The Interrupters
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Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted
1 COM 321, Documentary Form in Film & Television 1/15/14 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Apted, Michael The Up! series (1970‐2012 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Brakhage, Stan The Act of Seeing with One’s Own Dog Star Man, 1962 US Eyes, 1971 Mothlight, 1963 Bunuel, Luis Las Hurdes (Land Without Bread), Un Chien Andalou, 1928 (with Salvador Spain/France 1933 (mockumentary?) Dali) L’Age D’Or, 1930 The Discreet Charm of the Bourgeoisie, 1972 Cameron, James Expedition Bismarck, 2002 Titanic, 1997 US Ghosts of the Abyss, 2003 Avatar, 2009 Capra, Frank Why We Fight series, 1942‐44 Mr. Deeds Goes to Town, 1936 US Mr. Smith Goes to Washington, 1939 It’s a Wonderful Life, 1946 Chukrai, Grigori Pamyat, 1971 Ballad of a Soldier, 1959 Soviet Union Cooper, Merian C. Grass: A Nation’s Battle for Life, 1925 The Four Feathers, 1929 US (with Ernest B. Schoedsack) King Kong, 1933 Chang: A Drama of the Wilderness, 1927 (with Ernest B. Schoedsack) Demme, Jonathan Stop Making Sense, -
American Gun: a Poem by 100 Chicagoans
DePaul University Via Sapientiae Big Shoulders Books LAS Proceedings, Projects and Publications 2020 American Gun: A Poem by 100 Chicagoans Chris Green Follow this and additional works at: https://via.library.depaul.edu/big_shoulders_books Part of the Nonfiction Commons, and the Poetry Commons Recommended Citation Green, Chris, "American Gun: A Poem by 100 Chicagoans" (2020). Big Shoulders Books. 2. https://via.library.depaul.edu/big_shoulders_books/2 This Book is brought to you for free and open access by the LAS Proceedings, Projects and Publications at Via Sapientiae. It has been accepted for inclusion in Big Shoulders Books by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. A Poem by 100 Chicagoans Edited by Chris Green AMERICAN GUN AMERICAN GUN A Poem by 100 Chicagoans Copyright ©2020 Chris Green Edited by Chris Green All rights reserved. No part of this publication may be reproduced or distributed in any form or by any electronic or mechanical means, or stored in a database or retrieval system, without prior written permission of the publisher, except to review. Published by Big Shoulders Books DePaul University Chicago, Illinois ISBN: 978-0-578-64836-1 Library of Congress Control Number: 2020933924 Big Shoulders Books logo design by Robert Soltys AMERICAN GUN ABOUT BIG SHOULDERS CONTENTS Big Shoulders Books aims to produce books that engage intimately with the Chicago community and, in the process, give graduate and undergraduate creative-writing students at DePaul University hands-on, practical experience in book publishing. The goal of Big Shoulders Books is to disseminate, free of charge, quality anthologies of writing by and about Chicagoans whose voices might not otherwise be shared. -
Starz’S €˜America to Me’ Docuseries Explores Race in Schools
Starz’s ‘America to Me’ Docuseries Explores Race in Schools 06.29.2018 Filmmaker Steve James (Hoop Dreams, The Interrupters, Life Itself, Abacus: Small Enough to Jail) spent a year inside suburban Chicago's Oak Park and River Forest High School, exploring the grapple with decades-long racial and educational inequities. America to Me follows students, teachers and administrators at one of the country's highest performing and diverse public schools, digging into many of the stereotypes and challenges that today's teenagers face, and looking at what has succeeded and failed in the quest to achieve racial equality in our educational system. The 10-part series also serves as the launch of a social impact campaign focusing on the issues highlighted in each episode. Starz partnered with series producer Participant Media to encourage candid conversations about racism through a downloadable Community Conversation Toolkit and elevate student voices through a national spoken-word poetry contest. Alongside the release of