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'Pamy}L 'Wurlitzer
'Pamy}l 'Wurlitzer 1883 • 1912 Orbil ill '"e eclronic1ynt-he1izer P,UJ ~ -~ohJre01pinel orqon equo1... ~e nevve;Iwoy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. TO - 672 WURLiizER ® The Wurlitzer Company, DeKalb, Illinois 60115 . hn.4'the \T8fl cover- photo .. Farny R. Wurlitzer, Chairman Emeritus of the Board of Directors of the Wurlitzer Company, who died May 6, 1972. -
AT LAST JESSE Crawford
gan playing his profession. ing a total of 15 albums so far. Following his stint at the Arcadia, Berry Berry met his wife, Mildred, at a restau moved to the Trianon Ballroom, Chicago, rant where he played an electronic organ. and later spent 18 years as organist of the On his second wedding anniversary in Hub Rink. In 1956, Berry installed a two 1972 he had a stroke and suffered paralysis manual Wurlitzer (from the Lake Theatre, on his left side. Through the heroic efforts Crystal Lake, Illinois) in the basement of of his wife and his own "never-say-die" his Chicago home. There followed a series spirit, he underwent an intensive period of of recordings on the instrument the first of physical therapy and in 1983 gave his first which was entitled, ''Beast in the Base organ concert since his illness. Berry is one ment." Berry also made a number of re of the artists who was heard at the 1985 cordings on the Hub Rink Wurlitzer, mak- National ATOS Convention in Chicago. □ BERNOUR, "KATIE" Organist of the Colonial Theatre, the (not official until approved at subsequent meeting.) Strand Theatre and the Palace Theatre in EXECUTIVE COMMITTEE 5. Technical Awards. After discussion it was agreed that Akron, Ohio. ANNUAL MEETING no set number of technical awards need be given in any given August 1, 1985 - The Palmer House year. Chicago , Illinois BERNSTEIN, BEA TRICE (Miss) 6. Ben Hall Memorial Organ. Allen Miller read parts of the Organist of Loew's Elsmere Theatre in 1. Present were President Rex Koury and Executive Com committee 's report that he planned to give to the full Board . -
Organist-Led Community Singing in the American Picture Palace, 1925–1933 Esther Marie Morgan-Ellis 2013
ABSTRACT Organist-Led Community Singing in the American Picture Palace, 1925–1933 Esther Marie Morgan-Ellis 2013 uring the 1920s, most urban Americans participated in community D singing at least once a week. They did so at the local picture palace, a multimedia venue that combined motion pictures with live entertain- ment. These stately theaters, found in cities across the nation after 1913, represented the cultural acceptance of motion pictures as a form of entertainment suitable for the middle class. Since 1905, films exhibited in urban nickelodeon theaters had been attracting a working-class audience. To counteract negative associations between the motion picture and its rough clientele, picture-palace exhibitors offered their patrons every luxury, including air conditioning, comfortable lounges, glamorous décor, and complimentary child care. Individual theaters replicated the architecture and ornamentation of famous palaces, opera houses, and hotels, while the attentive service made visitors feel like European nobility. Among the luxuries in store for the visitor was a diverse program of live enter- tainment, including an overture, an organ solo, and a stage show. The overture was presented by the house orchestra, while the stage show featured guest artists and local favorites, most of whom performed in costume before an elaborate set. Audience Abstract singing was sometimes led by stage performers or band leaders, or by sing-along films (popular throughout the ’20s and ’30s). Most of the time, however, community singing was led by the organist. The term “organ solo” is the trade designation for the portion of the show over which the organist had complete control. -
General Comments
Specific Comments from AGO Members [Note: Space was provided at the end of the long-range planning surveys for respondents to add comments. We have arranged these anonymous responses in random order by category. Several comments that seemed to fit into multiple categories were divided accordingly. Comments from the surveys of lapsed members and national leaders, included at the end of this document, are not divided by category, but are arranged in roughly the same order by topic. In addition, comments that were specifically directed toward one AGO officer or committee were placed in a separate document (“Comments for Committees”) and forwarded to the appropriate official for action. Comments have been lightly edited for spelling and grammar. — Long-Range Planning Task Force.] General Culture I love my AGO. I donate annually, and I read my TAO cover to cover. I fear that we are too cloistered, and are relevant to ourselves only. We must make the leap to introduce ourselves to the greater outside world as an exciting source of music. We must be kind to the Miss Susies while still insisting on high musicianship. We must not be defined as religion-only oriented, while demanding respect from seminaries. We must not be ashamed of being smart and capable, but also be able “to work and play well with others,” which may mean choking on a sappy anthem from time to time. We have to step up to the plate and forge our new place in this heathen society that does not value culture and education. We must make ourselves irresistible to those who have no trouble resisting us right now. -
