlling the SP6 from an external sequencer to play multiple channels in Program Mode, setting FXMode to MultiTrk allows effects to be loaded on more MIDI channels, although effects may be momentarily disrupted when changing Programs or MIDI channels.
6-5 Global Mode Overrides Page Show Params When the Show Params parameter is set to Yes, the All Parameters page appears in Program Edit Mode. See All Parameters Page on page 3-7 for details. When the Show Params parameter is set to No, the All Parameters page is hidden in Program Edit Mode.
KB3 Trigger KB3 Trigger determines whether KB3 organ notes are triggered by the high or low velocity switch of each key. When set to “Low” : Each key must be pressed all the way down to trigger a note. When set to “High” : Notes are triggered near the top of the key travel. This permits faster note triggering because each key only has to be pressed down slightly, however this can also result in unwanted false triggers. The default setting is “Low”, which generally produces better results for most playing styles. Overrides Page
Switch Pedal Overrides The Switch Pedal Override parameters (SW1a through SW2b) allow the assignments for the Switch Pedals to be changed for all Programs and Multis. (KB3 organ Programs have a separate override for the SW1a pedal, see the KB3 Rotary section below for details). The alternative assignments available for the Switch Pedal Overrides include the standard piano pedal controls of Sustain, Sostenuto and Soft as well as DataInc, DataDec, FavoriteInc and FavoriteDec, which can be used to change Programs, Multis or Favorites by using a pedal. The Arp On/Off and Arp Latch assignments allow for easy control of arpeggiator functions. Use the DataInc and DataDec assignments (data increment/decrement) to select the next or previous ID when you depress the pedal. If you are in Program mode, DataInc and DataDec will select the next or previous Program. If you are in Multi mode, DataInc and DataDec will select the next or previous Multi.
6-6 Global Mode Overrides Page Use the FavoriteInc and FavoriteDec assignments (Favorite increment/decrement) to select the next or previous Favorite when you depress the pedal. If you are not playing any Favorites, FavoriteInc and FavoriteDec will select the first Favorite, or the last Favorite that was selected since turning on the SP6. Use the Arp On/Off and Arp Latch assignments to easily control arpeggiator functions. The Arp On/Off assignment allows you to toggle the arpeggiator on and off by pressing a switch pedal. The Arp Latch assignment allows you to latch held notes to be played by the arpeggiator by holding down a switch pedal. When using the Arp Latch assignment, make sure the arpeggiator is turned on. Play the notes you wish to latch, press and hold the assigned pedal, then release the notes. The notes will continue to arpeggiate until the pedal is released. In Multi Edit Mode, if a pedal is selected which has a pedal override enabled in Global mode, Multi Edit Mode will display the original assignment with an asterisk (*) to remind you that the Global mode pedal override settings are being used instead of the Multi mode pedal settings. In Multi Edit Mode, setting a Pedal assignment to “OFF” will disable the override for that Pedal in the selected Zone. It can be useful in Multi Mode to disable the Pedal Override for some Zones. For example, you may want to use a Pedal Override to control Sustain in all Zones of a Multi, but disable Sustain for one Zone.
KB3 Rotary By default KB3 organ Programs have the Slow/Fast speed control for the Rotary speaker effect assigned to the VARIATION button and the SW1 (SUSTAIN) pedal (the “Button+Ped” setting). Setting the KB3 Rotary parameter to “Button” allows the Sustain pedal to function as sustain for all KB3 Programs, instead of Rotary Slow/Fast. The VARIATION button will always control the Rotary speed, regardless of this parameter’s setting.
6-7 Global Mode File Page File Page
The File Page allows you use a USB Device (such as a thumb drive) or a computer to store and load backup files of User Objects (Programs and Multis), or to load new sounds. On the File Page, press the ENTER button to go to the File Options Page.
File Options On the File Options Page, use the PREVIOUS and NEXT buttons to select Load or Store, then press the ENTER button to continue to the Load Device Page or Store Method Page. While using the File Options Page, the playing of notes is disabled.
Load / Load Device Use the Load Device Page to select the device you wish to load from.