each new episode, the campaign will also host a high-profile screening event in one city across the country. Over the course of 10 weeks, these 10 events will seed a national dialogue anchored by the series, and kick off activities across the country to inspire students, teachers, parents and community leaders to develop local initiatives that address inequities in their own communities, says Starz. James directed and executive produced the series, along with executive producers Gordon Quinn (The Trials of Muhammad Ali), Betsy Steinberg (Edith+Eddie) and Justine Nagan (Minding the Gap) at his longtime production home, Kartemquin Films. -
Download Schedule
EMCEES: EMCEES: HAROLD WASHINGTON LIBRARY CENTER NILI YELIN, THE STORYBOOK MOM AND JOE GRAY BILLY LOMBARDO AND FRANK TEMPONE CENTER STAGE ARTS & POETRY TENT CINDY PRITZKER AUDITORIUM MULTIPURPOSE ROOM RECEPTION HALL VIDEO/THEATRE ROOM GRACE PLACE (2ND FLOOR) C-SPAN STAGE 10 a.m. – Inspiring stories from 10 a.m. – Essays: Living Our Best Lives 10 a.m. – Poetry Reading: 10 a.m. – Welcome by Library Commissioner 10 a.m. – Andy Parker, For Alison 10 a.m. the #pilotina, Jacqueline Camacho-Ruiz, Jenny Boully and Ross Gay avery r. young, neckbone Andrea Telli, Mayor Lori Lightfoot, Ald Sophia King in conversation with David Heinzmann The Amazing World of Aviation in conversation with Walton Muyumba (4th Ward), Bonnie Sanchez-Carlson, NSPB, sponsors David Hiller of Robert R. McCormick 10:30 a.m. – “So, You Want to Write a Children’s Book?” 10:30 a.m. 10:30 a.m. – Children’s Storybook Parade Foundation and Matt Doubleday of Wintrust Tips from 6 Debut Children’s Book Creators + 1 Future Program to follow with Alex Kotlowitz, Children’s Book Creator led by Esther Hershenhorn An American Summer in conversation 11 a.m. – Coya Paz Brownrigg and Chloe Johnston, 11 a.m. – Rebecca Makkai, The Great Believers 11 a.m. – Chicago by the Book: Writing that 11 a.m. – Bridgett Davis, The World According to 11 a.m. – Dean Robbins, with Liz Dozier; Introduced by 11 a.m. Ensemble-Made Chicago: A Guide to Devised and Rosellen Brown, The Lake on Fire Defines a City with contributors Nina Barrett, Fannie Davis in conversation with Lolly Bowean; The Astronaut Who Painted the Moon Creative Director Elizabeth Taylor Theater in conversation with Benna Wilde in conversation with Donna Seaman Neil Harris and Tim Lacy Program presented by American Writers Museum 11:30 a.m. -
A 2016 Documentary Film by Dinesh Das Sabu And
Unbroken Glass unbrokenglassfilm.com | facebook.com/unbrokenglass | @unbrokenglass A 2016 documentary film by Dinesh Das Sabu and Kartemquin Films Unbroken Glass is a documentary about filmmaker Dinesh Das Sabu's journey to understand his parents, who died 20 years ago when he was just six years old. Traveling to India and across the United States, Dinesh pieces together the story of his mother's schizophrenia and suicide, and how his family dealt with it in an age and culture where mental illness was often misunderstood, scorned and taboo. Unbroken Glass weaves together Dinesh’s journey of discovery with cinema-verite scenes of his family dealing with still raw emotions and consequences of his immigrant parents’ lives and deaths. Dinesh hopes that telling this story will raise awareness and reduce the stigma of mental illness, while at the same time empower suicide survivors and families of the mentally ill to share their stories. Unbroken Glass is Dinesh’s first feature film for Kartemquin Films. A graduate of University of Chicago, Dinesh is an independent documentary filmmaker. His work includes shooting part of Kartemquin’s American Arab and The Homestretch, as well as cinematography for Waking in Oak Creek, How to Build a School in Haiti and the forthcoming End of Love. In fall 2016, the team behind UNBROKEN GLASS is launching a robust community outreach campaign to screen the film and host discussions nation-wide. If you would like to schedule a screening, please contact [email protected]. The film is funded in part by the Sage Foundation, Firelight Media and the Asian Giving Circle.. -
