Trump Speaks of Conciliation and Conflict in the Same Breath in The
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MOVIE NAME SONG NAME Pal Pal Dil Ke Paas Radhe Radhe Dhagala
MOVIE NAME SONG NAME Ho Jaa Awara Pal Pal Dil Ke Paas Pal Pal Dil Ke Paas Radhe Radhe Dream Girl Dhagala Lagali Dil Ka Telephone Tadka Khainch Le Qashh Dil Mein Mars Hai Mission Mangal Shaabaashiyaan Tota Udd Ek Siwa Tere Yun Hi Nahin Mushkil: Fear Behind You Naina Naina Ek Siwa Tere Reprise Mera Sufi Ishq Ya Khudara Maaf Kar Chicken Curry Law Aye Zindagi Isey Naam Doon Kya Fancy Thumke Family of Thakurganj Hum Teri Ore Chale Saturday Night Funk Love Jhootha Kahin Ka Jhootha Kahin Ka Munde Da Character Jugni The Wakhra Swag Judgementall Hai Kya Bardaasht Nahin Kar Sakta (Remake) Khadke Glassy Jabariya Jodi Zilla Hilela Naina Yeh Intezari Intezari" (Unplugged) Article 15 Intezari" (Asees Version) Kahab Toh Shuru Karein Kya Angrezi Luv Shuv The Extraordinary Journey of the Fakir Madaari Khamoshi Title Track Babli Sweety Baby Kissebaaz Teri Parchaayiaan 1 Kissebaaz Thiraktein Teri Parchaayiaan (Unplugged) The Jawaani Song Mumbai Dilli Di Kudiyaan The Hook Up Song Student Of The Year 2 Fakira Main Bhi Nahin Soya Jat Ludhiyane Da Kartootein Setters Boom Jawani" (music by Enbee) Ali Ali Ali Ali - Navraj Hans Version Blank Himmat Karja Tujhme Hai Aag Baki Warning Nahi Dunga Selfie Kudi Bhole Balma Hansa Ek Sanyog Main Hu Tera Tera Badhai Hansa Ek Sanyog Chhoti Si Umar Albela Holi Khele Ek Hakikat Ganga Kesariya Balam Ishq Hua The Maine Kyu Kuch Bhi Samaj The Tashkent Files Saare Jahan Se Acchha Yeh Raat Firangi Hai Chousar Firangi Haye Zamana Ulta Hai Ram Bhaag Bitwa Bhaag Bibi Dil Dhoondhata He Gone Kesh Me Udi Beimani Se Nuskha Tarana Ghar -
Media Guide 2
MEDIA GUIDE 2 The ICC would like to thank all its Commercial Partners for their support of the ICC Women’s World Cup England and Wales 2017 3 WELCOME ICC CHIEF EXECUTIVE I extend a warm welcome to members of the As we look forward to a world-class event in world-class media who are in England and Wales to cover conditions, I take this opportunity to thank the England and Wales Cricket Board, its staff, ground authorities the ICC Women’s World Cup 2017, the third and volunteers in helping us organize this mega event. time the pinnacle 50-over event for women has My colleagues at the ICC too deserve appreciation for been staged here. striving hard to ensure a special event. Women, of course, have been the torch-bearers in relation I would also like to thank our commercial and broadcast to the World Cup because they organized their first one in partners for their support, without which the event would 1973, two years before men played their first World Cup, not have been on this large scale. also in England. This fact definitely adds credence to our As for the media, our thanks are due to each one of you tag line for the event – “Who Runs the World?” whether you’re reporting from the games or enabling fans The tournament brings together the top eight teams, who around the world to engage in our sport from the confines fight it out in a grueling round-robin format with every of your newsroom. The growth of the women’s game is in team playing each other. -
Balaji Telefilms Limited C-13, Balaji House, Dalia Industrial Estate, Opp
Balaji Telefilms Limited C-13, Balaji House, Dalia Industrial Estate, Opp. Laxmi Industries, New Link Road, Andheri (West), Mumbai 400 053 Tel: 40698000 Fax: 40698181/82/83 Website: www.balajitelefilms.com CIN: L99999MH1994PLC082802 ALTBalaji records highest ever subscriptions sold during a quarter, active subscriber base crosses 2.1million February 11, 2021: Balaji Telefilms Limited, India’s leading media and content powerhouse, today announced its financial results for the third quarter and nine-months ended 31st December 2020. ALTBalaji added the highest ever subscribers this quarter with 1.6m subscription sold. The Company has been aggressively driving deeper audience engagement and reducing subscriber churn and is adding over 20k subscribers a day. The platform added 9 shows and today has 74 shows offering unmatched content diversity for the Indian audience. ALTBalaji has continually been strengthening the consumer experience via support for various connected devices and technology upgrades TV business now operating at more normal levels as daily show production hours picks up, average rates remain firm after initial impact of COVID-19. 