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Leonard Bernstein
Leonard Bernstein Arias and Barcarolles (Bright Sheng version) 1988 31 min for mezzo and baritone, strings and percussion Orchestrated with the assistance of Bright Sheng perc(2):xyl/glsp/vib/small cym/small SD/large SD/chimes/small BD/ tamb/tgl/crotales/small tam-t/police whistle/small wdbl/large wdbl/ small susp.cym/TD-strings Availability: This work is available from Boosey & Hawkes for the world Arias and Barcarolles (Bruce Coughlin version) Leonard Bernstein photo © Susech Batah, Berlin (DG) Leonard Bernstein, arranged by Bruce Coughlin 1988, arr. 1993 31 min VOICE(S) AND ORCHESTRA arranged for mezzo-soprano, baritone and chamber orchestra 1(=picc).1(=corA).1(=Ebcl,asax).1-2.1.0.0-perc(2):timp/SD/low tom-t/ 1600 Pennsylvania Avenue trap set(hi-hat cym/ride cym/BD)/cyms/susp.cym/low gong/crot/ slapstick/rainstick/auto brake dr/police whistle/tamb/tgl/wdbl/ Selections for concert performance glsp/xyl/vib-strings(8.8.6.6.3 or 1.1.1.1.1) 1976 Availability: This work is available from Boosey & Hawkes for the world for solo voice and orchestra Bernstein's Blues Availability: This work is available from Boosey & Hawkes for the world Leonard Bernstein, arranged by Sid Ramin 2003 14 min 1600 Pennsylvania Avenue a suite of four songs arranged for voice and orchestra: Ain't Got No Tears Take Care of this House Left, Lonely Me, Screwed On Wrong, Big Stuff 1976 4 min 2.2.2.2.asax.tsax.barisax-2.2.2.1-timp-perc(trap set)-gtr-pft-strings for voice and orchestra Availability: This work is available from Boosey & Hawkes for the world 1.1.2.bcl.1-2.2.2.1-perc(2):timp/xyl/bells-harp-guitar-pft-strings -
ORCHESTRATINGA PENTHOUSEINNEW YORKFORTHE VIRTUOSOVIOLIMST Renovationarchitecture and Design by Charlesrose, Ata Textby Stevenm
BilB ORCHESTRATINGA PENTHOUSEINNEW YORKFORTHE VIRTUOSOVIOLIMST RenovationArchitecture and Design by CharlesRose, AtA Textby StevenM. L.Aronson Photographyby ScottFrances To create his Manhattan residence,Joshua Bell (above) workedwith architect Charles Rose. RrcHr: The 4pO0-square-foot penthouse's living area. Robsiohn-Gibbings low table and Harvey Probber bentwood bench, Eric Appel. Drapery fabric, Larsen. Sofas, Cassina. Odegard rug. 110| www.ArchitecturalDigest.com Asovn: At Bell's request, the archi- tar quality: that thing r,r'hich,as the Ed- to mention the Avery Fisher Prize. On the tect put a fireplace between the liv- wardianartistWalter Sickert - ing and dining areas, one with a oncesho\\ more corporeal side,Bell was one of Glnntour's mantel that cantilevers out on one ily definedit, "can shine, on peacock "It Men of the Millennium" and one of Peopte end to double as a bar. Rietveld days,like a plume of luck abole \-our magazine's"50 Most Beautiful." chair and dining chairs, Cassina. genius."JoshuaBell hasit. Resoundineh. Home is the top two floors, Pollack shade fabric in dining area. plus roof, of a for- Ffe'sa world-classclassical r-iolinist equalh-..rt rner manufacturing plant in Manhattan's Flat- home with popular music (Jos/:rt,rBell tr Hcttte iron District, namedforits signaturebuilding- with Ft'iends,hrsfirst duetsCD. u..rsrccenrh- "To me, the Flatiron Buildinfis NewYork," Eell released,and the friendstellinelr- inclu;- Strne. enthuses.He hired architectCharles Rose to gut Josh Groban, Kristin Chenowethanti -\i.r:. rn and then combine the floors and to transfo".m Hamlisch).And he'sstarred in sir i...-.:s:,,n the saggingold roof into a positivelypagan our- specials,performed all the soloson rh: Llsc:r- door spa(there's a hot tub and a showeropen to -i+i:;: '.i., winning soundtrackforThe Redt ,:.,i ,n the sky,a trellisedpergola, a fireplaceand a cop- a Grammy, a Gramophoneand a -\It:: -.r-.-.r,-r[ per-cladchimney). -
Juilliard Orchestra Marin Alsop, Conductor Daniel Ficarri, Organ Daniel Hass, Cello
