Table of Contents

Total Page:16

File Type:pdf, Size:1020Kb

Table of Contents Shore Excursions – Regent Seven Seas Cruise – Barcelona to Lisbon TABLE OF CONTENTS VALENCIA...................................................................................................................................................... P. 2 ALICANTE ...................................................................................................................................................... P.7 MÁLAGA ....................................................................................................................................................... P. 14 GIBRALTAR ................................................................................................................................................... P. 19 SEVILLA (CÁDIZ) ............................................................................................................................................ P. 24 LISBON .......................................................................................................................................................... P.29 Shore Excursions – Regent Seven Seas Cruise – Barcelona to Lisbon VALENCIA 1 . PANORAMIC DRIVE, ALBUFERA PARK & BOAT RIDE DURATION: 4 1/2 HOUR S TOUR CODE: VLC - 0 1 5 Experience the diversity of the Valencian region during this tour that showcases two wonderful, yet completely different worlds: an ultra-modern cultural complex in the heart of the city, and a vast, pristine wetlands south of town. Starting off from the pier, you'll first enjoy a panoramic drive through downtown Valencia that highlights its most iconic attractions. Founded by the Romans in 137 B.C., Valencia has transitioned into one of Europe's most sophisticated modern cities. There's no better place to behold that side of Valencia than at the City of Arts and Sciences, a cluster of futuristic-looking buildings devoted to art and culture. After a stop there for photos, you'll continue your driving tour of Valencia, before finally leaving the city behind and heading south to nearby Albufera Natural Park. In complete contrast to urbane Valencia, Albufera is one of the most important wetland areas on the Iberian Peninsula. A slim strip of coastline protects it from the sea, and you'll find sand dunes which have formed, along with a curious Mediterranean pine forest and rich shrubbery growing in the sandy soil. Three canals (two natural and a third man- made) connect a lagoon and surrounding wetlands with the sea, and each has its own characteristic flora and fauna. In addition to the diversity of trees and plants found here, Albufera is also home to an especially large variety of birds. While there's no telling what species you'll see, you might possibly catch sight of black-winged stilts, crested coots, little-ringed plovers and countless migratory birds such as bee-eaters. During your time here, you'll also have an exterior visit at a traditional "barraca" house within the park. The home offers a candid look at how the local residents live in harmony with nature while supporting themselves through fishing and agriculture. Afterwards, you'll gain yet another perspective of the park, by boarding a small boat and cruising the lake which is at the heart of Albufera. The largest lake in Spain, it provides an excellent habitat for both the permanent bird population and those that migrate here during the year. Following your leisurely lake cruise, you'll rejoin your coach and transfer directly back to the pier in Valencia. Please note: This tour includes approximately 90-minutes of moderate walking that includes some natural and uneven surfaces. The tour is not available to wheelchair guests and not recommended for those with mobility issues. Guests must be able to enter and exit the tour boat with limited assistance. Weather appropriate, casual clothing; sun cap; sunglasses; and flat, comfortable walking shoes are recommended. Wildlife sightings are not guaranteed. 