Technical Standards and Documentation Guide for the Delivery of Gold Level HD Programmes
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History of the DVB Project
History of the DVB Project (This article was written by David Wood around 2013.) Introduction The DVB Project is an Alliance of about 200 companies, originally of European origin but now worldwide. Its objective is to agree specifications for digital media delivery systems, including broadcasting. It is an open, private sector initiative with an annual membership fee, governed by a Memorandum of Understanding (MoU). Until late 1990, digital television broadcasting to the home was thought to be impractical and costly to implement. During 1991, broadcasters and consumer equipment manufacturers discussed how to form a concerted pan-European platform to develop digital terrestrial TV. Towards the end of that year, broadcasters, consumer electronics manufacturers and regulatory bodies came together to discuss the formation of a group that would oversee the development of digital television in Europe. This so-called European Launching Group (ELG) expanded to include the major European media interest groups, both public and private, the consumer electronics manufacturers, common carriers and regulators. It drafted the MoU establishing the rules by which this new and challenging game of collective action would be played. The concept of the MoU was a departure into unexplored territory and meant that commercial competitors needed to appreciate their common requirements and agendas. Trust and mutual respect had to be established. The MoU was signed by all ELG participants in September 1993, and the Launching Group renamed itself as the Digital Video Broadcasting Project (DVB). Development work in digital television, already underway in Europe, moved into top gear. Around this time a separate group, the Working Group on Digital Television, prepared a study of the prospects and possibilities for digital terrestrial television in Europe. -
VC-1 Compressed Video Bitstream Format and Decoding Process
_________________________________________________________________ SMPTE 421M-2006 SMPTE STANDARD VC-1 Compressed Video Bitstream Format and Decoding Process _________________________________________________________________ Intellectual property notice Copyright 2003-2006 THE SOCIETY OF MOTION PICTURE AND TELEVISION ENGINEERS 3 Barker Ave. White Plains, NY 10601 +1 914 761 1100 Fax +1 914 761-3115 E-mail [email protected] Web http://www.smpte.org The user’s attention is called to the possibility that compliance with this document may require use of inventions covered by patent rights. By publication of this document, no position is taken with respect to the validity of these claims or of any patent rights in connection therewith. The patent holders have, however, filed statements of willingness to grant a license under these rights on fair, reasonable and nondiscriminatory terms and conditions to applicants desiring to obtain such a license. Contact information may be obtained from the SMPTE. No representation or warranty is made or implied that these are the only licenses that may be required to avoid infringement in the use of this document. © SMPTE 2003-2006 – All rights reserved Approved 24-February-2006 i Foreword SMPTE (the Society of Motion Picture and Television Engineers) is an internationally-recognized standards developing organization. Headquartered and incorporated in the United States of America, SMPTE has members in over 80 countries on six continents. SMPTE’s Engineering Documents, including Standards, Recommended Practices and Engineering Guidelines, are prepared by SMPTE’s Technology Committees. Participation in these Committees is open to all with a bona fide interest in their work. SMPTE cooperates closely with other standards-developing organizations, including ISO, IEC and ITU. -
DTMB, ATSC, ISDB-T, DVB T/T2) and Radio & Emergency Warning Broadcasting System
Session 3 Broadcasting Standards for digital television (DTMB, ATSC, ISDB-T, DVB T/T2) and radio & Emergency Warning Broadcasting System 2015 Kuala Lumpur, Malaysia Dr AMAL Punchihewa Director ABU Technology Asia-Pacific Broadcasting Union A Vice Chair of World Broadcasting Union Technical Committee (WBU-TC) Dr Amal Punchihewa © Director of Technology ABU & A Vice Chair of World Broadcasting Union Technical Committee (WBU-TC) DTMB, ATSC, DVB and ABU working on EWS 2.0 , looking at Asia-Pacific requirements and building a reference model Dr Amal Punchihewa PhD, MEEng, BSC(Eng)Hons, CEng, FIET, FIPENZ, SMIEEE, MSLAAS, MCS Postgraduate Studies in Business Administration Director ABU Technology Asia-Pacific Broadcasting Union Kuala Lumpur, Malaysia A Vice-Chair World Broadcasting Unions Technical Committee (WBU-TC) Dr Amal Punchihewa © Director of Technology ABU & A Vice Chair of World Broadcasting Union Technical Committee (WBU-TC) 2 Outline • Digital Broadcasting • Television Services – Free TV or Pay TV – OTA or Cable • DTV Standards • What are EWS – Content delivered from distance, Live, VOD, …. Dr Amal Punchihewa © Director of Technology ABU & A Vice Chair of World Broadcasting Union Technical Committee (WBU-TC) 3 Traditional TV Traditional Broadcasting • Linear TV – At scheduled times, missed it then catch the delayed version, … • Public or commercial – Funding or business model, FTA, adverting, License fee, subscription, … • Terrestrial, Satellite, Cable – Now cloud, IP etc. … • Return channel – One-to-many service, no return channel -
