DOCSLIB.ORG

AMN, 1983, Vol. 7 No. 2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

,&$I American ,- L Morris Newsletter --From the Editors Not unlike a shell game, the manner in which the Newsletter has been handed off from eaitor to editor during the brief periods any of them were around this summer. Capering through western Canada and Cascade glaciers, through the wilds of the Colorado Rockies and through the quiet, green villages of the Cotswolds, its editors wisely left AMN in its cool, dank cellars to mellow and age, to settle and clarify in its cask like good mead. And here is the result: hosts of Direc- tory revisions, an exposition on the fine art of the hobby horse, an introduction to the Open Morris, and yet another pensive peccadillo by our own sage and sot. As always we are grateful for a plentiful supply of team news and the like, and we once again invite those of a more serious turn of mind to own up to their occasional critique and loose the hoard of scholarly gems. Faux Pas The Cditors recently received word that the letter from Geoff Rogers which appearec 1: 1: the last issue of .Ax! was intended as a personal communicztior. 2nd not for publication. Happily we were able to make amends in person at the recent MidwSst Yorris Ale, but wish to take this opportunity to do so publicly. In order to avoid future confusion of this sort, please address personal letters by name an6 mark them "personal". -Team- - - .. -.-News This feature of the American Morris Newsletter is meant to provide for the regular communication among all morris sides as well as those who dance sword, ribbon, and garland. It is dependent upon your letters, postcards, and telepnone calls. The names of the correspondents appear at the end of each club's news. -----bells of the North (Minneapolis/St. Paul, !IS) The Bells of the North have just had the pleasure of celebrating our fourth year in existence--past the teething stage and learning to caper and hookleg without assistance. Mayday much-too-early morning found us once again doing Abrams Circle Dance at dawn on the shore of another beautiful Minneapolis lake--this year it was Lake Nokomis. (And the $10,000 question is...how long will it take us to dance at all of the lakes in Minnesota? For the answer to this and other exciting questions, tune in 10,000 years from now!) Seriously, words cannot describe the feelings that this dawn tradition evokes.... When this brief solemnity had passed, Mayday proceeded with its usual gaiety and drinking of our revered homemade mead (Huzzah to Jim Linton-- our personal brewer and team mascot). 10,000 cheers to the Ann Arbor Morris and Sword for a truly wonderful Midwest Morris Ale. And a special thanks to Rick Nagler of Ann Arbor, who 'gave all of himself' to present the Eells with an award for sending in their registration fees first. It was the high point of the weekend, and in honor of the occasion the Bells have officially installed Rick as an honorary member of our team (green garter and all). This honor was bestowed in recognition of his great courage in allowing himself to be handed over to all sixteen of us, wearing nothing but a loincloth and a red bow. Ah, but we blush to disclose further. Meanwhile, we have returned to our regular rehearsals on Wednesday evenings--outdoors until fall or mosquito season, whichever comes first. We've been busy dancing at a variety of community festivals almost every weekend, and are currently gearing up for a brewery tour to New Ulm with the Minnesota Traditional Morris on July 16. Carol Buche, 1366 Raymond, St. Paul, MN 55108 Circleweavers (Denver, CO) Circleweavers Folk Dance and Music Ensembie was formed in 1979 to present programs in inter- national dance and music. Since then, we have turned our attentions to specializing in dances and music of America and the British Isles. Our repertoire currently consists of suites of Welsh, English and Hebridean dances, Morris, Lancashire clogging, and dances from Appalachia, including clogging. Many of our members sing or play various musical instruments, and we include music and songs in our programs. While Morris is just a section of our expanding repertoire, it is a growing one and a great famrite. CW began learning Morris in March 1981. Our appetite whetted, we continue to learn new dances and traditions. We currently do a few dances from Adderbury, Ilmington, and Eynsham, with our greatest concentration in Headington and Fieldtown. We have also begun learning Rapper swo*r d . We have danced Morris at the Colorado Renaissance Festival, the British Faire held in Denver last year, the AFS Diplomatic Ball, the Boulder Folk Festival and many other year-round events in Colorado. We are looking forward to the upcoming All Colorado