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Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
National Art School 2019–2025 Strategic Plan Executive Summary
National Art School 2019–2025 Strategic Plan Executive Summary The National Art School (NAS) sits on one of the most significant sites in Australia – a meeting place for the Gadigal people, the site of the oldest gaol in Australia – and since 1922 the National Art School has called this site home. Over 185 years since our founding, and 96 years on this site, we have had a dynamic history, with many of Australia’s leading artists studying and teaching here. National Art School alumni have framed late 19th Century and 20th Century Australian art practice. They have formed a significant part of the Art Gallery of NSW’s exhibitions and collection acquisitions. One in five Archibald Prize winners has come from the National Art School. But our future is in preparing contemporary artists to be well equipped for the 21st Century. At the leading art fair in the Asia Pacific – the 2018 Sydney Contemporary Art Fair, 56 out of 337 artists were NAS alumni – that is one in 6, more than any other art institution. The National Art School is Australia’s leading independent fine art school; a producer of new art; a place to experience and participate in the arts; and a presentation venue. Our future vision is for a vital and energetic arts and education precinct. A place where art is made, rehearsals take place, art is seen and most importantly people can experience and participate in art. We will partner with other NSW arts organisations to deliver valuable ACDP objectives for the engagement and participation with people living and/or working in regional NSW, people living and/or working in Western Sydney, Aboriginal people, people from culturally and linguistically diverse (CALD) backgrounds, people with disability, and young people. -
MCA, Qantas and Tate Announce First Series of Australian Artwork Acquisitions
MCA, Qantas and Tate announce first series of Australian artwork acquisitions [Sydney, 13 May 2016] The Museum of Contemporary Art Australia (MCA), Qantas and Left: Vernon Ah Kee, Tate have today revealed the first five artworks in their International Joint Acquisition tall man 2010 four-channel video Program for contemporary Australian art. The Program promotes Australian art globally, installation, sound, Tate helping Australian artists reach new audiences. and the Museum of Contemporary Art Australia, purchased jointly These joint acquisitions by MCA and Tate include two large video installations, one by with funds provided by the Susan Norrie (Transit 2011) and another by Vernon Ah Kee (tall man 2010), two paintings Qantas Foundation, 2016, image courtesy Museum of by Gordon Bennett (Possession Island (Abstraction)) 1991 and Number Nine 2008) and an Contemporary Art Australia artist book by Judy Watson consisting of sixteen etchings with chine collé (a and Milani Gallery, Brisbane © the artist, photograph: preponderance of aboriginal blood 2005). Carl Warner Right: Gordon Bennett Three of these artworks will be on display in the MCA Collection Galleries starting this Gordon Bennett, Possession month, and two more will be included in the new MCA Collection exhibition opening in Island (Abstraction), 1991, oil and acrylic on canvas, September. The artworks will then head to Tate to be displayed in the UK in the near Tate and the Museum of future. Contemporary Art Australia, purchased jointly with funds provided by the Made possible through a $2.75 million corporate gift from the Qantas Foundation, this Qantas Foundation, 2016, ground-breaking collaboration is enabling an ambitious five-year joint program through image courtesy Museum of Contemporary Art Australia which a range of major artworks by contemporary Australian artists will be acquired for and Milani Gallery, Brisbane the collections of MCA and Tate, owned and displayed by both institutions. -