The New Americans
TELEVISUALISING TRANSNATIONAL MIGRATION: THE NEW AMERICANS Alan Grossman and Áine O’Brien TELEVISUALISING TRANSNATIONAL MIGRATION: THE NEW AMERICANS Alan Grossman and Áine O’Brien Originally published in 2007: Grossman and O'Brien (eds) Projecting Migration: Transcultural Documentary Practice, Columbia University Press, NY (Book/DVD). [Combined DVD/Book engaged with questions of migration, mobility and displacement through the prism of creative practice. Columbia University Press, NY] I The title of this book [The New Americans] and the documentary series upon which it reflects proclaims that something is fundamentally different about our most recent wave of immigration The racial and ethnic identity of the United States is ‐ once again ‐ being remade. The 2000 Census counts some 28 million first‐generation immigrants among us. This is the highest number in history – often pointed out by anti‐immigrant lobbyists ‐ but it is not the highest percentage of the foreign‐born in relation to the overall population. In 1907, that ratio was 14 percent; today, it is 10 percent. Yet there is the pervasive notion that something is occurring that has never occurred before, or that more is at stake than ever before. And there is a crucial distinction to be made between the current wave and the ones that preceded it. As late as the 1950s, two‐thirds of immigration to the US originated in Europe. By the 1980s, more than 80 percent came from Latin America and Asia. As at every other historical juncture, when we receive a new batch of strangers, there is a reaction, a kind of political gasp that says: We no longer recognize ourselves. -
Impact Budgets Classic Engagement Activity Evaluation Toolbox
INDEX INTRODUCTION PLANNING IMPACT IN ACTION IMPACT DISTRIBUTION EVALUATING 1.0 2.0 3.0 4.0 5.0 INTRODUCTION PLANNING IMPACT IMPACT EVALUATING IN ACTION DISTRIBUTION Welcome Why vision & strategy matter Equipping for impact What is impact distribution? We love evaluation The power of film Defining your vision The role of film teams How commercial are impact films? What makes great evaluation Analysing the story environment Developing your strategy Meet the impact producer Types of distribution deals Embracing complexity How change happens Map the issue Consider your subjects Review distribution pathways Making your evaluation plan The challenge for filmmakers The 4 impact dynamics Writing impact budgets Classic engagement activity Evaluation toolbox Know thyself Draft your strategic plan Finding impact funders Impact distribution at work New tools for impact documentary Making impact partners Sign on the dotted line Wrapping up INDEX INTRODUCTION PLANNING IMPACT IN ACTION IMPACT DISTRIBUTION EVALUATING PDF • CL LE ICK AB A K BL IC E L P C Use the top D F • and side • F tabs to navigate D P C through! L E I L C B K A A K B C L I E L C P D F • Please don’t print me! IMPACTGUIDE.ORG Get the printable version INDEX INTRODUCTION PLANNING IMPACT IN ACTION IMPACT DISTRIBUTION EVALUATING A set of tools and guides designed to help all of us who are working with film make even greater impact than we do already. Brought to you by: Made possible by: britdoc.org fordfoundation.org | berthafoundation.org | sundance.org | knightfoundation.org -
WRITING MATTERS James L
THE NEWSLETTER OF NORTHWESTERN UNIVERSITY’S CENTER FOR THE WRITING ARTS VOL. 6WRITING NO. 1 Celebrating writing in all its forms MATTERS at Northwestern University. FALL 2005 DIRECTOR’S LETTER committee was first convened with Reg PLANNING WRITING Gibbons, Bob Gundlach, Jack Doppelt, Dave A New Window On the Rich Array Tolchinsky and Ana Puga -- but other NU EVENTS THIS of Writing Classes Here at NU faculty members have given generously of QUARTER? LET US their time in meetings since. The core KNOW! By David Abrahamson premise was that, at both the grad and Director, NU Center for the Writing