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Annual Report CF AG 2008
CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 2 CONTENTS/ Annual Report 2008 Pages 5/6 -- Foreword Pages 7/9 -- Report by the Supervisory Board Pages 11/12 -- Corporate strategy Page 13 -- The 5-sector strategy Page 15 onwards -- Investor relations Page 23 -- Contents / financial information Page 25 onwards -- Combined management report of the Group and AG for the 2008 fiscal year Page 62 onwards -- Consolidated financial statements Pages 144/145 -- AG balance sheet Page 146 -- AG income statement Page 147 onwards -- Filmography Page 166 onwards -- Terminology Page 171 -- Summary of equity interests CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 3 KEY FIGURES / Group 01.01. – 01.01. – 31.12.2007 31.12.2008 € million € million Sales 225.0 248.5 of which in-house and co-productions 178.9 203.7 of which third-party productions 46.1 44.7 EBITDA 81.7 104.9 Gross profit 32.0 35.5 Operating result 12.4 15.1 Earnings for the year attributable to the shareholders of the parent company 6.2 10.5 Investments in film assets 79.1 73.6 Depreciation of film assets 68.2 88.9 31.12.2007 31.12.2008 Film assets 181.7 166.3 Equity 74.6 84.7 Balance sheet total 333.3 339.5 Permanent employees (number) 481 500 Earnings per share in € (undiluted and diluted) 0.49 0.83 Annual Report 2008 | | Page 3 CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 4 CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 5 FOREWORD by the Management Board of Constantin Film AG Dear shareholders, dear friends of Constantin Film AG, A positive trend compared with the previous year was apparent again the industry’s overall cost burden, to offer audiences a larger selection in the German theatrical industry in 2008. -
Uk Films for Sale in Cannes 2009
UK FILMS FOR SALE IN CANNES 2009 Supported by Produced by 1234 TMoviehouse Entertainment Cast: Ian Bonar, Lyndsey Marshal, Kieran Bew, Mathew Baynton Gary Phillips Genre: Drama Rés. Du Grand Hotel 47 La Croisette, 6Th Director: Giles Borg Floor Producer Simon Kearney Tel: +33 4 93 38 65 93 Status : Completed [email protected] Home Office Tel: +44 20 7836 5536 Synopsis Ardent musician Stevie (guitar, vocals) endures a day-job he despises and can't find a girlfriend but... at least he has his music! With friend Neil (drums) he's been kicking around for a while not achieving much but when the pair of misfits team-up with the more-experienced Billy (guitar) and his cute pal Emily (bass) the possibility they might be on to something really good presents itself. For Stevie this is the opportunity he's been waiting for with the band and just maybe... Emily too! 13 Hrs TEyeline Entertainment Cast: Isabella Calthorpe, Gemma Atkinson, Tom Felton, Joshua Duncan Napier-Bell Bowman Lerins Stand R10 Genre: Horror Tel: +33 4 92 99 33 02 Director: Jonathan Glendening [email protected] Writer: Adam Phillips Home Office Tel: +44 20 8144 2994 Producer Nick Napier-Bell, Romain Schroeder, Tom Reeve Status : Post-Production Synopsis A full moon hangs in the night sky and lightning streaks across dark storm clouds. Sarah Tyler returns to her troubled family home in the isolated countryside, for a much put-off visit. As the storm rages on, Sarah, her family and friends shore up for the night, cut off from the outside world. -
Rapidement Et Simplement / Vicky Cristina Barcelona De Woody Allen]
Document generated on 09/25/2021 12:31 p.m. Ciné-Bulles Rapidement et simplement Vicky Cristina Barcelona de Woody Allen Jean-François Hamel Volume 26, Number 4, Fall 2008 URI: https://id.erudit.org/iderudit/33448ac See table of contents Publisher(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (print) 1923-3221 (digital) Explore this journal Cite this review Hamel, J.-F. (2008). Review of [Rapidement et simplement / Vicky Cristina Barcelona de Woody Allen]. Ciné-Bulles, 26(4), 40–41. Tous droits réservés © Association des cinémas parallèles du Québec, 2008 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ AVANT-PLAN Vicky Cristina Barcelona de Woody Allen Rapidement et simplement JEAN-FRANÇOIS HAMEL l existe dans le cinéma un mythe selon comme une farce qui s'harmonise en un s'incarne particulièrement dans ses obses lequel un auteur ingénieux est par ensemble curieusement grave. Lorsqu'il ne sions picturales qui sont traitées schémati- I définition un grand cinéaste. Cette délivre pas ses boutades souvent moralisa quement par le cinéaste, apparemment peu croyance ne peut être plus vraie qu'avec trices à titre d'acteur, Allen-le-scénariste, intéressé par le métier de peintre. -