2 . PANORAMIC VALENCIA DURATION: 2 1/2 HOUR S TOUR CODE: VLC - 0 1 6 Drive through glorious Valencia, passing its most esteemed landmarks before spending free time in the heart of the city, home to many of these attractions. Depart from the pier and settle in for a relaxing, scenic drive past Valencia's icons, starting with the Marina Real Juan Carlos. Built to host the America's Cup, the state-of-the-art marina can accommodate nearly 650 yachts. Continuing on, you will wind through downtown Valencia, a city that the Romans founded in 137 B.C. Although spectacularly historic, it has transitioned into one of Europe's most sophisticated modern cities. That side of Valencia is best represented at the City of Arts and Sciences, a cluster of futuristic-looking buildings. Valencia's cultural hub, the "city" includes a planetarium, science museum, open-air oceanographic park and performing arts center. Light Activity /Walking Seated Tour Moderate Activity/Walking Most Active or Strenuous Minimal Activity Required Regent Choice Meal Evening Tour Shore Excursions – Regent Seven Seas Cruise – Barcelona to Lisbon Still, history is inescapable when touring Valencia. For instance, you will see a medieval cathedral built on a site El Cid dedicated to the blessed Virgin, and the twin 15th-century Quart Towers. Other highlights nearby include the lovely North Railway Station, the still-active bullring, and the ornate city hall. Then, there's the Columbus Market, which is housed in a magnificent Art Nouveau building adorned with colorful window panels and mosaics. The market presents an authentic snapshot of daily life, as it's always bustling with locals shopping for fresh delicacies. Following your panoramic drive through Valencia, you will have nearly an hour of free time in the city center before returning to the pier. Please note: This tour is primarily panoramic in nature with very limited optional walking at the stops and during free time. The tour is available to wheelchair guests who have a collapsible wheelchair, are able to make their own way on and off the coach and have an able-bodied companion to assist them. Those guests with mobility concerns are cautioned only to participate to the extent of their personal stamina and ability. Weather appropriate clothing; sunglasses; and flat, comfortable shoes are recommended. 3 . SPLENDORS OF VALENCIA - PANORAMIC TOUR DURATION: 3 HOURS TOUR CODE: VLC - 0 0 1 From the comfort of your coach, you will see the most important monuments of beautiful Valencia on this panoramic driving tour. Third in importance after Madrid and Barcelona, Valencia was founded by the Romans in 138 BC, but it was the Muslims who had a more detectable influence upon modern Valencia. Leaving the pier, you will enjoy views of the most modern buildings in town, all belonging to this City of Arts and Sciences. The tour will driving past the city hall, including the old Casa Ensenañza, an 18th-century building, and the New Building, 20th-century construction with a unique facade. Next is La Lonja, the city's Commodity Exchange and Maritime Consulate, built in the 15th century. Typical of the modernist era is the Central Market; planned and built in the first years of the 19th century. Other notable sights include the Cathedral and Chapel of the Holy Chalice, dating back to the 13th century and built on the site of a mosque which had, itself, replaced a Roman temple. Inside, the Chapel of the Holy Chalice contains the chalice which legend says was used by Jesus Christ at the Last Supper. The tour concludes with views of the Basilica de la Virgen de los Desamparados, built between 1652 and 1667 and dedicated to Our Lady of the Abandoned, the patron virgin of Valencia; Quart Towers, a former gate of the medieval wall, built in 1444; and Serranos Towers, a former prison surrounded by a moat and built around 1391. Please note: This tour involves some walking during the free time scheduled to allow guests time to browse the area and shops at the town center, before returning to the pier. There is also a brief walk between the drop-off/pickup- point and the city center. Light Activity /Walking Seated Tour Moderate Activity/Walking Most Active or Strenuous Minimal Activity Required Regent Choice Meal Evening Tour Shore Excursions – Regent Seven Seas Cruise – Barcelona to Lisbon 4 . THE LLADRÓ FACTORY AND VALENCIA PANORAMA DURATION: 4 HOURS TOUR CODE: VLC - 0 0 4 Depart from the port of Valencia and enjoy a panoramic overview of the city before heading directly to the main road for a 20-minute drive by coach to the town of Tabernes Blanques and the "City of Porcelain." Upon arrival at the City of Porcelain, otherwise known as the Lladró Factory, you will be taken through the production chain, and learn about the Lladró porcelain history and the family business. You will also watch a documentary on the start of the company and its founders, the Lladró brothers. There will also be an opportunity to shop in Valencia. After that we will return to the ship, but before arriving at the port, the guides will give you a panoramic tour of the old town including the Quart Towers, Serrano Towers and the historical center. Please note: This tour involves flat, easy walking only inside the Lladró Factory. 5 . VALENCIA AT A GLANCE & WINE TASTING DURATION: 4 HOURS TOUR CODE: VLC - 0 0 6 Explore the architectural diversity of Valencia through historic landmarks that include its medieval Cathedral and Central Market. Then sample several distinctive regional wines. Depart from the pier and drive directly to the modern City of Art and Sciences for a photo