Load a File from a Computer 1. Connect a USB cable from your computer to the USB COMPUTER port on the rear panel of the SP6. 2. On the Load Device Page, use the PREVIOUS and NEXT buttons to select PC Drive, then press the ENTER button. 3. Add a file to the SP6 drive on your computer, then eject the drive from your computer. 4. When the drive has been ejected from you computer, press the ENTER button on the Load Page. 5. On the Load File Page, use the PREVIOUS and NEXT buttons to select the file in the list, then press the ENTER button. 6. On the Load Method Page, use the PREVIOUS and NEXT buttons to select a load method. See the Load Method section below for details.
Load a File from a USB Device 1. Connect a USB Device (such as a thumb drive) containing your file to the USB STORAGE port on the rear panel of the SP6.
6-8 Global Mode File Page 2. On the Load Device Page, use the PREVIOUS and NEXT buttons to select USB Device, then press the ENTER button. 3. On the Load File Page, use the PREVIOUS and NEXT buttons to select the file in the list, then press the ENTER button. 4. On the Load Method Page, use the PREVIOUS and NEXT buttons to select a load method. See the Load Method section below for details.
Load Method On the Load Method Page, use the PREVIOUS and NEXT buttons to select a load method, then press the ENTER button. See below for details on each method. All: Use All to load all of the objects from the selected file. Objects will be loaded into the lowest User ID numbers that are currently unused in your SP6. Used User IDs will not be overwritten. Some: Use Some to load some of the objects from the selected file. You will be brought to the Load Some Page, where you can select objects from a list. On the Load Some Page, use the PREVIOUS and NEXT buttons or ALPHA WHEEL to scroll through the list. Use the LOCAL DEST button to select or de-select objects in the list. Selected objects are marked with an asterisk (*). Press the ENTER button to load the selected objects, or press the EXIT button to cancel. Objects will be loaded into the lowest User ID numbers that are currently unused in your SP6. Used User IDs will not be overwritten. All-Ovrwrte: Use All-Ovrwrte to delete all of the User Objects in your SP6, then load all of the objects from the selected file using the ID numbers stored in the file. All-Ovrwrte will delete all of the User Objects in your SP6 before loading the objects from the selected file. This cannot be undone. Before using All-Ovrwrte, you may wish to use the File Page to store your existing User Objects to a computer or USB Device. Deleted User Objects can not be recovered.
Store / Store Method On the Store Method Page, use the PREVIOUS and NEXT buttons to select a store method, then press the ENTER button. See below for details on each method. All: Use All to store all User Objects from the SP6. Some: Use Some to store some of the objects from the SP6. You will be brought to the Store Some Page, where you can select objects from a list. On the Store Some Page, use the PREVIOUS and NEXT buttons or ALPHA WHEEL to scroll through the list. Use the LOCAL DEST button to select or de-select objects in the list. Selected objects are marked with an asterisk (*).
6-9 Global Mode Delete Page Press the ENTER button to store the selected objects, or press the EXIT button to cancel.
Store Device After selecting a store method, use the Store Device Page to select the device you wish to store to. Store a File to a Computer 1. Connect a USB cable from your computer to the USB COMPUTER port on the rear panel of the SP6. 2. On the Store Device Page, use the PREVIOUS and NEXT buttons to select PC Drive, then press the ENTER button to go to the File Name Page. 3. On the File Name Page, use the PREVIOUS and NEXT buttons to move the cursor to each character. Change the current character by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a character. After naming the file, press the ENTER button to store the file to the PC Drive. 4. On your computer, copy the stored file from the SP6 drive to your computer, then eject the drive from your computer. Store a File to a USB Device 1. Connect a USB Device (such as a thumb drive) to the USB STORAGE port on the rear panel of the SP6. 2. On the Store Device Page, use the PREVIOUS and NEXT buttons to select USB Device, then press the ENTER button. 3. On the File Name Page, use the PREVIOUS and NEXT buttons to move the cursor to each character. Change the current character by using the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a character. After naming the file, press the ENTER button to store the file to the USB Device. Delete Page
Use the Delete Page to delete selected Programs and Multis from the SP6. On the Delete Page, press the ENTER button to view a list of User Objects.
