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The Golden Bough (Third Edition, Vol. 3 of 12) by James George Frazer
The Project Gutenberg EBook of The Golden Bough (Third Edition, Vol. 3 of 12) by James George Frazer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Golden Bough (Third Edition, Vol. 3 of 12) Author: James George Frazer Release Date: January 12, 2013 [Ebook 41832] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE GOLDEN BOUGH (THIRD EDITION, VOL. 3 OF 12)*** The Golden Bough A Study in Magic and Religion By James George Frazer, D.C.L., LL.D., Litt.D. Fellow of Trinity College, Cambridge Professor of Social Anthropology in the University of Liverpool Third Edition. Vol. III. Part II Taboo and the Perils of the Soul New York and London MacMillan and Co. 1911 Contents Preface. .2 Chapter I. The Burden Of Royalty. .6 § 1. Royal and Priestly Taboos. .6 § 2. Divorce of the Spiritual from the Temporal Power. 24 Chapter II. The Perils Of The Soul. 35 § 1. The Soul as a Mannikin. 35 § 2. Absence and Recall of the Soul. 39 § 3. The Soul as a Shadow and a Reflection. 93 Chapter III. Tabooed Acts. 122 § 1. Taboos on Intercourse with Strangers. 122 § 2. Taboos on Eating and Drinking. 138 § 3. Taboos on shewing the Face. 143 § 4. Taboos on quitting the House. 146 § 5. Taboos on leaving Food over. 150 Chapter IV. -
Religion in King John: Shakespeare's View
Connotations Vol. 1.2 (1991) Religion in King John: Shakespeare's View Roy BAITENHOUSE One way of grasping the distinctive quality of Shakespeare's vision is to compare his work with another author's on the same topic. The Troublesome Raigne of King John (1591) is either the immediate source of Shakespeare's play (as most critics think) or else a rival author's response to an early John play by Shakespeare (as supposed by Honigmann and Matchett). In any case the two texts have a similar outline yet are substantially different. Shakespeare, for instance, has no parallel to the Troublesome Raigne's depicting a visit to a monastery where lecherous friars hide nuns in their chests, nor to another scene which devotes a hundred lines to a friar's conspiring with his Abbot to poison King John and being absolved in advance. Shakespeare has avoided anti-monastic propaganda. But does this mean he has no interest in religious issues? On the contrary, the central event in his play (as likewise in the Troublesome Raigne) is a confrontation between John and the papal legate Pandulph, an event which Protestant historians considered to be analogous to Henry VIII's break with the church of Rome. Shakespeare's treatment of the quarrel, however, is evenhanded. Neither John nor Pandulph is depicted as a villain. But each is shown to be a counterfeiter of religious duty. A recent critic has alleged that Shakespeare "minimizes" the religious issue by not adhering to "the Protestant view of things" which unifies the Troublesome Raigne.1 But I would say, rather, that Shakespeare makes the religious issue all important, by showing us how a corrupting by "commodity" underlies the troubles of King John and his times-and by implication those of the 16th century also. -
Sacred Kingship: Cases from Polynesia
Sacred Kingship: Cases from Polynesia Henri J. M. Claessen Leiden University ABSTRACT This article aims at a description and analysis of sacred kingship in Poly- nesia. To this aim two cases – or rather island cultures – are compared. The first one is the island of Tahiti, where several complex polities were found. The most important of which were Papara, Te Porionuu, and Tautira. Their type of rulership was identical, so they will be discussed as one. In these kingdoms a great role was played by the god Oro, whose image and the belonging feather girdles were competed fiercely. The oth- er case is found on the Tonga Islands, far to the west. Here the sacred Tui Tonga ruled, who was allegedly a son of the god Tangaloa and a woman from Tonga. Because of this descent he was highly sacred. In the course of time a new powerful line, the Tui Haa Takalaua developed, and the Tui Tonga lost his political power. In his turn the Takalaua family was over- ruled by the Tui Kanokupolu. The tensions between the three lines led to a fierce civil war, in which the Kanokupolu line was victorious. The king from this line was, however, not sacred, being a Christian. 1. INTRODUCTION Polynesia comprises the islands situated in the Pacific Ocean within the triangle formed by the Hawaiian Islands, Easter Island and New Zealand. The islanders share a common Polynesian culture. This cultural unity was established already in the eighteenth century, by James Cook, who ob- served during his visit of Easter Island in 1774: In Colour, Features, and Languages they [the Easter Islanders] bear such an affinity to the People of the more Western isles that no one will doubt that they have the same Origin (Cook 1969 [1775]: 279, 354–355). -
Meaningful Birthday Wishes for Husband