Arts, undergrad level, there might be a way to Just a reminder that the Charles Deering McCormick Professor of take advantage of the fact that the Teaching Excellence, Medill School Center’s biweekly digest, NU Northwestern culture is so rich in offerings of Journalism Writing Event Digest, high- of writing courses -- in fiction, poetry, nonfic- lights NU writing events and tion, journalism, script-and screening writing reaches students, faculty, and and dramatic writing and more. staff via the Center’s grow- ing email list. If you know of If the entire corpus of such courses was sur- an upcoming event related to veyed and analyzed, might certain patterns writing, whether it be an suggest themselves? Areas discovered that author’s visit, departmental could benefit from expansion? Courses could program, or even an off-cam- be combined and/or enriched? Subjects pus event involving NU stu- which might have been overlooked or per- dents or faculty, please let us haps with a somewhat recent claim to the know! We will do our best to canon? A warm hello publicize all writing-related programming. -
The Earned Income Tax Credit
Advocates’ 2011 FORUMA PUBLICATION BY STUDENTS OF THE UNIVERSITY OF CHICAGO SCHOOL OF SOCIAL SERVICE ADMINISTRATION S C H O O L O F S O C I A L S E RV I C E ADMINISTRATION Advocates’ 2011 FORUMA PUBLICATION BY STUDENTS OF THE UNIVERSITY OF CHICAGO SCHOOL OF SOCIAL SERVICE ADMINISTRATION EDITOR IN CHIEF Emily Oshima CO EDITOR S Janet Li Alberto Ortega EDITORIAL BOARD Lindsey Burke Jeannine Chester Julia Conte David Demethers Kristin Dickens Elizabeth Hart Greg Kirschling Xuan Than Le Emily Mendesh Ian Mobley Saleem Hue Penny Matthew Raffol Rocio Reyes Kathryn Rice Darrah Sipe Lindsey Whitlock FACULTY ADVISOR Virginia Parks, Ph.D. MISSION STATEMENT Advocates’ Forum is an academic journal that explores implications of clinical social work practice, social issues, administration, and public policies linked to the social work profession. The Editorial Board of ESSAYS AND ARTICLES Advocates’ Forum seeks to provide a medium through which SSA students Foreword by Alex Kotlowitz.................................... i can contribute to public thinking about social welfare and policy in theory and practice. Above all, Letter from the Editor............................................ .ii Advocates’ Forum serves to encourage and facilitate an open, scholarly Feeding the Ghosts: Existential Concerns of exchange of ideas among individuals working toward the shared goal of Clients with Chronic Disease a more just and humane society. By Libby Bachhuber................................................. 1 Protecting the Human Rights of Unaccompanied Immigrant Minors EDITORIAL POLICY By Kate Englund………………………………......... 10 Advocates’ Forum is published by the students of the School of Social Haiti’s IDP Camp Policy: The Management of Service Administration (SSA) at The Vulnerability University of Chicago. -
Theinterruptersv10.Pdf
Presented by Kartemquin Films THE INTERRUPTERS • COMMUNITY RESOURCE GUIDE TABLE OF CONTENTS About the Film | 1 How To Use The Film and Resource Guide | 2 Character Profiles | 3 Laying the Groundwork for Dialogue | 4 Discussion Questions | 5 5 Things You Can Do Today | 7 Online Resource List | 8 About Kartemquin Films | 10 Credits and Funders | 10 THE INTERRUPTERS • COMMUNITY RESOURCE GUIDE ABOUT THE FILM During one weekend in 2008, 37 people were shot in Chicago, seven of them fatally. It was the year Chicago became the emblem of America’s inner-city violence and gang problem. The Interrupters is the moving story of three dedicated “violence interrupters”—Ameena Matthews, Cobe Williams and Eddie Bocanegra—who, with bravado, humility and even humor, work to protect their Chicago communities from the violence they themselves once employed. Their work and their insights are informed by their own journeys, which, as each of them points out, defy easy characterization. From acclaimed producer-director Steve James (Hoop