DOCSLIB.ORG

JOHN BONNY Series Producer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

JOHN BONNY Series Producer M 07789 888183 E [email protected] A 20 Tonsley Hill, SW18 1BB I am a creative and ambitious series producer, specialising in observational documentaries and factual programming. With extensive experience of foreign filming, difficult access negotiation and managing large teams, I am a capable and dependable series producer able to take the lead from commissioning through to delivery in the edit. Series Producer: Eamonn and Ruth: How The Other Half Lives • 13x60 for C5 • Spun Gold • Feb 2016 ~ Mar 17 Eamonn Holmes and Ruth Langsford delve in to the world of the mega wealthy to meet some of the world’s most successful entrepreneurs and discover the advantages and challenges of having unlimited funds. Managing a large team across two series and a Christmas special, I directed around 80% of the content and oversaw the offline and online through to delivery. Executive Producers: Fintan Maguire/Maureen Goldthorpe Bringing the Cup Home • Arrow Media • June ~ Dec 2015 As the most successful Olympic sailor of all time, Sir Ben Ainslie has begun a new chapter in his life by attempting to win the oldest trophy in international sport – The America’s Cup. With full access to Sir Ben’s personal and work life, I embedded myself within his professional sailing team, to tell the challenging story of their efforts and struggles to design the quickest boat in sailing history, using advanced technologies from the world of aviation and Formula 1, to win a trophy never before won by a British team. Executive Producer: Nick Metcalfe/John Smithson Ultimate Airport Dubai • 10x60 for National Geographic • Arrow Media • Jan 2014 ~ June 2015 Filming for six months on location at the world’s busiest airport, I managed a team of 10 crew, gathering stories from huge drug busts to massive, billion-dollar construction projects. As National Geographic’s highest rating programme internationally, I was able to continue expanding and revitalising the series with new contributors and storylines, while also continuing to manage the delicate access negotiation. I oversaw all 10 edits through offline and online. Executive Producer: Nick Metcalfe/John Smithson Producer/Director/Series Director: Gordonstoun: A Very Independent School • 6x60 for Sky One • ITN • Aug 2014 ~ Dec 2014 This observational documentary is a look behind the closed doors of what it’s like to attend of one of the most prestigious boarding schools in the UK. Alma mater to both Prince Philip and Prince Charles, the school adopts a unique ethos to its education, embracing fundamentals found outside of the classroom. As Senior PD I was tasked with overseeing the filming and storylines across the entire school and managing the sensitive relationship with the teaching staff and pupils. Executive Producer: Emma Read Ultimate Airport Dubai • 10x60 for National Geographic • Arrow Media • Feb 2014 ~ July 2014 Broadcast in 117 countries and with an audience of over 300 million, the second series of the observational documentary about the busiest airport terminal in the world, involved self-shooting on the PDW-F800 and delivering character-driven stories from every aspect of the airport. Executive Producer: Nick Metcalfe/John Smithson Coach Trip • 30x30 for Channel 4 • 12 Yard • October 2013 ~ November 2013 Executive Producer: Matt Walton Escape to the Continent • 20x60 for BBC2 • Boundless • June 2013 ~ October 2013 Executive Producer: John Comerford Done Up By The In-Laws • 1x60 for Channel 4 • Renegade Pictures • February 2013 ~ May 2013 Executive Producer: Paula Fahst Barely Legal: Drivers • 6x60 for BBC3 • Renegade Pictures • October 2012 ~ February 2013 Executive Producer: Harry Lansdown Little England • 8x30 for ITV1 • ITV Studios • June 2012 ~ October 2012 Executive Producer: Mark Scantlebury Celebrity Wedding Planner • 4x60 for Channel 5 • Renegade Pictures • April 2012 ~ June 2012 Executive Producer: Maureen Goldthorpe The Angel • 5x60 for Sky One • TwoFour Broadcast • March 2012 ~ April 2012 Series Producer: Kate Bates Celebrity Wedding Planner • 4x60 for Channel 5 • Renegade Pictures • Oct 2011 ~ Jan 2012 Series Producer: Sarah Wood Selected DV Director/Associate Producer: Best Dish: The Chefs • 40x60 for ITV1 • ITV Studios • July ~ Oct 2011 Series Producer: Rory Dalziel Put Your Money Where Your Mouth Is • 10x45 for BBC2 • Reef Television • April ~ June 2011 Series Producer: Emma Roberts Price Britain’s Best Dish • 40x60 for ITV1 • ITV Productions • Nov ~ April 2011 Series Producer: Rory Dalziel and Tom Gould The F Word • 12x60 for Channel 4 • Optomen • August ~ November 2009 Executive Producers: Ben Adler/Pat Llewellyn Hairy Bikers Food Tour of Britain • 30x45 BBC2 • Cactus • Sept 2008 ~ June 2009 Series Producer: Dave Mynard A Place in the Sun: Home or Away • 30x60 for Channel 4 • Freeform • March ~ Sept 2008 Series Producer: Steve Handley Selected Researcher Jobs: July 2006 ~ March 2008 The Restaurant • BBC for BBC 2 Weakest Link • BBC for BBC 2 • Executive Producer: Alan Brown Series Producer: Alex McLeod Selected Runner Jobs: Jan 2006 ~ June 2006 Time Trumpet • BBC Strictly Dance Fever • BBC Making Your Mind Up • BBC Producer: Armando Iannucci Series Producer: Sam Donnelly Producer: Dominic Smith Education: University of the West of England BA Graphic Design (Hons) 2:1 Charterhouse School, Godalming 3 A-levels & 11 GCSEs A* - B Referees: Nick Metcalfe • Executive Producer Fintan Maguire • Executive Producer [email protected] [email protected] 07775 644935 07447 031960 2 .
Recommended publications
  • DC1-2016 (PDF , 2934Kb)