Digital Video Quality Handbook (May 2013
Digital Video Quality Handbook May 2013 This page intentionally left blank. Executive Summary Under the direction of the Department of Homeland Security (DHS) Science and Technology Directorate (S&T), First Responders Group (FRG), Office for Interoperability and Compatibility (OIC), the Johns Hopkins University Applied Physics Laboratory (JHU/APL), worked with the Security Industry Association (including Steve Surfaro) and members of the Video Quality in Public Safety (VQiPS) Working Group to develop the May 2013 Video Quality Handbook. This document provides voluntary guidance for providing levels of video quality in public safety applications for network video surveillance. Several video surveillance use cases are presented to help illustrate how to relate video component and system performance to the intended application of video surveillance, while meeting the basic requirements of federal, state, tribal and local government authorities. Characteristics of video surveillance equipment are described in terms of how they may influence the design of video surveillance systems. In order for the video surveillance system to meet the needs of the user, the technology provider must consider the following factors that impact video quality: 1) Device categories; 2) Component and system performance level; 3) Verification of intended use; 4) Component and system performance specification; and 5) Best fit and link to use case(s). An appendix is also provided that presents content related to topics not covered in the original document (especially information related to video standards) and to update the material as needed to reflect innovation and changes in the video environment. The emphasis is on the implications of digital video data being exchanged across networks with large numbers of components or participants. -
Digital Television and the Allure of Auctions: the Birth and Stillbirth of DTV Legislation
Federal Communications Law Journal Volume 49 Issue 3 Article 2 4-1997 Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation Ellen P. Goodman Covington & Burling Follow this and additional works at: https://www.repository.law.indiana.edu/fclj Part of the Communications Law Commons, and the Legislation Commons Recommended Citation Goodman, Ellen P. (1997) "Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation," Federal Communications Law Journal: Vol. 49 : Iss. 3 , Article 2. Available at: https://www.repository.law.indiana.edu/fclj/vol49/iss3/2 This Article is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation Ellen P. Goodman* I. INTRODUCTION ................................... 517 II. ORIGINS OF THE DTV PRovIsIoNs OF THE 1996 ACT .... 519 A. The Regulatory Process ..................... 519 B. The FirstBills ............................ 525 1. The Commerce Committee Bills ............. 526 2. Budget Actions ......................... 533 C. The Passage of the 1996Act .................. 537 Ill. THE AFTERMATH OF THE 1996 ACT ................ 538 A. Setting the Stage .......................... 538 B. The CongressionalHearings .................. 542 IV. CONCLUSION ................................ 546 I. INTRODUCTION President Clinton signed into law the Telecommunications Act of 1996 (1996 Act or the Act) on February 8, 1996.1 The pen he used to sign the Act was also used by President Eisenhower to create the federal highway system in 1957 and was later given to Senator Albert Gore, Sr., the father of the highway legislation. -
Digital Television Systems
This page intentionally left blank Digital Television Systems Digital television is a multibillion-dollar industry with commercial systems now being deployed worldwide. In this concise yet detailed guide, you will learn about the standards that apply to fixed-line and mobile digital television, as well as the underlying principles involved, such as signal analysis, modulation techniques, and source and channel coding. The digital television standards, including the MPEG family, ATSC, DVB, ISDTV, DTMB, and ISDB, are presented toaid understanding ofnew systems in the market and reveal the variations between different systems used throughout the world. Discussions of source and channel coding then provide the essential knowledge needed for designing reliable new systems.Throughout the book the theory is supported by over 200 figures and tables, whilst an extensive glossary defines practical terminology.Additional background features, including Fourier analysis, probability and stochastic processes, tables of Fourier and Hilbert transforms, and radiofrequency tables, are presented in the book’s useful appendices. This is an ideal reference for practitioners in the field of digital television. It will alsoappeal tograduate students and researchers in electrical engineering and computer science, and can be used as a textbook for graduate courses on digital television systems. Marcelo S. Alencar is Chair Professor in the Department of Electrical Engineering, Federal University of Campina Grande, Brazil. With over 29 years of teaching and research experience, he has published eight technical books and more than 200 scientific papers. He is Founder and President of the Institute for Advanced Studies in Communications (Iecom) and has consulted for several companies and R&D agencies. -
