Macshawn100 PRESSKIT 2018 Macshawn Biography
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![Daz Dillinger, O.G. [Snoop (Daz):] Yeah, What I'ma Do Right Here Is Take My Time, and Dedicating This One to My Niggas Resting in Peace, and My Niggas Behind the Wall](https://docslib.b-cdn.net/cover/2010/daz-dillinger-o-g-snoop-daz-yeah-what-ima-do-right-here-is-take-my-time-and-dedicating-this-one-to-my-niggas-resting-in-peace-and-my-niggas-behind-the-wall-42010.webp)
Daz Dillinger, O.G. [Snoop (Daz):] Yeah, What I'ma Do Right Here Is Take My Time, and Dedicating This One to My Niggas Resting in Peace, and My Niggas Behind the Wall
Daz Dillinger, O.G. [Snoop (Daz):] Yeah, what I'ma do right here is take my time, and dedicating this one to my niggas resting in peace, and my niggas behind the wall. See you when I get there, you know what I'm saying? (really doe) So drip with me as I go down memory lane. Boy it's a loony where the grass is greener, (1-8-7 ain't shit but a misdemeanor). I've seen a lot of niggas come up, but few niggas done up, some rest in peace, with their khakis heavy squeezed. But it's a East Side thang, a hoo ride thang, ('cause if we bang to the boogie than we boogie to the bang). I bring you the motherfucking .38, (just get the MC and the homie Nate). So we can slide, slide, slipperdy slide, as I take you on a trip nigga ride (East Side). [Nate (Daz):] Do you remember back on the East Side? Where all us niggas used to love to ride. We didn't care what we did, time was nothing to us we were just kids. Times are different now, but you still get stuck, I'm not a kid no more, I just don't give a fuck. So if you're thinking about coming and stepping to me, keep this in mind: I'm a motherfucking O.G. [Snoop:] Lets speed the clock up and pass some time, June 17th, 1979. That's my first time being arrested, I know I did the crime, but I ain't going to confess to this shit. -
Death Row Records
The New Kings of Hip-Hop Death Row Records “You are now about to witness the strength of street knowledge.” —N.W.A. Contents Letter from the Director ................................................................................................... 4 Mandate .......................................................................................................................... 5 Background ...................................................................................................................... 7 Topics for Discussion ..................................................................................................... 10 East Coast vs. West Coast .................................................................................... 10 Internal Struggles................................................................................................. 11 Turmoil in Los Angeles ........................................................................................ 12 Positions ........................................................................................................................ 14 Letter from the Director Dear Delegates, Welcome to WUMUNS XII! I am a part of the class of 2022 here at Washington University in St. Louis, and I’ll be serving as your director. Though I haven’t officially declared a major yet, I’m planning on double majoring in political science and finance. I’ve been involved with Model UN since my freshman year of high school, and I have been an active participant ever since. I am also involved -
The Transition of Black One-Dimensional Characters from Film to Video Games
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 2016 The ewN Black Face: The rT ansition of Black One- Dimensional Characters from Film to Video Games Kyle A. Harris Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Harris, Kyle A. "The eN w Black Face: The rT ansition of Black One-Dimensional Characters from Film to Video Games." (Spring 2016). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. THE NEW BLACK FACE: THE TRANSITION OF BLACK ONE-DIMENSIONAL CHARACTERS FROM FILM TO VIDEO GAMES By Kyle A. Harris B.A., Southern Illinois University, 2013 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Science Department of Mass Communications and Media Arts in the Graduate School Southern Illinois University Carbondale May 2016 RESEARCH PAPER APPROVAL THE NEW BLACK FACE: THE TRANSITION OF BLACK ONE-DIMENSIONAL CHARACTERS FROM FILM TO VIDEO GAMES By Kyle A. Harris A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in the field of Professional Media, Media Management Approved by: Dr. William Novotny Lawrence Department of Mass Communications and Media Arts In the Graduate School Southern Illinois University Carbondale -