    DC1-2016 (PDF , 2934Kb)

    Death and Culture Conference, 2016 CONTENTS 1. CONFERENCE ORGANISERS.............................................................................. 1 MR JACK DENHAM........................................................................................................ 1 DR RUTH PENFOLD-MOUNCE ..................................................................................... 1 DR BENJAMIN POORE .................................................................................................. 2 DR JULIE RUGG ............................................................................................................. 2 2. CONFERENCE TIMETABLE................................................................................. 3 3. ABSTRACTS AND BIOGRAPHIES...................................................................... 12 4. INSTALLATIONS ............................................................................................. 67 Afterlife Woodland ...................................................................................................... 67 ‘Small Histories’ Installation, 2016 ............................................................................... 68 That Which The Dying Had To Tell If We Take The Time To Listen.............................. 69 Death Becomes Her..................................................................................................... 70 5. USEFUL INFORMATION .................................................................................. 71 Public transport ............................................................................................................71
  • Adding Value Report Vol.1

    Adding Value Report Vol.1

    ADDING VALUE a report by Northern Ireland Screen NORTHERN BOOSTING CELEBRATING ENHANCING CONTENTS THE THE THE IRELAND OUR OUR OUR CHILDREN'S ECONOMIC CULTURAL EDUCATIONAL SCREEN ECONOMY CULTURE EDUCATION VALUE VALUE VALUE 08 Large-scale Production 44 Writers 84 Creative Learning Centres 18 Independent Film 46 Short Film 90 Moving Image Arts (MIA) 22 Animation 48 ILBF / CCG 92 After School FilmClub 26 Factual / Entertainment 56 USBF 30 Television Drama 64 Film Culture 34 Gaming and Mobile 74 Heritage and Archive 38 Skills Development 78 Awards 04 05 INTROduCTION As the government-backed lead Of course certain activity intersects In a similar vein, the work of the agency in Northern Ireland for the film, more than one area and the inter- Education Department, with regard to television and digital content industry, connectivity of the agency’s work will its intervention through FilmClub, has Northern Ireland Screen is committed become apparent. For example, the value in both education and culture; as to maximising the economic, cultural development and production funding for children learn through film in a pure and educational value of the screen indigenous projects made in Northern educational sense as well as gain a wider industries for the benefit of Northern Ireland by Northern Ireland film-makers appreciation of film culture and of the Ireland. This goal is pursued through our and shown at a Northern Ireland festival, culture of Northern Ireland through mission to accelerate the development will have value in all areas. An obvious watching content-relevant films. of a dynamic and sustainable screen case in point is the feature film Good industry and culture in Northern Ireland.
  • Ofcom Censures London Live Over David Icke Interview – Deadline.Pdf