60 Inch Smart Tvs & 60 Inch 1080P Tvs from Sharp
LC-60C6500U 60" CLASS 1080P LED SMART TV 6 SERIES LED SMART TV AQUOS 1080p LED DISPLAY Breathtaking HD images, greater brightness and contrast SMART TV With Dual-Core Processor and built-in Wi-Fi 120Hz REFRESH RATE Precision clarity during fast-motion scenes SLIM DESIGN Ultra Slim Design POWERFUL 20W AUDIO High fidelity with clear voice Big, bold and brainy - the LC-60C6500U is an LED Smart TV that delivers legendary AQUOS picture quality and unlimited content choices, seamless control, and instant connectivity through SmartCentral™. The AQUOS 1080p LED Display dazzles with advanced pixel structure for the most breathtaking HD images, a 4 million: 1 dynamic contrast ratio, and a 120Hz refresh rate for precision clarity during fast-motion scenes. A Smart TV with Dual-Core processor and built in WiFi, the LC-60C6500U lets you quickly access apps streaming movies, music, games, and websites. Using photo-alignment technology that’s precision Unlimited content, control, and instant See sharper, more electrifying action with the most crafted to let more light through in bright scenes and connectivity. AQUOS® TVs with advanced panel refresh rates available today. The shut more light out in dark scenes, the AQUOS SmartCentral™ give you more of what you 120Hz technology delivers crystal-clear images 1080p LED Display with a 4 million: 1 contrast ratio crave. From the best streaming apps, to the even during fast-motion scenes. creates a picture so real you can see the difference. easiest way to channel surf and connect your devices, it’s that easy. -
The Transition to Digital Television*
DIGITAL TELEVISION 1 The Transition to Digital Television* Jérôme Addaa and Marco Ottavianib University College London; London Business School This paper studies the role of economic policy for the transition from analogue to digital television, with particular attention to the switch off of the analogue terrestrial signal. The analogue signal cannot be credibly switched off until almost all viewers have migrated to digital, due to universality of access to television. But before switch off, only part of the population can be reached with the digital signal. In addition, those who are reached need to spend more to upgrade their reception equipment than after switch off, because the capacity to increase the power of the digital signal will be made available only then. After reviewing the competitive structure and the role of government intervention in television markets, we present the early experience of a number of industrialised countries in the transition to digital television. We then formulate a micro-econometric model of digital television adoption by individual viewers. The model is calibrated to UK data and simulated to predict the impact of government policies on the take up of digital television. Policy makers can affect the speed of take up of digital television by: (i) controlling the quality of the signals and the content of public service broadcasters; (ii) intervening in the market for digital equipment with subsidies; and (iii) publicising the conditions and date of switch off of the analogue signal. We find that if the analogue terrestrial signal is switched off conditionally on aggregate adoption, strategic delays possibly arise and expectations affect the success of the switch off policy. -
Application Note 1334 the LMH0030 in Segmented Frames Applications
The LMH0030 in Segmented Frames Applications AN-1334 National Semiconductor The LMH0030 in Application Note 1334 Kai Peters Segmented Frames August 2006 Applications 1.0 Introduction applications such as digital routers, production switchers, format converters or video servers. Figure 1 shows a typical The LMH0030 and LMH0031 Standard and High Definition application diagram with the LMH0030 Serializer and Video chipset is an ideal solution for a variety of products in LMH0031 Deserializer. the standard and high definition video systems realm. It allows easy integration in a number of professional video 20108501 FIGURE 1. Typical Application Diagram for the LMH0030 and LMH0031 The LMH0030 Digital Video Serializer automatically recog- video data compliant to SMPTE 259M and SMPTE 344M for nizes Standard Definition (SD) video and High Definition SD and SMPTE 292M for HD Video and serialization to the (HD) video formats according to the respective Society of output ports. Motion Picture and Television Engineers (SMPTE) stan- Table 1 summarizes the supported frame set of the dards. The device is compliant to SMPTE 125M/267M for LMH0030 and Figure 2 shows the simplified data path of the standard definition and SMPTE 260M/274M/295M/296M LMH0030 SD/HD Encoder/Serializer. high definition video as provided to the parallel 10bit or 20bit interfaces. The LMH0030 auto-detects and processes the TABLE 1. Automated Supported Frames by the LMH0030 Format Apecification Frame Rate Lines Active Lines Samples Active Samples SDTV, 54 SMPTE 344M 60I 525 507/1487 3432 2880 SDTV, 36 SMPTE 267M 60I 525 507/1487 2288 1920 SDTV, 27 SMPTE 125M 60I 525 507/1487 1716 1440 SDTV, 54 ITU-R BT 601.5 50I 625 577 3456 2880 SDTV, 36 ITU-R BT 601.5 50I 625 577 2304 1920 SDTV, 27 ITU-R BT 601.5 50I 625 577 1728 1440 PHYTER® is a registered trademark of National Semiconductor. -