False Authenticity in the Films of Woody Allen
False Authenticity in the Films of Woody Allen by Nicholas Vick November, 2012 Director of Thesis: Amanda Klein Major Department: English Woody Allen is an auteur who is deeply concerned with the visual presentation of his cityscapes. However, each city that Allen films is presented in such a glamorous light that the depiction of the cities is falsely authentic. That is, Allen's cityscapes are actually unrealistic recreations based on his nostalgia or stilted view of the city's culture. Allen's treatment of each city is similar to each other in that he strives to create a cinematic postcard for the viewer. However, differing themes and characteristics emerge to define Allen's optimistic visual approach. Allen's hometown of Manhattan is a place where artists, intellectuals, and writers can thrive. Paris denotes a sense of nostalgia and questions the power behind it. Allen's London is primarily concerned with class and the social imperative. Finally, Barcelona is a haven for physicality, bravado, and sex but also uncertainty for American travelers. Despite being in these picturesque and dynamic locations, happiness is rarely achieved for Allen's characters. So, regardless of Allen's dreamy and romanticized visual treatment of cityscapes and culture, Allen is a director who operates in a continuous state of contradiction because of the emotional unrest his characters suffer. False Authenticity in the Films of Woody Allen A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree MA English by Nicholas Vick November, 2012 © Nicholas Vick, 2012 False Authenticity in the Films of Woody Allen by Nicholas Vick APPROVED BY: DIRECTOR OF DISSERTATION/THESIS: _______________________________________________________ Dr. -
Vicky Cristina Barcelona: Fotos Y Pasión En La Ciudad Condal
VICKY CRISTINA BARCELONA: FOTOS Y PASIÓN EN LA CIUDAD CONDAL Por ALBERT ELDUQUE Título original: Vicky Cristina Barcelona Producción: Mediapro (USA-España, 2008). Productores: Letty Aronson, Stephen Tenenbaum, Gareth Wiley y Jaume Roures. Director: Woody Allen. Guión: Woody Allen. Fotografía: Javier Aguirresarobe. Diseño de producción: Alain Bainée. Montaje: Alisa Lepselter. Intérpretes: Rebecca Hall (Vicky), Scarlett Johansson (Cristina), Javier Bardem (Juan Antonio), Penélope Cruz (María Elena), Chris Messina (Doug) Color - 96 minutos - Estreno en España: 19-IX-2008. Galardonado con un Oscar de la Academia de Hollywood recientemente y gozando de una gran popularidad, la situación actual de Javier Bardem es interesante. Entre las producciones estadounidenses y las españolas, entre No Country For Old Men y Mar Adentro, últimamente trabaja precisamente en los híbridos entre lo internacional y las raíces, participando en producciones de directores extranjeros en España, ya sean Los fantasmas de Goya, de Milos Forman, o Biutiful, el proyecto de Alejandro González Iñárritu situado en el Raval barcelonés. Obviamente, la última película de Woody Allen, Vicky Cristina Barcelona, se inscribe en esta línea de conjunción internacional, y lo hace también con Penélope Cruz, otra actriz situada entre los proyectos americanos y las películas españolas. Cabe preguntarse por qué en una película dedicada desde el título a Barcelona los dos únicos personajes españoles relevantes son estrellas internacionales, y por qué los actores locales que han participado en el filme han sido apartados hacia roles muy secundarios (Josep Maria Domènech, como el padre del personaje de Bardem) o directamente anecdóticos (Abel Folk, Lloll Bertran, etc.). Hay en Vicky Cristina Barcelona un encuentro cultural en el equipo técnico que no se llega a plasmar en el reparto, basado en intérpretes anglosajones o estrellas latinas ya consolidadas. -
Title Call # Category Lang./Notes
Title Call # Category Lang./Notes K-19 : the widowmaker 45205 Kaajal 36701 Family/Musical Ka-annanā ʻishrūn mustaḥīl = Like 20 impossibles 41819 Ara Kaante 36702 Crime Hin Kabhi kabhie 33803 Drama/Musical Hin Kabhi khushi kabhie gham-- 36203 Drama/Musical Hin Kabot Thāo Sīsudāčhan = The king maker 43141 Kabul transit 47824 Documentary Kabuliwala 35724 Drama/Musical Hin Kadının adı yok 34302 Turk/VCD Kadosh =The sacred 30209 Heb Kaenmaŭl = Seaside village 37973 Kor Kagemusha = Shadow warrior 40289 Drama Jpn Kagerōza 42414 Fantasy Jpn Kaidan nobori ryu = Blind woman's curse 46186 Thriller Jpn Kaiju big battel 36973 Kairo = Pulse 42539 Horror Jpn Kaitei gunkan = Atragon 42425 Adventure Jpn Kākka... kākka... 