ACRONYM 12 - Round 9
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Futebol Americano © Paulo Mancha
Paulo Mancha 100 histórias divertidas, curiosas e inusitadas do futebol americano © Paulo Mancha Diretor editorial Projeto gráfico e diagramação Marcelo Duarte Carolina Ferreira Diretora comercial Capa Patty Pachas Mario Kanegae Diretora de projetos especiais Preparação Tatiana Fulas Beatriz de Freitas Moreira Coordenadora editorial Revisão Vanessa Sayuri Sawada Juliana de Araujo Rodrigues Assistentes editoriais Impressão Juliana Silva Corprint Mayara dos Santos Freitas Assistentes de arte Carolina Ferreira Mario Kanegae CIP – BRASIL. CATALOGAÇÃO NA FONTE SINDICATO NACIONAL DOS EDITORES DE LIVROS, RJ Mancha, Paulo Touchdown! 100 histórias divertidas, curiosas e inusitadas do futebol americano/ Paulo Mancha. – 1. ed.– São Paulo: Panda Books, 2015. 168 pp. ISBN: 978-85-7888-502-1 1. Futebol - Competições - História. I. Título. CDD: 796.334 15-22157 CDU: 796.332 2015 Todos os direitos reservados à Panda Books. Um selo da Editora Original Ltda. Rua Henrique Schaumann, 286, cj. 41 05413-010 – São Paulo – SP Tel./Fax: (11) 3088-8444 [email protected] www.pandabooks.com.br twitter.com/pandabooks Visite também nossa página no Facebook. Nenhuma parte desta publicação poderá ser reproduzida por qualquer meio ou forma sem a prévia autorização da Editora Original Ltda. A violação dos direitos autorais é crime estabelecido na Lei n 9.610/98 e punido pelo artigo 184 do Código Penal. Este livro é dedicado à família D’Amaro e à minha amada Elena Vorontsova. Eles têm sido minha linha ofensiva, meus running backs e meus wide receivers nesta jornada. Sumário Apresentação .............................................................................13 1. Por que se chama futebol se é jogado com as mãos? ................17 2. Quando o touchdown não valia pontos ...................................18 3. -
Paramount Consent Decree Review Public Comments 2018
COMMENTS OF THE NATIONAL ASSOCIATION OF THEATRE OWNERS U.S. DEPARTMENT OF JUSTICE, ANTITRUST DIVISION REVIEW OF PARAMOUNT CONSENT DECREES October 1, 2018 National Association of Theatre Owners 1705 N Street, N.W. Washington, D.C. 20036 (202) 962-0054 I. INTRODUCTION The National Association of Theatre Owners (“NATO”) respectfully submits the following comments in response to the U.S. Department of Justice Antitrust Division’s (the “Department”) announced intentions to review the Paramount Consent Decrees (the “Decrees”). Individual motion picture theater companies may comment on the five various provisions of the Decrees but NATO’s comment will focus on one seminal provision of the Decrees. Specifically, NATO urges the Department to maintain the prohibition on block booking, as that prohibition undoubtedly continues to support pro-competitive practices. NATO is the largest motion picture exhibition trade organization in the world, representing more than 33,000 movie screens in all 50 states, and additional cinemas in 96 countries worldwide. Our membership includes the largest cinema chains in the world and hundreds of independent theater owners. NATO and its members have a significant interest in preserving an open marketplace in the North American film industry. North America remains the biggest film-going market in the world: It accounts for roughly 30% of global revenue from only 5% of the global population. The strength of the American movie industry depends on the availability of a wide assortment of films catering to the varied tastes of moviegoers. Indeed, both global blockbusters and low- budget independent fare are necessary to the financial vitality and reputation of the American film industry. -
Moviepass: Disruption Through Subscription1
