Design of Digital Ip Block for Discrete Cosine Transform
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MPEG Video in Software: Representation, Transmission, and Playback
High Speed Networking and Multimedia Computing, IS&T/SPIE Symp. on Elec. Imaging Sci. & Tech., San Jose, CA, February 1994. MPEG Video in Software: Representation, Transmission, and Playback Lawrence A. Rowe, Ketan D. Patel, Brian C Smith, and Kim Liu Computer Science Division - EECS University of California Berkeley, CA 94720 ([email protected]) Abstract A software decoder for MPEG-1 video was integrated into a continuous media playback system that supports synchronized playing of audio and video data stored on a file server. The MPEG-1 video playback system supports forward and backward play at variable speeds and random positioning. Sending and receiving side heuristics are described that adapt to frame drops due to network load and the available decoding capacity of the client workstation. A series of experiments show that the playback system adds a small overhead to the stand alone software decoder and that playback is smooth when all frames or very few frames can be decoded. Between these extremes, the system behaves reasonably but can still be improved. 1.0 Introduction As processor speed increases, real-time software decoding of compressed video is possible. We developed a portable software MPEG-1 video decoder that can play small-sized videos (e.g., 160 x 120) in real-time and medium-sized videos within a factor of two of real-time on current workstations [1]. We also developed a system to deliver and play synchronized continuous media streams (e.g., audio, video, images, animation, etc.) on a network [2].Initially, this system supported 8kHz 8-bit audio and hardware-assisted motion JPEG compressed video streams. -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
HERO6 Black Manual
USER MANUAL 1 JOIN THE GOPRO MOVEMENT facebook.com/GoPro youtube.com/GoPro twitter.com/GoPro instagram.com/GoPro TABLE OF CONTENTS TABLE OF CONTENTS Your HERO6 Black 6 Time Lapse Mode: Settings 65 Getting Started 8 Time Lapse Mode: Advanced Settings 69 Navigating Your GoPro 17 Advanced Controls 70 Map of Modes and Settings 22 Connecting to an Audio Accessory 80 Capturing Video and Photos 24 Customizing Your GoPro 81 Settings for Your Activities 26 Important Messages 85 QuikCapture 28 Resetting Your Camera 86 Controlling Your GoPro with Your Voice 30 Mounting 87 Playing Back Your Content 34 Removing the Side Door 5 Using Your Camera with an HDTV 37 Maintenance 93 Connecting to Other Devices 39 Battery Information 94 Offloading Your Content 41 Troubleshooting 97 Video Mode: Capture Modes 45 Customer Support 99 Video Mode: Settings 47 Trademarks 99 Video Mode: Advanced Settings 55 HEVC Advance Notice 100 Photo Mode: Capture Modes 57 Regulatory Information 100 Photo Mode: Settings 59 Photo Mode: Advanced Settings 61 Time Lapse Mode: Capture Modes 63 YOUR HERO6 BLACK YOUR HERO6 BLACK 1 2 4 4 3 11 2 12 5 9 6 13 7 8 4 10 4 14 6 1. Shutter Button [ ] 6. Latch Release Button 10. Speaker 2. Camera Status Light 7. USB-C Port 11. Mode Button [ ] 3. Camera Status Screen 8. Micro HDMI Port 12. Battery 4. Microphone (cable not included) 13. microSD Card Slot 5. Side Door 9. Touch Display 14. Battery Door For information about mounting items that are included in the box, see Mounting (page 87). -
The Evolutionof Premium Vascular Ultrasound
Ultrasound EPIQ 5 The evolution of premium vascular ultrasound Philips EPIQ 5 ultrasound system The new challenges in global healthcare Unprecedented advances in premium ultrasound performance can help address the strains on overburdened hospitals and healthcare systems, which are continually being challenged to provide a higher quality of care cost-effectively. The goal is quick and accurate diagnosis the first time and in less time. Premium ultrasound users today demand improved clinical information from each scan, faster and more consistent exams that are easier to perform, and allow for a high level of confidence, even for technically difficult patients. 2 Performance More confidence in your diagnoses even for your most difficult cases EPIQ 5 is the new direction for premium vascular ultrasound, featuring an exceptional level of clinical performance to meet the challenges of today’s most demanding practices. Our most powerful architecture ever applied to vascular ultrasound EPIQ performance touches all aspects of acoustic acquisition and processing, allowing you to truly experience the evolution to a more definitive modality. Carotid artery bulb Superficial varicose veins 3 The evolution in premium vascular ultrasound Supported by our family of proprietary PureWave transducers and our leading-edge Anatomical Intelligence, this platform offers our highest level of premium performance. Key trends in global ultrasound • The need for more definitive premium • A demand to automate most operator ultrasound with exceptional image functions -