Rick Amor.Docx
Rick Amor Bio Rick Amor was born in Frankston, Victoria in 1948. In 1965 he completed a Certificate of Art at the Caulfield Institute of Technology, and from 1966 to 1968 studied at the National Gallery School, Melbourne where he received an Associate Diploma of Painting. He has been the recipient of several Australia Council studio residencies, which have allowed him to work in London, New York and Barcelona. In 1999 the Australian War Memorial appointed him as the official war artist to East Timor. Amor has held over 50 solo exhibitions since first exhibiting at Joseph Brown Gallery in 1974 and has shown annually at Niagara Galleries since 1983. A major survey exhibition of his paintings was curated by McClelland Gallery in 1990 and toured various regional galleries in Victoria and South Australia. In 1993 an exhibition mounted by Bendigo Art Gallery toured Victoria and Tasmania, presenting his work as a printmaker and graphic artist. An important exhibition of Rick’s bronze sculpture was undertaken by Benalla Art Gallery in 2002, including many maquettes never previously exhibited. In 2005, Robert Lindsay curated Rick Amor: Standing in the Shadows, the second major survey of Amor’s work to be presented at McClelland Gallery+Sculpture Park. In March 2008, Heide Museum of Modern Art presented Rick Amor: A Single Mind, a triumphant survey of Rick’s paintings and works on paper from 1968 – 2008. Gary Catalano’s biography The Solitary Watcher: Rick Amor and his Art, was published by The Miegunyah Press in 2001; and in 2008, The Beagle Press published Gavin Fry’s richly illustrated monograph, Rick Amor. -
Blak Douglas A.K.A Adam Hill
Blak Douglas a.k.a Adam Hill Education 1989 Jamison High School (Penrith) 1994 BA Graphic Design University of Western Sydney, Nepean Awards / Competitions 2016 FINALIST Cossack Art Awards, Karatha W.A. 2015 FINALIST Archibald Prize, FINALIST- Parliament of NSW Aboriginal Art Prize 2014 FINALIST Mosman Art Prize 2004-9/11-14 FINALIST Parliament of NSW Aboriginal Art Prize (Commended) 2009 HIGHLY COMMENDED Cricket Art Prize Sydney, FINALIST- Wynne Prize 2003-8 FINALIST Telstra Aboriginal and Torres Strait Islander Art Award 2008 FINALIST Mil-Pra Art Prize 2007 FINALIST The Xstrata Coal Emerging Indigenous Art Award 2006 WINNER Maria Locke Award, Mil-Pra Art Prize 2005-10 FINALIST Parliament of NSW Indigenous Art Prize 2004 WINNER Mil-Pra Art Prize, Artist in Residence, The Canberra Grammar School 2003 WINNER Mil-Pra Art Prize – Liverpool Council Mayor’s Choice Award 2002 WINNER Blacktown City Art Prize – Inaugural Solo Exhibitions 2017 National an’them Blakspot Gallery ‐ Redfern 2016 OLD STORIES, NEW LIGHT The Glasshouse Gallery (accompanied by Unc. Milton Budge) 2015 MCA Art Bar, WHITEBRED Fontanelle Gallery Adelaide (TARNANTHI festival accompanied by Amanda Radomi) JOIN THE DOTS Boomalli Aboriginal Artists, Leichhardt- Sydney BLAKATTAK S.C.A. Sydney (accompanied by Adam Geczy) 2014 LAWFUL & PERMISSABLE Damien Minton Gallery, Redfern ILLUMINATE Old Parliament House, ACT 2013 BOMB Utrecht Gallery, Netherlands (accompanied by Adam Geczy) SMELLIN’ IT LIKE IT IS Tandanya Adelaide 2012 ONEinFOUR Damien Minton Gallery, NSW 2010 NOT A PROPPER -
Artists Statement for Me the Nature of Colour Is the Colour of Nature