37057 Tamil Kakushi ken oni no tsume = The hidden blade 43744 Romance Jpn Kakushi toride no san akunin = Hidden fortress 33161 Adventure Jpn Kal aaj aur kal 39597 Romance/Musical Hin Kal ho naa ho 41312, 42386 Romance Hin Kalyug 36119 Drama Hin Kama Sutra 45480 Kamata koshin-kyoku = Fall guy 39766 Comedy Jpn Kān Klūai 45239 Kantana Animation Thai Kanak Attack 41817 Drama Region 2 Kanal = Canal 36907, 40541 Pol Kandahar : Safar e Ghandehar 35473 Farsi Kangwŏn-do ŭi him = The power of Kangwon province 38158 Kor Kannathil muthamittal = Peck on the cheek 45098 Tamil Kansas City 46053 Kansas City confidential 36761 Kanto mushuku = Kanto warrior 36879 Crime Jpn Kanzo sensei = Dr. Akagi 35201 Comedy Jpn Kao = Face 41449 Drama Jpn Kaos 47213 Ita Kaosu = Chaos 36900 Mystery Jpn Karakkaze yarô = Afraid to die 45336 Crime Jpn Karakter = Character -
FRIDAY 10 MAY - THURSDAY 16 MAY Police Are Our Guys in Blue and Are Pret- Rasdien, Have Done Some Acting Anyway Ty Simple
The Next 48hOURS ≈ Movies Guide SHOW: BLITZ PATROLLIE rep. These are also characters that are CAST: CHRIS FOREST, DAVID KAU, KAGISO shared by every South African. I thought LEDIGA, JOEY RASDIEN, SANTHIRAN MOON- that putting a movie together that will SAMY, TRACEY-LEE OLIVER, DAVID KIBUU- show the good side of the police and KA, CHRIS FORREST give them a chance to shine was a good DIRECTOR: ANDREW WESSELS one. n a little known police depot in the Tell us about ‘Lucas Ledwaba’. belly of the JHB CBD, officer Rum- When I was writing the script I always meck “Rummy” Augustine (Joey saw this role for myself, because he is a Rasdien) is stationed, a married sort of cantankerous old guy” but he is Iman whose life has been taken over by not old, he’s my age I guess. He’s sort the brutal beatings he receives from his of a snitch. He is always trying to im- physically abusive, evil mother-in-law press the big boss and he aspires to be and the ranting of his delinquent pot- the captain and I think in his delusional smoking brother–in–law; both of whom Kagiso Lediga in ‘Blitz Patrollie’ state he actually thinks he is the Cap- have invaded his household. tain. He’s a bit of a douche bag and a His partner on the contrary is the bit of a d**k as well. He is one of those most upbeat guy in the world. The Naidoo brothers. Seemingly double- juice and bake each other cookies as a guys that pokes fun at people and he’s overzealous Ace Dikolobe (David Kau) crossed, the Naidoos are also scouring show of camaraderie. -
Crimes and Misdemeanors, Match Point, and Cassandra’S Dream) Are Males
RECEPTION OF CLASSICAL MYTHOLOGY IN WOODY ALLEN’S DRAMAS: CRIMES AND MISDEMEANORS, MATCH POINT, AND CASSANDRA’S DREAM by Olga Sergeyevna Savenkova A thesis submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Master of Arts Department of Languages and Literature The University of Utah May 2013 Copyright © Olga Sergeyevna Savenkova 2013 All Rights Reserved The University of Utah Graduate School STATEMENT OF THESIS APPROVAL The thesis of Olga Sergeyevna Savenkova a has been approved by the following supervisory committee members: Margaret Toscano , Chair 03/05/2013 Date Approved Erin O’Connell , Member 03/05/2013 Date Approved Gerald Root , Member 03/07/2013 Date Approved and by Katharina Gerstenberger , Chair of the Department of Languages and Literature a and by Donna M. White, Interim Dean of The Graduate School. ABSTRACT The thesis explores the reception of classical mythology in three dramas by Woody Allen: Crimes and Misdemeanors (1989), Match Point (2005), and Cassandra’s Dream (2007). These films are studied as contemporary interpretations of the ancient stories of Oedipus, Narcissus, and Orestes. Allen’s films use mythic patterns to meditate on such ancient themes as illusion versus reality, status, alienation and self-identity, the tragedy of love, human conscience, moral choice and responsibility, fate and revenge, crime and punishment. The purpose of this study is to show how Woody Allen’s dramas originate from ancient mythology and how the study of Greek tragedy and Roman poetry sheds light on the problems centered in his movies, which are neglected by most critics. -
1 Woody Allen's Cassandra's Dream