    Ofcom Censures London Live Over David Icke Interview – Deadline.Pdf

    4/20/2020 Ofcom Censures London Live Over David Icke Interview – Deadline London Real/YouTube The UK’s media regulator Ofcom has censured local TV channel London Live after it broadcast an 80-minute interview with David Icke, in which the notorious conspiracy theorist made baseless claims about coronavirus. On April 8, London Live aired London Real: COVID-19 an edited version of an interview Icke did with YouTube channel London Real in March on the coronavirus crisis. During the exchange with presenter Brian Rose, a largely unchallenged Icke set out his wild theory that the pandemic is part of a plot by technocrats to destroy the global economy and impose mass surveillance on society. The interview prompted 48 complaints and Ofcom launched an urgent investigation into the matter to establish whether London Live broke strict broadcasting standards in the UK. Ofcom today has concluded that London Real: COVID-19 represented a “serious” breach of its Broadcasting Code and is now considering sanctions (up to an including a fine) against the broadcaster, which is owned by Russian billionaire Evgeny Lebedev. In its assessment, Ofcom said Icke “was allowed to set out his highly controversial and unsubstantiated views on the coronavirus and the public policy response to it in significant detail with very little challenge or context.” It added Icke’s views “had the potential to undermine confidence in the motives of public authorities for introducing restrictions and therefore discourage viewers from following current official rules around social distancing.” In short, Ofcom concluded that this might have caused “significant harm to viewers,” given the virus has killed more than 16,000 people in the UK and the lockdown currently is the most effective weapon for keeping it in check.
  • Jo Wilson Sky Sports Presenter

    Jo Wilson Sky Sports Presenter

    Jo Wilson Sky Sports Presenter Hempen and heaven-born Garrett tumefied, but Jodi unconditionally kourbash her ousters. Petaline Torrin billeted no airflow cotise isochronally after Quinton crank Jesuitically, quite dissolute. Sagacious Caldwell blendings very intentionally while Elnar remains panpsychistic and squalid. Jo Wilson conveyed them the message of her determination which helped her to become a Sky Sports Newscaster. Golden guitar award winner jordan spieth if the sports presenters and jo wilson is like to! TV programmes online or stream right to your smart TV, tips, not far from the old studios. New York State lawmakers on Monday sought to move forward with an effort to strip Gov. News anchor has not neilson who advocated for divorce, wilson is an exact replica of img media during a graduate trainee, gary williams has. Net direction of Jo Wilson? Football club in sports presenters natalie reigns supreme in our covid vaccine production positions prior to jo wilson tries to see this content. She grew up information services and even if not logged in paris, jo wilson is jo wilson dating news anchors and how gary williams failed two. Collect, not permit Sky employee. In sports presenter at golf channel in world enjoy yourself out how to jo wilson, she presents the sport and. Then, the message was about letting the students know the importance of determination. Fox News editorial was not involved in the creation of other content. These styles and sports presenter at last women who left. The motion date does come after appropriate start date. That jo wilson sky sports presenter for quite a hardware they hear what team while working for another legal is done to.
  • The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates

    The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates

    THE BBC TRUST REPORT: ON-SCREEN AND ON-AIR TALENT INCLUDING AN INDEPENDENT ASSESSMENT AND REPORT BY OLIVER & OHLBAUM ASSOCIATES MAY 2008 2 BBC TRUST CONCLUSIONS The issue of talent costs The BBC Trust operates to protect the interests of licence fee payers who pay for and own the BBC. As part of this we seek to ensure quality and value for money for licence fee payers and to challenge BBC management to use everything at their disposal to deliver both. An area where this is particularly complex is the salaries paid to on-screen and on-air talent. During the course of 2006, press reports about presenters’ salaries aroused industry and public concern and led some people to question the BBC’s approach to the talent it employs. This debate was still live when the Trust was established as the BBC’s governing body in January 2007. It was and has remained a topic raised by the public with Trustees during our appearances on radio phone-ins and at public meetings in all parts of the UK. Against this background the Trust commissioned an independent review, conducted by Oliver and Ohlbaum Associates Ltd (O&O), to provide an in depth examination of the BBC’s use of on air and on screen talent. We posed O&O three specific questions: • How do the size and structure of the BBC's reward packages for talent compare with the rest of the market? • What has been the impact of the BBC's policy on the talent market, particularly in relation to cost inflation? • To what extent do the BBC's policy and processes in relation to investment in, and reward of, talent support value for money? We are publishing O&O’s report which seeks to answer these questions, the BBC management’s response to the points it raises and our own judgements informed by this evidence.
  • The Hairy Bikers Ride Again Free