Morris Ale in August and have been working with the Boulder Maroon Bells, trading dances aad practicing Rapper. We have both a women's and a men's side, and frequently do mixed, depending on the number of available dancers. As with Berkeley Morris, the necessity of dancing mixed at times has given the dances a more energetic flavor while combining the best of our maleffemale dancing qualities. We welcome new members of any skill level. Donna McGinnis, 1640 Humboldt #I, Denver, CO 80218 ---Green Fiadie Morris (Toronto, On:.; It seems as though the iae~to start a morris team was sparked for us when Tony Barranl brought the Marlboro Morris and Sword to Torontc for the Mariposa Folk Festival in the summer of 1976. By the following winter Green Fiddie ?iorrio wes established, having derived its namc from the Fiddlers Green Folk Club. Ir. 1975, botk organizations moved to the TRANZAC (Toronto Australia-hew Zealand Ciub), tneir present headquarters. Practices are now neid every Mon~zy night. The team has always been mixed, although generally speaking, men and women dance sep- arately at dance-outs. Originally there were two squires, one male and one female, but this - proved to be unsatisfactory, and now only one is elected to cover both hen and women. Green Fiddle has danced several different traditions in its history. We began vith Bampton, Adderbury, and Longborough. This season we will be dancing Bampton, Fieldtown, and Sherbourne mixed, with Bledington as our men's tradition and Ducklington as our women's tradition. Mope you had fun at the Midwest Ale! Ve wish we hadn't been tied up. Doug Creighton, 86 Follis Avenue, Toronto, Ont. M6G 1S6 Madcap Morris (Seattle, WA) The Gasworks Morris team (listed in the directory) no longer exists. Seattle now has three teams: Mossyback Morris Men, Misty City Morris, and Madcap Morris. Over the July 4th weekend, the Victoria inorris teams are dancing at their festival and have invited the three Seattle teams to join them in Victoria B.C., along with the Vancouver Horris Men. The Mossyback Morris Men were privileged to dance for the Queen at her recent visit. We (Madcap Morris) have been together for a year and a half, and dance Adderbury, Headington, and Bampton to the music of a tin whistle played by Chris Roe. Patricia Tanin, 2720 N.E. 92nd, Seattle, WA 98115 ---Maroon Belis Morris (Boulder, CO) We will be touring in Boulder with SQords over Sopris (Carbondale, CO) on July 9, as they're coming here to dance at the opening ceremonies for the Colorado Shakespeare Festival on July 8 & 9. We'll be doing similar frivolities for the opening nights of the second and . third plays of the summer on July 15 and 22. Ron Geering has asked us to dance with Swords over Sopris at the Carbondale Mountain Fair July 29-31. We're hoping to have enough people to do that. Similarly we've received an invitation to the Long's Peak Festival in Estes Park on September 10 and 11 at the old Stanley Hotel. Rocky Mountain Morris is rumored to be parti- cipating there as well. Anyone who's in the area for these weekends should feel free to join us. I think we've plenty of floor space and/or tent space for anyone who wishes. We've also come across a costuming question that someone among the readership might be able to answer. Our current kit is the traditional whites with ribbons, bells, and vests. ~e'reworking on baldricks. The Shakespeare Festival is willing and enthusiastic about let:inf us use an;: appropria~eitem ir. their costume closet for our dancing with ther.. They're suggestin; aoubiecr anC tipncs. ii~arec'~ surc char morris dancers ir Shakespeare's time uouii nave been wearing ioubiets anc tigncc? bu: con': nave any better suggestions. We think the curren: iits are base& on dress fro^ arounL 1900, but we don't even know where that idea came fror.. S: the 'aueszior. is, what die morris dancers wear ir. Shakespeare's time? I'd like tc . near fror;.anyone W~Chas any information on the subject. Szliie Sprague, 145 So. 30th Street, Boulder, CO 80303 ---?lerrie Mac Morris (Concord, NH) We dance monthly with the Nonesuch Morris team of Durham in Epsom, NH. We started in September, 1980 with the assistance of Dudley Laufman of Canterbury and a handful of rank beginners. We dance primarily Adderbury, Headington, and a bit of Fieldtown, Bledington, and Bampton. We are quickly developing traditional dance out dates for: late April--&eu England Folk Festival; Mayday with the Nonesuch Morris Team, usuall>~in the seacoast area of SE; mid-Nay--a full-blown English Nay festival at the Mill Pond Center in Durham, compiete with Maypole, Hay Queen and King, as guests of the Nonesuch Morris; late July--Canterbury Fair; mid-August--Epsom Old Home Day.
Recommended publications
  • Midsommar History