6-10 Global Mode Info Page While viewing the list of User Objects, use the PREVIOUS and NEXT buttons or ALPHA WHEEL to scroll through the list. Use the LOCAL DEST button to select or de-select objects in the list. Selected objects are marked with an asterisk (*). Press the ENTER button to delete the selected objects, or press the EXIT button to cancel. Info Page
The Info Page shows currently installed Operating System version (OS) and Objects version. To make sure that you have the latest Operating System and sound Objects, go to the Kurzweil website at www.kurzweil.com. Select the About parameter and press the ENTER button to see a list of credits and acknowledgments. Reset Page
Use the Reset Page to reset the SP6 to its original factory settings. Press the ENTER button to restore all Global Mode settings to their factory defaults, and delete all User Programs and Multis. All User Programs and Multis will be permanently erased. This cannot be undone. Before using the Reset Page, you may wish to use the File Page to store your existing User Objects to a computer or USB Device. Deleted User Objects can not be recovered.
6-11
6-12 Troubleshooting Maintenance Chapter 7 Troubleshooting
Use this chapter to learn how to maintain your SP6 and solve operational problems. Maintenance Clean the SP6 with a soft cloth dampened with water. Never use abrasives or solvents as they may damage the SP6. Power On Problems This is the normal power on sequence: 1. The LCD backlight turns on. 2. “Loading...” appears in the LCD for a few seconds. 3. The SP6 enters Program Mode with Program 1 or the default boot up Program selected. If your SP6 does not follow the normal power on sequence, check the problems and solutions below:
Problem The SP6 does not power on Solutions Plug the power cable securely into the wall outlet. Plug the power cable securely into the SP6 power jack. Use a different wall outlet, power strip, or extension cord.
Problem The SP6 powers on but operation is abnormal Solution Try plugging the power cable into a different wall outlet on a different circuit.
Problem The SP6 powers on but the LCD is difficult to read Solution Go to the Global Mode Settings page and adjust the LCDContras parameter.
7-1 Troubleshooting Audio Problems Audio Problems CAUTION: To protect your ears, do not troubleshoot audio problems while wearing headphones. Additionally, always set the SP6 and connected audio system or mixer to a low volume level when troubleshooting audio problems. NOTE: When solving audio problems, playing the SP6 Demo Songs is an easy way to test if the audio is working properly. To play the SP6 Demo Songs, press the KEYPAD and 0 buttons simultaneously. Problem The SP6 functions normally but does not produce sound or has low volume Solutions If the VOLUME knob is turned down, slowly turn the VOLUME knob up. If an expression pedal is plugged into the CC1 jack, try to turn up the volume using the expression pedal. Use the MIDI Panic function by simultaneously pressing the 0 and ENTER buttons to reset the MIDI Volume and Expression values for all MIDI Channels. Press the LOCAL DEST button until the LCD shows “Destination LOCAL+MIDI”. If the volume control on your audio system or mixer is turned down, slowly turn the volume control up. If your audio cables are not securely plugged into the SP6, audio system, or mixer, set the volume of the audio or mixer to the lowest level, securely plug in the audio cables on both ends, and then slowly turn up the volume. Try using different audio cables. Obtain and securely connect the correct type of audio cables. The SP6 accepts both balanced (TRS) and unbalanced (TS) 1/4-inch audio cables. If the signal source selection on your audio system or mixer is incorrect, set the volume of the audio or mixer to the lowest level, select the correct signal source, and then slowly turn up the volume. If the input to your audio system or mixer is set for low impedance, set the volume of the audio or mixer to the lowest level, change the impedance setting to high, and then slowly turn up the volume of the audio system or mixer. If the input trim to your audio system or mixer is set too low, slowly turn up the trim on your audio system or mixer.
7-2 Troubleshooting MIDI Problems MIDI Problems Problem Sending MIDI messages to a computer or external MIDI device is not working Solutions Make sure the MIDI channel being used by the SP6 matches the MIDI channel being used by the external device. Press the LOCAL DEST button until the LCD shows “Destination MIDI.” If using a MIDI cable, make sure the MIDI cable is plugged into the SP6 MIDI OUT port and the external MIDI device MIDI IN port. Make sure the USB or MIDI cable being used is securely plugged in at both ends. Try using a different USB or MIDI cable.
Problem Receiving MIDI messages from a computer or external MIDI device is not working Solutions Make sure the MIDI channel being used by the SP6 matches the MIDI channel being used by the external device. If using a MIDI cable, make sure the MIDI cable is plugged into the SP6 MIDI IN port and the external MIDI device MIDI OUT port. Make sure the USB or MIDI cable being used is securely plugged in at both ends. Try using a different USB or MIDI cable.
