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Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection. -
Online Scavenger Hunt for Youth and Families
Online Scavenger Hunt for Youth and Families You can find many amazing objects in the Louisiana State Museum’s collection by visiting the Louisiana Digital Library! This scavenger hunt will help you use this unique online resource and learn more about Louisiana’s history, art, and culture. Visit https://louisianadigitallibrary.org/lsm. You will find collection titles that match the bold words on this worksheet. Find the objects under each collection title. There are different ways to play: • Find as many objects as you can in one hour. Award yourself one point for every object you find. • Time how long it takes you to find all the objects. • Stretch it out! Find one or two objects each day. Recommended for families with The hunt has 20 objects total. Good luck!* children 12 years old or younger. ART Louisiana State Museum Newcomb College Arts and Crafts 1. Printmaking was one of the arts taught at Newcomb College. This collection contains prints of several bookplates, which are labels pasted into books showing the owner’s name. Find the bookplates and choose your favorite! Write its title and describe it. __________________________________________________________________________________ __________________________________________________________________________________ __________________________________________________________________________________ Paintings from the Louisiana State Museum 2. Folk painter Clementine Hunter was famous for her paintings of plantation life near Natchitoches, Louisiana. Find one of her colorful paintings. -
Whicl-I Band-Probably Sam; Cf
A VERY "KID" HOWARD SUMMARY Reel I--refcyped December 22, 1958 Interviewer: William Russell Also present: Howard's mother, Howard's daughter, parakeets Howard was born April 22, 1908, on Bourbon Street, now renamed Pauger Street. His motTier, Mary Eliza Howard, named him Avery, after his father w'ho di^d in 1944* She sang in church choir/ but not professionally. She says Kid used to beat drum on a box with sticks, when he was about twelve years old. When he was sixteen/ he was a drummer. They lived at 922 St. Philip Street When Kid was young. He has lived around tliere all of his life . Kid's father didn't play a regular instrument, but he used to play on^ a comb, "make-like a. trombone," and he used to dance. Howard's parents went to dances and Tiis mother remembers hearing Sam Morgan's band when she was young, and Manuel Perez and [John] Robichaux . The earliest band Kid remembers is Sam Morgan's. After Sam died, he joined the Morgan band/ witli Isaiah Morgan. He played second trumpet. Then he had his own band » The first instrument he.started on was drums . Before his first marriage, when he got his first drums/ he didn't know how to put them up. He had boughtfhem at Werlein's. He and his first wife had a time trying to put them together * Story about }iis first attempt at the drums (see S . B» Charters): Sam Morgan had the original Sam Morgan Band; Isaiah Morgan had l:J^^i', the Young Morgan Band. -
New Orleans Jazz Museum a Gift to the World T H E L Ouisiana M Useum F O U N Datio N C a M P a I G N F O R the New O R Leans J Azz M Useum
THE LOUISIANA MUSEUM FOUNDATION CAMPAIGN FOR THE NEW ORLEANS JAZZ MUSEUM A GIFT TO THE WORLD T H E L OUISIANA M USEUM F O U N DATIO N C A M P A I G N F O R THE NEW O R LEANS J AZZ M USEUM The Campaign The New Orleans Jazz Museum showcasing Louisiana’s rich history and culture. The Museum Foundation and LSM operates nine museums across the state, with Louisiana State Museum have The Louisiana Museum Foundation (LMF), in support To be housed within the historic Old U.S. Mint five located in New Orleans’ historic French Quarter: joined forces to embrace this ambitious of the Louisiana State Museum (LSM), is engaged in (1838)—strategically located at the intersection the Cabildo, the $2 million capital campaign to build the world’s a $2 million capital campaign to create a world- of the city’s French Quarter (Vieux Carré) and Presbytère, the 1850 newest and best jazz museum. Having raised class New Orleans Jazz Museum. While nearly half Frenchmen Street live music corridor—the New House, Madame nearly half of the required funds, we are now ready of the campaign’s $2 million goal has already Orleans Jazz Museum will place on permanent John’s Legacy, and to move into the public phase of the campaign. been acquired or pledged, your help is needed display the world-renowned New Orleans the Old U.S. Mint. Several unique, high-visibility naming opportunities to complete the funding for this historic project! Jazz Club Collections of the Louisiana Since 1978, the LSM exist for signature supporters, including an overall State Museum. -