    Midsommar History

    THE HISTORY OF MIDSOMMAR Celebrating Midsommar, one of the two most popular holidays in Sweden – the other being Christmas – is a very ancient practice, dating back to pre-Christian times. It has its roots in Pagan rituals to welcome summer and the season of fertility. In Sweden, midsummer festivals have been around for at least 500 years. Even in agrarian times, people in Sweden welcomed summertime by decorating their houses and farm tools with foliage and raising tall May poles to dance around. It was the time to put the cows out to pasture and begin milking. Though there are some variations in the interpretation of its origin, all seem to agree that it is linked to the summer solstice, the year’s longest day and the fact that warm weather and the growing season have begun. However, Midsommar did not become the most Swedish of all traditional festivities until the 1900s. And today, the rituals are certainly even more widespread. There are several customs associated with Midsommar that have been around a long, long time and still continue today. The maypole or majstång is an example. The earliest mention of the maypole in Sweden is from the Middle Ages. And some say the maypole has its roots in German Paganism. Continental countries in medieval times already had early summer celebrations and the tradition of a maypole. It was part of the May Day celebration in ancient Rome and medieval France and Germany. Perhaps the German merchants coming to Sweden brought the custom with them. But remember the practice was to decorate the maypole with flowers and greens to emphasize the onset of the growing season.

  • Courier Gazette : July 16, 1895

    I T he Courier-Gazette. ROCKLAND, MAINE, TUESDAY, JULY 16, 1895. V olume 5 0 . E n te r e d m Second Clan* Mall Matter. N uxbkb 2 8 The Courier-Gazette does I t oernbii-l.v Into M ore Fam ilies in Knox Comity Than Any Other Paper JPuhlislied. HOME HAPPENGGS. Maj.-Gen. Hiram G. Berry Highest of all in Leavening Power.— Latest U.S. Gov’t Report / T h e C o u r i e r - G a z e tt e fcoe.« r e ^ u A BIOGIiAJPHY larly into more families in Knox T. H. McLain of this city County than any other paper is one of our most suc­ Bakins Written fo r the Courier-Gazette by Edward K. Gould cessful celery raisers. M r p u b l is h e d . McLain does not bank [Begun in No. 8. Back number* can be hnd.| his celery, but uses tiles, which he slips down over T he C.-G. is delivered at more Rockland the plants. Protected Powder residences than any other paper published XXI. him “a career of usefulness and glory.” At from the sun in this way A lizard from Pleasant Btach, caught by In,the meantime the advanced regiments of the battle of Fair Oaks Smith again led the the plants blanch readily A B iQ U in tV PURE Wm Munroe, is the latest addition to T he the brigade, the Third and Fifth Michigan, Fifth Michigan in a charge, but it was his without being soiled by C.-G.
  • 'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle

    'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle

    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world.
  • Arnold Bennett, Marie Corelli and the Interior Lives of Single Middle-Class Women, England, 1880-1914

    Arnold Bennett, Marie Corelli and the Interior Lives of Single Middle-Class Women, England, 1880-1914

    University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 11-2003 A Novel Approach to History: Arnold Bennett, Marie Corelli and the Interior Lives of Single Middle-Class Women, England, 1880-1914 Sharon Crozier-De Rosa University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Crozier-De Rosa, Sharon, "A Novel Approach to History: Arnold Bennett, Marie Corelli and the Interior Lives of Single Middle-Class Women, England, 1880-1914" (2003). Faculty of Law, Humanities and the Arts - Papers. 1593. https://ro.uow.edu.au/lhapapers/1593 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A Novel Approach to History: Arnold Bennett, Marie Corelli and the Interior Lives of Single Middle-Class Women, England, 1880-1914 Abstract There are many ‘gaps’ or ‘silences’1 in women’s history – especially in relation to their interior lives. Historians seeking to penetrate the thoughts and emotions of ‘ordinary’ single middle-class women living during the Late Victorian and Edwardian years have a challenging task. These women rarely left personal documents for historians to analyse. Novels, particularly popular or bestselling novels, represent one pathway into this realm. Popular novels are numbered among the few written sources that are available to help historians to fill in some of the absences in the conventional historical record.
  • Why Do Morris Dancers Wear White? Chloe Metcalfe Pp