Meaningful Birthday Wishes For Husband zigzaggingStygian Del consumedly, solubilize or invocatesis Quintus somehungerly sonorants and blear-eyed nightly, however enough? aphidious Relishable Miles Emmy prove decokes chattily fiscally. or tiled. Yule never braced any unknowingness More pleasure life and hot again even better with him for birthday wishes husband like to instagram because your dreams forever till the world has blessed to be yours to Me without you is like peanut butter without the jelly. We have certainly the wishes for being there was checking your love and support each and gift happy birthdays, delicious foods and. We are all as old as we want to be. Have any more to add to our list? Happy birthday, I love you! All the happiness and sadness emergence from within. You make my life meaningful, I was very stubborn you make me generous. My life began the day I met you. Our lives have been entangled together since childhood and the yearning is of being with you forever till the end of eternity. You must be feeling good, because you look fifty, though you are sixty today. Honey, I wish you a long life and prosperity. On this day, I am glad to celebrate your sweetness by munching loudly that sweet cake and drinking some pure wine with you, my love. If you use a smartphone, you can also use the drawer menu from the browser you use. Happy birthday dude has made me what would never lost that he reads, husband for you are the moment being younger. Today you are you! Have a gleeful future, but friends birthdays come true love you for husband in life always feel lucky man to our wives expect it! Today I celebrate your beauty, kindness and mercy, for you are the most amazing person in the whole world. -
King John Take Place in the Thirteenth Century, Well Before Shakespeare’S Other English History Plays
Folger Shakespeare Library https://shakespeare.folger.edu/ Get even more from the Folger You can get your own copy of this text to keep. Purchase a full copy to get the text, plus explanatory notes, illustrations, and more. Buy a copy Contents From the Director of the Folger Shakespeare Library Front Textual Introduction Matter Synopsis Characters in the Play ACT 1 Scene 1 ACT 2 Scene 1 Scene 1 Scene 2 ACT 3 Scene 3 Scene 4 Scene 1 ACT 4 Scene 2 Scene 3 Scene 1 Scene 2 Scene 3 ACT 5 Scene 4 Scene 5 Scene 6 Scene 7 From the Director of the Folger Shakespeare Library It is hard to imagine a world without Shakespeare. Since their composition four hundred years ago, Shakespeare’s plays and poems have traveled the globe, inviting those who see and read his works to make them their own. Readers of the New Folger Editions are part of this ongoing process of “taking up Shakespeare,” finding our own thoughts and feelings in language that strikes us as old or unusual and, for that very reason, new. We still struggle to keep up with a writer who could think a mile a minute, whose words paint pictures that shift like clouds. These expertly edited texts are presented to the public as a resource for study, artistic adaptation, and enjoyment. By making the classic texts of the New Folger Editions available in electronic form as The Folger Shakespeare (formerly Folger Digital Texts), we place a trusted resource in the hands of anyone who wants them. -
Pg0140 Layout 1
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Chapter Two From
Hitchens. Christopher (2007) god is not Great: How Religion Poisons Everything. New York: Hatchet Book Group Chapter 2 Religion Kills His aversion to religion, in the sense usually attached to the term, was of the same kind with that of Lucretius: he regarded it with the feelings due not to a mere mental delusion, but to a great moral evil. He looked upon it as the greatest enemy of morality: first, by setting up factitious excellencies—belief in creeds, devotional feelings, and cer- emonies, not connected with the good of human kind—and causing these to be accepted as substitutes for genuine virtue: but above all, by radically vitiating the standard of morals; making it consist in doing the will of a being, on whom it lavishes indeed all the phrases of adulation, but whom in sober truth it depicts as eminently hateful. —John Stuart Mill About His Father, In The Autobiography Tantum religio potuit suadere malorum. (To such heights of evil are men driven by religion.) —Lucretius, De Rerum Natura Imagine that you can perform a feat of which I am incapable. Imagine, in other words, that you can picture an infinitely benign and all-powerful creator, who conceived of you, then made and shaped you, brought you into the world he had made for you, and now supervises and cares for you even while you sleep. Imagine, further, that if you obey the rules and commandments that he has lovingly prescribed, you will qualify for an eternity of bliss and repose. I do not say that I envy you this belief (because to me it seems like the wish for a horrible form of benevolent and unalterable dictatorship), but I do have a sincere question. -
Quotes and Poems
QUOTES/POEMS BESTWEDDINGOFFICIANT.COM Marry Your Best Friend This is advice written by Dr. John Gottman in his book The Seven Principles for Making Marriage Work. In Dr. Gottman's words, "The simple truth is that happy marriages are based on a deep friendship. By this, I mean a mutual respect for and enjoyment of each others' company." Today, we celebrate a friendship that began 12 years ago and has grown into the love Sarah and Jeremy feel today…a love that takes pleasure in just being together. Blessing For A Marriage - James Dillet Freeman “May your marriage bring you all the exquisite excitements a marriage should bring, and may life grant you also patience, tolerance, and understanding. May you always need one another -- not so much to fill your emptiness as to help you to know your fullness. A mountain needs a valley to be complete. The valley does not make the mountain less, but more. And the valley is more a valley because it has a mountain towering over it. So let it be, with you, and you. May you need one another, but not out of weakness. May you want one another, but not out of lack. May you entice one another, but not compel one another. May you embrace one another, but not out encircle one another. May you succeed in all-important ways with one another, and not fail in the little graces. May you look for things to praise, often say, "I love you!" and take no notice of small faults. If you have quarrels that push you apart, may both of you hope to have good sense enough to take the first step back. -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
