Tribute Verses & Themes
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00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under the Stairs. [Music continues under the dialogue, then fades out.] 00:00:05 Oliver Host Hello! I’m Oliver Wang. Wang 00:00:07 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:10 Oliver Host Every episode, we invite a guest to join us to talk about a heat rock. You know, an album that burns its way into our collective memory. And today, we’re gonna be letting the love rain shower down upon us. [Morgan chuckles.] To exclusively revisit the 2000 debut album Who is Jill Scott? Words and Sounds Vol. 1 by Jill Scott. 00:00:32 Music Music “Love Rain” from the album Who is Jill Scott? Words and Sounds Vol. 1 by Jill Scott. Love rain down on me, on me Down on me Love rain down on me, on me Down on me Love rain down on me, on me Down on me [Volume decreases and continues under the dialogue then fades out.] 00:00:50 Oliver Host Many of us were introduced to Jill Scott in the late nineties when The Roots rolled her out on the strength of their and Scott’s hit “You Got Me”. Even if she was taken off the eventual commercial version of the single in favor of Erykah Badu, Scott refused to stay behind the scenes. And come Y2K, we all got to bear witness to Scott in her full, resplendent glory on her debut. -
African American Sheet Music Collection, Circa 1880-1960
African American sheet music collection, circa 1880-1960 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Title: African American sheet music collection, circa 1880-1960 Call Number: Manuscript Collection No. 1028 Extent: 6.5 linear feet (13 boxes) and 2 oversized papers boxes (OP) Abstract: Collection of sheet music related to African American history and culture. The majority of items in the collection were performed, composed, or published by African Americans. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. The use of personal cameras is prohibited. Source Collected from various sources, 2005. Custodial History Some materials in this collection originally received as part of the Delilah Jackson papers. Citation [after identification of item(s)], African American sheet music collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey, October 13, 2006. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. African American sheet music collection, circa 1880-1960 Manuscript Collection No. 1028 This finding aid may include language that is offensive or harmful. -
Shelleypaulson2018-Single
“I still remember the first photo Shelley sent to me, and how I caught my breath at the beauty she captured, but even more, how she was able to capture the relationship between my daughter and her horse. These photos are lifetime mementos that we will treasure always.” Marie Henn HEARTFELT EQUESTRIAN PORTRAITS so you will always remember The bond you share with your horse is special, and it’s a feeling you will always want to remember. The touch of their soft nose, the way they make you laugh, how it feels to ride together through golden fields at sunset… As a fellow horse lover, I understand what it’s like to love a horse so deeply and to want to freeze this moment forever. We never know how much time we have left to enjoy our beloved animals. Investing in beautiful, quality photography is a wonderful way to preserve our memories of them for years to come. SHELLEY PAULSON photographer and horse lover I can’t remember a time when I didn’t love horses. I was that horse-crazy girl who spent summers on horseback, falling in love over and over with these beautiful creatures. One by one I said goodbye to the horses of my youth and now have only photographs to remind me of my beloved childhood companions. Now I have my own little farm and get to be with my sweet horses every day. I can’t help but take photos of them as I watch warm evening light stream into the barn and kiss their fuzzy ears, or see perfectly formed snowflakes land on their velvety winter coats. -
PRINTS & PRODUCTS Enjoy Your Photos