Chapter 11 ) LAKELAND TOURS, LLC, Et Al.,1 ) Case No
20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 1 of 105 UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK ) In re: ) Chapter 11 ) LAKELAND TOURS, LLC, et al.,1 ) Case No. 20-11647 (JLG) ) Debtors. ) Jointly Administered ) AFFIDAVIT OF SERVICE I, Julian A. Del Toro, depose and say that I am employed by Stretto, the claims and noticing agent for the Debtors in the above-captioned case. On September 25, 2020, at my direction and under my supervision, employees of Stretto caused the following document to be served via first-class mail on the service list attached hereto as Exhibit A, via electronic mail on the service list attached hereto as Exhibit B, and on three (3) confidential parties not listed herein: Notice of Filing Third Amended Plan Supplement (Docket No. 200) Notice of (I) Entry of Order (I) Approving the Disclosure Statement for and Confirming the Joint Prepackaged Chapter 11 Plan of Reorganization of Lakeland Tours, LLC and Its Debtor Affiliates and (II) Occurrence of the Effective Date to All (Docket No. 201) [THIS SPACE INTENTIONALLY LEFT BLANK] ________________________________________ 1 A complete list of each of the Debtors in these chapter 11 cases may be obtained on the website of the Debtors’ proposed claims and noticing agent at https://cases.stretto.com/WorldStrides. The location of the Debtors’ service address in these chapter 11 cases is: 49 West 45th Street, New York, NY 10036. 20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 2 of 105 20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 3 of 105 Exhibit A 20-11647-jlg Doc 205 Filed 09/30/20 Entered 09/30/20 13:16:46 Main Document Pg 4 of 105 Exhibit A Served via First-Class Mail Name Attention Address 1 Address 2 Address 3 City State Zip Country Aaron Joseph Borenstein Trust Address Redacted Attn: Benjamin Mintz & Peta Gordon & Lucas B. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
Newsletternewsletter March 2015
NEWSLETTERNEWSLETTER MARCH 2015 HOWARD ALDEN DIGITAL RELEASES NOT CURRENTLY AVAILABLE ON CD PCD-7053-DR PCD-7155-DR PCD-7025-DR BILL WATROUS BILL WATROUS DON FRIEDMAN CORONARY TROMBOSSA! ROARING BACK INTO JAZZ DANCING NEW YORK ACD-345-DR BCD-121-DR BCD-102-DR CASSANDRA WILSON ARMAND HUG & HIS JOHNNY WIGGS MOONGLOW NEW ORLEANS DIXIELANDERS PCD-7159-DR ACD-346-DR DANNY STILES & BILL WATROUS CLIFFF “UKELELE IKE” EDWARDS IN TANDEM INTO THE ’80s HOME ON THE RANGE AVAilable ON AMAZON, iTUNES, SPOTIFY... GHB JAZZ FOUNDATION 1206 Decatur Street New Orleans, LA 70116 phone: (504) 525-5000 fax: (504) 525-1776 email: [email protected] website: jazzology.com office manager: Lars Edegran assistant: Jamie Wight office hours: Mon-Fri 11am – 5pm entrance: 61 French Market Place newsletter editor: Paige VanVorst contributors: Jon Pult and Trevor Richards HOW TO ORDER Costs – U.S. and Foreign MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB JAZZ FOUNDATION. You will then receive your membership card by return mail or with your order. As a member of the Collector’s Club you will regularly receive our Jazzology Newsletter. Also you will be able to buy our products at a discounted price – CDs for $13.00, DVDs $24.95 and books $34.95. Membership continues as long as you order one selection per year. NON-MEMBERS For non-members our prices are – CDs $15.98, DVDs $29.95 and books $39.95. MAILING AND POSTAGE CHARGES DOMESTIC There is a flat rate of $3.00 regardless of the number of items ordered. -
New Orleans Jazz & Heritage Foundation