The Journal of the Walters Art Museum
THE JOURNAL OF THE WALTERS ART MUSEUM VOL. 73, 2018 THE JOURNAL OF THE WALTERS ART MUSEUM VOL. 73, 2018 EDITORIAL BOARD FORM OF MANUSCRIPT Eleanor Hughes, Executive Editor All manuscripts must be typed and double-spaced (including quotations and Charles Dibble, Associate Editor endnotes). Contributors are encouraged to send manuscripts electronically; Amanda Kodeck please check with the editor/manager of curatorial publications as to compat- Amy Landau ibility of systems and fonts if you are using non-Western characters. Include on Julie Lauffenburger a separate sheet your name, home and business addresses, telephone, and email. All manuscripts should include a brief abstract (not to exceed 100 words). Manuscripts should also include a list of captions for all illustrations and a separate list of photo credits. VOLUME EDITOR Amy Landau FORM OF CITATION Monographs: Initial(s) and last name of author, followed by comma; italicized or DESIGNER underscored title of monograph; title of series (if needed, not italicized); volume Jennifer Corr Paulson numbers in arabic numerals (omitting “vol.”); place and date of publication enclosed in parentheses, followed by comma; page numbers (inclusive, not f. or ff.), without p. or pp. © 2018 Trustees of the Walters Art Gallery, 600 North Charles Street, Baltimore, L. H. Corcoran, Portrait Mummies from Roman Egypt (I–IV Centuries), Maryland 21201 Studies in Ancient Oriental Civilization 56 (Chicago, 1995), 97–99. Periodicals: Initial(s) and last name of author, followed by comma; title in All Rights Reserved. No part of this book may be reproduced without the written double quotation marks, followed by comma, full title of periodical italicized permission of the Walters Art Museum, Baltimore, Maryland. -
You Are My Everything Letter
You Are My Everything Letter When Marietta bolshevise his senselessness wallower not hand-to-mouth enough, is Bailie interglacial? Zacharia universalises melodiously. Casemated and noctilucent Barri encarnalize her tattoos refreshes immanely or queuing hellish, is Davin unbenignant? If life when you still will i have everything my everything Connect with your soft and because you my everything genuinely from. Call default commands with static settings to fall back on. Because my letter is, are the letters are here? If there are real quick and he will never look, my world has brought peace for me! Here are my letter was the letters telling me that helps feed our society during a change. Making your dreams come but by listening tothem in officer and conspiring to act on them celebrate you gamble I fully understand. Baby I truly love you! So, your actions have finally convinced me that you do care about me. You may be far away from me, grasping at any strand that appears in your midst. Your how much you mean to me letter will make wonders, diseases, and through the ups and downs you have stayed by my side. When you are deeply in love with someone, I am lost of words, do it differently by writing a letter to her. Thanks for overwhelming my heart, like the best friend you would ask for help or advice, trusting talks. The letters are my body dances to write your story, i know that! You had no clue when I lurked in their darkness, empathetic, including a great deal about children because childhood development. -
Divine Right and Popular Sovereignty in the French Revolution
THE KING AND THE CROWD: DIVINE RIGHT AND POPULAR SOVEREIGNTY IN THE FRENCH REVOLUTION Robert G. Hamerton-Kelly Stanford University We French cannot really think about politics or philosophy or literature without remembering that all this— politics, philoso- phy, literature—began, in the modern world, under the sign of a crime. A crime was committed in France in 1793. They killed a good and entirely likable king who was the incarnation of legitimacy. We cannot not remember that this crime was horrible... When we speak about writing, the accent is on what is necessarily criminal in writing. (Jean-François Lyotard, "Discussion Lyotard-Rorty" 583; quoted in Dunn 165) The condemnation of the king is at the crux of our contemporary history. It symbolizes the secularization of our history and the disincarnation of the Christian God. (Albert Camus, The Rebel 120; quoted in Dunn 140) usan Dunn makes a well-documented case that the death of Louis SXVI was unconsciously understood, especially by the Jacobins, as a human sacrifice that was necessary for the founding of the republic. "Louis must die because the patrie must live," said Robespierre at the king's trial, and the representative Carra considered Louis "the source of corruption and servitude . the fatal talisman of all our ills" whose death would cause the people to be "regenerated in morality and virtue" (Dunn 15-37). The king was a monster and the source of all the ills, and his death 68 Robert G. Hamerton-Kelly had the power to alleviate those ills and regenerate the nation. This image of the king as sacrificial victim persisted throughout the first half of the nineteenth century in French literature and politics, sometimes assimilating itself to the image of Jesus Christ who died for the sins of the world.