For the exclusive use of J. FITZSIMMONS, 2020. W19504 MOVIEPASS: DISRUPTION THROUGH SUBSCRIPTION1 Ram Subramanian wrote this case solely to provide material for class discussion. The author does not intend to illustrate either effective or ineffective handling of a managerial situation. The author may have disguised certain names and other identifying information to protect confidentiality. This publication may not be transmitted, photocopied, digitized, or otherwise reproduced in any form or by any means without the permission of the copyright holder. Reproduction of this material is not covered under authorization by any reproduction rights organization. To order copies or request permission to reproduce materials, contact Ivey Publishing, Ivey Business School, Western University, London, Ontario, Canada, N6G 0N1; (t) 519.661.3208; (e) [email protected]; www.iveycases.com. Our goal is to publish materials of the highest quality; submit any errata to [email protected]. i1v2e5y5pubs Copyright © 2019, Ivey Business School Foundation Version: 2019-09-13 On August 7, 2018, MoviePass Inc. (MoviePass), the New York City–based movie ticket subscription service, announced that it would restore its popular US$9.952 per month plan, but in a change from the past, subscribers would be restricted to three movies a month instead of having access to an unlimited number of movies. In announcing the new pricing plan, MoviePass’s chief executive officer (CEO), Mitch Lowe, noted that the new plan would reduce MoviePass’s cash burn rate by 60 per cent and help make its path to profitability “more manageable.”3 While the summer of 2018 was the second-best year ever for the movie business, with $4.8 billion in ticket sales,4 MoviePass faced significant challenges in its role as a disruptor. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Personal Finance Ratios
Personal finance ratios There are seemingly countless ways to measure financial health for both individuals and corporations. In earnings reports, companies use complicated calculations and ratios to inform investors—and the general public—regarding the health of their business. However, the average American can use these principles to assess their own financial health. Personal savingsi Formally known as “average propensity to save,” the personal savings ratio is the amount of income saved for an individual or household. According to the Federal Reserve Bank of St. Louis, the average saving rate was just under 5 percent for Americans in 2016. Historically, the average savings rate in any given year since 1959 has been about 8.5 percent. Debt-to-income As its name would indicate, a debt-to-income (DTI) ratio is the proportion of an individual’s monthly debt payments in relation to his or her gross monthly income. Many lenders use DTI as a primary indicator of worthiness of loans because it gauges the individual’s ability to cover loan payments. Though there is no consistent, unilateral recommended ratio, it is popular convention that a DTI over 40 percent will make it more difficult to secure a loan. Liquidity This ratio is used to determine how an individual is able to make ends meet in the event of an emergency. Liquidity is calculated by taking all liquid assets (such as nonqualified accounts and cash) divided by fixed monthly expenses (like debt payments). It is commonly suggested that an individual should have 3-6 months’ worth of expenses in liquid assets. -
V. 76, Issue 10, February 6, 2009