Saturday Evening, January 25, 2020, at 7:30 The Juilliard School presents Juilliard Orchestra Marin Alsop, Conductor Daniel Ficarri, Organ Daniel Hass, Cello SAMUEL BARBER (1910–81) Toccata Festiva (1960) DANIEL FICARRI, Organ DMITRI SHOSTAKOVICH (1906–75) Cello Concerto No. 2 in G major, Op. 126 (1966) Largo Allegretto Allegretto DANIEL HASS, Cello Intermission CHRISTOPHER ROUSE (1949–2019) Processional (2014) JOHANNES BRAHMS (1833–97) Symphony No. 2 in D major, Op. 73 (1877) Allegro non troppo Adagio non troppo Allegretto grazioso Allegro con spirito Performance time: approximately 1 hour and 50 minutes, including an intermission This performance is made possible with support from the Celia Ascher Fund for Juilliard. The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. Juilliard About the Program the organ’s and the orchestra’s full ranges. A fluid approach to rhythm and meter By Jay Goodwin provides momentum and bite, and intricate passagework—including a dazzling cadenza Toccata Festiva for the pedals that sets the organist’s feet SAMUEL BARBER to dancing—calls to mind the great organ Born: March 9, 1910, in West Chester, music of the Baroque era. Pennsylvania Died: January 23, 1981, in New York City Cello Concerto No. 2 in G major, Op. 126 DMITRI SHOSTAKOVICH In terms of scale, pipe organs are Born: September 25, 1906, in Saint Petersburg different from every other type of Died: August 9, 1975, in Moscow musical instrument, and designing and assembling a new one can be a challenge There are several reasons that of architecture and engineering as complex Shostakovich’s Cello Concerto No. -
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious. -
Leonard Bernstein
TuneUp! TuneUSaturday, October 18th, 2008 p! New York Philharmonic Young People’s Concert® elcome to a new season of Young People’s Concerts! Throughout history, there have been special times when music flowered in specific cities—Capitals of Music—that for a while W became the center of the musical world. Much of the music we know today comes from these times and places. But how did these great flowerings of music happen? That’s what we’ll find out this year as we discover the distinctive sounds of four of these Capitals. And where better to start than right here in New York? After the Second World War, our city became a cultural capital of the world. Leonard Bernstein—who became Music Director of the New York Philharmonic 50 years ago this fall—defined music in New York in his roles as composer, conductor, and teacher. So what was it like in New York back then? Let’s find out from a child of that time—Leonard Bernstein’s BERNSTEIN’S NEW YORK daughter Jamie! THE PROGRAM: BERNSTEIN “The Great Lover” from On the Town COPLAND “Skyline” from Music for a Great City (excerpt) GERSHWIN “I Got Rhythm” from Girl Crazy BERNSTEIN “America” from West Side Story Suite No. 2 COPLAND Fanfare for the Common Man Jamie Bernstein, host BERNSTEIN On the Waterfront Symphonic Suite (excerpt) Delta David Gier, conductor SEBASTIAN CURRIER “quickchange” from Microsymph Tom Dulack, scriptwriter and director BERNSTEIN Overture to Candide 1 2 3 5 4 CAN YOU IDENTIFY EVERYTHING IN AND AROUND LEONARD BERNSTEIN’S NEW YORK STUDIO? LOOK ON THE BACK PAGE TO SEE WHETHER YOU’RE RIGHT. -
Baltimore Symphony Orchestra Announces 2019 New Music Festival
Media contacts Linda Moxley, VP of Marketing & Communications 410.783.8020 [email protected] Devon Maloney, Director of Communications 410.783.8071 [email protected] For Immediate Release Baltimore Symphony Orchestra Announces 2019 New Music Festival Baltimore (April 18, 2019) Under the leadership of Music Director Marin Alsop, the Baltimore Symphony Orchestra (BSO) announces the 2019 New Music Festival. Launched by Alsop and the BSO in 2017, the New Music Festival brings contemporary classical music to Baltimore from June 19-22. The 2019 New Music Festival celebrates women composers ahead of the BSO’s 2019-20 season, which highlights women in music in conjunction with the 100th anniversary of women’s suffrage in the U.S. Performances include the Baltimore premiere of Jennifer Higdon’s Low Brass Concerto, a BSO co- commission, as well as the world