Woody Allen’s Cassandra’s Dream (2007) as a contemporary Greek Tragedy1 Pau Gilabert Barberà2 Universitat de Barcelona For Maties López, Josep Maria Tamarit and Jesús Carruesco Abstract: Unlike Crimes and Misdemeanors or Match Point, which approached similar themes, Cassandra’s Dream by Woody Allen (2007) had no good reviews. However, according to the author of this article, for those who analyse this screenplay from the perspective of the legacy of Greek tragedy in Western culture, its merits should not be underestimated. The frequent references to Greek tragedy, either titles or characters, prove that the American director wants to present Cassandra’s Dream as a contemporary instance of Greek tragedy, and contemporary men and women as victims of an almost almighty and mocking tragic irony. The author’s aim is also to show the evident similarities of this screenplay to Match Point and, above all, to Crimes and Misdemeanors, the matrix screenplay for the three films. Key words: classical tradition, Greek Tragedy, cinema, Cassandra’s Dream, Woody Allen. “Life is a Greek Tragedy” is the subject about which we have gathered today in Athens on the ninth and tenth February 2009. We approach, then, the ancient Greece from the perspective of the Classical Tradition, thus paying homage to tragedy, a literary genre which is more than two thousand years old, a real mankind’s patrimony, both the origin and the centuries-old inspiration for one of the most brilliant chapters of Western Literature. We are certainly indebted to the Greeks for having -
70Th Emmy Awards Nominations Announcements July 12, 2018 (A Complete List of Nominations, Supplemental Facts and Figures May Be Found at Emmys.Com)
70th Emmy Awards Nominations Announcements July 12, 2018 (A complete list of nominations, supplemental facts and figures may be found at Emmys.com) Emmy Nominations Previous Wins 70th Emmy Nominee Program Network to date to date Nominations Total (across all categories) (across all categories) LEAD ACTRESS IN A DRAMA SERIES Claire Foy The Crown Netflix 1 2 0 Tatiana Maslany Orphan Black BBC America 1 3 1 Elisabeth Moss The Handmaid's Tale Hulu 1 10 2 Sandra Oh Killing Eve BBC America 1 6 0 Keri Russell The Americans FX Networks 1 3 0 Evan Rachel Wood Westworld HBO 1 3 0 LEAD ACTOR IN A DRAMA SERIES Jason Bateman Ozark Netflix 2* 4 0 Sterling K. Brown This Is Us NBC 2* 4 2 Ed Harris Westworld HBO 1 3 0 Matthew Rhys The Americans FX Networks 1 4 0 Milo Ventimiglia This Is Us NBC 1 2 0 Jeffrey Wright Westworld HBO 1 3 1 * NOTE: Jason Bateman also nominated for Directing for Ozark * NOTE: Sterling K. Brown also nominated for Guest Actor in a Comedy Series for Brooklyn Nine-Nine LEAD ACTRESS IN A COMEDY SERIES Pamela Adlon Better Things FX Networks 1 7 1 Rachel Brosnahan The Marvelous Mrs. Maisel Prime Video 1 2 0 Allison Janney Mom CBS 1 14 7 Issa Rae Insecure HBO 1 1 NA Tracee Ellis Ross black-ish ABC 1 3 0 Lily Tomlin Grace And Frankie Netflix 1 25 6 LEAD ACTOR IN A COMEDY SERIES Anthony Anderson black-ish ABC 1 6 0 Ted Danson The Good Place NBC 1 16 2 Larry David Curb Your Enthusiasm HBO 1 26 2 Donald Glover Atlanta FX Networks 4* 8 2 Bill Hader Barry HBO 4* 14 1 William H. -
Product Guide
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver -
Created and Written by Academy Award-Winner Julian Fellowes Directed by Michael Engler
Created and Written by Academy Award-Winner Julian Fellowes Directed by Michael Engler Press Pack CONTENTS Cast ..................................................................................................................................................6 Guest Cast .......................................................................................................................................7 Filmmakers & Creatives ....................................................................................................................7 Downton Abbey Synopsis ................................................................................................................8 The Genesis of Downton Abbey .......................................................................................................9 The Making of the Downton Abbey Film by Julian Fellowes..........................................................14 Filmmakers & Creative Interviews: Gareth Neame ................................................................................................................................16 Liz Trubridge ...................................................................................................................................21 Michael Engler ................................................................................................................................25 Donal Woods ..................................................................................................................................28 Anna Robbins