David Aspden Born Bolton, England, arrived Australia 1950 1935 - 2005 COLLECTIONS Aspden is represented in National Gallery of Australia, Art Gallery of New South Wales, Art Gallery of Western Australia, Museums and Galleries of the Northern Territory, National Gallery of Victoria, Art Gallery of South Australia, and other state galleries. His work is found in regional galleries including Bathurst, Newcastle, Wollongong, Gold Coast, Orange, Armidale, Ballarat, Benalla, Muswellbrook, Manly, Stanthorpe and Geelong. Aspden’s paintings are hung in New Parliament House, Canberra and the NSW State Parliament. His work is in the collections of Artbank, Heide, Tarrawarra Museum of Art, Macquarie University, National Bank of Australia, Macquarie Bank, St George Bank, The Australian Club, Festival Hall Adelaide, Allens Arthur Robinson, Clayton Utz, Melbourne Casino, Fairfax, News Limited, University of Western Australia, Monash University, Beljourno Group, Shell Company of Australia Limited, and numerous corporate and private collections. Individual Exhibitions 1965 Watters Gallery, Sydney 1966 Watters Gallery, Sydney - March and November 1967 Watters Gallery, Sydney Strines Gallery, Melbourne 1968 Farmers' Blaxland Gallery, Sydney Gallery A, Melbourne 1970 Rudy Komon Art Gallery, Sydney 1971 Rudy Komon Art Gallery, Sydney 1973 Rudy Komon Art Gallery, Sydney 1974 Rudy Komon Art Gallery, Sydney 1975 Solander Gallery, Canberra 1976 Monash University, Victoria Rudy Komon Art Gallery, Sydney 1977 Rudy Komon Art Gallery, Sydney 1981 Rudy Komon Art Gallery, -
Imants Tillers
IMANTS TILLERS Born Sydney, Australia 1950. EDUCATION 2005 Awarded a Doctor of Letters (Honoris Causa), University of New South Wales, Sydney. 2001 Visiting Fellow, Fine Art Research Centre, Southampton Institute, UK Co-curator with Marketta Seppälä, Empathy: Beyond the Horizon, Pori Art Museum, Finland. Appointed Trustee of the Art Gallery of New South Wales, Sydney. 1976 Cité Internationale des Arts Residency, Paris Owen Tooth Cottage Residency, Vence. 1969 – 72 Bachelor of Science Architecture (First Class Hons, University Medal), University of Sydney. 2010 Collaborated with Janis Balodis on Exile and Fatherland, 53rd Australian Latvian Arts Festival, Melbourne 2011 Appointed a Director of Immigration Place, Australia, Canberra. SELECTED SOLO EXHIBITIONS 2016 Metafisca Australe, ARC ONE Gallery, Melbourne. 2015 Metafisca Australe, Roslyn Oxley9 Gallery, Sydney 2014 Big Storm Between Two Place: Michael Nelson Jagamara and Imants Tillers, Fire works Gallery, Brisbane Latvian Mandala, Australian Latvian Arts Festival, Latvian House, Sydney. Haunted Nation, Bett Gallery, Hobart The Philosopher’s Walk, Greenaway Art Gallery, Adelaide 2013 The Fleeting Self, ARC ONE Gallery, Melbourne 2012 Tabula Rasa, Roslyn Oxley9 Gallery, Sydney The Loaded Ground: Michael Nelson Jagamara and Imants Tillers, Drill Hall Gallery, Australian National University Art Gallery, Canberra. 2011 Nature Speaks, Greenaway Art Gallery, Adelaide. The Journey South, Bett Gallery, Hobart. 2010 The Blossoming World, Arc One Gallery. A Poem of the Land, Roslyn Oxley9 Gallery, Sydney. Dual Worlds: Dadang Christanto and Imants Tillers, Jan Manton Art, Brisbane. 2009 Leap of Faith, Greenaway Art Gallery, Adelaide. Value Added Landscapes, Jan Manton Art, Brisbane. Clouds on a distant horizon, Bett Gallery, Hobart. The Long Poem, Lawrence Wilson Art Gallery, University of Western Australia, Perth. -
Carmel Wallace CV (One Page) August 2019.Pages
th carmel wallace 2012 37 Alice Prize Araluen Arts Centre, Alice Springs NT This is a Maquette Show MARS Gallery Melbourne VIC http://carmelwallace.com https://www.instagram.com/carmelwallace/ ACADEMIC QUALIFICATIONS SymbioticA Adaptation exhibition,INQB8 Gallery, Mandurah WA 1975/6 Bachelor of Arts, Diploma of Education, La Trobe University 4th Forestry SA Wood Sculpture Exh., Riddoch Art Gallery SA 1994 Bachelor of Arts (Fine Art) Honours, Deakin University Sculpture 2012 Brenda May Gallery, Sydney NSW 1999 Doctor of Philosophy, Deakin University Coral: art science life Macleay Museum