Silent Film Music and the Theatre Organ Thomas J. Mathiesen
Silent Film Music and the Theatre Organ Thomas J. Mathiesen Introduction Until the 1980s, the community of musical scholars in general regarded film music-and especially music for the silent films-as insignificant and uninteresting. Film music, it seemed, was utili tarian, commercial, trite, and manipulative. Moreover, because it was film music rather than film music, it could not claim the musical integrity required of artworks worthy of study. If film music in general was denigrated, the theatre organ was regarded in serious musical circles as a particular aberration, not only because of the type of music it was intended to play but also because it represented the exact opposite of the characteristics espoused by the Orgelbewegung of the twentieth century. To make matters worse, many of the grand old motion picture theatres were torn down in the fifties and sixties, their music libraries and theatre organs sold off piecemeal or destroyed. With a few obvious exceptions (such as the installation at Radio City Music Hall in New (c) 1991 Indiana Theory Review 82 Indiana Theory Review Vol. 11 York Cityl), it became increasingly difficult to hear a theatre organ in anything like its original acoustic setting. The theatre organ might have disappeared altogether under the depredations of time and changing taste had it not been for groups of amateurs that restored and maintained some of the instruments in theatres or purchased and installed them in other locations. The American Association of Theatre Organ Enthusiasts (now American Theatre Organ Society [ATOS]) was established on 8 February 1955,2 and by 1962, there were thirteen chapters spread across the country. -
François St-Cyr St-Cyr in North America 1624-2016
François St-Cyr St-Cyr in North America The descendants of Pierre Deshaies St-Cyr and Marguerite Guillet and Mathieu Rouillard St-Cyr and Jeanne Guillet 1624-2016 Éditions Mots en toile Bibliothèque et Archives nationales du Québec and Library and Archives Canada cataloguing in publication St-Cyr, François, 1960- [Héritage. English] St-Cyr in North America, 1624-2016 Translation of : Héritage : la descendance de Pierre Deshaies St-Cyr & Marguerite Guillet et de Mathieu Rouillard St-Cyr & Jeanne Guillet , 1624- 2011. ISBN 978-2-923445-85-4 1. Saint-Cyr family. 2. Deshaies, Pierre, 1648-1732 - Family. 3. Rouillard, Mathieu, approximately 1638-1702 - Family. 4. Québec (Province) - Genealogy. I. Title. II. Héritage. English. CS90.S233613 2016 929.20971 C2016-941249-0 Legal Deposit Bibliothèque et Archives nationales du Québec – 2016 Library and Archives Canada – 2016 ISBN: 978-2-923445-85-4 All rights of translation, reproduction and adaptation reserved © 2016 François St-Cyr and Editions Mots en toile Table of content Coat of Arms .......................................................................................................................................37 Authentic Signatures .......................................................................................................................... 38 Historical .......................................................................................................................................... 39 First part The descent of Pierre Deshaies St-Cyr and Marguerite Guillet First -
CLASSIFIED ADS Experience Has Not Been Forgotten Or Mis Vox Humana, Saxophone,Violed'orchestra, Laid in These Two Albums