premiere of Anna Clyne’s cello concerto, Dance, with Inbal Segev. “I’m thrilled that this year’s New Music Festival features such an outstanding group of contemporary composers, who happen to be women!” said Alsop. “Each piece of music that we’ve programmed tells a unique and compelling story, and we are proud to present a range of voices and perspectives that showcases some of the most inspired work happening in classical composition today.” The 2019 New Music Festival kicks off on Wednesday, June 19 when composer Sarah Kirkland Snider participates in a discussion on her composition process at Red Emma’s Bookstore Café. On Thursday, June 20, Associate Conductor Nicholas Hersh leads members of the BSO and Shara Nova, also known as My Brightest Diamond, in a free concert at the Ottobar. -
To Read Or Download the Competition Program Guide
THE KLEIN COMPETITION 2021 JUNE 5 & 6 The 36th Annual Irving M. Klein International String Competition TABLE OF CONTENTS Board of Directors Dexter Lowry, President Katherine Cass, Vice President Lian Ophir, Treasurer Ruth Short, Secretary Susan Bates Richard Festinger Peter Gelfand 2 4 5 Kevin Jim Mitchell Sardou Klein Welcome The Visionary The Prizes Tessa Lark Stephanie Leung Marcy Straw, ex officio Lee-Lan Yip Board Emerita 6 7 8 Judith Preves Anderson The Judges/Judging The Mentor Commissioned Works 9 10 11 Competition Format Past Winners About California Music Center Marcy Straw, Executive Director Mitchell Sardou Klein, Artistic Director for the Klein Competition 12 18 22 californiamusiccenter.org [email protected] Artist Programs Artist Biographies Donor Appreciation 415.252.1122 On the cover: 21 25 violinist Gabrielle Després, First Prize winner 2020 In Memory Upcoming Performances On this page: cellist Jiaxun Yao, Second Prize winner 2020 WELCOME WELCOME Welcome to the 36th Annual This year’s distinguished jury includes: Charles Castleman (active violin Irving M. Klein International performer/pedagogue and professor at the University of Miami), Glenn String Competition! This is Dicterow (former New York Philharmonic concertmaster and faculty the second, and we hope the member at the USC Thornton School of Music), Karen Dreyfus (violist, last virtual Klein Competition Associate Professor at the USC Thornton School of Music and the weekend. We have every Manhattan School of Music), our composer, Sakari Dixon Vanderveer, expectation that next June Daniel Stewart (Music Director of the Santa Cruz Symphony and Wattis we will be back live, with Music Director of the San Francisco Symphony Youth Orchestra), Ian our devoted audience in Swensen (Chair of the Violin Faculty at the San Francisco Conservatory attendance, at the San of Music), and Barbara Day Turner (Music Director of the San José Francisco Conservatory. -
Sunday Playlist
November 25, 2018: (Full-page version) Close Window “I was obliged to be industrious. Whoever is equally industrious will succeed equally well.” — Johann Sebastian Bach Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, Watkinson/King's Chamber 00:01 Buy Now! Handel Ombra mai fu ~ Serse (Xerxes) Sony Classical 89370 696998937024 Awake! Orchestra/Malgoire 00:05 Buy Now! Beethoven Piano Sonata No. 18 in E flat, Op. 31 No. 3 "Hunt" Wilhelm Kempff DG 429 306 n/a 00:27 Buy Now! Hanson Symphony No. 1 in E minor, Op. 21 "Nordic" Nashville Symphony/Schermerhorn Naxos 8.559072 636943907221 01:01 Buy Now! Gershwin Lullaby for String Quartet Manhattan String Quartet Newport Classics 60033 N/A 01:09 Buy Now! Bach Brandenburg Concerto No. 1 in F, BWV 1046 Il Giardino Armonico/Antonini Teldec 6019 745099844226 01:29 Buy Now! Dvorak Violin Concerto in A minor, Op. 53 Luca/Saint Louis Symphony/Slatkin Nonesuch 79052 07559790522 02:00 Buy Now! Duffy Three Jewish Portraits Milwaukee Symphony/Macal Koss Classics 1022 021299710388 String Quartet No. 14 in D minor, D. 810 "Death and the 02:11 Buy Now! Schubert Amadeus Quartet DG 410 024 028941002426 Maiden" 02:51 Buy Now! Gottschalk The Dying Poet Robert Silverman Marquis Classics 161 774718116123 03:00 Buy Now! Schumann String Quartet in A, Op. 41 No. 3 St. Lawrence String Quartet EMI 56797 724355679727 03:33 Buy Now! Foote Second Suite for Piano, Op. 30 Virginia Eskin Northeastern 223 n/a 03:47 Buy Now! Still Miniatures Powers Woodwind Quintet White Pine Music 215 700261334110 Suzuki/Orlovsky/Indianapolis 03:59 Buy Now! Canning Fantasy on a Hymn by Justin Morgan Decca 458 157 028945845725 SO/Leppard 04:11 Buy Now! Telemann Trumpet Concerto No. -