    Why Do Morris Dancers Wear White? Chloe Metcalfe Pp

    THE HISTORIES OF THE MORRIS IN BRITAIN Papers from a conference held at Cecil Sharp House, London, 25 - 26 March 2017, organized in partnership by Historical Dance Society with English Folk Dance and Song Society and The Morris Ring, The Morris Federation and Open Morris. Edited by Michael Heaney Why do Morris Dancers Wear White? Chloe Metcalfe pp. 315-329 English Folk Dance and Song Society & Historical Dance Society London 2018 ii English Folk Dance and Song Society Cecil Sharp House 2 Regent's Park Road London NW1 7AY Historical Dance Society 3 & 5 King Street Brighouse West Yorkshire HD6 1NX Copyright © 2018 the contributors and the publishers ISBN 978-0-85418-218-3 (EFDSS) ISBN 978-0-9540988-3-4 (HDS) Website for this book: www.vwml.org/hom Cover picture: Smith, W.A., ca. 1908. The Ilmington morris dancers [photograph]. Photograph collection, acc. 465. London: Vaughan Wil- liams Memorial Library. iii Contents Introduction 1 The History of History John Forrest How to Read The History of Morris Dancing 7 Morris at Court Anne Daye Morris and Masque at the Jacobean Court 19 Jennifer Thorp Rank Outsider or Outsider of Rank: Mr Isaac’s Dance ‘The Morris’ 33 The Morris Dark Ages Jameson Wooders ‘Time to Ring some Changes’: Bell Ringing and the Decline of 47 Morris Dancing in the Earlier Eighteenth Century Michael Heaney Morris Dancers in the Political and Civic Process 73 Peter Bearon Coconut Dances in Lancashire, Mallorca, Provence and on the 87 Nineteenth-century Stage iv The Early Revival Katie Palmer Heathman ‘I Ring for the General
  • Playing Music for Morris Dancing

    Playing Music for Morris Dancing

    Playing Music for Morris Dancing Jeff Bigler Last updated: June 28, 2009 This document was featured in the December 2008 issue of the American Morris Newsletter. Copyright c 2008–2009 Jeff Bigler. Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.3 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. This document may be downloaded via the internet from the address: http://www.jeffbigler.org/morris-music.pdf Contents Morris Music: A Brief History 1 Stepping into the Role of Morris Musician 2 Instruments 2 Percussion....................................... 3 What the Dancers Need 4 How the Dancers Respond 4 Tempo 5 StayingWiththeDancers .............................. 6 CuesthatAffectTempo ............................... 7 WhentheDancersareRushing . .. .. 7 WhentheDancersareDragging. 8 Transitions 9 Sticking 10 Style 10 Border......................................... 10 Cotswold ....................................... 11 Capers......................................... 11 Accents ........................................ 12 Modifying Tunes 12 Simplifications 13 Practices 14 Performances 15 Etiquette 16 Conclusions 17 Acknowledgements 17 Playing Music for Morris Dancing Jeff Bigler Morris Music: A Brief History Morris dancing is a form of English street performance folk dance. Morris dancing is always (or almost always) performed with live music. This means that musicians are an essential part of any morris team. If you are reading this document, it is probably because you are a musician (or potential musician) for a morris dance team. Good morris musicians are not always easy to find. In the words of Jinky Wells (1868– 1953), the great Bampton dancer and fiddler: . [My grandfather, George Wells] never had no trouble to get the dancers but the trouble was sixty, seventy years ago to get the piper or the fiddler—the musician.
  • `The Maypole Is Up, Now Give Me the Cup ...'

    `The Maypole Is Up, Now Give Me the Cup ...'

    12 Craigie's collected edition offers the most recent text of the book, here used . It presented the 1617 and 1618 versions on facing papers . The 1617 text is here quoted. 13 id, 106 . 14 Ormerod, 1, p 651 gives the pedigree of the Dutton family . 15 In REED. Chester, edited by L .M. Clopper (Toronto, 1979), 17-18, 20-21, 461-6, 487-9. 16 id, 43-4. 17 id, 113-6 . Ormerod, 2, p 333 gives the pedigree of the Hardware family. 18 BL Harley 1944, fols 90-90v, in Clopper, 197. 19 BL Harley 2133, fol 46, in Clopper, 198 . 20 See further, Patrick Collinson, The Religion of the Protestants: The Church in English Society 1559- 1625 (Ford Lectures, 1979; Oxford, 1982), 164-70 . 21 Quoted by Collinson, 169 . CAROLINE BALDERSTON PARRY `The Maypole is up, now give me the cup . .' Onlookers at the 1983 Chester Cycle or the 1985 Towneley Cycle productions at the University of Toronto were delighted to see an additional, pretty spectacle : Maypole dancing. In the intervals between plays, as a part of the craft fair entertainment, I led a willing assortment of volunteer dancers through the over-and-under motions of simple Maypole ribbon weaving. Sometimes the red, yellow, blue and green ribbons got tangled, but more often we were successful at producing a beautiful pattern of motion and woven colours gradually extending down the pole - and then we would reverse our movements and unwind . Sometimes we had musicians ; sometimes the audience helped out by singing a tune for us! What both dancers and audience perhaps did not realize was that the ribbons which looked so pretty were entirely anachronistic .
  • WINSTER MORRIS DANCERS Printed |