“I still remember the first photo Shelley sent to me, and how I caught my breath at the beauty she captured, but even more, how she was able to capture the relationship between my daughter and her horse. These photos are lifetime mementos that we will treasure always.” Marie Henn HEARTFELT EQUESTRIAN PORTRAITS so you will always remember The bond you share with your horse is special, and it’s a feeling you will always want to remember. The touch of their soft nose, the way they make you laugh, how it feels to ride together through golden fields at sunset… As a fellow horse lover, I understand what it’s like to love a horse so deeply and to want to freeze this moment forever. We never know how much time we have left to enjoy our beloved animals. Investing in beautiful, quality photography is a wonderful way to preserve our memories of them for years to come. SHELLEY PAULSON photographer and horse lover I can’t remember a time when I didn’t love horses. I was that horse-crazy girl who spent summers on horseback, falling in love over and over with these beautiful creatures. One by one I said goodbye to the horses of my youth. I now have only the photographs from those days to bring me back into the moments and the horses that shaped me. Now I have my own little farm and get to be with my sweet horses every day. I can’t help but take photos of them as I watch warm evening light stream into the barn and kiss their fuzzy ears, or see perfectly formed snowflakes land on their velvety winter coats. -
Nashville Fire Local 140 Honor Guard
Nashville Fire Local 140 Honor Guard NASHVILLE FIRE LOCAL 140 HONOR GUARD Standard Operations Manual Honoring those who have gone before, by standing tall with those still beside us 1 | Page Nashville Fire Local 140 Honor Guard Table of Contents Introduction…………………………………………………………… Page 3 Preparatory……………………………………………………………. Page 4 Union Responsibilities…………………………………………. Page 6 Departmental Responsibilities…………………………………. Page 7 Funeral/Event Coordinator Responsibilities………………………… . Page 8 Family Liaison Coordinator………………………………………… Page 13 Drill & Ceremony Objectives……………………………………….. Page 16 Drill & Ceremony Commands………………………………………. Page 19 Marching…………………………………………………………….. Page 27 Basic Axe Movements………………………………………………. Page 33 Posting/Retrieving Colors…………………………………………… Page 40 Flag Etiquette……………………………………………………….. Page 44 Casket Guard………………………………………………………... Page 50 Casket Management…………………………………………………. Page 51 2 | Page Nashville Fire Local 140 Honor Guard 3 | Page Nashville Fire Local 140 Honor Guard Introduction Many of us have experienced the loss of a firefighter and whether it is duty related or not, the period is extremely traumatic to all involved. The intent of this manual is to provide a checklist and guide so that all parties will be able to organize and coordinate a ceremony that will be a fitting tribute to a fallen comrade as well as prepare the unit for performance in memorials, parades, presentation of color and other civic events. Just as in the everyday operations of the fire service, when tragedy strikes, we must be prepared to deal with the conditions that will prevail. Procedures must be in place to handle the chaos and emotional burden that a situation of this magnitude presents. These procedures can also help alleviate the confusion and miscommunication caused by the time constraints of the situation. Some of the areas that need to be addressed are: 1. -
TUNECODE WORK TITLE Value Range 289693DR
TUNECODE WORK_TITLE Value Range 289693DR It S Everyday Bro ££££ 329418BM Boys Are So Ugh ££££ 060461CU Sex On Fire ££££ 258202LN Liar Liar ££££ 2680048Z Willy Can You Hear Me? ££££ 128318GR The Way ££££ 217278AV Better When I'm Dancing ££££ 223575FM I Ll Show You ££££ 188659KN Do It Again ££££ 136476HS Courtesy Call ££££ 224684HN Purpose ££££ 017788KU Police Escape ££££ 065640KQ Android Porn (Si Begg Remix) ££££ 189362ET Nyanyanyanyanyanyanya! ££££ 191745LU Be Right There ££££ 236174HW All Night ££££ 271523CQ Harlem Spartans - (Blanco Zico Bis Tg Millian Mizormac) ££££ 237567AM Baby Ko Bass Pasand Hai ££££ 