A Deblocking Filter Hardware Architecture for the High Efficiency
A Deblocking Filter Hardware Architecture for the High Efficiency Video Coding Standard Cláudio Machado Diniz1, Muhammad Shafique2, Felipe Vogel Dalcin1, Sergio Bampi1, Jörg Henkel2 1Informatics Institute, PPGC, Federal University of Rio Grande do Sul (UFRGS), Porto Alegre, Brazil 2Chair for Embedded Systems (CES), Karlsruhe Institute of Technology (KIT), Germany {cmdiniz, fvdalcin, bampi}@inf.ufrgs.br; {muhammad.shafique, henkel}@kit.edu Abstract—The new deblocking filter (DF) tool of the next encoder configuration: (i) Random Access (RA) configuration1 generation High Efficiency Video Coding (HEVC) standard is with Group of Pictures (GOP) equal to 8 (ii) Intra period2 for one of the most time consuming algorithms in video decoding. In each video sequence is defined as in [8] depending upon the order to achieve real-time performance at low-power specific frame rate of the video sequence, e.g. 24, 30, 50 or 60 consumption, we developed a hardware accelerator for this filter. frames per second (fps); (iii) each sequence is encoded with This paper proposes a high throughput hardware architecture four different Quantization Parameter (QP) values for HEVC deblocking filter employing hardware reuse to QP={22,27,32,37} as defined in the HEVC Common Test accelerate filtering decision units with a low area cost. Our Conditions [8]. Fig. 1 shows the accumulated execution time architecture achieves either higher or equivalent throughput (in % of total decoding time) of all functions included in C++ (4096x2048 @ 60 fps) with 5X-6X lower area compared to state- class TComLoopFilter that implement the DF in HEVC of-the-art deblocking filter architectures. decoder software. DF contributes to up to 5%-18% to the total Keywords—HEVC coding; Deblocking Filter; Hardware decoding time, depending on video sequence and QP. -
JPEG and JPEG 2000
JPEG and JPEG 2000 Past, present, and future Richard Clark Elysium Ltd, Crowborough, UK [email protected] Planned presentation Brief introduction JPEG – 25 years of standards… Shortfalls and issues Why JPEG 2000? JPEG 2000 – imaging architecture JPEG 2000 – what it is (should be!) Current activities New and continuing work… +44 1892 667411 - [email protected] Introductions Richard Clark – Working in technical standardisation since early 70’s – Fax, email, character coding (8859-1 is basis of HTML), image coding, multimedia – Elysium, set up in ’91 as SME innovator on the Web – Currently looks after JPEG web site, historical archive, some PR, some standards as editor (extensions to JPEG, JPEG-LS, MIME type RFC and software reference for JPEG 2000), HD Photo in JPEG, and the UK MPEG and JPEG committees – Plus some work that is actually funded……. +44 1892 667411 - [email protected] Elysium in Europe ACTS project – SPEAR – advanced JPEG tools ESPRIT project – Eurostill – consensus building on JPEG 2000 IST – Migrator 2000 – tool migration and feature exploitation of JPEG 2000 – 2KAN – JPEG 2000 advanced networking Plus some other involvement through CEN in cultural heritage and medical imaging, Interreg and others +44 1892 667411 - [email protected] 25 years of standards JPEG – Joint Photographic Experts Group, joint venture between ISO and CCITT (now ITU-T) Evolved from photo-videotex, character coding First meeting March 83 – JPEG proper started in July 86. 42nd meeting in Lausanne, next week… Attendance through national -
7 Image Processing: Discrete Images
7 Image Processing: Discrete Images In the previous chapter we explored linear, shift-invariant systems in the continuous two-dimensional domain. In practice, we deal with images that are both limited in extent and sampled at discrete points. The results developed so far have to be specialized, extended, and modified to be useful in this domain. Also, a few new aspects appear that must be treated carefully. The sampling theorem tells us under what circumstances a discrete set of samples can accurately represent a continuous image. We also learn what happens when the conditions for the application of this result are not met. This has significant implications for the design of imaging systems. Methods requiring transformation to the frequency domain have be- come popular, in part because of algorithms that permit the rapid compu- tation of the discrete Fourier transform. Care has to be taken, however, since these methods assume that the signal is periodic. We discuss how this requirement can be met and what happens when the assumption does not apply. 7.1 Finite Image Size In practice, images are always of finite size. Consider a rectangular image 7.1 Finite Image Size 145 of width W and height H. Then the integrals in the Fourier transform no longer need to be taken to infinity: H/2 W/2 F (u, v)= f(x, y)e−i(ux+vy) dx dy. −H/2 −W/2 Curiously, we do not need to know F (u, v) for all frequencies in order to reconstruct f(x, y). Knowing that f(x, y)=0for|x| >W/2 and |y| >H/2 provides a strong constraint. -