    WINSTER MORRIS DANCERS Printed |

    Winster Morris dance in the Derbyshire villages. But we also visit other Morris teams all over England. This is us, dancing the Winster Reel, at Thaxted in Essex WINSTER MORRIS DANCERS Printed | www.figcreative.co.uk In 2012 we danced at the Pentecost Festival in And we were guests of Monterubbiano, our twin village in Italy Abingdon Morris at their ‘Mayor of Ock Street’ We also have links with celebrations Ungstein, a wine-making village near Frankfurt in Germany - this is Eva and Wolfgang And with Onzain, a Lords of Misrule: Frank (the Witch) and John (the King) French village on the banks of the Loire We’ve also danced in Poland, Lithuania, Romania and Denmark “This is it and that is it CONTACT US And this is Morris Dancing, If you like the idea of beer and The piper fell and broke his neck foreign travel and want to dance And said it was a chancer. with us - get in touch with: You don’t know and I don’t know Chris Gillott What fun we had at Brampton, Here we are in front of our home crowd, processing through Call: 01629 650404 With a roasted pig and a cuddled duck Winster on Wakes Day 2013 Email: [email protected] And a pudding in a lantern” WHAT ON EARTH IS MORRIS DANCING? Winster Morris dance No one can be sure of its origins. The earliest references, dating with four traditional from around 1500, are to Royal entertainments. But we know characters - a King, that by 1700 it had become a firmly established part of English Queen, Jester and a life.
  • Religion and the Return of Magic: Wicca As Esoteric Spirituality

    Religion and the Return of Magic: Wicca As Esoteric Spirituality

    RELIGION AND THE RETURN OF MAGIC: WICCA AS ESOTERIC SPIRITUALITY A thesis submitted for the degree of PhD March 2000 Joanne Elizabeth Pearson, B.A. (Hons.) ProQuest Number: 11003543 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003543 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 AUTHOR’S DECLARATION The thesis presented is entirely my own work, and has not been previously presented for the award of a higher degree elsewhere. The views expressed here are those of the author and not of Lancaster University. Joanne Elizabeth Pearson. RELIGION AND THE RETURN OF MAGIC: WICCA AS ESOTERIC SPIRITUALITY CONTENTS DIAGRAMS AND ILLUSTRATIONS viii ACKNOWLEDGEMENTS ix ABSTRACT xi INTRODUCTION: RELIGION AND THE RETURN OF MAGIC 1 CATEGORISING WICCA 1 The Sociology of the Occult 3 The New Age Movement 5 New Religious Movements and ‘Revived’ Religion 6 Nature Religion 8 MAGIC AND RELIGION 9 A Brief Outline of the Debate 9 Religion and the Decline o f Magic? 12 ESOTERICISM 16 Academic Understandings of
  • COUNTRY DANCE and SONG 21 March 1991

    COUNTRY DANCE and SONG 21 March 1991

    COUNTRY DANCE AND SONG 21 March 1991 , <2./ I Country Dance and Song Editor: David E. E. Sloane, Ph.D. Managing Editor: Henry Farkas Associate Editor: Nancy Hanssen Assistant Editor: Ellen Cohn Editorial Board Anthony G. Barrand, Ph.D. Fred Breunig Marshall Barron Paul Brown Dillon Bustin Michael Cooney Robert Dalsemer Elizabeth Dreisbach Emily Friedman Jerome Epstein, Ph.D. Kate Van Winkle Keller Christine Helwig Louis Killen David Lindsay Margaret MacArthur Jim Morrison John Ramsay John Pearse Richard Powers Sue A Salmons Ted Sannella Jay Ungar Jeff Warner COUNTRY DANCE AND SONG is published annually; subscription is by membership in the Country Dance and Song Society of America, 17 New South Street, Northampton, Massachusetts, 01060. Articles relating to traditonal dance, song, and music in England and America are welcome. Send three copies, typed, double-spaced, to David Sloane, Editor CD&S, 4 Edgehill Terrace, Hamden, CT 06517. Thanks to the University of New Haven for editorial support of this issue. co COUNTRY DANCE AND SONG, March 1991, Copyright Country Dance and Song Society of America. Cover: Figure 1 for "Morris Dancing and America": frontispiece for 1878 sheet music, reprinted courtesy of the Library of Congress. Country Dance and Song Volume 21 March 1991 CONTENTS Morris Dancing and America Prior to 1913 by Rhett Krause . 1 Dancing on the Eve of Battle: Some Views about Dance during the American Civil War by Allison Thompson . 19 Homemade Entertainment through the Generations by Margaret C. MacArthur ........................... 26 Seymour's Humorous Sketches by Alfred Crowquill .......................... ..... 40 Treasured Gifts, Joyous Times: Genny Shimer Remembered by Christine Helwig .
  • Morris Dance)