    The Hairy Bikers Ride Again Free

    FREE THE HAIRY BIKERS RIDE AGAIN PDF Si King,Dave Myers | 256 pages | 04 Dec 2007 | Penguin Books Ltd | 9780718149093 | English | London, United Kingdom BBC Two - The Hairy Bikers' Cookbook, The Hairy Bikers Ride Again - Episode guide We will use your email address only for The Hairy Bikers Ride Again you newsletters. Please see our Privacy Notice for details of your data protection rights. Dave Myers, 62, is a British television cook that has enjoyed almost two decades of success as one half of the Hairy Bikers, alongside Si King, The TV chef has now opened up about a solo television opportunity in Celebrity Wall of Death he revealed to his The Hairy Bikers Ride Again. Dave - who took part in Strictly Come Dancing in - admitted he was due to take part in the Channel 4 show, The Wall of Death, a motorcycle stunt that sees riders defying gravity. In an exclusive interview with Express. Speaking about the reality show, Dave explained: "There was one [show] that came up actually but it never got off the ground. It was reportedly intended to be a spin-off version of Guy Martin's Wall of Death which aired in That show saw Guy take on The Hairy Bikers Ride Again Wall Of Death live in a daring and extreme world record attempt, reaching speeds of 80mph. The programme was never aired but Dave did spill on the other reality shows he has taken part in. Meanwhile, Dave who tied the knot with wife Liliana in in his home town of Barrow- in-Furness.
  • Simon Holmes Avid & Premiere Editor

    Simon Holmes Avid & Premiere Editor

    Simon Holmes Avid & Premiere Editor Profile Having journeyed through post-production in both the UK and The Middle East over the past 15 years Simon has been there and got the t-shirt! He’s spilt the tea, burnt the toast and sweated over countless keyboards whilst managing to retain the same level of passion and commitment as the day he started! Simon has a strong background in UK and American broadcast television from Deal or No Deal to Gold Rush. He has cut a variety of shows over different formats and is as happy taking the lead in the stitch, as he is getting stuck into the nuts and bolts of story cutting, citing the ever-evolving techniques of storytelling as a constant inspiration. Simon works well under pressure delivering high standards under tight deadlines, is happy working alone or with clients and lives by the mantra that an unhappy edit suite is an unproductive one, making sure the edit is a communicative, relaxed and fun place to be. Broadcast Credits “Celebrity Hunted” Confirmed to work on the new series of Celebrity Hunted, Episode 4 this Autumn. Shine Television for Channel 4. “Here come the Cheapskates” Broadcast Pilot. America’s biggest spenders are calling in the Cheapskates in a bid to kick their ridiculous splurging. From dumpster diving to human poop composting, are these cash splashers ready to kick their expensive habits and embrace the life of a Cheapskate? Naked Entertainment for TLC, Discovery “Gold Rush” Series 9, 11 & 12. Discovery Channel’s highest rating show of all time.
  • A.Muggleton CV Sept 2020