Recommended publications
  • Barcelona and the Paradox of the Baroque by Jorge Luis Marzo1
    Barcelona and the Paradox of the Baroque By Jorge Luis Marzo1 Translation by Mara Goldwyn Catalan historiography constructed, even from its very beginnings, the idea that Catalunya was not Baroque; that is, Baroque is something not very "proper" to Catalunya. The 17th and 18th centuries represent the dark Baroque age, in contrast with a magnificent Medieval and Renaissance era, during which the kingdom of Catalunya and Aragón played an important international role in a large part of the Mediterranean. The interpretation suggests that Catalunya was Baroque despite itself; a reading that, from the 19th century on - when it is decided that all negative content about Baroque should be struck from the record in order to transform it into a consciously commercial and urban logo - makes implicit that any reflection on such content or Baroque itself will be schizophrenic and paradoxical. Right up to this day. Though the (always Late-) Baroque style was present in buildings, embellishments and paintings, it however did not have an official environment in which to expand and legitimate itself, nor urban spaces in which to extend its setup (although in Tortosa, Girona, and other cities there were important Baroque features). The Baroque style was especially evident in rural churches, but as a result of the occupation of principle Catalan plazas - particularly by the Bourbon crown of Castile - principal architectonic realizations were castles and military forts, like the castle of Montjuic or the military Citadel in Barcelona. Public Baroque buildings hardly existed: The Gothic ones were already present and there was little necessity for new ones. At the same time, there was more money in the private sphere than in the public for building, so Baroque programs were more subject to family representation than to the strictly political.
    [Show full text]
  • Cathedral Basilica of the Immaculate Conception 1535 Logan St
    Cathedral Basilica of the Immaculate Conception 1535 Logan St. Denver, CO 80203 Telephone: 303-831-7010 - Fax: 303-831-9514 Website: www.denvercathedral.org Email: [email protected] Archdiocese of Denver Website: www.archden.org . CATHEDRAL BASILICA OF THE IMMACULATE CONCEPTION DENVER, CO ARCHBISHOP OF DENVER: Most Reverend Samuel J Aquila, STL MASS SCHEDULE AUXILIARY BISHOP OF DENVER: Most Reverend Jorge Rodriguez WEEKDAY MASSES PASTOR AND RECTOR: Very Reverend Ronald W. Cattany : 7:00 AM, 12:10 PM, 5:30 PM PAROCHIAL VICAR: Reverend Michael Rapp, S.S.L. (Mondays at 3:00 PM 65+ Mass) IN RESIDENCE: Reverend Andreas Hoeck Saturday: 7:00AM DEACONS: Deacon Robert Finan, Deacon Robert Rinne, Anticipated Saturday: 4:30PM SUNDAY: 8:30AM, 10:30AM, 12:30PM, & 6:30PM and Deacon Charles Goldburg DIRECTOR OF WORSHIP: John Brooks VISITING HOURS DIRECTOR OF SACRED MUSIC: Phil Bordeleau Weekday: 4:00—5:15pm, 6:15pm—7pm (except Tuesdays) PASTORAL ASSOCIATE: Brigid Demko Sunday: 1:30pm—2:30pm and 7:30pm—8:00pm RCIA COORDINATOR: Brett Manero Please call the office as special events or recordings may RELIGIOUS EDUCATION: Luciane Urban require closing. COORDINATOR OF COMMUNITY OUTREACH: Dave Martinez MANAGERS OF FINANCE AND ASSETS: Elizabeth Odum & Joe Cavaleri SACRAMENT OF RECONCILIATION (Confessions) ADMINISTRATIVE ASSISTANT: Linda Flores BUILDINGS, GROUNDS, AND RECTORY OPERATIONS: Monday-Friday 11:00am—12:00pm, Saturday 3 PM – 4 PM, Sunday 5:30—6:30pm Sebastian Luke Oliver Or by appointment, please call the office and wait for a MAINTENANCE AND GROUNDS: Jacob Carper confirmation call. You will need to wear a mask. ANOINTING OF THE SICK BAPTISMS In the event of a serious illness or Parents and Godparents are required a medical emergency, call the to attend a class prior to baptism.