    Morris Dance)

    Practice and Theory in Systems of Education, Volume 8 Number 1 2013 ETHNOGRAPHIC AND MEDICAL CONSIDERATIONS ON THE ‘CALUS’ (MORRIS DANCE) © Angela JIREGHIE (University V. Goldis Arad, Arad, Romania) [email protected] © Viorica BANCIU (University of Oradea, Oradea, Romania) © Rodica Teodora BIRI Ş (University V. Goldis Arad, Arad, Romania) Received: 13.06.2012; Accepted: 24.04.2013; Published online: 29.05.2013 A very ancient custom formerly spread on the whole Romanian folkloric area, the ‘Calus’ is practiced today in the Danube plane of Oltenia and Muntenia and sporadically in the west and south-west of Transylvania. The ‘Calus’ is a part of the Whitsuntide customs. It is practiced by an esoteric group of 7-9 men, group is constituted in the ‘Saturday of the Whitsuntide’, at half time between Easter and Whitsuntide and which takes a vow. Beginning from this date until Whitsuntide they practice the dances belonging to this custom and become accustomed with their dancing. From Whitsuntide till the Thursday 8 days after it, the group goes from one house to another in its own village or in the neighboring ones and dances the ‘Calus’ dances. The dances which are practiced in our time have some spurs of initiation acts of phallic dances for fecundity and fertility. But their meaning is now blotted in the conscience of the ‘Calusari’ and in that of collectivity where the ‘Calus’ is danced. Not very long ago, were cured by this dance those who were ‘taken from Calus’, from the ’iele’ ( malevolent spirits ) , as they violated the interdiction of not working on some days between the ‘Saturday of the Whitsuntide’ and the Whitsuntide.
  • IFLA Publications

    IFLA Publications

    THE HISTORIES OF THE MORRIS IN BRITAIN Papers from a conference held at Cecil Sharp House, London, 25 - 26 March 2017, organized in partnership by Historical Dance Society with English Folk Dance and Song Society and The Morris Ring, The Morris Federation and Open Morris. Edited by Michael Heaney What to Dance? What to Wear? The Repertoire and Costume of Morris Women in the 1970s Sally Wearing pp. 267-277 English Folk Dance and Song Society & Historical Dance Society London 2018 ii English Folk Dance and Song Society Cecil Sharp House 2 Regent's Park Road London NW1 7AY Historical Dance Society 3 & 5 King Street Brighouse West Yorkshire HD6 1NX Copyright © 2018 the contributors and the publishers ISBN 978-0-85418-218-3 (EFDSS) ISBN 978-0-9540988-3-4 (HDS) Website for this book: www.vwml.org/hom Cover picture: Smith, W.A., ca. 1908. The Ilmington morris dancers [photograph]. Photograph collection, acc. 465. London: Vaughan Wil- liams Memorial Library. iii Contents Introduction 1 The History of History John Forrest How to Read The History of Morris Dancing 7 Morris at Court Anne Daye Morris and Masque at the Jacobean Court 19 Jennifer Thorp Rank Outsider or Outsider of Rank: Mr Isaac’s Dance ‘The Morris’ 33 The Morris Dark Ages Jameson Wooders ‘Time to Ring some Changes’: Bell Ringing and the Decline of 47 Morris Dancing in the Earlier Eighteenth Century Michael Heaney Morris Dancers in the Political and Civic Process 73 Peter Bearon Coconut Dances in Lancashire, Mallorca, Provence and on the 87 Nineteenth-century Stage iv The Early Revival