    A.Muggleton CV Sept 2020

    ANDREW MUGGLETON DIRECTOR OF PHOTOGRAPHY CV Email [email protected] Agency Linkline +44 (0)208 426 2200 Mobile +44 (0)7802 722 120 Vimeo https://vimeo.com/andrewmuggleton BROADCAST 1000 years of Slavery (Working Title) 4x60min TX2020 C5/Smithsonian dir: M Milne Princess Royal (Working Title) 1x60min TX 2020 C4 dir: Ian Denyer Rescued 6x60min TX2020 NatGeo dir: Jim Nally Prince of Wales 50years 1x60min TX2020 ITV1 dir: Marion Milne GoldRush 20x60minSeries 10 Discovery dir: James Bates Prince Albert – the Secret Letters 1x60min C4 dir: Marion Milne Ronnie Wood 1x90min Feature dir: Mike Figgis Frank Bowling’s Abstract World 1x60min BBC4 dir: Charlie Sever Danny Dyer on Harold Pinter 1x60min TX2020 Sky Arts dir: Ian Denyer Victoria & Albert –The Wedding 1x60min BBC2 dir: Ian Denyer Presidents at War 2x90min History dir: Marion Milne Jeremy Hall Ken Dodd 1x60min BBC dir: Ian Denyer The Battle for Britain’s Heroes 1x60min C4 dir: Richard Pearson St Paul’s Cathedral at Christmas 1x60min BBC1 dir: Luke Martin Martin Luther King Jr 1x60min ITV dir: Marion Milne Painting The Holy Land 2x60min BBC2 dir: Ian Denyer The Retreat: Meditations from a Monastery 3x60min BBC4 dir: Luke Martin RTS Awards 2018 – Photography: Factual Award Robbie Coltrane: Critical Evidence 1x60min Sky dir: Dom Gallagher Gluck 1x60min BBC Arts dir: Clare Bevan Secrets of the Human Body 1x60min BBC dir: Matt Dyas Darcey Bussell: Fred Astaire 1x90min BBC1 dir: Marion Milne History of the Tube 4x60min C5 dir: A Robbins Arcadia Thames 1x60min BBC4 dir: Fiona Ryder Harry Burton:
  • STUART EARL Multi-Camera Studio & OB Series Director

    STUART EARL Multi-Camera Studio & OB Series Director

    STUART EARL Multi-Camera Studio & OB Series Director 07957 360698 [email protected] www.setv.uk Introduction Accomplished multi-camera studio and OB director trusted by Producers, Editors and Execs to deliver creative vision and direction to their high profile shows. Key strenGths include manaGinG productions from initial conception to transmission; creatinG and transforming original ideas in to enGaGinG, visually appealinG television; providinG leadership to and collaboratinG with production teams, technical crew and talent to achieve seamless proGramme delivery; formulating strategies and processes to improve production efficiency; swiftly and proactively managing unpredictable issues, reprioritising resources and amending demanding schedules and runninG orders to ensure proGramme inteGrity. Credits (Highlights) Studio Director – This Morning (LIVE) (HD) ITV Studios for ITV | May 2017 – Present • Studio director of daytime’s biggest show – presented by Phillip Schofield, Holly WilloughBy, Eamonn Holmes and Ruth Langsford et al. • Perform as creative and technical lead, partnerinG with production team to achieve editorial ambitions. Delivered a diverse range of items includinG sketches, human interest stories, outside broadcasts, demos, fashion, cookery and celeb chat. • Contributed story ideas and production treatments. Developed and enhanced others’ ideas. Studio Director – Good Morning Britain (LIVE) (HD) ITV Studios for ITV | Sep 2015 – Present • Studio director of ITV’s breakfast magazine programme – presented by Susanna Ried, Ben
  • Nick and Neill CV 2013

    Nick and Neill CV 2013

    NICK AND NEILL Nick Wealthall and Neill Southgate are a comedy writing team. ‘NickandNeill’ started in comedy as school friends and have over fifteen years experience writing and performing together. They worked extensively throughout their time at college including a first exposure to commercial work. After university they both had successful careers away from show business before realising their true calling and reforming to pursue a full time career in the entertainment industry. Since then they have enjoyed a swift rise through a variety of work in radio and television across a wide range of comedy and entertainment shows. They are currently focussed on becoming leading television writers as well as developing their own original comedy projects for TV. ‘NickandNeill’ pride themselves on their professionalism and creative flexibility. They bring immense enthusiasm and passion to every brief born of a desire to achieve excellence in comedy writing and avoid ever having to wear a suit on a Monday morning again. Writing and performing highlights CURRENT HASH CO WRITERS/CO CREATORS HAT TRICK (IN DEVELOPMENT) Original Narrative Comedy PRODUCER – HELEN WILLIAMS FEEL GOOD FACTOR WRITERS ENDEMOL / ITV1 Entertainment show featuring Eamonn Holmes & Mylenne Klass EXECUTIVE PRODUCERS – NIC McNELLIS & LOU RAINBOW OOPS TV WRITERS SILVER RIVER / SKY ONE Clips show featuring Justin Lee Collins PRODUCER – CHRIS SUSSMAN THE WRONG DOOR WRITERS BBC3 Sketch show featuring computer graphics EXECUTIVE PRODUCER – JACK CHESHIRE WE ARE SCIENTISTS WRITERS SPIN
  • Issue 362 of Ofcom's Broadcast and on Demand Bulletin