7 shows were on air during the quarter which included 3 new launches. Movie business continues to wait for availability for theatrical launch windows and currently working on 5 projects. 3 movies to commence shooting in March / April 2021 with the remaining 2 projects to commence shooting in coming quarters. Overall remain conservative with the investments in movies and continue to pursue pre sales and co-production. Mrs. Shobha Kapoor, Managing Director, Balaji Telefilms Limited said, “ALTBalaji has added highest ever 1.6million subscribers this quarter which shows the strong demand for the mass content that we create for Indian audiences. -
Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications -
Anne Hathaway INTE O Rem D’Souza
PVR MOVIES FIRST VOL. 32 YOUR WINDOW INTO THE WORLD OF CINEMA JUNE 2018 21 LITTLE-KNOWN THINGS ABOUt…. GUEST RVIEW ANNE HATHAWAY INTE O REM D’SOUZA THE BEST NEW MOVIES PLAYING THIS MONTH: VEERE DI WEDDING, RACE 3, ISLE OF DOGS AND SANJU GREETINGS ear Movie Lovers, Motwane’s vigilante drama “Bhavesh Joshi” are among the much-awaited films that hit the screen this month. Here’s the June issue of Movies First, your exclusive window to the world of cinema. Meet rising star John Boyega and join us in wishing Hollywood icon Meryl Streep a happy birthday. Take a peek into Colin Trevorrow’s all-new, edgy “Jurassic World,” while also rewinding to its original “Jurassic World” We really hope you enjoy the issue. Wish you a fabulous (2015) the Steven Spielberg adventure that changed the month of movie watching. face of sci-fi forever. Regards All eyes are on director Remo D’Souza, whose revelations about Salman Khan starrer “Race 3” will get your pulse racing. Raj Kumar Hirani’s biographical film “Sanju”, Kareena Gautam Dutta Kapoor’s boisterous “Veere di Wedding” and Vikramaditya CEO, PVR Limited USING THE MAGAZINE We hope you’ll find this magazine easy to use, but here’s a handy guide to the icons used throughout anyway. You can tap the page once at any time to access full contents at the top of the page. PLAY TRAILER SET REMINDER BOOK TICKETS SHARE PVR MOVIES FIRST PAGE 2 CONTENTS Tap for... Tap for... Movie OF THE MONTH UP CLOSE & PERSONAL Tap for.. -
Travel Light Or You May Have to Cough up a Bomb for Every Extra Kg in Your
millenniumpost.in RNI NO.: DELENG/2005/15351 REGD. NO.: DL(S)-01/3420/2018-20 millenniumPUBLISHED FROM DELHI & KOLKATA VOL.13, ISSUE 174 | Sunday, 24 June, 2018 | New Delhi | Pages 16 | Rs 3.00 post NO HALF TRUTHS CITY PAGE 3 NATION PAGE 4 FILM PAGE 16 PROTEST AGAINST TREE FELLING ‘CHILDREN OF WORLD MUST BE ‘GLAD I TOOK IN SAROJINI NAGAR TODAY TAUGHT ABOUT NON-VIOLENCE’ RISKS’ India summons Pak’s BELGIUM, MEXICO deputy HC over denial of access to pilgrims MPOST BUREAU VIRTUALLY THROUGH NEW DELHI: India on Sat- urday summoned Pakistan’s Deputy High Commissioner Red Devils thrash Tunisia 5-2; Mexico pip South Korea here and lodged a strong pro- test over the denial of access to its envoy in Islamabad and con- MOSCOW: Two goals each cal chance of making it on sular officials to visit Gurdwara for Romelu Lukaku and Eden through three points. Panja Sahib and meet visiting Hazard and one for Michy Belgium was much the Indian pilgrims. Batshuayi swept Belgium to better team from the off, It was conveyed to the Pak- a 5-2 victory over Tunisia looking dangerous on almost istan side that preventing the support to secessionist move- on Saturday that put them every attack, but they were Indian High Commission offi- ments in India and incite the in command of World Cup seriously aided and abetted cials from discharging their Indian pilgrims, and Pakistan Group G and underlined by some ragged defending consular responsibilities vio- authorities asked to ensure that their status as one of the tour- and non-existing marking lated the Vienna Convention no such activity is carried out nament favourites. -