G-Eazy & DJ Paul Star in the Movie Tunnel Vision October/November 2017 in the BAY AREA YOUR VIEW IS UNLIMITED
STREET CONSEQUENCES MAGAZINE Exclusive Pull up a seat as Antonio Servidio take us through his life as a Legitimate Hustler & Executive Producer of the movie “Tunnel Vision” Featuring 90’s Bay Area Rappers Street Consequences Presents E-40, Too Short, B-Legit, Spice 1 & The New Talent of Rappers KB, Keak Da Sneak, Rappin 4-Tay Mac Fair & TRAP Q&A with T. A. Corleone Meet the Ladies of Street Consequences G-Eazy & DJ Paul star in the movie Tunnel Vision October/November 2017 IN THE BAY AREA YOUR VIEW IS UNLIMITED October/November 2017 2 October /November 2017 Contents Publisher’s Word Exclusive Interview with Antonio Servidio Featuring the Bay Area Rappers Meet the Ladies of Street Consequences Street Consequences presents new talent of Rappers October/November 2017 3 Publisher’s Words Street Consequences What are the Street Consequences of today’s hustling life- style’s ? Do you know? Do you have any idea? Street Con- sequences Magazine is just what you need. As you read federal inmates whose stories should give you knowledge on just what the street Consequences are. Some of the arti- cles in this magazine are from real people who are in jail because of these Street Consequences. You will also read their opinion on politics and their beliefs on what we, as people, need to do to chance and make a better future for the up-coming youth of today. Stories in this magazine are from big timer in the games to small street level drug dealers and regular people too, Hopefully this magazine will open up your eyes and ears to the things that are going on around you, and have to make a decision that will make you not enter into the game that will leave you dead or in jail. -
Issue 1 Page 8 FINAL.Indd
PAGE 8 Entertainment ‘Compton’ brings rapper Dr. Dre full circle Compton: A he got in the studio. Elliot Bauman Soundtrack by Dr. Before I noticed anything PRINT EDITOR-IN- Dre. Wow, the day sonically from this project though, CHIEF has finally come. before I even pressed play I was in awe Dre has released by the crazy features list. Dr. Dre is so a new album. For good about taking both superstars and the first time since I was two years old, underground artists and producers and Andre Young from Compton, California melding their talents to make some has produced and released a full-length great music. This is a recurring theme LP. stemming from the respect anyone in As alluded to, Compton is rapper/ the rap game must pay Dr. Dre. Names producer Dr. Dre’s first commercial like Snoop Dogg, XZibit and some release since the widely acclaimed of Compton’s own like The Game, release of his album “2001” in 1999. Kendrick Lamar, Anderson .Paak and, of Contrary to popular belief, it is not course, N.W.A. partner Ice Cube. The list a soundtrack for the movie “Straight is insane but all the credit goes to Dre Outta Compton,” although the two do for figuring out how to manage all of make nice companions. The album is a the egos and truly get the best qualities separate project dealing with Dr. Dre’s from everyone. The result is some of early life in Compton while alluding to the best feature work I’ve heard in 2015. -
March 23 Cd Releases
MARCH 23 CD RELEASES The 13th Floor Elevators The Complete Singles Collection Abscess Dawn of Inhumanity Absolute Ensemble Absolute Zawinul Airscape Now & Then Mose Allison The Way of the World Alter Bridge Live From Amsterdam S.A. Andree There's a Fault Ara Ara Autechre Oversteps Ball Greezy 305 Barren Earth The Curse of the Red River Dame Shirley Bassey Performance Chuck Berry Have Mercy: His Complete Chess Recordings 1969-1974 Big Jeff Bess Tennessee Home Brew Bettie Serveert Pharmacy of Love Justin Bieber My World 2.0 The Bird and the Bee Interpreting the Masters Vol. 1 Bluesmasters Featuring Mickey Thomas - Bluesmasters Featuring Mickey Thomas Joe Bonamassa Black Rock Graham Bonnet The Day I Went Mad Bonobo Black Sands Bright Eyes & Neva Dinova One Jug of Wine, Two Vessels Archie Bronson Outfit Coconut Brotha Lynch Hung Dinner and a Movie Harold Budd & Clive Wright Little Windows Can Unlimited Edition Ben Cantelon Running After You Chanela Flamenco Latino Nat King Cole & His Trio Rare Radio Tranascriptions Ken Colyer's Jazzmen Somewhere Over the Rainbow Ron Contour & Factor Saffron The Courteeners Falcon David Davidson Beautiful Strings Dbridge & Instra-Mental Fabriclive 50 Dead Meadow Three Kings (CD/DVD) Decemberadio Live Paul Dianno The Living dead The Dillinger Escape Plan Option Paralysis Disturbed The Sickness 10th Anniversary Edition DJ Clay Let 'Em Bleed DJ Virtual Vault In Trance We Trust 15 DMX Mixtape Fats Domino Essential Hits & Early Recordings Jimmy Donley The Shape You Left Me In Double Dagger Masks EP The Dreamers – John Zorn IPOS: The Book of Angels VOl. 14 Drink Up Buttercup Born and Thrown on a Hook Dunkelbunt Morgenlandfahrt Jimmy Edwards Love Bug Crawl Jack Elliott At Lansdowne Studios, London F. -