Research on the Safe Broadcasting of Television Program
MATEC Web of Conferences 63, 04002 (2016) DOI: 10.1051/matecconf/20166304002 MMME 2016 Research on the Safe Broadcasting of Television Program Jin Bao SONG1,a, Jin Hong SONG2 and Jian Ping CHAI1 1Information Engineering School, Communication University of China, Beijing, China 2Shandong Gold Mining Jiaojia Gold Mine (Laizhou) co.,LTD Abstract. The existing way of broadcasting and television monitoring has a lot of problems in China. On the basis of the signal technical indicators monitoring in the present broadcasting and television monitoring system, this paper further extends the function of the monitoring network in order to broaden the services of monitoring business and improve the effect and efficiency of monitoring work. The problem of identifying video content and channel in television and related electronic media is conquered at a low cost implementation way and the flexible technology mechanism. The coverage for video content and identification of the channel is expanded. The informative broadcast entries are generated after a series of video processing. The value of the numerous broadcast data is deeply excavated by using big data processing in order to realize a comprehensive, objective and accurate information monitoring for the safe broadcasting of television program. 1 Introduction paper is the development of cheap monitoring hardware devices which can be widely deployed to the village, so The existing way of broadcasting and television the actual situation of the user terminal broadcasting can monitoring has a lot of problems in China. Firstly, the be monitored by the administration of radio, film and existing way of monitoring is the front-end monitoring television. -
The Strategic Impact of 4K on the Entertainment Value Chain
The Strategic Impact of 4K on the Entertainment Value Chain December 2012 © 2012 Futuresource Consulting Ltd, all rights reserved Reproduction, transfer, distribution or storage of part or all of the contents in this document in any form without the prior written permission of Futuresource Consulting is prohibited. Company Registration No: 2293034 For legal limitations, please refer to the rear cover of this report 2 © 2012 Futuresource Consulting Ltd Contents Section Page 1. Introduction: Defining 4K 4 2. Executive Summary 6 3. 4K in Digital Cinema 9 4. 4K in Broadcast 12 5. 4K Standards and Delivery to the Consumer 20 a) Pay TV 24 b) Blu-ray 25 c) OTT 26 6. Consumer Electronics: 4K Issues and Forecasts 27 a) USA 31 b) Western Europe 33 c) UK, Germany, France, Italy and Spain 35 7. 4K in Professional Displays Markets 37 8. Appendix – Company Overview 48 3 © 2012 Futuresource Consulting Ltd Introduction: Defining 4K 4K is the latest resolution to be hailed as the next standard for the video and displays industries. There are a variety of resolutions that are claimed to be 4K, but in general 4K offers four times the resolution of standard 1080p HD video. A number of names or acronyms for 4K are being used across the industry including Quad Full HD (QFHD), Ultra HD or UHD and 4K2K. For the purposes of this report, the term 4K will be used. ● These terms all refer to the same resolution: 3,840 by 2,160. ● The EBU has defined 3,840 by 2,160 as UHD-1. -
Bit-Serial Digital Interface for High-Definition Television Systems
ANSI/SMPTE 292M-1996 SMPTE STANDARD for Television ---- Bit-Serial Digital Interface for High-Definition Television Systems Page 1 of 9 pages 1 Scope ANSI/SMPTE 274M-1995, Television ---- 1920 × 1080 Scanning and Interface This standard defines a bit-serial digital coaxial and fiber-optic interface for HDTV component signals ANSI/SMPTE 291M-1996, Television ---- Ancillary operating at data rates in the range of 1.3 Gb/s to 1.5 Data Packet and Space Formatting Gb/s. Bit-parallel data derived from a specified source format are multiplexed and serialized to form the serial SMPTE RP 184-1995, Measurement of Jitter in Bit- data stream. A common data format and channel Serial Digital Interfaces coding are used based on modifications, if necessary, to the source format parallel data for a given high- IEC 169-8 (1978), Part 8: R.F. Coaxial Connectors with definition television system. Coaxial cable interfaces Inner Diameter of Outer Conductor 6.5 mm (0.256 in) are suitable for application where the signal loss does with Bayonet Lock ---- Characteristic Impedance 50 not exceed an amount specified by the receiver manu- Ohms (Type BNC), and Appendix A (1993) facturer. Typical loss amounts would be in the range of up to 20 dB at one-half the clock frequency. Fiber IEC 793-2 (1992), Optical Fibres, Part 2: Product optic interfaces are suitable for application at up to 2 Specifications km of distance using single-mode fiber. IEC 874-7 (1990), Part 7: Fibre Optic Connector Several source formats are referenced and others Type FC operating within the covered data rate range may be serialized based on the techniques defined by this 3 Definition of terms standard.