7-3 Troubleshooting Pedal Problems Pedal Problems Switch Pedal Problems
Problem Sustain or Sostenuto pedals are stuck “on”, or functioning backwards (“on” when up instead of down) Solution Always plug pedals in before powering on the SP6, and do not press the pedals before the SP6 has powered on. Turn power off, then on, if necessary.
Problem A switch pedal is not doing the expected function Solutions Check the Global Mode Overrides page to see if you have applied any pedal overrides. If you have pedal problems in Multi Mode, use the Multi Edit Mode Switch Pedals page to check the pedal settings for each Zone in each Multi.
Problem A dual switch pedal is not working correctly Solution A dual switch pedal must be wired as shown below. Any other wiring pattern will not work correctly.
Sleeve Ring Tip
Left Pedal Right Pedal
7-4 Troubleshooting Kurzweil Support Continuous Control (Expression) and Half Damper Pedal Problems
Problem A Continuous Control (Expression) or Half Damper pedal is not working correctly Solution For best results, use a Kurzweil CC-1 Continuous Control pedal, available from your dealer. See below for specifications when using Continuous Control pedals from other manufacturers. A Continuous Control (Expression) or Half Damper pedal must be wired to a single stereo 1/4-inch plug as follows: • Wiper to Tip • Top end of resistance element to Ring • Bottom end of resistance element to Sleeve These connections are shown schematically below:
Increasing Foot Pressure
10KOhm Linear Taper Sleeve Ring Tip
A continuous control pedal should have an impedance between 5,000 and 100,000 ohms. An impedance less than 5,000 may overload the reference voltage source in the SP6 and interfere with operation of other controls. An impedance more than 100,000 may result in electrically noisy operation, which may cause your SP6 to send unwanted MIDI controller messages. The taper of the control should be linear for easy, predictable control. Pedals designed for volume control typically have an exponential (or anti log) taper, which results in most of their range being concentrated in the upper half of pedal’s path of travel. Pedals may have a control range that is less than 100%. Make sure that when the pedal is in the fully down position, its impedance is 0, and when it is in the fully up position, the impedance is at its maximum rating. Kurzweil Support For additional help, contact Kurzweil support at kurzweil.com/support. You may also find unofficial help at some of the internet communities listed at kurzweil.com/community.
7-5 MIDI Implementation Appendix A MIDI Implementation
Function Transmitted Recognized Remarks Default 1 1 Basic Channel Memorized Changed 1–16 1–16
Default Mode 3 Mode 3 For multi-timbral applications, set the Global Mode Messages Mode “FXMode” parameter to “MultiTrk” (see Altered FXMode on page 6-5 for details) 0–127 Note Number True Voice 0–127 0–127 Note ON O O Velocity Note OFF O O Keys X O Aftertouch Channels X O Pitch Bender O O O 0–31 O 0–31 Control Change 32–63 (LSB) 32–63 (LSB) 64–127 64–127 0 to 2,097,151 0–511 Program Change Standard and custom formats True # 0–127 0–127 System Exclusive O O Song Pos. X X System Common Song Sel. X X Tune X X Clock O O System Real Time Messages O O Local Control O O All Notes Off O O Aux Messages Active Sense X X Reset X X Manufacturer’s ID = 07 Notes Device ID: default = 0; programmable 0–127 Mode 1: Omni On, Poly Mode 2: Omni On, Mono O = Yes Mode 3: Omni Off, Poly Mode 4: Omni Off, Mono X = No
A-1 MIDI Implementation MIDI Control MIDI Control SP6 Physical Controllers In Program and Multi Mode the SP6 physical controllers can send MIDI messages to an external MIDI device. The parameters assigned to each of these physical controllers can be controlled by an external MIDI device by sending the appropriate message on the appropriate channel. This is useful for controlling SP6 parameters when using the SP6 with an external sequencer or computer.