    [Show full text]
  • 2008 Romanesque in the Sousa Valley.Pdf
    ROMANESQUE IN THE SOUSA VALLEY ATLANTIC OCEAN Porto Sousa Valley PORTUGAL Lisbon S PA I N AFRICA FRANCE I TA LY MEDITERRANEAN SEA Index 13 Prefaces 31 Abbreviations 33 Chapter I – The Romanesque Architecture and the Scenery 35 Romanesque Architecture 39 The Romanesque in Portugal 45 The Romanesque in the Sousa Valley 53 Dynamics of the Artistic Heritage in the Modern Period 62 Territory and Landscape in the Sousa Valley in the 19th and 20th centuries 69 Chapter II – The Monuments of the Route of the Romanesque of the Sousa Valley 71 Church of Saint Peter of Abragão 73 1. The church in the Middle Ages 77 2. The church in the Modern Period 77 2.1. Architecture and space distribution 79 2.2. Gilding and painting 81 3. Restoration and conservation 83 Chronology 85 Church of Saint Mary of Airães 87 1. The church in the Middle Ages 91 2. The church in the Modern Period 95 3. Conservation and requalification 95 Chronology 97 Castle Tower of Aguiar de Sousa 103 Chronology 105 Church of the Savior of Aveleda 107 1. The church in the Middle Ages 111 2. The church in the Modern Period 112 2.1. Renovation in the 17th-18th centuries 115 2.2. Ceiling painting and the iconographic program 119 3. Restoration and conservation 119 Chronology 121 Vilela Bridge and Espindo Bridge 127 Church of Saint Genes of Boelhe 129 1. The church in the Middle Ages 134 2. The church in the Modern Period 138 3. Restoration and conservation 139 Chronology 141 Church of the Savior of Cabeça Santa 143 1.
    [Show full text]
  • The Red Plaques of Gibraltar
    THE RED PLAQUES OF GIBRALTAR This document has been compiled by: Julia Harris Contact on: [email protected] Date completed: May 2014 THANKS TO: - Gail Francis-Tiron for her help when needed - Pepe Rosado for reading this and making his valued comments - Claire Montado for giving me some of the older photos to use - My parents for their gentle ‘reminders’ to get this finished and proof reading! INTRODUCTION: These cast iron red plaques were placed around Gibraltar between 1959 and 1975 in possibly the first attempt to present the rocks history to visitors and residents. They were the work of the Gibraltar Museum Committee which at the time was under the chairmanship of the Hon. Mrs Dorothy Ellicott O.B.E., J.P. (see appendix III). Modern information boards will perhaps replace them (see ‘Future’ section below), but I hope this will not happen. They are their own piece of Gibraltar’s history. When I first noticed and started taking photos of these red plaques I looked for a record of how many there were to find. After speaking to The Heritage Trust and Tourist Board I was told there was not an up to date, completed list. So, here is mine, consisting of 49 plaques, some in situ, some not. There could be more around the rock, or in storage, as there are details of up to 53 in a document attached, dated October 1977, (see Appendix I). From this list there are 43 that I have found and are on mine, another 10 I did not find (some I know have been removed from site with no details of where they are stored) and there are 4 that I found that are not on it.
    [Show full text]
  • Molina Healthcare to Give Away Free Toys for Kids
    Inland Empire Community Newspapers • December 12, 2013 • Page A5 Words to think about: The many statues of Jesus COURTESY PHOTO Cherubim Mountain, Country of Syria COURTESY PHOTO COURTESY PHOTO By G. W. Abersold Ph.D Christ the Redeemer, Rio de Christ the Redeemer of the Janeiro Andes ecently while reviewing some of my pictures the Redeemer” in Rio de Janeiro, The statue has been struck by from Brazil, I became in - Its impor - Brazil. It is 98 feet tall and has a lightning several times and was 3. Cristo del Otero is in Palen - terested in the world wide statues tance is not based on its height. It pedestal of 26 feet, making it 124 vandalized with spray paint in cia, Spain and was completed in of Jesus. is only 40 feet high. Its impor - R feet. Its arms stretch 92 feet and 2010. 1931. It is 98.5 feet tall. The newest statue of Jesus is a tance is political and religious. weight 635 tons. I have personally visited the 4. Cristo Resocitado is in Tlal - bronze 105 feet statue located in The statue was unveiled on March It is located at the peak of the statue and can affirm its awe - nepantla de Baz, Mexico. It is a small mountain town in the 13, 1904 as a celebration of the Corcovado Mountain, overlook - someness. also 98.5 feet tall and the date of country of Syria. A Muslim coun - peaceful resolution of the border ing the city. The statue was con - “For almost all the giant Jesus completion is unknown.