Porter tune that gives George a chance to display some of the fine shading of the Organ. Next is the novelty number . ''The Trouble with Harry'', which dis pla)[s some very tricky piano work. Listen for the sustained · cymbal, and try and figure out how it is done. Incidentally, the )?£Ogram notes state that no recording or other electronic gim THE SONG IS YOU - The Music of Jer - RAY BOHR AND THE RADIO CITY MU mic ks were used to enhance or change ome Kern. Jesse Crawford, Organist. SIC HALL ORGAN - Design DLP-128 Mono. the natural organ sound, and this we can Decca D L8861 Mono. believe, because it sounds right. Wright SONGS OF LOVE - The Music of Sig Here is a straight-forward recording concludes Side One with an artful : in mund Romberg. Jesse Crawford, Organ• of the small Wurlitzer organ in the broad terpretation or''Temptation''. ist. Decca, DL8841 Mono. Available in casting studio of Radio City Music Hall, Side Two starts off with the oldie, Stereo. a 3/14 organ which has been recorded "I'm Forever Blowing Bubbles", which many times. Bohr does a nice workman How do you review a Jesse Craw features some of the cleanest cascading like job on this record, playin~ the fol ford album? How do you act as a critic be 11 and percussive sounds to which this lowing numbers: The Wedding of the of Rembrandt? How do you review Kreis reviewer has ever had the pleasure of Painted Doll; Whiffenpoof So.qs; · I'll See ler? Indeed, how do you? This reviewer listening. -
Chicago Organist It Today
had picked up from attending the the atre, and which they sang at home. ''The natural talent in my family came from my father's side. My old est sister sang beautifully, and my oldest brother 'played' the piano. Though his right hand played the me lody, his left hand incorrectly played the harmony, because of a lit cigarette between his first and second fingers. We had a table piano and I wish I had Chicago Organist it today. It was fun playing it. "I played it correctly, and they couldn't believe I could pick out all the popular tunes. One of my sister's compiled by Lloyd E. Klos friends came by one day, and was sur (June 1979) prised to hear my playing, not having had a lesson. She suggested taking me over to the Leinster School of Music, Upon the suggestion of John Muri, land, buying ornamental brass from and that's where I got my start in mu the writer called Basel Cristo!, former the churches. Eventually, the family sical education. They had contests, as theatre organist and still a very active moved to Dublin where I was born. they did in this country, and I won a musician, in the hope she would share "When a child, I had bronchitis bronze medal in 1909, playing a clas the story of her musical career with very badly, but being the youngest, sical number. Had a wonderful teach THEATRE ORGAN readers. Russell was treated as a pet, being showered er, Miss McCarran. B. Joseph recorded the interview. -
Mary Bevan Soprano Joseph Middleton Piano
10 September 2021, 1:00pm | Holy Trinity Church, Haddington Mary Bevan soprano Joseph Middleton piano Henri Duparc L'invitation au voyage Lili Boulanger Le retour Amy Beach Je demande à l’oiseau Déodat de Séverac Les Hiboux Pierre de Bréville Harmonie du soir Marguerite Canal Les Roses de Saadi Jeanne Landry Mort quand tu me viendras prendre Gabriel Fauré Chant d'automne Henri Duparc La vie antérieure Nadia Boulanger Soleils couchants Claude Debussy Le jet d'eau Pauline Viardot Lamento – la chanson du pêcheur Henri Duparc Romance de Mignon Mel Bonis Songe Maurice Rollinat Harmonie du soir Cécile Chaminade L'Absente Lammermuir Festival 2021 Welcome to the 12th Lammermuir Festival — we’re so glad to be back! Two years ago, when we celebrated the landmark of our 10th festival we (perhaps fortunately!) had no inkling of what would unfold only a few months later. Then last year we mounted a small online festival and were grateful for the enthusiastic support, not only of our regular audience, but of many new Lammermuir followers around the world. This year feels like both a celebration and a rebirth — not quite ‘business as usual’, but very much a festival that we have yearned, through many bleak months, to bring back to this beautiful part of Scotland and to share with you. We have made a virtue of the new reality of international travel restrictions by inviting many old friends among our distinguished artists, but there are new faces too — headed by our Artist in Residence, the American pianist Jeremy Denk, and by vocal ensemble The Gesualdo Six. -
Pipes Along the Rockies Newsletter of the Rocky Mountain Chapter American Theatre Organ Society, Inc
Pipes along the Rockies Newsletter of the Rocky Mountain Chapter American Theatre Organ Society, Inc. June 2015 Information Line: 303-466-3330 Doug Thompson does it Wright! Sunday, June 14th 2 pm Holiday Hills Ballroom Members, no charge; all others $5 Windsor organist Doug Thompson returns to the Holiday Hills ballroom June 14th to share his flair for great registrations and music that is a joy to listen to. Doug’s specialty is studying the recordings of the great organists of yesterday like Jesse Crawford and George Wright and carefully recreating the subtle Do You Believe in Magic? nuances of their performances. Doug exhibits a com- petent, relaxed style and is equally at home making music on a pipe organ or a digital computer instru- Sunday, July 12th 2 pm ment like the Holiday Hills George Wright Four. Holiday Hills Ballroom