SP6 Physical Controller Program Mode MIDI Message Multi Mode MIDI Message PITCH BEND WHEEL Pitch Wheel Pitch Wheel MODULATION WHEEL CC 1 CC 1 VARIATION Button CC 29 CC 29 KNOBS: ZN1 VOL/P1 CC 71 CC 7 KNOBS: ZN2 VOL/P2 CC 72 CC 7 KNOBS: ZN3 VOL/P3 CC 73 CC 7 KNOBS: ZN4 VOL/P4 CC 79 CC 7 KNOBS: FILTER 1 CC 12 CC 12 KNOBS: FILTER 2 CC 13 CC 13 KNOBS: ATTACK CC 22 CC 22 KNOBS: RELEASE CC 23 CC 23 KNOBS: FX 1 CC 25 CC 25 KNOBS: FX 2 CC 26 CC 26 KNOBS: DELAY CC 27 CC 27 KNOBS: REVERB CC 28 CC 28 PEDALS: SW1a (SUSTAIN) CC 64 CC 64 PEDALS: SW1b CC 66 CC 66 PEDALS: SW2a CC 66 CC 66 PEDALS: SW2b CC 67 CC 67 PEDALS: CC (VOLUME) CC 11 CC 11
SP6 MIDI Channel Functions In Program and Multi Mode, certain SP6 MIDI channel functions can be controlled by an external MIDI device by sending the appropriate message on the appropriate channel. This is useful for controlling SP6 MIDI channel parameters when using the SP6 with an external sequencer or computer.
SP6 MIDI Channel Function MIDI Message MIDI Channel Volume CC 7 MIDI Channel Pan CC 10
A-2 Physical Specifications Appendix B Physical Specifications
SP6: RPHA: Real Piano Hammer Action. 88-key, fully-weighted hammer-action with velocity sensitive adjustable keys Keyboard: SP6-7: SWA76: Semi-Weighted Action. 76-key, semi-weighted action with velocity sensitive adjustable keys Display: 128x64 pixel monochrome LCD with front-panel contrast adjust Polyphony: 128 Voice Polyphony, dynamically allocated Multitimbral: 16 parts (one per MIDI channel) Quick Split / Layer: Easy access with adjustable volume and panning Programs: Space for 1024 Factory and 1024 User Programs (in 10 instrument Categories) Space for 1024 Factory Multis, plus 1024 User Multi locations with up to 4 programmable Zones for Multis: splits and layers Effects Resources: 32 DSP units • Pitch wheel • Modulation wheel • Volume knob • 4 knobs with Shift button (3 shift rows for 12 assignments per Program) • 4 Zone On/Off buttons • Variation button Controllers: • Arpeggiator On/Off button • Tap Tempo button • 2 switch pedal inputs, each supporting a dual switch pedal or single half damper pedal (for up to 4 switch pedals) • Continuous control pedal input • 2 Transpose buttons • 5 Favorites buttons Two 1/4” TRS Balanced Outputs (Stereo Pair) 32-bit D-to-A Converters Frequency Response 20Hz-20kHz +/- 0.1dB Analog Outputs: +21dBu Maximum Output Level -113dB Signal-to-Noise Ratio (A-weighted) 0.003% THD+N (1kHz @ -1 dBFS) 1/4” Rear-Mounted Stereo Headphone Output Frequency Response 20Hz-20kHz +/- 0.5dB Maximum Output Power 130mW into 32 Ohms Headphones: -100dB Signal-to-Noise Ratio (A-weighted) 0.03% THD+N (1kHz @ 100mW Output into 32 Ohm Load) Output Impedance: < 1 Ohms Load Impedance: > 24 Ohms MIDI: IN, OUT Complete MIDI functionality over USB USB: User Program / Multi file transfer to/from PC / Mac / USB Flash Drives Operating System updates from PC / Mac / USB Flash Drive Height: SP6: 5.75” (14.6 cm) SP6-7: 4.24” (10.78 cm) Depth: SP6: 15” (38.1 cm) SP6-7: 14.07” (35.75 cm) Length: SP6: 52.5” (133.35 cm) SP6-7: 46.54” (118.2 cm) Weight: SP6: 27.25 lb (12.36 kg) SP6-7: 17.53 lb. (7.95 kg) Power: External Power Supply, 15VDC 2.5A