Hindu-Muslim Relationship in Bollywood in Post 26/11: a Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3
Hindu-Muslim Relationship in Bollywood in post 26/11: A Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3 1. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran (Corresponding author) ([email protected]) 2. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran ([email protected]) 3. M. A. in Indian Studies, University of Tehran, Tehran, Iran ([email protected]) (Received: Jan. 2, 2019 Revised: Feb. 28, 2019 Accepted: Ma r. 28, 2019) Abstract This study investigates the representations of Hindu-Muslim relationship in Bollywood movies from 2008 to 2018. It is assumed that after 2008 Mumbai terrorist attacks, which are known as 26/11, conflicts between Hindus and Muslims have escalated. Since Indian people are extreme fans of movies, especially Bollywood movies, in this regard, it is expected that media could play a significant role in increasing or alleviating the conflicts by influencing people’s attitudes and opinions. This research seeks to examine the extent and modality of the representation of Hindu-Muslim relationships in Bollywood after the 2008 Mumbai attacks. The study was conducted through a content analysis of 11 Bollywood movies, which were selected from 70 Muslim-characters-based movies. Favorable, unfavorable, neutral and unclear were the four factors through which the movies’ contents were analyzed. The overall analysis of these factors indicate that 66.17% of the scenes were favorable, 14.70% were unfavorable, 2.94% were neutral, and 16.17% presented unclear images of Hindu-Muslim relationship in Bollywood movies. -
A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2015 Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices Sultana Aaliuah Shabazz University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Social and Philosophical Foundations of Education Commons Recommended Citation Shabazz, Sultana Aaliuah, "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3607 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Sultana Aaliuah Shabazz entitled "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Education. Barbara J. Thayer-Bacon, Major Professor We have read this dissertation and recommend its acceptance: Harry Dahms, Rebecca Klenk, Lois Presser Accepted for the Council: Carolyn R. -
A STAR That Shines, Quite and Bright
The Dirty Picture was the first movie that he released Pan India, and the movie eventually was a block buster paving the way for a line of super hits A star THat SHINES, to follow, like Lage Raho Munna Bhai, Rang de Basanti, Don, Taare Zameen QUITE AND BRIGHT Par, Jodhaa Akbar , Ghajini, My Name is Khan, No One Killed Jessica, Agneepath, Ashiqui-2, Student of the Year, Ek Villain , Bahubali, Raaes, Raazi and many more. Recently, Anil Anil Thadani, founder of AA films, the disliked them. Thadani’s AA Films had also teamed largest single owner film distribution He started his journey by distributing up with Dhanush’s Wunderbar Films company in India which has released films made under Yash Raj Films and Lyca Productions to release films across a range of languages banner, the first film he distributed Superstar Rajinikanth’s Kaala in North such as Hindi, English, Telugu, was “Yeh Dillagi” and soon after India. Marathi and Tamil. He was born and he distributed “Dilwale Dulhania After his marriage to Bollywood diva brought up in suburbs of Mumbai. He Le Jayenge” which rewrote history RaveenaTandon – ever since he has loves spending quality time with his as one of the biggest blockbuster been a doting father to four lovely kids wife, parents and kids. of Bollywood. Over the years since and of course the most caring and A completely filmy guy, who now 1993 he has won credibility and has loving husband. A disciplined family really enjoys watching every single single handedly made AA films, one man that Anil is – even with his busy movie but there was a time when of the largest and most trusted house professional commitments, he had movies used to disturb him and he of distribution and exhibition. -