Members, no charge; all others $5 Ladies and gentlemen…. the amazing Bruce and Kitty Spangler! Now retired, magicians Bruce and Kitty spent their career educating and entertaining countless audiences. With a little magical music help from their friends they will delight our Holiday Hills audience in July with some fun magic. The Spanglers love attending our club socials and can usually be found sitting in the front row. Our Free Day at the Paramount! Sunday, August 16th 2 pm Paramount Theatre (pending Paramount confirmation) RMCATOS members only, no charge Come and listen to our wonderful twin-consoled Wurlitzer Publix I! Our access to the Paramount may soon be limited, read the article on page three. Pipes Along the Rockies - June, 2015 Page 1 of 4 “Highly-Ranked Amateur” Dave Weesner did a very nice job playing nostalgic songs from the 1960’s and 1970’s for our May audi- ence of around 75. -
2018 INDEX of ARTICLES Published in the TIBIA, the BOMBARDE
1955 - 2018 INDEX of ARTICLES published in THE TIBIA, THE BOMBARDE, and THEATRE ORGAN [2019 Edition] by Jack Moelmann 1955-2018 INDEX OF ACTICLES PUBLISHED IN THE TIBIA, THE BOMBARDE, and THEATRE ORGAN by Jack Moelmann This is an index of major items which appeared in THE TIBIA, 1955-1958; THE BOMBARDE, 1964- 1966; and THEATRE ORGAN, 1959-2018. No attempt has been made to list the many smaller items such as Chapter News/Notes, Concert News, Nuggets, etc. In addition, other items routinely published are also not included, e.g., committees, Directors/Staff/Editors, classified ads, advertisements, the President’s Message, Letters to the Editor/Members’ Forum, meeting notices, advertising rates, items from the ATOS International News newsletter, some items from the Pipes and Personalities section, election announcements, Annual Membership Meeting announcements, Special Services/ATOS Marketplace items available, scholarship and competition program announcements, and other items of that nature. Since THEATRE ORGAN is issued bi-monthly, issues are identified by the first month of their issue. Abbreviations used in this index include: C=Classical; CA=Audio Cassette Tape; CD=Compact Disc; E=Electronic Instrument; P=Pipe Organ; M=Mechanical Instrument; VC=Video Cassette Tape; Spr=Spring Issue; Win=Winter Issue; Sum=Summer Issue; Supp=Supplemental publication. Corrections/comments/additions should be sent to Jack Moelmann; 1015 Matthew Drive, O’Fallon, Illinois 62269; Phone: (618) 632-8455; Fax: (618) 632-8456; E-mail: [email protected] Copyright - none TABLE OF CONTENTS Page 1. ATOS ARCHIVE & LIBRARY and SPECIAL/MEMBER SERVICES ............................................... 3 2. ATOS CHAPTER OPERATIONS .................................................................................................... 3 3. ATOS COMMITTEE REPORTS and NOTES ................................................................................ -
THEATRE ORGAN BOMBARDE, the Official Pub an Acre of Seats
TheatreOrgan Bombarde JOURNAL of the AMERICAN THEATRE ORGAN ENTHUSIASTS Volume 11 Number 3 June 1969 --·"'" ~ ~Mi---~---....~ ..... ~ Wurlitzer Theatre Organ The modern Theatre Console Organ that combines the grandeur of resterday with the electronic wizardry of today. Command performance! Wurlitzer combines the classic Horseshoe Design of the immortal Mighty Wurlitzer with the exclusive Total Tone electronic circuitry of today. Knowledge and craftsmanship from the Mighty Wurlitzer Era have produced authentic console dimensions in this magnificent new theatre organ. It stands apart, in an instru ment of its size, from all imitative theatre organ • Dual system of tone generation • Authentic Mighty Wurlitzer Horseshoe Design designs. To achieve its big, rich and electrifying • Authentic voicing of theatrical Tibia and tohe, Wurlitzer harmonically "photographed" Kinura originating on the Mighty Wurlitzer pipe organ voices of the Mighty Wurlitzer pipe organ to • Four families of organ tone serve as a standard. The resultant voices are au • Two 61-note keyboards • 25 -note pedal keyboard with two 16 ' and thentic individually, and when combined they two 8 ' pedal voices augmented by Sustain blend into a rich ensemble of magnificent dimen • Multi -Matic Percussion ® with Ssh-Boom ®, Sustain , Repeat , Attack, Pizzicato , and sion. Then, to crown the accomplishment, we Bongo Percussion incorporated the famous Wurlitzer Multi-Matic • Silicon transistors for minimum maintenance Percussion ® section with exclusive Ssh-Boom ® • Reverb, Slide, Chimes , and Solo controls • Electronic Vibrato (4 settings) that requires no special playing techniques, • Exclusive 2 speed Spectra-Tone ® Sound Pizzi ca to Touch that was found only on larger pipe in Motion • Two -channel solid state amplifiers, 70 watts organs, Chimes and Slide Control ..