Specifications subject to change without notice B-1 Programs Appendix C Programs
Object Version 1.01.8
PIANO 27 Walrus Pianet 52 Gimme Some 1 Dyn 9ft Grand 28 She'sNotThere 53 VAST-ly Organ 2 Rich Grand 7ft 29 E-cousticGrand 54 VAST Bars 3 Bright Jazz 9ft 30 VidKilledRadio 55 OleTime Gospel 4 Intimate Pno 7ft 31 FM EP 56 Funky Perc 5 Punchy Edge 32 Thick FM Digital 57 Mr. Smith 6 Studio Grand 7ft 58 D-Vox Organ 7 Smooth Grand 9ft CLAV 59 Far Draws 8 Solo Grand 7ft 33 Clavi AC 60 Pipe Stops 9 RubensteinComp 34 Clavi BC 61 Pipes & Voices 10 Stereo Pno K26 35 Clavi Phaser 62 Chapel Organ 11 Upright Piano 36 Clavi Auto Wah 63 AllStps AllVox 12 Indie Piano 2 37 BC Clav Tube 64 Cmbo Accordian 13 R&B Stack 38 Slap Wah Clav 14 Piano & Strings 39 Flange Clav STRINGS/PADS 15 Dark & Distant 40 SMS Clav 65 Arco Strings 16 Film Piano 41 Deep Fuzz 66 Dulcet Strings 42 Stevie Fuzz 67 Punchy Strings E.PIANO 43 PPG Comp 68 Bass & Violins 17 Suitcase EP 44 RMI & Harpsi 69 AdagioTutti 8ves 18 EZ Tube EP 45 Classic Harpsi 70 SloMuted Strings 19 Phase EP 46 HarpsiTar 71 Marmalade Stgs 20 Bright EP 47 HarpSeccoRd 72 Proper Pizzicato 21 Dyno EP 48 HarpsiVibe 73 WheelBow Fiddle 22 Broken EP 74 WheelBow Cello 23 Mtron EP ORGAN 75 Electric Bow 24 EP Reed 49 Big Leslie B3 76 Space Oddity 25 ACL EP Reed 50 Classic B3 77 ELOStringSection 26 SlyBallad EP 51 SoulPercOrgan 78 BritishMT String
C-1 Programs
79 Adagio Magic VOICES/MISC 149 Armonica Reed EP 80 Gliss/Arp Harp 113 In A Good Place 150 Whale Call 81 Pedal Pad 114 Choir Redux 151 Fisher Cove 82 Square Pad 115 Aaahlicious 152 Upstream 83 Evolving Pad 116 EnvelopingVoices 153 Sense Delay 84 Water Buffalo 117 Haah Singers 154 Polyphon 85 JunoWhatIMean 118 Swept Voices 155 Kinderklavier 86 Warm Encounter 119 Swell Choir 156 Space Agogos 87 Prophet Pad 120 Voice Waves 157 The Peddler 88 Arpeggi Pad 121 Bandpass Choir 158 Enigmatism 89 Ancient Calling 122 Melotron Vox 159 Throat Siren 90 Omni Strings 123 NYC Voices 160 VoxtronMachine 91 Pan Strings 124 Ooh So G'oohD 161 ArpHollow Bells 92 Film Score Pad 125 Oody Oody 162 Crimson Jungle 93 5th-Scape 126 Strings & Winds 163 80'sMovieMusic 94 OBX Pad 127 Slow Interlude 164 Magic Mbira 95 Slow Rhythm Pad 128 Vox & Strings 165 Blues Harmonica 96 Pan Motion Pad 129 Full Fellowship 166 Insta - Spooky 130 Gothic Climax 167 Suspense Scene BRASS/WINDS 131 Pastoral DblRds 168 Creepy Crawlies 97 Lucid Brass 132 Pastoral Pizzi 98 Epic Low Brass 133 H'Arps & Harp LEADS/SYNTHS 99 Solo Trbn/Trpt 134 Bartok Ensemble 169 Micromoog Plus 100 Almost Muted 135 Poltergeist Trem 170 MW Lead 101 Lead FrenchHorn 136 Pizz & Perc 171 HipHop Lead 102 Dyn