    [Show full text]
  • Christ the King Parishioners Tuesday, February 20, 2018 Sacred Heart of Jesus Feb 17Th-23Rd 12:10 PM Celebrant: Fr
    First Sunday of Lent CHRIST February 18th, 2018 THE KING PARISH Worshiping at : Our Lady Star of the Sea Church, Corner of Chelsea & Second Ave. Holy Trinity Church, 408 Prospect St. Long Branch, NJ 07740 Parish Business Office: 380 Division St., Long Branch, NJ 07740 Phone 732-222-3216, 732-229-8527, 732-222-0526 Fax 732-222-4313 Web site: www.cklb.org Office Hours: Mon, Tues, Thurs, Fri 8:30am - 3:30pm, Wed 8:30am - 7:00pm, Lunch 12:30pm-1:30pm February 18th, 2018 First Sunday of Lent Parish Clergy Rev. Javier A. Diaz, Pastor Rev. Andres Serna, Parochial Vicar Mr. Robert J. Vignolini, Deacon Chapel of the Sacred Heart of Jesus & Mary Mr. Joseph Richichi, Deacon Fri: 9:00 am to 7:00 pm Exposition & Adoration Mass Schedule at Mass Schedule for Holy Days of Obligation See mass schedule inside the bulletin. Our Lady Star of the Sea Church Saturday Vigil: 4:00 pm English Italian Mass 9:30 am the second Sunday of every 7:30 pm Brazilian/Portuguese month at Holy Trinity Church. Sunday: 9:00 am Portuguese/Brazilian 10:30 am English Sacrament of Baptism Call business office to 12:00 pm Spanish register for Baptism and to attend the training classes. 6:00 pm Spanish 7:30 pm English Confessions Saturday 3:00-3:45 pm at Our Lady Star of the Sea Church and by appointment. Mass Schedule at Holy Trinity Church Sunday: 8:00, 9:30 & 11:30 am English Sacrament of Matrimony According to the Mon - Fri: 12:10 pm English Diocesan regulations, arrangements should be made Tues: 7:30 pm Portuguese/Brazilian one year prior to the marriage by personal appointment Wed: 7:00 pm Spanish with a priest.
    [Show full text]
  • The General Lighthouse Fund 2003-2004 HC
    CONTENTS Foreword to the accounts 1 Performance Indicators for the General Lighthouse Authorities 7 Constitutions of the General Lighthouse Authorities and their board members 10 Statement of the responsibilities of the General Lighthouse Authorities’ boards, Secretary of State for Transport and the Accounting Officer 13 Statement of Internal control 14 Certificate of the Comptroller and Auditor General to the Houses of Parliament 16 Income and expenditure account 18 Balance sheet 19 Cash flow statement 20 Notes to the accounts 22 Five year summary 40 Appendix 1 41 Appendix 2 44 iii FOREWORD TO THE ACCOUNTS for the year ended 31 March 2004 The report and accounts of the General Lighthouse Fund (the Fund) are prepared pursuant to Section 211(5) of the Merchant Shipping Act 1995. Accounting for the Fund The Companies Act 1985 does not apply to all public bodies but the principles that underlie the Act’s accounting and disclosure requirements are of general application: their purpose is to give a true and fair view of the state of affairs of the body concerned. The Government therefore has decided that the accounts of public bodies should be prepared in a way that conforms as closely as possible with the Act’s requirements and also complies with Accounting Standards where applicable. The accounts are prepared in accordance with accounts directions issued by the Secretary of State for Transport. The Fund’s accounts consolidate the General Lighthouse Authorities’ (GLAs) accounts and comply as appropriate with this policy. The notes to the Bishop Rock Lighthouse accounts contain further information. Section 211(5) of the Merchant Shipping Act 1995 requires the Secretary of State to lay the Fund’s accounts before Parliament.