University of Sydney NSW AWARDS 2011 Waterhouse Natural History Art Prize Adelaide & Canberra ACT 2017/8 Bayside Artist in Residence at Billilla Mansion, Brighton VIC Nature Interrupted:Contemporary Sculpture RedlandGallery QLD 2016 Toolangi Sculpture Trail 20th Anniversary Artist Residency VIC Lorne Sculpture 2011 Lorne VIC 2016 Artist in Residence, Sofitel Melbourne On Collins, Melbourne VIC Wangaratta Contemporary Textile Award Wangaratta Art Gallery 2012 Scope Galleries Art Award – Art Concerning Environment VIC Illuminated by Fire Portland Harbour & Fed.Sq. Melbourne VIC 2011 Highly Commended, Waterhouse Natural History Art Prize Summer Salon Jenny Port Gallery Richmond VIC 2010 Honorable mention, Yering Station Sculpture Exhibition VIC 2010 ABL exhibition of selected Yering finalists Melbourne VIC 2010 SymbioticA Adaptation residency, University of Western Australia Fremantle Arts Centre Print Award WA 2008 Vermont Studio Centre Residency Fellowship, -
Fred Williams
FRED WILLIAMS Born: 1927, Melbourne, Australia Died: 1982 SELECTED EXHIBITIONS 1947 Figure And Portrait Exhibition, Victorian Artists Society, Melbourne 1951 Ian Armstrong, Fred Williams, Harry Rosengrave, Stanley Coe Galleries, Melbourne Australian Arts Association Exhibition, Royal Watercolour Society Gallery, London. 1952 Group Exhibition, Australian Artists' Association 1957 Fred Williams, Oil Painting And Gouache, Australian Galleries, Melbourne Fred Williams, Etchings, Gallery Of Contemporary Art, Melbourne 1958 Fred Williams, Landscapes, Australian Galleries, Melbourne Fred Williams - Etchings, Gallery Of Contemporary Art, Melbourne May Day Art Show, Lower Town Hall, Melbourne A Critic's Choice, Selected By Alan Mcculloch, Australian Galleries, Melbourne 2nd Anniversary Exhibition, Australian Galleries, Melbourne Crouch Prize, Ballarat Art Gallery, Victoria 1959 Fred Williams, Recent Landscapes And Still Life, Australian Galleries, Melbourne 18 Recent Acquisitions..., Museum Of Modern Art, Melbourne 1960 Fred Williams, Australian Galleries, Melbourne Helena Rubenstein Travelling Art Scholarship, (By Invitation), National Gallery Of Victoria, Melbourne Drawings And Prints, Australian Galleries, Melbourne 1960 Perth Art Prize, Art Gallery Society, Western Australia, Art Gallery Of W.A., Perth Mccaughey Memorial Art Prize, National Gallery Of Victoria, Melbourne Drawings, Paintings And Prints Up To 45 Gns, Australian Galleries, Melbourne 1961 Fred Williams, Paintings, Australian Galleries, Melbourne Fred Williams, The Bonython Art -
Abdul Abdullah
ABDUL ABDULLAH 1986 Born in Perth, Australia 2008 BA Art, Curtin University of Technology, Australia 2017 MFA, UNSW Art and Design SELECTED SOLO EXHIBITIONS 2020 Custodians, presented by Yavuz Gallery at The Armory Show, Presents Section, New York City, USA 2019 Contested Territories, Yavuz Gallery, Sydney, Australia The waiting room, presented by Yavuz Gallery at Art Basel Hong Kong, Kabinett sector, Hong Kong 2018 Jangan Sakiti Hatiku - Don't Break My Heart, Yavuz Gallery, Singapore 2017 Terms of Engagement: Examining the Rhetoric of Radicalisation, UNSW Galleries, Australia 2016 Burden, Fehily Contemporary, Australia Coming to Terms, Fehily Contemporary, Australia 2015 Coming to Terms, Chasm Gallery, New York, USA 2014 I See A Darkness, Future Perfect, Singapore Siege, Fehily Contemporary, Australia 2013 Homeland, Fehily Contemporary, Australia 2012 Mongrel, Fehily Contemporary, Australia 2011 Them and Us, KINGS Artist-Run, Australia SELECTED GROUP EXHIBITIONS 2020 Monster Theatres, Adelaide Biennial of Australian Art, Art Gallery of South Australia 2019-2020 Violent Salt, touring exhibition, Art Space Mackay, Australia; Noosa Regional Gallery, Australia; Toowoomba Regional Art Gallery, Australia STOLEN/WEALTH, Wyndham Art Gallery, Melbourne, Australia Body Politics, Bendigo Art Gallery, Bendigo, Australia Lupercalia, Adelaide Central Gallery, Adelaide, Australia Marriage: Love + Law, Penrith Regional Gallery, Penrith, Australia Weapons for a soldier, Araluen Arts Centre, Alice Springs, Australia National Anthem, Buxton Contemporary, -