099044DP Friday ££££ 5416917H The Big Chop ££££ 263572FQ Nasty ££££ 065810AV Dispatches ££££ 258985BW Angels ££££ 031243LQ Cha-Cha Slide ££££ 250248GN Friend Zone ££££ 235513CW Money Longer ££££ 231933KN Gold Slugs ££££ 221237KT Feel Invincible ££££ 237537FQ Friends With Benefits (Fwb) ££££ 228372EW Election 2016 ££££ 177322AR Dancing In The Sky ££££ 006520KS I Wish I Knew How It Would Feel To Be Free ££££ 153086KV Centuries ££££ 241982EN I Love The 90s ££££ 187217FT Pony (Jump On It) ££££ 134531BS My Nigga ££££ 015785EM Regulate ££££ 186800KT Nasty Freestyle ££££ 251426BW M.I.L.F. $ ££££ 238296BU Blessings Pt. 1 ££££ 238847KQ Lovers Medley ££££ 003981ER Anthem ££££ 037965FQ She Hates Me ££££ 216680GW Without You ££££ 079929CR Let's Do It Again ££££ 052042GM Before He Cheats ££££ 132883KT Baraka Allahu Lakuma ££££ 231618AW Believe In Your Barber ££££ 261745CM Ooouuu ££££ 220830ET Funny ££££ 268463EQ 16 ££££ 043343KV Couldn't Be The Girl -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
The Phoenix Flame
THE PHOENIX FLAME University High School– 55 Clinton Place, Newark, NJ 07108 –http://www.nps.nj.us/ - Edwin Mendez , Principal A Phoenix embodies: Responsibility Intergrity Service & Excellence Volume 1, Issue 1 2017-2018 SY Phoenix Always Rising: From Student to Successful Alumni Many students have passed through the Kelly Williams, PhD Lydelle H. King College & Career Ac- Senior Producer ESPN doors of 55 Clinton Place with different cess Director (NPS) Students reflect on Class of 1996 goals, dreams and aspirations. But there Class of 1998 alumni advice. was one thing that each of these students “Enjoy this year “Live your life for you… had in common, they entered these doors follow your curiosity. Even “University’s Alumni defi- with a great sense of purpose. and the next four ahead. It only though you may not have a nitely gave me an idea that comes once! Live clear vision for your career, no matter where you come When you enter the doors of University each moment and soak up the memories. Enjoy you are probably curious about things which from, you can rise up from High School as a freshman or a 7th grad- the ride!” may or may not be obvious to you. It’s im- all the negativity and make er, you know that no matter what, you’re portant to follow your curiosity and uncover something positive out of going to rise up. As a student at UHS, your less obvious interests. Pursuing them you’ve already beat the odds, you are a Lieutenant Sharef Talbert sets you on the path of unlocking who you are it. -
Love Makes the World Go Somewhere Page 1 5. Love Makes
5. Love Makes The World Go Somewhere (“Gabriel’s Letter/My First Woman”) In This Lesson • How bookwriters address matters of love and sex for an increasingly skeptical audience and whether this is necessary or merely a reflection of the moment • How composers deal with romance, including romantic love, heroic adventure and woolgatherers’ dreams • How lyricists strike a balance between sentimentality and honest sentiment in a changing world Overview Whether you agree with Richard Rodgers (“Love Makes The World Go Square” from No Strings) or Bob Merrill (“Love Makes the World Go Round” from Carnival) you will probably agree that love of one kind or another is present in large amounts in most musicals. Love comes in many guises, two of which are exhibited in the selection from The Kiss of the Spider Woman (book by Terrence McNally, music by John Kander, lyrics by Fred Ebb) with the double title “Gabriel’s Letter/My First Woman. Gabriel sings about his friend, Molina, an incarcerated gay window-dresser. Valentin, uncomfortable being Molina’s cellmate, sings about his first sexual experience with a woman. Love and sex can be confusing; one without the other can be unsatisfying…or not, depending on the circumstances. Romance is a different word, however. In the past, musical theatre romance almost always meant boy/girl love affairs, and the always ended happily. In recent years this is not always true. The lovers separate at the end of Once. Alexander Hamilton marries a woman he doesn’t love because the woman he does love won’t marry him. -