French Horns 137 Matadores 172 E-Bow Mono 103 Dyn Orch Tuba 138 Singapore Sling 173 80's Lead Synth 104 Sax Section 139 Dream Session 174 Brassy Lead 105 SaxSplits+Flute 140 3waySplit Mtron 175 Fitty-Fitty 106 Clarinet/Flute 141 Post Rock 176 AK Wild Lead 107 Bassoon&Oboe 142 Ambience 177 ProphetV Lead 108 Solo Eng Horn 143 JetSet Martini 178 Liquid T Lead 109 AcidJazzFlute 144 Sci-Fi Movie 179 Soy Incident 110 Fruity Floot 145 Celeste Palette 180 Chirp Lead 111 Ocarina 146 After 3pm 181 Square Lead 112 Mellotron Flutes 147 Shokudo Enka 182 Seongdeok Lead 148 Warszawa 183 Mayhem Wheel
C-2 Programs
184 Robin's Lead 219 MiniFunk Bass 254 Tabla Arp 185 D'tuned Polysyn 220 Squeeze Mini 255 Soft Bell Keys 186 AM SquareSynth 221 Skool Bass 256 Blue PVC Tubes 187 Prophesied Six 222 Dolby Bass 188 Vintage Woobler 223 Poppit SynBass UTILITY 189 Quadra Comp 224 Classic Mini 1021 Click Track 190 Punch Synth 225 KneeDeep Mini 1022 Silent Program 191 Super Saw Stabs 226 Rave Bass 1023 Editor Template 192 Clone Bandit 227 Instaprince 1024 Clear Program 193 Square Bell 228 DistBass Solo 194 PolyVector Lead 229 Alias Bass 195 PWM Synth 230 Dub Wob 196 Cosmic Intervals 231 Rhythms 197 Last Challenge 232 Uptown Bass 198 Pattern Machine 199 Radio Googoo DRUMS/PERC 200 Ion Drive 233 Los Angeles Kit 234 East Space Kit GUITAR/BASS 235 Ring-tone Kit 201 Real Nylon 236 Ziga Funk 202 Steel String 237 Drum&Bass Kit 203 Dulciliere 238 DoorKnocker Kit 204 Rob's Caster 239 Rhythmcon Kit 205 Twin Peaks 240 Marley Kit 206 Les Grit 241 Superfly Kit 207 Dist Comper 242 ScratchMe Kit 208 Chunky Vintage 243 ElectroBeat Kit 209 Acoustic Bass 244 BrushStroke Kit 210 Washtub Bass 245 Essential Perc 211 Finger Bass 246 Orchestral Perc 212 P-Bass 247 Celeste 213 Squire's Rick 248 Chimes Pad 214 Flea/Bootsy 249 Bowed Crotales 215 Jaco Fretless 250 Real Vibes 216 Eberhardt Frtls 251 Stereo Marimba 217 The Way It Is 252 Xylophone 218 Smooth Mooger 253 Steel Drum
C-3 Multis Appendix D Multis
Object Version 1.01.8
1 Arp & Pad 30 80s Power 59 Celestial Fears 2 Metallicscape 31 Synth & Lead 60 Pulsing Xenia 3 Wine GLASSical 32 Gleam Cake 61 African Wash 4 Triumphant! 33 Tranquil Moods 62 Sea Breeze 5 M'drnApparatus 34 Dream Segue 63 Noxlumos 6 Plucky EP Tine 35 Expansive Pad 64 Planet J 7 Pno Bass & Ride 36 Apollo 65 Breath of Aura 8 EP & E-Bass 37 Ugokukokoro 66 Silky Pad 9 Organ Bass Funk 38 Lakeside 67 Quadraphobia 10 Bass/Brass/EP 39 Synth & Strings 68 Liquid Sand 11 EP & SynthBass 40 Pads & Strings 69 ForgottenTeaPot 12 Organ Bass Soul 41 SunrizerSynth 70 Nile of Poodle 13 FunkyBass&Organ 42 Vintage Synths 71 Motion News 14 Funky Bass&Clav 43 AOR Pad 72 Timed Divination 15 EPClar&Marimba 44 Synthetic Pad 73 Storm Chaser 16 Organ & EP 45 Pad Organ 74 10 Past 10 17 EP Reed & Organ 46 Org/Bass Wrap 75 Synth-Kestra 18 Jazz EP & Flute 47 LoFi Lead 76 GrainCloud3Bells 19 Pianet & MTron 48 Hollow Keys 77 