The Game a Chart-Topping Rapper Takes on the Concept of Religion
ISSUE #25 MMUSICMAG.COM Q&A J on M annion THE GAME A chart-topping rapper takes on the concept of religion “I jUST FEEL FREE,” saYS THE GAME. Allah, whatever you call it. There’s a higher What are your thoughts on East Coast- “I’ve got good friends, I’m eating right, power—and I’m grateful for it, I pray to it and West Coast hip-hop rivalry? working out, doing my music. That’s how I appreciate it. Just getting myself closer and I’m a fan of all rap. I know I’m from California I feel.” That’s pretty good for the Compton, better in my relationship with God. But that and this is the West Coast, but I hate when Calif., native, who was nearly shot to death doesn’t mean I want to stop smoking weed people section off hip-hop. That right there when a drug deal went awry in 2001. Even or kicking it with the homies. is what killed Biggie and Tupac—they made after being signed by Dr. Dre in 2003, it an East Coast-West Coast thing. And they the artist born Jayceon Taylor feuded What’s your writing process? were just 24 and 25 when they died. with 50 Cent, Jay-Z and Dre, leaving My writing process is pretty simple, man. I the rapper alone to make his way in the don’t write, I just type it in my phone. You What other artists influence you? hip-hop world—which is exactly what can ask any hip-hop artist you interview if I’m Amy Winehouse. -
What Did Rap's First Grammy Award Represent
GRAMMY AWARDS What did rap’s first Grammy GRAYSON Exactly. People felt that N.W.A later came to the forefront. Award represent, commercially “real” hip-hop, so to speak, wasn’t [Jazzy Jeff and The Fresh Prince] and culturally? being recognized — which is were hip-hop; we [radio DJs] were DRAKE It put rap culture on the actually a knock to Jazzy Jeff and playing that. And hip-hop was mainstream map. But it was the The Fresh Prince. They were more being recognized. If you pull up lighthearted version of rap. You commercial, and commercial hip- the category’s [nominees] then, also had N.W.A [which was not hop at that time wasn’t necessarily it was different parts of hip-hop, nominated] talking about taboo respected in the same way. like J.J. Fad and Kool Moe Dee. But subjects like oppression and it wasn’t [like], “Man, we’re not W police brutality. This highlighted BIG BOY Being probably the oldest being represented.” Jazzy Jeff and Grammy’s true relationship with one sitting here, I remember that Fresh Prince took the stance that, rap and hip-hop culture: to not Jazzy Jeff and The Fresh Prince “They’re not giving out the award air [more] categories and really were the shit in 1989. It wasn’t [on TV], so we’re not going.” We WHEN THE GRAMMY AWARDS support rap. Will Smith was the like, “Oh, they’re corny” or “Fuck weren’t saying, “Why them?” return to Los Angeles from New zeitgeist, but he was just one part. -
Filed 8/19/03 Brumflield V. Death Row Records CA2/2 NOT to BE PUBLISHED in the OFFICIAL REPORTS
Filed 8/19/03 Brumflield v. Death Row Records CA2/2 NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS California Rules of Court, rule 977(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 977(b). This opinion has not been certified for publication or ordered published for purposes of rule 977. IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA SECOND APPELLATE DISTRICT DIVISION TWO LAMONT BRUMFIELD et al., B149561 Plaintiffs and Appellants, (Los Angeles County Super. Ct. No. BC135461) v. DEATH ROW RECORDS, INC., et al., Defendants and Appellants. APPEAL from the judgment and order of the Superior Court of Los Angeles County. Emilie H. Elias, Judge. Affirmed. Christensen, Miller, Fink, Jacobs, Glaser, Weil & Shapiro, Sean Riley and Steven L. Weinberg for Defendants and Appellants. Esner & Chang, Stuart B. Esner and Andrew N. Chang for Plaintiffs and Appellants. * * * * * * Death Row Records, Inc. (hereafter Death Row Records), and its owner Marion Knight (hereafter Knight; sometimes collectively referred to as Death Row) appeal from a judgment entered after a jury found Death Row liable for: (1) interference with contract; (2) interference with prospective economic advantage; and (3) false promise. The jury awarded plaintiffs Lamont and Kenneth Brumfield (individually, Lamont and Kenneth, collectively the Brumfields) $14,344,000. The trial court reduced the damage award to $5,519,000, finding that the damages were duplicative and in excess of the -