University of Florida Acceptable ETD Formats
University of Florida acceptable ETD formats The Acceptable ETD formats below are defined based on those media for which a preservation strategy exists. The aim is to make all ETD’s available into the future as the technology changes and software becomes obsolete. Media formats that are not listed in this table are ones that cannot presently be preserved at an acceptable level. Many of these can easily be converted to one of the acceptable formats. If you create a document using Word or LaTex it should be exported as a PDF. Please consult with the CIRCA ETD unit ([email protected]) for assistance or if you have any questions. The Acceptable ETD Formats are reviewed and updated regularly by the Graduate School, the Library, the ETD training staff in Academic Technology, and the Florida Center for Library Automation. All files should be scanned with up-to-date virus software before submission. Files with viruses will not be accepted. Media Acceptable formats (bold indicates preferred formats) Text - PDF/A-1 (ISO 19005-1) (*.pdf) - Plain text (encoding: USASCII, UTF-8, UTF-16 with BOM) - XML (includes XSD/XSL/XHTML, etc.; with included or accessible schema and character encoding explicitly specified) - Cascading Style Sheets (*.css) - DTD (*.dtd) - Plain text (ISO 8859-1 encoding) - PDF (*.pdf) (embedded fonts) - Rich Text Format 1.x (*.rtf) - HTML (include a DOCTYPE declaration) - SGML (*.sgml) - Open Office (*.sxw/*.odt) - OOXML (ISO/IEC DIS 29500) (*.docx) - Computer program source code (*.c, *.c++, *.java, *.js, *.jsp, *.php, *.pl, etc.) -
Research Paper a Study of Digital Video Compression Techniques
Volume : 5 | Issue : 4 | April 2016 ISSN - 2250-1991 | IF : 5.215 | IC Value : 77.65 Research Paper Engineering A Study of Digital Video Compression Techniques Dr. Saroj Choudhary Department of Applied Science JECRC, Jodhpur, Rajasthan, India Purneshwari Department of ECE JIET, Jodhpur, Rajasthan, India Varshney Earlier, digital video compression technologies have become an integral part of the creation, communication and consumption of visual information. In this, techniques for video compression techniques are reviewed. The paper explains the basic concepts of video codec design and various features which have been integrated into international standards and including the recent standard, H.264/AVC. The ITU-T H.264 video coding standard has been developed to achieve significant improvements over MPEG-2 standard in terms of compression. Although the basic coding framework of the ABSTRACT standard is similar to that of the existing standards, H.264 introduces many new features. KEYWORDS H.264, MPEG-2, PSNR. INTRODUCTION Since minimal information is sent between every four or five The basic communication problem may be posed as conveying frames, a significant reduction in bits required to describe the source data with the highest fidelity possible within an availa- image results. Consequently, compression ratios above 100:1 ble bit rate, or it may be posed as conveying the source data are common. The scheme is asymmetric; the MPEG encoder using the lowest bit rate possible while maintaining specified is very complex and places a very heavy computational load reproduction fidelity [7]. In either case, a fundamental tradeoff for motion estimation. Decoding is much simpler and can be is made between bit rate and fidelity. -
Analysis of Video Compression Using DCT