228 Paddington: a History
228 Paddington: A history Paddington_Chapter9_Final.indd 228 23/9/18 2:37 pm Chapter 9 Creative Paddington Peter McNeil 22 9 229 Paddington_Chapter9_Final.indd 229 23/9/18 2:37 pm Margaret Olley, one of Australia’s favourite artists, The creatives of Paddington today are more likely died in July 2011. She had become synonymous to run an art space, architecture or design firm, with the suburb of Paddington. As if to celebrate engage in public relations and media, trade her art and personal energy, her estate left the commodities, or be retired doctors or lawyers. downstairs lights of her home blazing, revealing the In the Paddington–Moore Park area today, nearly bright walls as well as her own artworks, including 20 per cent of employees work in legal and rooms she made famous by including them as financial services.3 subjects. Olley loved the suburb of Paddington. But why have so many culturally influential She could paint, garden and, entertain there from people lived in Paddington? Located conveniently her large corner terrace in Duxford Street. She close to the central business district which could liked the art crowd as well as the young people be reached by bus, tram and later the train link working in shops and the working-class people at Edgecliff station, its mixture of terraced who still lived there. She recalled that, as art houses, small factories, workshops and students at the old Darlinghurst Gaol in the early warehouses, provided cultural producers – 1940s, ‘Paddington beckoned … we knew there was whether they be artists or advertising executives something across beyond the Cutler Footway, but – a range of multi-functional spaces and initially we dared not go there’.1 Within a generation interpersonal networks. -
Mandy Martin
MANDY MARTIN Mandy Martin’s art has always been thematically concerned with commenting on the environment and those issues which impact on it. Her works have always dealt with a range of socio-political themes with her early works exploring the suburban nature of Canberra and Queanbeyan and the isolation of migrant women living there. In conjunction with these paintings,Mandy began looking at buildings (houses, warehouses, factories) and the sense of alienation that these structures could symbolise. Mandy’s extensive travels in outback Australia since the 1980shave provided the source for some of her most vital and powerful visualstatements and continue to provide inspiration to the present day.From the 1990s onwards, the land, the environment and the layers of Aboriginal and European culture have given her the materials to create her own vision of the human condition andits relationship to the natural world. During this period, Mandy has been coordinating art and environment projects and is currently working on an ongoing project in Arnhem Land, ‘Arnhembrand: Living on Healthy Country. Her current works arise from these art projects and her series about mining and climate change. Mandy Martin has been exhibiting for thirty years and has held numerous exhibitions in Australia and internationally including Mexico, the United States of America, France, Germany and Japan. Born in Adelaide, Mandy studied at the South Australian School of Art before becoming a lecturer at the Australian National University School of Art in the late 1970s. She has held the position of adjunct professor at the School of Environment and Society, Australian National University since 2008.