MbiraPad Pattern 20 Clav & MTron 49 Alias Fuzz Grand 78 Marimba Traces 21 ClavPnoBassMW 50 Guitar Bass Pad 79 City Reich 22 Gospel B3 & Pno 51 Cinematic Sitar 80 Rhythmic Pad 23 Flutey Organ 52 Burning Dragster 81 Dream Catcher 24 Organ Bass Vox 53 Torched Tubes 82 Pink Panda 25 Pipes & Choir 54 Guitar Dream 83 Candy Synths 26 Pipes Flute Strs 55 Artful Intellect 84 Last Split 12 27 Pno Vox & Synth 56 Vangalic 85 Last Split 22 28 Synth/Bass Split 57 Effervescence 86 Old Timey Ens 29 Bass/Synth/Lead 58 Bells & Synth 87 Rock Jam 1
D-1 Multis
88 Rock Jam 2 125 AccOrgian Circus 89 No Cry 126 Calypso Ens 90 Jazz Quartet 127 Bwow Theme 91 Bluegrass Group 128 Magnetic Horns 92 Boingo Ens 129 Lo-volt Sax 93 New Music Ens 130 Helter Skelter 94 AnyNote Jam 253 Split Default 95 Hallelujah! 254 Layer Default 96 Netromantic 256 Clear Multi 97 Royal Splits 98 Baroque Ens 99 Wind Strgs Horn 100 Harp & Strings 101 HarpStrsCeleste 102 Reedy Arp Pad 103 Passive Ensemble 104 Wind Pizz & Perc 105 Chamber Orch 106 Trem & Mute Str 107 Strs Wind Harp 108 AccentualStrings 109 Strings & Voices 110 Angelic Pad 111 Rhythmic Choir 112 Dummer Dudes 113 FullBallad Piano 114 Creamy Piano 115 ElectroPop Piano 116 Dyn Reed EP Fall 117 Ice & Mist Grand 118 Buzzy FM 119 Rubberband Clav 120 Plastic Baroque 121 Soft Landing 122 Syrup Bellini 123 Purple Concrete 124 Child's Toys
D-2 Index Index
KNOBS 1-6 A in Program Mode 2-4 ALPHA WHEEL 1-5 KB3 2-5 Auto Power Off 6-4 P1 through P4 2-5 Auto Power Off Time 6-4 L C Load 6-8 CATEGORY Buttons 1-5 LOCAL DEST Button 1-8, 7-2 CC (VOLUME) Jack 1-11 in Multi Edit Mode 5-11 CHANNEL/PAGE Buttons 1-8 Continuous Switch Pedals (Half-Damper) 1-11 M Contrast 6-5 Controllers MIDI Bank Change 6-5 in Multi Mode 4-2 MIDI Channel 6-3 in Program Mode 2-3 in Multi Edit Mode 5-10 MIDI IN and OUT Ports 1-9 MIDI PANIC 2-13, 4-12 D MODE Buttons 1-5 Delete 6-10 MODULATION WHEEL 1-6 Dual Switch Pedals 1-10 P E PANIC 2-13, 4-12 EDIT Button 1-7 Pedals Continuous Controller (CC) Pedal 1-11 Dual Switch Pedal 1-10 F Global Overrides 6-6 FAVORITES Buttons 1-5 Half-Damper Pedal 1-11 Front Panel 1-4 in Multi Edit Mode 5-6 in Multi Mode 4-5 G in Program Mode 2-6 Switch Pedal 1-10 Glide 3-6 Programs Selecting 2-1 H Half-Damper Pedal 1-11, 2-6 R Headphones 1-11 Reverb in Multi Edit Mode 5-11 K in Program Mode 2-13 KB3 Global Rotary Override 6-7 S in Multi Edit Mode 5-1, 5-6, 5-7, 5-12 Save a Multi 4-10 in Program Mode 2-4, 2-5, 2-6 Save a Program 2-11 KNOBS 2-5 SAVE Button 1-7 VARIATION Button 2-4
Index-1 Index
Selecting Multis 4-1 Selecting Programs 2-1 SHIFT Button 1-7 SPLIT/LAYER in Multi Mode 4-6 in Program Mode 2-7 Store 6-9 Support 7-5 SW1 (SUSTAIN) and SW2 Jacks 1-10 T TAP TEMPO Button 1-7 TRANSPOSE Buttons 1-6 Tune 6-1 Tuning 1-6 U USB Ports 1-9 USER Button 1-7 V VARIATION Button 1-6 Velocity B-1 Velocity Map 6-1 Z ZN1 VOL through ZN4 VOL 4-4 ZONE ON/OFF Buttons 1-7, 4-3
Index-2