Dreams) and best-selling author-turned-producer Alex Kotlowitz (There Are No Children Here), The Interrupters is an unusually intimate journey into the stubborn persistence of violence in our cities. The New York Times says the film “has put a face to a raging epidemic and an unforgivable American tragedy.” Tio Hardiman created the “Violence Interrupters Program” for an innovative organization. CeaseFire, which is the brainchild of epidemiologist Gary Slutkin, who for 10 years battled the spread of cholera and AIDS in Africa. Slutkin believes that the spread of violence mimics that of infectious diseases, and so the treatment should be similar: Go after the most infected, and stop the infection at its source. -
Rethinking the University of Chicago's Role in Hyde
Wesleyan University The Honors College The City as Social Laboratory: Rethinking the University of Chicago’s Role in Hyde Park’s Urban Renewal by Amanda Marguerite Faraone Class of 2011 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in Sociology Middletown, Connecticut April, 2011 “…If the city is the world which man created, it is the world in which he is henceforth condemned to live. Thus, indirectly, and without any clear sense of the nature of his task, in making the city man has remade himself.” Robert E. Park, “The City as Social Laboratory”1 “An urban renewal program is the moment of truth in the life of any city or neighborhood. This is the moment when determinations have to be made as to goals and objectives, as to the future character of development and change over at least the ensuing quarter century. It is also the moment when assets and liabilities have to be cast up, when what is wrong and what is right has to be defined.” Julian H. Levi, Executive Director, South East Chicago Commission, Commencement Address to the John Marshall Law School, 19612 1 Emphasis mine, Robert E. Park, “The City as Social Laboratory” in Human Communities: The City and Human Ecology (Glencoe, IL: The Free Press, 1952), 73. 2 Julian H. Levi, “Commencement Address,” Given before the John Marshall Law School, Chicago, Illinois, February 18, 1961, 6, emphasis mine, Office of the President, Beadle Administration, Records, 1916-1968, Box 353, Folder 5: Urban renewal, Julian Levi, speeches, 1961, Special Collections Research Center, The University of Chicago Library, Chicago, IL. -
THE INTERRUPTERS FILMMAKERS WORKED the Interrupters Tells the Moving and WITH
BRITDOC.ORG/IMPACT REALLY GREAT CAPACITY BUILDING…. THE AN INCREDIBLE LIST OF NGOS THAT THE INTERRUPTERS FILMMAKERS WORKED The Interrupters tells the moving and WITH. I LOVE THE surprising stories of three Violence Interrupters who try to protect their Chicago FOCUS ON THEATRICAL communities from the violence they once employed. Shot over the course of a year, Q&AS AND HARNESSING the film captures a period in Chicago when it became a national symbol for THE ENERGY OF THE the violence in US cities. The film’s main subjects, ”The Interrupters”, work for an AUDIENCE IN innovative organization, CeaseFire; they have credibility on the streets because of THE CINEMA” their own personal histories and intervene in conflicts before they erupt into violence. PEER REVIEW COMMITTEE WHAT THE CRITICS SAID “The Interrupters is one of the great movies of the Obama era, the best and most painful so far” Boston Globe “Superb... every member of the U.S. House, the U.S. Senate, the White House and the tea party, let alone anybody simply interested in meeting some complicated and remarkable Chicagoans, should see the film” Chicago Tribune “ For ordinary moviegoers in search of an enthralling experience, that work and this film are heroically life-affirming” TIME 1 THE FILM THE WHO SAW IT “I WAS THERE. IT MADE ME FESTIVALS 44 in 15 countries LAUGH; IT MADE ME CRY; IT MADE Premiere Sundance 2011 ME WANT TO BECOME MORE VIEWERS AT COMMUNITY SCREENINGS ACTIVE IN MY OWN COMMUNITY/ 16K in 44 out of 50 states (including over 100 in Chicago) PROVIDE MENTORSHIP.