    [Show full text]
  • Tour Lisboa / 6 Hours
    Tour Lisboa / 6 hours We can pick up the clients in our offices or at the hotel or at the apartment in Cascais área. We start to stop at the factory of the Pastel de Belém. The Pastel de Belém is one of the most famous sweets of Portugal, also known as custard tart. We continue our tour to the Monastery of Jerónimos. Manueline style monastery, monumental testimony to the wealth of the Portuguese discoveries. Visit to the tomb of Vasco da Gama and Luís de Camoes. The first discovered the maritim way to India and the second was a great famous poet author of the Lusíadas. The visit of the Tower of Belém and the Discoveries Monument is the next step of the tour. The Tower of Belém was built strategically on the north bank of the Tagus river, between 1514 and 1520, for the defense of the Lisbon bar and is one of the architecture jewels of the reign of the King Manuel I. The Discoveries Monument was originally erected in 1941 for the exhibition of the Portuguese world. Pass under the bridge 25th of April and overlooking the Christ the King. The Shrine of Christ the King is one of the symbols of Lisbon. The idea of its construction began in September 1934 after Cardinal Cerejeira, Patriarch of Lisbon visit the monument erected to Christ at the top of Corcovado in Rio de Janeiro. Next step, the Castle of St. George, considered the most emblematic monument of Lisbon, the Castle of São Jorge is an important testimony of odd moments in the history of Lisbon and Portugal.
    [Show full text]
  • Read Ebook ^ Gibraltar Travel Guide: Sightseeing, Hotel, Restaurant
    DW6XE5IBJIKE » Doc / Gibraltar Travel Guide: Sightseeing, Hotel, Restaurant Shopping Highlights (Paperback) Gibraltar Travel Guide: Sightseeing, Hotel, Restaurant Shopping Highlights (Paperback) Filesize: 7.66 MB Reviews Extensive guide! Its such a very good read. I really could comprehended almost everything out of this created e ebook. You will like how the writer write this ebook. (Katherine Feil) DISCLAIMER | DMCA UQKFFAQESCB2 ~ PDF // Gibraltar Travel Guide: Sightseeing, Hotel, Restaurant Shopping Highlights (Paperback) GIBRALTAR TRAVEL GUIDE: SIGHTSEEING, HOTEL, RESTAURANT SHOPPING HIGHLIGHTS (PAPERBACK) Createspace Independent Publishing Platform, 2015. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.The Rock of Gibraltar is a beautiful outcrop close to Spain s Costa del Sol. For more than two centuries it has been a possession of the United Kingdom. Gibraltar s interesting caves and labyrinthine tunnels fascinate its visitors. Introduction to Gibraltar - Culture - Orientation Location - Climate When to Visit - Sightseeing Highlights - Upper Rock Nature Reserve - The Apes of Gibraltar - The Tunnels - Europa Point - Lighthouse at Europa Point - Our Lady of Europe - Mosque Ibrahim al Ibrahim - Alameda Botanic Gardens - Moorish Castle Complex - Caves of Gibraltar - St Michael s Cave - Gorman s Cave - Forbes Quarry - Rosia Bay - Gibraltar Museum - Casemates Square - John Mackintosh Square - 100 Ton Gun - Churches of Gibraltar - Recommendations for the Budget Traveller - Places to Stay - Con
    [Show full text]
  • Circle Patterns in Gothic Architecture
    Bridges 2012: Mathematics, Music, Art, Architecture, Culture Circle patterns in Gothic architecture Tiffany C. Inglis and Craig S. Kaplan David R. Cheriton School of Computer Science University of Waterloo [email protected] Abstract Inspired by Gothic-influenced architectural styles, we analyze some of the circle patterns found in rose windows and semi-circular arches. We introduce a recursive circular ring structure that can be represented using a set-like notation, and determine which structures satisfy a set of tangency requirements. To fill in the gaps between tangent circles, we add Appollonian circles to each triplet of pairwise tangent circles. These ring structures provide the underlying structure for many designs, including rose windows, Celtic knots and spirals, and Islamic star patterns. 1 Introduction Gothic architecture, a style of architecture seen in many great cathedrals and castles, developed in France in the late medieval period [1, 3]. This majestic style is often applied to ecclesiastical buildings to emphasize their grandeur and solemnity. Two key features of Gothic architecture are height and light. Gothic buildings are usually taller than they are wide, and the verticality is further emphasized through towers, pointed arches, and columns. In cathedrals, the walls are often lined with large stained glass windows to introduce light and colour into the buildings. In the mid-18th century, an architectural movement known as Gothic Revival began in England and quickly spread throughout Europe. The Neo-Manueline, or Portuguese Final Gothic, developed under the influence of traditional Gothic architecture and the Spanish Plateresque style [10]. The Palace Hotel of Bussaco, designed by Italian architect Luigi Manini and built between 1888 and 1907, is a well-known example of Neo-Manueline architecture (Figure 2).