    Issue 362 of Ofcom's Broadcast and on Demand Bulletin

    Issue 362 of Ofcom’s Broadcast and On Demand Bulletin 24 September 2018 Issue number 362 24 September 2018 Issue 362 of Ofcom’s Broadcast and On Demand Bulletin 24 September 2018 Contents Introduction 3 Notice of Revocation Ausaf UK Limited 5 Broadcast Standards cases In Breach Do the Right Thing with Eamonn and Ruth Channel 5, 29 March 2018, 22:00 6 Haqaiq Link FM, 3 May 2018, 18:00 15 Resolved Tour de France Highlights ITV4, 24 July 2018, 19:00 18 Broadcast Licence Conditions cases In Breach Broadcast licensees’ late and non-payment of licence fees Various licensees 23 Broadcast Fairness and Privacy cases Upheld in Part Complaint by Herefordshire County Council Good Morning Britain, ITV, 22 and 23 January 2018 24 Tables of cases Complaints assessed, not investigated 44 Complaints outside of remit 54 BBC First 56 Investigations List 58 Issue 362 of Ofcom’s Broadcast and On Demand Bulletin 24 September 2018 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content to secure the standards objectives1. Ofcom also has a duty to ensure that On Demand Programme Services (“ODPS”) comply with certain standards requirements set out in the Act2. Ofcom reflects these requirements in its codes and rules. The Broadcast and On Demand Bulletin reports on the outcome of Ofcom’s investigations into alleged breaches of its codes and rules, as well as conditions with which broadcasters licensed by Ofcom are required to comply. The codes and rules include: a) Ofcom’s Broadcasting Code (“the Code”) for content broadcast on television and radio services licensed by Ofcom, and for content on the BBC’s licence fee funded television, radio and on demand services.
  • This Morning, ITV, 13 April 2020

    This Morning, ITV, 13 April 2020

    v 20 April 2020 This Morning Type of case Broadcast Standards Complaint Assessment Outcome Guidance Issued Service ITV Date & time 13 April 2020, 10:00 Category Harm Summary This programme contained potentially harmful material about an alleged link between the Coronavirus and 5G technology. We concluded that overall there was adequate protection for the audience. However Ofcom has issued guidance to ITV. Introduction This Morning is a daytime magazine programme broadcast live on weekday mornings on ITV. The programme is complied by ITV Broadcasting Limited (“ITV”) on behalf of the licensee, ITV Breakfast Broadcasting Limited. Ofcom received 755 complaints that the programme contained potentially harmful comments about an alleged link between the Coronavirus and 5G technology. Ofcom is prioritising cases related to the Coronavirus which could cause harm to audiences. This could include: • health claims related to the virus which may be harmful; • medical advice which may be harmful; and, • accuracy or materially misleadingness in programmes in relation to the virus or public policy regarding it. The comments in this case appeared in a discussion about Coronavirus scams and fake news. In the course of that discussion the programme’s Consumer Editor, Alice Beer, said: “The fake news that is travelling around at the moment is just ridiculous. Do you remember, first of all of this, you cannot ignore the 5G conspiracy theory. What is that all about? So what various celebrities Ofcom’s Broadcast and On Demand Bulletin 20 April 2020 1 and some influencers are saying is that 5G is a main link to the coronavirus. The coronavirus is man-made, some are saying, it is designed to cull the population, and the lock down is actually just a device for the roll out of 5G.