Volume 76, Issue 10 Smithfield, RI February 6, 2009 Bryant students experience history By Brigit Clancy was to be there and witness it.” “This was definitely a once-in-a-lifetime experi- Variety Editor Parikh commented, “I honestly cannot put the ac- ence because to me, this is a major turning point in th tual ceremony from Biden’s oath to Obama’s speech the history of the United States both racially and po- On January 20 , an assemblage of 17 Bryant stu- into words. When then President-Elect Obama litically,” said Parikh. “People all over the world dents and their professor, Richard Holtzman, wit- emerged from the Capitol, I got chills. It was a would never have guessed that a minority, in racial nessed history when they attended the inauguration quick flashback of what I have heard, seen, and terms, would have been elected as president forty of the forty-fourth president of the United States, learned from other people about the civil rights years after the Civil Rights Movement. I also say Barack Obama. movement. Being around 1.5 million people just politically because there have been political regimes Before Inauguration Day at the nation’s capital made the experience even more special. This was that have occurred in the past; this past one lasted they took in some sites around Washington, D.C. the first time where I was surrounded by that many about 30 years and was conservative in how they The group was part of The Washington Center, a people for one event at the same time.” governed. -
Game, Set, Rematch
B2 FRIDAY, FEBRUARY 3, 2012 THE ADVOCATE-MESSENGER SPORTS/SCORECARD WWW.AMNEWS.COM AFC-NFC Championships 1. Patriots (15-3) F eel they are team of destiny; riding a 10-game win streak into Super Bowl. Sunday, Jan. 22 New England 23 Baltimore 20 2. Giants (12-7) E li Manning headed to his big brother Peyton’s adopted hometown of Indy. N.Y. Giants 20 San Francisco (ot) 17 3. Ravens (13-5) Ray Lewis says AFC title game loss was “absolutely not” his last game. Divisional Round 4. 49ers (14-4) Kyle Williams’ botched punts hurt but San Fran was 1-of-13 on 3rd down. Saturday, Jan. 14 5. Packers (15-2) Jim Irwin, radio voice of the Packers for 30 seasons, passes away at 77. San Francisco 36 New Orleans 32 New England 45 Denver 10 6. Saints (14-4) Sean Payton, Mickey Loomis confident free agent Drew Brees will re-sign. Sunday, Jan. 15 7. Texans (11-7) Center Chris Myers, DE Antonio Smith added to Pro Bowl roster as alternates. Baltimore 20 Houston 13 8. Broncos (9-9) Tim Tebow sings, performs on stage with country music star Brad Paisley. N.Y. Giants 37 Green Bay 20 9. Steelers (12-5) Interview former Chiefs coach Todd Haley for offensive coordinator vacancy. Wild Card Round Saturday, Jan. 7 10. Lions (10-7) Cam Newton, not Matt Stafford, named Eli Manning’s Pro Bowl replacement. Houston 31 Cincinnati 10 11. Falcons (10-7) Hire Mike Nolan as defensive coordinator; fire DB coach Alvin Reynolds. New Orleans 45 Detroit 28 12. -
CPYU Trend Alert
CPYU Trend Alert: TV for Tweens by Chris Wagner Television programs produced specifically for the tween demographic are taking off. Cable television is beginning to find a niche among tween viewers by focusing on live-action shows. Evidence of this can be seen in the recent success of Disney’s High School Musical franchise and Hannah Montana , as well as Nickelodeon’s Drake & Josh and The Naked Brothers Band . Tweens, of course, have always watched television. However back in the late 1990’s, a gradual shift began occurring among broadcast networks that largely neglected this age group. Dan Schneider, creator of past and present Nickelodeon hits such as Zoey 101 and The Amanda Show says that networks used to air family shows during primetime hours. As of recent years, these time slots have become edgier and racier and as a result, young children and tweens (with diligent parents) were left to view shows elsewhere. Because cable channels had been marketing shows to tweens for many years already, they were primed and ready to step in and fill the programming void. Tweens are in a stage of their lives where they’re no longer beginning to think of themselves as kids. They have not reached full-fledged adolescence, yet are beginning to test their independence and find their individuality. Gary Marsh, the Disney Channel’s president for entertainment says, “[Tweens] are trapped between the cocoon and comfort of being a child, and the rebellion and independence they want as a teenager. So your goal is trying to satisfy all those needs that kids have.” Though differing opinions exist, cable companies generally categorize the tween demographic as being between 9 and 14 years old. -