    [Show full text]
  • Download Guide
    #VISITGIBRALTAR GIBRALTAR WHAT TO SEE & DO ST MICHAEL’S CAVE & LOWER ST THE WINDSOR BRIDGE MICHAEL’S CAVE This tourist attraction is definitely not This beautiful natural grotto was prepared as for the faint-hearted, but more intrepid a hospital during WWII; today it is a unique residents and visitors can visit the new auditorium. There is also a lower segment that suspension bridge at Royal Anglian Way. provides the most adventurous visitor with an This spectacular feat of engineering is experience never to be forgotten, however, 71metres in length, across a 50-metre-deep these tours need to be pre-arranged. gorge. Gibraltar Nature Reserve, Upper Rock Nature Reserve, Gibraltar APES’ DEN WORLD WAR II TUNNELS One of Gibraltar’s most important tourist During WWII an attack on Gibraltar was attractions, the Barbary Macaques are imminent. The answer was to construct a actually tailless monkeys. We recommend massive network of tunnels in order to build that you do not carry any visible signs of food a fortress inside a fortress. or touch these animals as they may bite. GREAT SIEGE TUNNELS 9.2” GUN, O’HARA’S BATTERY The Great Siege Tunnels are an impressive Located at the highest point of the Rock, defence system devised by military engineers. O’Hara’s Battery houses a 9.2” gun with Excavated during the Great Siege of 1779-83, original WWII material on display and a film these tunnels were hewn into the rock with from 1947 is also on show. the aid of the simplest of tools and gunpowder. Gibraltar Nature Reserve, Upper Rock Nature Reserve, Gibraltar THE SKYWALK THE MOORISH CASTLE Standing 340 metres directly above sea level, The superbly conserved Moorish Castle is the Skywalk is located higher than the tallest part of the architectural legacy of Gibraltar’s point of The Shard in London.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Staging Mysteries
    UNIVERSITY OF CALIFORNIA Los Angeles Staging Mysteries: Transnational Medievalist Performance in the Twentieth Century A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Carla Neuss 2021 ã Copyright by Carla Neuss 2021 ABSTRACT OF THE DISSERTATION Staging Mysteries: Transnational Medievalist Performance in the Twentieth Century by Carla Neuss Doctor of Philosophy in Theatre and Performance Studies University of California, Los Angeles, 2021 Professor Sean Metzger, Chair This dissertation traces adapted forms of the medieval mystery cycle tradition within different transnational moments of social, political, and cultural crisis. In redirecting the spiritually didactic aims of medieval performance, the modern mysteries that constitute this project illuminate how medieval theatre functions as an historical imaginary for the transformative potential of performance. This project investigates three twentieth-century adaptations of the medieval mystery cycle tradition: Alexander Scriabin’s unfinished multi-genre performance, Mysterium (c. 1910); Jean Paul Sartre’s first play, Bariona (1940); and a South African production of the Chester Mystery Cycle, Yiimimangaliso (2000). Chapter 2 demonstrates how Mysterium sought to enact a distinctly medieval imaginary of spiritual unity epitomized by the Russian religious value of sobornost.’ In analyzing its Russian Symbolist aesthetics, I argue that the Mysterium was designed phenomenologically to enact social transformation on the eve of the Soviet revolution ii through "affective atmosphere.” Chapter 3 discusses Jean-Paul Sartre's relatively unknown play Bariona as an adaptation of the medieval French nativity play tradition produced during World War II. This chapter situates Bariona within the longstanding tradition of French medievalist performance as a contested political site within the national consciousness.
    [Show full text]