Clarence Belcher Collection
Clarence Belcher Collection The Bassett Historical Center is a non-circulating facility. Feel free to come in and listen to any selection from this music collection here at the Center. LOCAL 45s (recorded on one CD) 01 Dink Nickelston and the Virginia Buddies – (1) Henry County Blues; (2) Trying at Love Again 01 The Dixie Pals – (1) Dixie Rag; (2) Wedding Bells 01 The Dixie Pals – (1) The Model Church; (2) Pass Me Not 01 The Dixie Pals – (1) Who’ll Take Care of the Graves?; (2) Don’t Say Good-Bye If You Love Me 02 Ted Prillaman and the Virginia Ramblers – (1) There’ll Come a Time; (2) North to 81 Albums (* recorded on CD) 01 Abe Horton: Old-Time Music from Fancy Gap (vault) 01A Back Home in the Blue Ridge, County Record 723 (vault) 02* Bluegrass on Campus, Vol. 1, recorded live at Ferrum College Fiddlers Convention 02A Blue Grass Hits (Jim Eanes, The Stonemans) 03* Blue Ridge Highballers 1926 Recordings featuring Charley La Prade (vault) 04* Blue Ridge Barn Dance – Old Time Music, County Record 746 (vault) (2 copies) 04A Camp Creek Boys – Old-Time String Band (vault) 04B Charlie Poole – The Legend of, County Record 516 (vault) 04C Charlie Poole and the NC Ramblers, County Record 505 (vault) 04D Charlie Poole and the NC Ramblers, County Record 509 (vault) 05* Charlie Poole & the NC Ramblers – Old Time Songs recorded from 1925-1930 (vault) (2 copies) 05A* Charlie Poole and the NC Ramblers – Old Time Songs recorded from 1925-1930, Vol. 2 (vault) 06 Clark Kessinger, Vol. -
Paul Bushnell: Nashville Memories
Illinois Wesleyan University Digital Commons @ IWU All oral histories Oral Histories 3-14-2003 Paul Bushnell: Nashville Memories Paul Bushnell Illinois Wesleyan University Pam Muirhead '68 Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/oral_hist Recommended Citation Bushnell, Paul and Muirhead '68, Pam, "Paul Bushnell: Nashville Memories" (2003). All oral histories. 50. https://digitalcommons.iwu.edu/oral_hist/50 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by University Archivist & Special Collections Librarian at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Paul Bushnell: Nashville Memories Note: This interview was conducted on March 14, 2003 during a course taught by Dr. Pam Muirhead. Several unnamed students are present during the interview in The Ames Library, Illinois Wesleyan University, Bloomington, Illinois. The video was professionally reformatted from a VHS tape which was inaudible for the first 10 minutes. All but the first part (00:2:15) have been restored. The original VHS and preservation copies of the digital format are held in Tate Archives & Special Collections of The Ames Library. -
Sample Poem Book
The Lord is My Shepherd; I shall not Our Father which art in want. He maketh me to lie down in green heaven, Hallowed be thy I’d like the memory of me pastures; He leadeth me beside the still name. Thy kingdom come. To be a happy one, waters. He restoreth my soul. He leadeth I’d like to leave an afterglow me in the path of righteousness for His Thy will be done in earth, as it Of smiles when day is done. name’s sake. Yea, though I walk through is in heaven. Give us this day I’d like to leave an echo the valley of the shadow of death, I will Whispering softly down the ways, fear no evil; for Thou art with me; Thy our daily bread. And forgive Of happy times and laughing times rod and Thy staff they comfort me. Thou us our debts, as we forgive And bright and sunny days. preparest a table before me in the our debtors. And lead us not I’d like the tears of those who grieve presence of mine enemies. Thou To dry before the sun anointest my head with oil; my cup into temptation, but deliver us Of happy memories that I leave behind, runneth over. Surely goodness and from evil: For Thine is the When the day is done. mercy shall follow me all the days of my life; and I will dwell in the house of the kingdom, and the power, and -Helen Lowrie Marshall Lord forever. the glory, for ever.