Interlingual and Intersemiotic Transfer of Indian Cinema in Hong Kong
Indian Journal of Comparative Literature and Translation Studies | 45 Author(s): Andy Lung Jan CHAN Published by: Indian Journal of Comparative Literature and Translation Studies (IJCLTS) Issue Number: Volume 2, Number 1, February, 2014 ISSN Number: 2321-8274 Issue Editor: Rindon Kundu Editor : Mrinmoy Pramanick & Md Intaj Ali Website Link: http://ijclts.wordpress.com/ Interlingual and Intersemiotic Transfer of Indian Cinema in Hong Kong Abstract The history of Indian immigration to Hong Kong can be traced to the 1840s, when Hong Kong became a colony of the British Empire. However, Hong Kong Chinese people‟s knowledge of the local Indian community is limited. The stereotyping of Indian culture in the Hong Kong movie Himalaya Singh shows that Indian people and culture are often distorted and negatively portrayed in the media, and the secluded Indian community in Hong Kong is marginalised and neglected in the mainstream media. In recent years, Indian cinema has gained popularity in Hong Kong, but this survey of the Chinese movie titles, trailer subtitles and other publicity materials of four Indian movies (Slumdog Millionaire; 3 Idiots; English, Vinglish; and The Lunchbox) show that the films have to be recast and transfigured during interlingual and intersemiotic transfers so that it can become more accessible to Hong Kong Chinese audiences. 1. Introduction The history of Indian immigration to Hong Kong can be traced to the 1840s, when Hong Kong became a colony of the British Empire. In the social and economic development during the early colonial days, Indian people played an important role. Some Indian families have lived in the territory for generations and consider Hong Kong their home. -
Responses to 100 Best Acts Post-2009-10-11 (For Reference)
Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions. -
Will Chulbul's 'Swag' Override Memories of Thunder?
Will Chulbul's 'swag' override memories of Thunder? Pepsi's new face and Dabangg star Salman Khan a.k.a Chulbul Pandey has been a face for rival cola brand Thums Up. We speak to experts Rohit Ohri, KV Sridhar, Darshana Bhalla and Manish Bhatt for their take on this interesting development. There was a ruffle in the advertising and marketing fraternity around a recent piece of news concerning Pepsi. The flagship beverage brand from PepsiCo has just announced its association with Bollywood superstar and former Thums Up face Salman Khan. Brand faces change over time depending on objectives, but Pepsi's partnership with the Dabangg star flags two key points – the endorser's former association with rival cola brand Thums Up and Pepsi's recent positioning as a youth facing brand, placing itself alongside college students and within campuses. Why did Thums Up choose Salman Khan back in the day? This high octane cola brand from Coca Cola has always worn macho faces, including the likes of Suniel Shetty, Akshay Kumar, Chiranjeevi, Mahesh Babu and more recently Ranveer Singh. All the film stars have had action packed roles in their parallel presence on the silver screen and this was extended to the ad communications. After all, it had to be about the 'Thunder'. Coca-Cola India signed Salman Khan for Thums Up in 2012. The company had then tied up with Khan's movie Dabangg 2 which released on December 21 the same year. The action movie features Khan as Chulbul Pandey, a witty but strong-handed police officer.