Fall 2013 Basingstoke Performance Order
Freshman – Sophomore Showcase Fall 2009 Basingstoke! A celebration of the operettas of William S. Gilbert & Arthur Sullivan Lyrics by William S. Gilbert (1836-1911) Music by Sir Arthur Sullivan (1842-1900) With Guest Graduate Artists: Zachary Angus, Scott Gates, & Peter Morgan Music and Stage Director: Mark Crayton Associate Music Director and Piano: Giorgi Samadalashvili Stage Managers: Erin Stillson, Jeremy Cairns, Kiera Radvanski *** I have a song to sing, O (The Yeomen of the Guard) Elise Nathalie Young Jack Point Matthew Sund In sailing o’er life’s ocean wide (Ruddigore) Rose Ellen Jones Richard Nicholas Metzger Robin Zachary Angus Now wouldn’t you like to rule the roost (Princess Ida) Melissa Priscilla Ip Blanche Gabrielle Robles There is beauty in the bellow of the blast (The Mikado) Katisha Crystal Arrington Ko-Ko Peter Morgan Prithee pretty maiden (Patience) Patience Leah Taylor Grosvenor Michael Coduto If Saphir I choose to marry (Patience) Saphir Samantha D’Adamo Angela Alice Beals Duke Scott Gates Major Matthew Sund Colonel Peter Morgan None shall part us (Iolanthe) Phyllis Helen Knudsen Strephon Nicholas Metzger I am so proud (The Mikado) Pish-Tush Zachary Angus Ko-Ko Scott Gates Pooh-Bah Peter Morgan Intermission Three little maids from school are we (The Mikado) Yum-Yum Marissa Howard Peep-Bo Madison Marino Pitti-Sing Ally Perko So please you, Sir, we much regret (The Mikado) Yum-Yum Dana Brown Peep-Bo Priscilla Ip Pitti-Sing Felicia Warren Pooh-Bah Peter Morgan Ko-Ko Scott Gates (dialogue) O rapture, when alone together (The Gondoliers) Casilda Jamie Younger Luis Michael Coduto Here’s a how-de-do (The Mikado) Yum-Yum Priscilla Ip Nanki-Poo Michael Coduto Ko-Ko Zachary Angus In a contemplative fashion (The Gondoliers) Gianetta Rachel Jainks Tessa Ashley Lugo Marco Scott Gates Giuseppe Zachary Angus Finale: When a man has been a naughty baronette (Ruddigore) Rose Priscilla Ip Richard Nicholas Metzger Robin Peter Morgan Margaret Gabrielle Robles Sir Despard Michael Coduto Zorah Helen Knudsen Ensemble of Bridesmaids and Past Barronettes. -
ERIKA AMATO Vocal Range: D3 – A5 AEA/SAG-AFTRA/AGVA the Carson/Kolker Organization 212-221-1517| [email protected]
ERIKA AMATO Vocal Range: D3 – A5 AEA/SAG-AFTRA/AGVA The Carson/Kolker Organization www.erikaamato.com 212-221-1517| [email protected] st 1 NATIONAL TOUR Flashdance – The Musical Miss Wilde Dir. Sergio Trujillo OFF-BROADWAY The Sphinx Winx Cleopatra Dir. Matthew Hamel Signs of Life Berta Dir. Jeremy Dobrish OTHER NYC (partial list) Nell Dash...* Lady Dashwood Dir. Dennis Corsi (NY Winterfest) Jack London: Sex, Love & Revolution Ninetta Dir. Kimberly Eaton (NY Intl. Fringe) Triumph Of Love Hesione Dir. Brian Swasey (Astoria Perf. Arts. Ctr.) Waiting For Lefty Edna Dir. Victor Cuenca (Producers Club) REGIONAL (partial list) Biography* Marion Froude Dir. Gayle Stahlhuth (East Lynne Theater Co) The Secret Garden Mrs. Winthrop/Ensemble Dir. Terrence Nolen (Arden Theatre Co) A Funny Thing Happened…Forum Domina Dir. Bob Walton (The Wick Theatre) Backwards In High Heels Lela Rogers Dir. Jeremy Benton (Westchester Broadway) Into The Woods* Witch Dir. Kathryn Markey (Ocean State Theatre) Hairspray Velma Von Tussle Dir. Darryl Yeager (Tuacahn) Aladdin Beggar Woman Dir. Scott Anderson (Tuacahn) Sleeping Beauty Wakes* Bad Fairy/Clinic Director Dir. Jeff Calhoun (Center Theatre Group) Cinderella Fairy Godmother Dir. Ed Flesch (Fireside) The Sound of Music Elsa Dir. Ed Flesch (Fireside) How to Succeed in Business… Miss Jones Dir. Ed Flesch (Fireside) Anything Goes* Reno Sweeney Dir. Douglas Austin (Candlelight) White Christmas Betty Haynes Dir. Jon Engstrom (Welk Theatre) 42nd Street Dorothy Brock Dir. Jon Engstrom (Welk Theatre) The Bungler Hippolyte Dir. Jules Aaron (West Coast Ensemble) Sunday in the Park with George* Yvonne/Naomi Dir. Calvin Remsberg (West Coast Ensemble) Paint Your Wagon Cherry Jourdel Dir. -