New Orleans' Welcome to Jazz country, where Maison Blanche our heartbeat is a down beat and salutes the the sounds of music fill the air . Welcome to Maison Blanche coun• New Orleans Jazz try, where you are the one who calls the tune and fashion is our and Heritage daily fare. Festival 70 maison blanche NEW ORLEANS Schedule WEDNESDAY - APRIL 22 8 p.m. Mississippi River Jazz Cruise on the Steamer President. Pete Fountain and his Orchestra; Clyde Kerr and his Orchestra THURSDAY - APRIL 23 12:00 Noon Eureka Brass Band 12:20 p.m. New Orleans Potpourri—Harry Souchon, M.C. Armand Hug, Raymond Burke, Sherwood Mangiapane, George Finola, Dick Johnson Last Straws 3:00 p.m. The Musical World of French Louisiana- Dick Allen and Revon Reed, M. C.'s Adam Landreneau, Cyprien Landreneau, Savy Augustine, Sady Courville, Jerry Deville, Bois Sec and sons, Ambrose Thibodaux. Clifton Chenier's Band The Creole Jazz Band with Dede Pierce, Homer Eugene, Cie Frazier, Albert Walters, Eddie Dawson, Cornbread Thomas. Creole Fiesta Association singers and dancers. At the same time outside in Beauregard Square—for the same $3 admission price— you'll have the opportunity to explore a variety of muical experiences, folklore exhibits, the art of New Orleans and the great food of South Louisiana. There will be four stages of music: Blues, Cajun, Gospel and Street. The following artists will appear throughout the Festival at various times on the stages: Blues Stage—Fird "Snooks" Eaglin, Clancy "Blues Boy" Lewis, Percy Randolph, Smilin Joe, Roosevelt Sykes, Willie B. Thomas, and others. -
Friends of WWOZ Board of Directors Meeting May 9, 2012 General Manager's Report
Friends of WWOZ Board of Directors Meeting May 9, 2012 General Manager's Report 1. 2012 New Orleans Jazz & Heritage Festival Coverage. Once again, WWOZ provided start-to-finish broadcast and webcast coverage of this year’s New Orleans Jazz & Heritage Festival. And once again, the station’s remote production krewe headed by Program Director Dwayne Breashears and Chief Engineer Damond Jacob provided live feeds to seventeen stations around the country, including KUVO (Denver), KVJZ (Vail), WUSM, Hattiesburg, MS, KPOV, Bend, OR, KDHX, St Louis, MO, CIUT, Toronto, Canada, KFCF, Fresno, CA, WNCU, Durham, NC, WCLK, Atlanta, GA, KMUD, Garberville, CA, KMUE, Eureka ,CA, KLAI, Laytonville/Shelter Cove, CA, WPFW, Washington, DC, KGOU, Norman, OK, KROU Spencer/Oklahoma City, KOUA, Ada, OK, KWOU, Woodward, OK. A small broadcast crew and more than 100 volunteers handled WWOZ’s multiple Jazz Fest activities ranging from broadcast, to membership/brass pass distribution, WWOZ Mango Freeze sales, Piano Night, and night time broadcasts from local clubs. Broadcast Krewe: The broadcast crew included George Ingmire, Bradley Blanchard, Jerry Lenaz, SherriLynn Colby-Bottel, David Kunian, Dimitri Apessos, Linda Santi, Olivia Greene, and many more. Engineering Krewe: The engineering crew included Tony Guillory, Robert Carroll, Khalid Hafiz, and Susan Jacob. Volunteer Power: Veronica Cromwell, Bill Insley, Leslie Cooper, Elsie Bunny Walker, Mary Lambert, Marie MacAdory, Paige Patriarca, Ruth Marinello, Jerry Lenaz, Heather McGlynn, Linz Adams, Mary Naughton, Christy Grimes, Ron Clingenpeel, Lance Albert, Rick Wilkof, Eric Ward, Duane Williams, Melissa Gemeinhardt, Christy Carney, Duane Williams, Betty Schlater, Melissa DeOrazio, Matthew De Orazio, Craig Christopher, Steve Daub, and many more. -
Playing Together. His Father Has Been Dead Abou& Forty-Three Years;
MOSSLEY, BATISTE Also present: William Russell I [of 2]--Digest-Retyped Ralph Collins September 23, 1961 Recorded at Batiste Mos^ley's home 1334 Pacific Street/ Algiers 1 John Batiste "Bat" Mos^ley was born December 22, 1893 [died July 28, 1965-see obituary]/ at the present,site of the Naval Station on the Lower Coast of Algiers [section of New Orleans]. He is older than his brother [Edgar Mos^ley], and says he taug'ht him drums. BM's father played guitar but not in bands; BM says his father started him (age about nine years) on snare drum/ and that he and Tnis father would go around together making money by playing together. His father has been dead abou& forty-three years; he was forty-one when he died [according to calculation, his father was born about 1877, and would have been a^out sixteen years old when BH was born] . BM didn't really take up drums until he was about thirty years old; when his father died, he ^uit playing and didn't begin again until he was about thirty. BM and his father played for penny parties. BM later played in a "field band/" which consisted of piccolo [possibly tin fife;RBA]/ bass drum and snare drum; t1"iey played for parties. They also played for the Grand Army of the Republic organization, which would go to Chalmette [National Cemetery] every year. In the field band were: Jack "Pie Eater' [Williams? Compare Bill Matthews, reel] , piccolo; Albert Silvy [Spelling?], snare drum; BM, bass drum. Pie Eater and Silvy are long dead; BM was a youngster when they died. -