Learn to Play Booklet
® My name is Mahthom Iq Seerva. I am the Winnaran keeper of the Custodian Chronicle, and I write this from the ancient Tower of Annals in old Mecatol City. Since inheriting the duties of the chronicle from my father, I have enjoyed the inspiring views of great buildings, ancient towers, and the bright lights of life that stretch into the distance. Yet, like the shadow at my feet, I can never escape or forget the lethally finite borders of this city. Less than a thousand leagues from my tower, great shields protect us from the poisonous dust that is the Sea of Desolation, the terrible wasteland that covers most of the planet. My people, the Winnarans, have kept this city safe for more than three thousand years. Ever since the time of the Great Scourge, we have been the caretakers of the Imperial Throne, the Imperial Records, and the Galactic Council here on Mecatol Rex. We have indeed been faithful to the promise that we made to the last Emperor. My hands tremble as I write this, for events are now unfolding which I believe to be the harbinger of great change. I foresee that our custodianship will come to an end in my lifetime. This is why I have contacted you. I will seek to give you a brief yet true summary of the recent history of our galaxy. I give this to you because I know that you will spread this knowledge far and wide. As we enter the dangerous years before us, I fear that the galaxy shall have great need of the past. -
God As a Totalitarian Figure in Milton's Paradise Lost
God as a totalitarian figure in Milton's Paradise Lost Levak, Helena Master's thesis / Diplomski rad 2017 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:073970 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-26 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Osijek Studij: Dvopredmetni sveučilišni studij engleskog jezika i književnosti - nastavnički smjer i hrvatskog jezika i književnosti - nastavnički smjer Helena Levak Bog kao totalitarni vladar u Miltonovom Izgubljenom raju Diplomski rad Mentor: doc. dr. sc. Borislav Berić Osijek, 2017 Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Osijek Odsjek za engleski jezik i književnost Studij: Dvopredmetni sveučilišni studij engleskog jezika i književnosti - nastavnički smjer i hrvatskog jezika i književnosti - nastavnički smjer Helena Levak Bog kao totalitarni vladar u Miltonovom Izgubljenom raju Diplomski rad Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: teorija i povijest književnosti Mentor: doc. dr. sc. Borislav Berić Osijek, 2017 J. J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Study Programme: Double -
A JOURNEY from THIS WORLD to the NEXT by Henry Fielding
1 A JOURNEY FROM THIS WORLD TO THE NEXT By Henry Fielding INTRODUCTION Whether the ensuing pages were really the dream or vision of some very pious and holy person; or whether they were really written in the other world, and sent back to this, which is the opinion of many (though I think too much inclining to superstition); or lastly, whether, as infinitely the greatest part imagine, they were really the production of some choice inhabitant of New Bethlehem, is not necessary nor easy to determine. It will be abundantly sufficient if I give the reader an account by what means they came into my possession. Mr. Robert Powney, stationer, who dwells opposite to Catherine-street in the Strand, a very honest man and of great gravity of countenance; who, among other excellent stationery commodities, is particularly eminent for his pens, which I am abundantly bound to acknowledge, as I owe to their peculiar goodness that my manuscripts have by any means been legible: this gentleman, I say, furnished me some time since with a bundle of those pens, wrapped up with great care and caution, in a very large sheet of paper full of characters, written as it seemed in a very bad hand. Now, I have a surprising curiosity to read everything which is almost illegible; partly perhaps from the sweet remembrance of the dear Scrawls, Skrawls, or Skrales (for the word is variously spelled), which I have in my youth received from that lovely part of the creation for which I have the tenderest regard; and partly from that temper of mind which makes men set an immense value on old manuscripts so effaced, bustoes so maimed, and pictures so black that no one can tell what to make of them.