ESO Highnotes November 2020
HighNotes is brought to you by the Evanston Symphony Orchestra for the senior members of our community who must of necessity isolate more because of COVID-!9. The current pandemic has also affected all of us here at the ESO, and we understand full well the frustration of not being able to visit with family and friends or sing in soul-renewing choirs or do simple, familiar things like choosing this apple instead of that one at the grocery store. We of course miss making music together, which is especially difficult because Musical Notes and Activities for Seniors this fall marks the ESO’s 75th anniversary – our Diamond Jubilee. While we had a fabulous season of programs planned, we haven’t from the Evanston Symphony Orchestra been able to perform in a live concert since February so have had to push the hold button on all live performances for the time being. th However, we’re making plans to celebrate our long, lively, award- Happy 75 Anniversary, ESO! 2 winning history in the spring. Until then, we’ll continue to bring you music and musical activities in these issues of HighNotes – or for Aaron Copland An American Voice 4 as long as the City of Evanston asks us to do so! O’Connor Appalachian Waltz 6 HighNotes always has articles on a specific musical theme plus a variety of puzzles and some really bad jokes and puns. For this issue we’re focusing on “Americana,” which seems appropriate for Gershwin Porgy and Bess 7 November, when we come together as a country to exercise our constitutional right and duty to vote for candidates of our choice Bernstein West Side Story 8 and then to gather with our family and friends for Thanksgiving and completely spoil a magnificent meal by arguing about politics… ☺ Tate Music of Native Americans 9 But no politics here, thank you! “Bygones” features things that were big in our childhoods, but have now all but disappeared. -
Single Page PDF.Indd
Hitting the streets for social change PAGE 23 MAKING A DIFFERENCE in the lives that follow Eugene “Gene” Morris (BSBA, ’69) (center) presents 2008-09 scholarship awards to Roosevelt seniors Joseph Celestin (left) and Heena Syed. At right, Robert Snyder (second from left) receives the “Top Prof” award from Morris, Lawrence Silverman and David Greene. ALLAN WEBER he late “Dr. Bob” Snyder was a great professor of the founding chairman of the Association of Black-Owned marketing and advertising at Roosevelt University Advertising Agencies. Additionally, he has received recog- who was an inspiration and a mentor to his students, nition for his work with many community and other profes- especially to me,” says Eugene “Gene” Morris (BSBA, ’69). sional organizations. When Morris heard Snyder was retiring and in ill-health, he Morris is proud of his successful career, but he gives established the Dr. Robert E. J. Snyder Endowed Scholarship much of the credit to Snyder, who practically “carried” in his honor. He also included Roosevelt University in his KLVUHOXFWDQWVWXGHQWWRWKHGRRUVWHSVRIKLVÀUVWDGYHUWLV estate plan. “I wanted to create a legacy for a beloved pro- ing agency. “He saw something in me that I didn’t see in fessor, give back to Roosevelt University — an institution myself. By endowing this scholarship in his name, I can pay that means so much to me — and help students. It was a win, tribute to him and help other students understand how one win, win decision,” says Morris. dedicated professor can have a lasting and dramatic impact With an advertising career that has spanned four decades, on their lives.” Morris knows a lot about winning … and success.