09062299296 Omnislashv5
09062299296 omnislashv5 1,800php all in DVDs 1,000php HD to HD 500php 100 titles PSP GAMES Title Region Size (MB) 1 Ace Combat X: Skies of Deception USA 1121 2 Aces of War EUR 488 3 Activision Hits Remixed USA 278 4 Aedis Eclipse Generation of Chaos USA 622 5 After Burner Black Falcon USA 427 6 Alien Syndrome USA 453 7 Ape Academy 2 EUR 1032 8 Ape Escape Academy USA 389 9 Ape Escape on the Loose USA 749 10 Armored Core: Formula Front – Extreme Battle USA 815 11 Arthur and the Minimoys EUR 1796 12 Asphalt Urban GT2 EUR 884 13 Asterix And Obelix XXL 2 EUR 1112 14 Astonishia Story USA 116 15 ATV Offroad Fury USA 882 16 ATV Offroad Fury Pro USA 550 17 Avatar The Last Airbender USA 135 18 Battlezone USA 906 19 B-Boy EUR 1776 20 Bigs, The USA 499 21 Blade Dancer Lineage of Light USA 389 22 Bleach: Heat the Soul JAP 301 23 Bleach: Heat the Soul 2 JAP 651 24 Bleach: Heat the Soul 3 JAP 799 25 Bleach: Heat the Soul 4 JAP 825 26 Bliss Island USA 193 27 Blitz Overtime USA 1379 28 Bomberman USA 110 29 Bomberman: Panic Bomber JAP 61 30 Bounty Hounds USA 1147 31 Brave Story: New Traveler USA 193 32 Breath of Fire III EUR 403 33 Brooktown High USA 1292 34 Brothers in Arms D-Day USA 1455 35 Brunswick Bowling USA 120 36 Bubble Bobble Evolution USA 625 37 Burnout Dominator USA 691 38 Burnout Legends USA 489 39 Bust a Move DeLuxe USA 70 40 Cabela's African Safari USA 905 41 Cabela's Dangerous Hunts USA 426 42 Call of Duty Roads to Victory USA 641 43 Capcom Classics Collection Remixed USA 572 44 Capcom Classics Collection Reloaded USA 633 45 Capcom Puzzle -
Grandich Comes out in Support of David Tyree
Peter Grandich, Managing Member Office Location: 2431 Atlantic Ave, Manasquan (Wall), NJ [email protected] Mailing Address P.O. Box 245, Perrineville, NJ 08535 DATE: June 20, 2011 CONTACT: Peter Grandich Phone 732-642-3992 [email protected] Grandich comes out in support of David Tyree WALL, NJ - This is America, the birthplace of freedom in the modern world; where freedom of speech is not just guaranteed, it is one of the foundations upon which our country was established. In the U.S.A., everyone is entitled to his or her own opinion. Except, it seems, for 2008 Super Bowl sensation David Tyree. In an online video posted June 15, Tyree made some gutsy statements about his views of gay marriage, and has since taken a beating in the media for it. Tyree, the former NY Giant whose “Helmet Catch” was the defining moment of Super Bowl XLII and one of the greatest plays in Super Bowl history, recorded the video because he opposes the notion of gay marriage, and says he’s simply voicing his opinion. “I am not political,” he says in the video. “I believe there is right and wrong. I think many things are subjective, but truth is not. Marriage [among a man and woman] is the backbone of our society.” In response to the negative avalanche of comments published about Tyree and the video, market commentator Peter Grandich has come out in his defense. Grandich, managing member of Trinity Financial Sports & Entertainment Co., blogged on his internationally-followed social and economic blog Grandich.com that he supports Tyree and agrees with his conservative stance. -
Theatre for Young Audiences