Imperial Journal of Interdisciplinary Research (IJIR) Vol-3, Issue-3, 2017 ISSN: 2454-1362, http://www.onlinejournal.in Analysis of Video Compression using DCT Pranavi Patil1, Sanskruti Patil2 & Harshala Shelke3 & Prof. Anand Sankhe4 1,2,3 Bachelor of Engineering in computer, Mumbai University 4Proffessor, Department of Computer Science & Engineering, Mumbai University Maharashtra, India Abstract: Video is most useful media to represent the where in order to get the best possible compression great information. Videos, images are the most efficiency, it considers certain level of distortion. essential approaches to represent data. Now this year, all the communications are done on such ii. Lossless Compression: media. The central problem for the media is its large The lossless compression technique is generally size. Also this large data contains a lot of redundant focused on the decreasing the compressed output information. The huge usage of digital multimedia video' bit rate without any alteration of the frame. leads to inoperable growth of data flow through The decompressed bit-stream is matching to the various mediums. Now a days, to solve the problem original bit-stream. of bandwidth requirement in communication, multimedia data is a big challenge. The main 2. Video Compression concept in the present paper is about the Discrete The main unit behind the video compression Cosine Transform (DCT) algorithm for compressing approach is the video encoder found at the video's size. Keywords: Compression, DCT, PSNR, transmitter side, which encodes the video that is to be MSE, Redundancy. transmitted in form of bits and also the video decoder positioned at the receiver side, which rebuild the Keywords: Compression, DCT, PSNR, MSE, video in its original form based on the bit sequence Redundancy. -
Contrast-Enhanced High-Frame-Rate Ultrasound Imaging of Flow Patterns in Cardiac Chambers and Deep Vessels
Delft University of Technology Contrast-Enhanced High-Frame-Rate Ultrasound Imaging of Flow Patterns in Cardiac Chambers and Deep Vessels Vos, Hendrik J.; Voorneveld, Jason D.; Groot Jebbink, Erik; Leow, Chee Hau; Nie, Luzhen; van den Bosch, Annemien E.; Tang, Meng Xing; Freear, Steven; Bosch, Johan G. DOI 10.1016/j.ultrasmedbio.2020.07.022 Publication date 2020 Document Version Final published version Published in Ultrasound in Medicine and Biology Citation (APA) Vos, H. J., Voorneveld, J. D., Groot Jebbink, E., Leow, C. H., Nie, L., van den Bosch, A. E., Tang, M. X., Freear, S., & Bosch, J. G. (2020). Contrast-Enhanced High-Frame-Rate Ultrasound Imaging of Flow Patterns in Cardiac Chambers and Deep Vessels. Ultrasound in Medicine and Biology, 46(11), 2875-2890. https://doi.org/10.1016/j.ultrasmedbio.2020.07.022 Important note To cite this publication, please use the final published version (if applicable). Please check the document version above. Copyright Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons. Takedown policy Please contact us and provide details if you believe this document breaches copyrights. We will remove access to the work immediately and investigate your claim. This work is downloaded from Delft University of Technology. For technical reasons the number of authors shown on this cover page is limited to a maximum of 10. ARTICLE IN PRESS Ultrasound in Med. -
Video Coding Standards
Module 8 Video Coding Standards Version 2 ECE IIT, Kharagpur Lesson 23 MPEG-1 standards Version 2 ECE IIT, Kharagpur Lesson objectives At the end of this lesson, the students should be able to : 1. Enlist the major video coding standards 2. State the basic objectives of MPEG-1 standard. 3. Enlist the set of constrained parameters in MPEG-1 4. Define the I- P- and B-pictures 5. Present the hierarchical data structure of MPEG-1 6. Define the macroblock modes supported by MPEG-1 23.0 Introduction In lesson 21 and lesson 22, we studied how to perform motion estimation and thereby temporally predict the video frames to exploit significant temporal redundancies present in the video sequence. The error in temporal prediction is encoded by standard transform domain techniques like the DCT, followed by quantization and entropy coding to exploit the spatial and statistical redundancies and achieve significant video compression. The video codecs therefore follow a hybrid coding structure in which DPCM is adopted in temporal domain and DCT or other transform domain techniques in spatial domain. Efforts to standardize video data exchange via storage media or via communication networks are actively in progress since early 1980s. A number of international video and audio standardization activities started within the International Telephone Consultative Committee (CCITT), followed by the International Radio Consultative Committee (CCIR), and the International Standards Organization / International Electrotechnical Commission (ISO/IEC). An experts group, known as the Motion Pictures Expects Group (MPEG) was established in 1988 in the framework of the Joint ISO/IEC Technical Committee with an objective to develop standards for coded representation of moving pictures, associated audio, and their combination for storage and retrieval of digital media.