The Historic New Orleans Collection Quarterly Historian Sarah Borealis, with Help from THNOC Reference Associate Robert Ticknor
VOLUME XXXV The Historic New Orleans NUMBER 3 Collection Quarterly SUMMER 2018 Shop online at www.hnoc.org/shop CITY CENTERED: A Contemporary Take on the Tricentennial EVENT CALENDAR EXHIBITIONS & TOURS “CELEBRATING THE SWEDISH NIGHTINGALE” All exhibitions are free unless otherwise noted. In collaboration with the Embassy of Sweden in Washington, DC, and the Consulate of Sweden in New Orleans, The Collection will present a recital featuring the repertoire of Jenny CURRENT Lind, the Swedish opera singer who was an international star in the 19th century. Featuring “Working for the Williamses” Tour soprano Kine Sandtrø and pianist Julia Sjöstedt, the program will feature arias from the operatic Tuesday–Sunday, June 1–30, 11 a.m. canon as well as Nordic folk music. 533 Royal Street Monday, June 18, 6–7 p.m. $5 admission; free for THNOC members Williams Research Center, 410 Chartres Street Free; reservations required. To register, visit www.hnoc.org or call (504) 598-7146. Preview of Art of the City: Postmodern to Post-Katrina presented by The Helis “CARING FOR YOUR COLLECTIONS” WORKSHOP Foundation THNOC staff will share their knowledge of working with and enjoying historical artifacts in this On view through fall 2018 morning workshop. Talks will address documentation, proper methods of handling and display, 533 Royal Street appropriate cleaning and storage techniques, and connoisseurship and acquisition. Free Saturday, June 23, 9:30 a.m.–noon Williams Research Center, 410 Chartres Street French Quarter Museum Association Free; reservations encouraged. To register, visit www.hnoc.org or call (504) 598-7146. Welcome Center Through December 2018 UPSTAIRS LOUNGE PANEL DISCUSSION 533 Royal Street Join us as we commemorate the 45th anniversary of the UpStairs Lounge fire, the unsolved hate Free; for more information, visit crime that claimed 32 lives in 1973. -
Ernie Joseph Cagnolatti Was Born April 2, 1911^ in Madison
. ERNIE CAGNOLATTI 1 Reel I [of 3]-Digest-Retype April 5/ , 1961 / » .^. Interview conducted at EC'S home, 3651 Buchanan, 1, New Orleans. Also present: William Russell, Ralph Collins, Harold Dejan. Ernie Joseph Cagnolatti was born April 2, 1911^ in Madison- ville, Louisiana; his parents did not play music, tout were music- ally-inclined; his older brother, Klebert Cagnolatti, drummer, who died in 1941, played with Bunk Jotoson during World War I, at ship- yards in Madisonville? EC was inspired to play trumpet toy hearing Bunk, tlie first trumpet player he had ever heard. EC began playing drums at age 5, on his brother's extra set; when the brother was away playing, EC would play on the extra set at the Sons of Labor HaU in Madilsonville, where movies were shown; when the movies ^- ?>-» ^^n^? - -A.^ .^ were over, EC accompanied the pianist, Leona Behan [sp?], who ( ^f\ 1, -t \ p <^ \ b played only when the movies were not being shown; moviea were aceom-^cff .w % >^ *. ^' Tt y panied by pianola. EC moved to New Orleans with Klebert in 1919. » Klebert's wife has a picture of the band Bunk was in? personnel: *Tpe Fritz, leader and bass7 Earl Fritz, trombone; Isidore Fritz, clarinetist; [and teacher of George Lewis]; Leon Pyrone [sp?], guitar; Klebert Cagnolatti, drums? Bunk Johnson, trumpet. The "band would come back to Madisonville for each ship launching by Jahncke company, and would rehearse afterward, and play jobs near- by. EC knew Andy Anderson, cousin of Earl Foster, both of whom lived in Mandeville at the time; Anderson also heard Bunk then .