Theatre for Young Audiences 2010·11 SEASON • JULIANNE ARGYROS STAGE BOOK BY AND BILLMUSIC RUSSELL BY HENRY JEFFREYKRIEGER HATCHER LYRICS BY BILL RUSSELL ORCHESTRATIONS BY HAROLD WHEELER DIRECTED AND CHOREOGRAPHED BY ART MANKE Theatre for Young Audiences Julianne Argyros Stage • February 11 - 27, 2011 LUCKY DUCK BOOK BY BILL RUSSELL AND JEFFREY HATCHER MUSIC BY HENRY KRIEGER LYRICS BY BILL RUSSELL ORCHESTRATIONS BY HAROLD WHEELER SET DESIGN COSTUME DESIGN LIGHTING DESIGN FRED KINNEY ANGELA BALOGH CALIN JAYMI LEE SMITH SOUND DESIGN PRODUCTION MANAGER STAGE MANAGER CRICKET S. MYERS JACKIE S. HILL JENNIFER ELLEN BUTLER* MUSIC DIRECTOR JOHN GLAUDINI DIRECTED AND CHOREOGRAPHED BY ART MANKE VISIT SCR ONLINE! Corporate Honorary Producer of Lucky Duck www.SCR.ORg The Theatre for Young Audiences season has been made possible in part by generous grants from Be sure to check out our website for the Study Guide to The Nicholas Endowment and The Segerstrom Foundation Lucky Duck, which features additional information about the play, plus a variety of other educational resources. “Lucky Duck” is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide (TRW), 1359 Broadway, Suite 914, New York, N.Y. 10018 (866) 378-9758 www.theatricalrights.com DAVID EMMES MARTIN BENSON PAULA TOMEI The Cast Producing Artistic Director Artistic Director Managing Director Mildred Mallard, Wren, Priggy ................RENÉE BRNA* JOHN GLORE BIL SCHROEDER LORI MONNIER Millicent Mallard, Verblinka, Associate Artistic Director Marketing & Communications Director General Manager Chicken Little .........................GLORIA GARAYUA* SUSAN C. REEDER JOSHUA MARCHESI Development Director Production Manager Serena ...................................... JAMEY HOOD* Wolf ........................................ BRIAN IBSEN* Clem Coyote, These folks are helping run the show backstage Free-Range Chicken .... -
Case 1:18-Cv-06965-JGK Document 137 Filed 04/29/21 Page 1 of 17
Case 1:18-cv-06965-JGK Document 137 Filed 04/29/21 Page 1 of 17 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK Case No. 1:18-CV-06965-JGK IN RE HELIOS AND MATHESON ANALYTICS, INC. SECURITIES CLASS ACTION LITIGATION REPLY MEMORANDUM OF LAW IN FURTHER SUPPORT OF (1) LEAD PLAINTIFF’S MOTION FOR FINAL APPROVAL OF CLASS ACTION SETTLEMENT AND PLAN OF ALLOCATION AND FINAL CERTIFICATION OF SETTLEMENT CLASS, AND (2) LEAD COUNSEL’S MOTION FOR AN AWARD OF ATTORNEYS’ FEES, REIMBURSEMENT OF EXPENSES, AND INCENTIVE AWARDS TO LEAD PLAINTIFF Dated: April 29, 2021 LEVI & KORSINSKY, LLP Shannon L. Hopkins (SH-1887) [email protected] Gregory M. Potrepka (GP-1275) [email protected] Andrew W. Rocco (admitted Pro Hac Vice) [email protected] 1111 Summer Street, Suite 403 Stamford, CT 06905 Telephone: (203) 992-4523 Facsimile: (212) 363-7171 Counsel for Lead Plaintiff and Lead Counsel for the Class Case 1:18-cv-06965-JGK Document 137 Filed 04/29/21 Page 2 of 17 TABLE OF CONTENTS PRELIMINARY STATEMENT .................................................................................................... 2 ARGUMENT .................................................................................................................................. 3 I. The Court-Approved Notice Program Has Been Completed and Satisfies Rule 23 and Due Process ......................................................................................................................... 3 II. The Reaction of the Settlement Class Strongly Supports Final Approval of the Settlement and Plan of Allocation ........................................................................................................ 4 III. The Reaction of the Settlement Class Strongly Supports Approval of the Fee Motion ..... 9 CONCLUSION ............................................................................................................................. 10 ii Case 1:18-cv-06965-JGK Document 137 Filed 04/29/21 Page 3 of 17 TABLE OF AUTHORITIES Cases Guevoura Fund Ltd. v. Sillerman, 2019 WL 6889901 (S.D.N.Y.