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“Across the Pale Parabola of Joy”: Wodehouse Parodist
Connotations Vol. 13.1-2 (2003/2004) “Across the pale parabola of Joy”: Wodehouse Parodist INGE LEIMBERG In his stories and novels Wodehouse never comments on his tech- nique but, fortunately, in his letters to Bill Townend, the author friend who first introduced him to Stanley Featherstonaugh Ukridge, he does drop some professional hints, for instance: I believe there are two ways of writing novels. One is mine, making the thing a sort of musical comedy without music, and ignoring real life alto- gether; the other is going right down into life and not caring a damn. (WoW 313) This is augmented by a later remark concerning autobiographic inter- pretations, especially of Shakespeare: A thing I can never understand is why all the critics seem to assume that his plays are a reflection of his personal moods and dictated by the circum- stances of his private life. […] I can’t see it. Do you find that your private life affects your work? I don’t. (WoW 360) In 1935, when he confessed to “ignoring real life altogether,” Wode- house had found his form. Looking at his work of some 25 years before, we can get an idea of how he did so. In Psmith Journalist (1912), for instance, that exquisite is indeed concerned with real life, but, ten years later, in Leave it to Psmith, he joins the Blandings gang and, finally, replaces the efficient Baxter as Lord Emsworth’s secretary, with hardly a trace of real life left in him. Opening one of Wodehouse’s best stories or novels is like saying, “Open Sesame!” or “Curtain up!” and from then on, in a way, nothing is but what is not. -
Information Sheet Number 9A a Simplified Chronology of PG
The P G Wodehouse Society (UK) Information Sheet Number 9a A Simplified Chronology of P G Wodehouse Fiction Revised December 2018 Note: In this Chronology, asterisked numbers (*1) refer to the notes on pages (iv) and (v) of Information Sheet Number 9 The titles of Novels are printed in a bold italic font. The titles of serialisations of Novels are printed in a bold roman font. The titles of Short Stories are printed in a plain roman font. The titles of Books of Collections of Short Stories are printed in italics and underlined in the first column, and in italics, without being underlined, when cited in the last column. Published Novel [Collection] Published Short Story [Serial] Relevant Collection [Novel] 1901 SC The Prize Poem Tales of St Austin’s (1903) SC L’Affaire Uncle John Tales of St Austin’s (1903) SC Author! Tales of St Austin’s (1903) 1902 SC The Pothunters The Pothunters SC The Babe and the Dragon Tales of St Austin’s (1903) SC “ The Tabby Terror ” Tales of St Austin’s (1903) SC Bradshaw’s Little Story Tales of St Austin’s (1903) SC The Odd Trick Tales of St Austin’s (1903) SC The Pothunters SC How Payne Bucked Up Tales of St Austin’s (1903) 1903 SC Harrison’s Slight Error Tales of St Austin’s SC How Pillingshot Scored Tales of St Austin’s SC The Manoeuvres of Charteris Tales of St Austin’s SC A Prefect’s Uncle SC The Gold Bat The Gold Bat (1904) SC Tales of St Austin’s A Shocking Affair 1 Published Novel [Collection] Published Short Story [Serial] Relevant Collection [Novel] 1904 SC The Gold Bat SC The Head of Kay’s The Head -
Novels by P G Wodehouse Appearing in Magazines
The P G Wodehouse Society (UK) Information Sheet Number 4 Revised December 2018 Novels by P G Wodehouse appearing in Magazines Of the novels written by P G Wodehouse, the vast majority were serialised in magazines, some appearing in a single issue. The nature of the serialisation changed with time. The early novels were serialised in almost identical form to the published book, but from the mid-1930s there was an increasing tendency for the magazine serialisation to be a condensed version of the novel. In some cases, the condensed version was written first. Attention is drawn in particular to the following titles: The Prince and Betty, which in both the first UK and first US magazine appearances, was based on the UK rather than the very different US book version of the text. A Prince for Hire, which was a serialised novelette based broadly on The Prince and Betty, but completely rewritten in 1931. The Eighteen Carat Kid, which in serial form consisted only of the adventure aspects of The Little Nugget, the love interest being added to ‘flesh out’ the book. Something New, which contained a substantial scene from The Lost Lambs (the second half of Mike) which was included in the American book edition, but not in Something Fresh, the UK equivalent. Leave It To Psmith, the magazine ending of which in both the US and the UK was rewritten for book publication in both countries. Laughing Gas, which started life as a serial of novelette length, and was rewritten for book publication to more than double its original length. -
By the Way Sept 08.Qxd
BY THE WAY Occasional Newsletters from The P G Wodehouse Society (UK) Number 35 September 2008 IONICUS Covers for Wodehouse Paperbacks The topic for this By The Way was inspired by two members, Stephen Payne and Graeme Davidson. Stephen was anxious to confirm precisely how many Wodehouse books had been illustrated by Ionicus, as he understood there were more than the 56 Penguins he had at that point acquired. Graeme had been in correspondence with Ionicus in the late 1980s, with a view to purchasing the original artwork for one of the covers. The artist Ionicus (J C Armitage), who died in February 1998, still retains a narrow lead as the person who has designed more covers for Wodehouse books than any other, although this position will be surrendered during 2009 to Andrzej Klimowski, illustrator of the Collectors series of jacketed hardbacks published by Everyman (or Overlook in the USA). Ionicus provided the illustrations for a total of 58 Penguins, as listed below, plus the wrap-around cover for the Chatto & Windus first edition of Wodehouse’s last book, Sunset at Blandings (part of which was also used for the cover of the Coronet paperback). 1969 Piccadilly Jim 1974 The Little Nugget 1969 Spring Fever 1974 Sam the Sudden 1970 Psmith in the City 1974 Pearls, Girls and Monty Bodkin 1970 Psmith, Journalist 1975 Stiff Upper Lip, Jeeves 1971 The Mating Season 1975 Leave It to Psmith 1971 Very Good, Jeeves 1975 Indiscretions of Archie 1971 Laughing Gas 1975 Bachelors Anonymous 1971 Blandings Castle 1975 Doctor Sally 1971 Summer Lightning -
P.G. Wodehouse Collection of William Toplis (1665) Lot 12
P.G. Wodehouse Collection of William Toplis (1665) May 7, 2020 EDT, ONLINE ONLY Lot 12 Estimate: $500 - $800 (plus Buyer's Premium) Wodehouse, P.G. Group of 16 Titles Set at Blandings Castle Locations vary, 1929-1977. In 16 volumes. Condition varies. Includes: 1. Summer Lightning London: Herbert Jenkins, (1929). First English edition, first issue. Original orange cloth- covered boards, stamped in black; in restored second reissue illustrated dust-jacket. McIlvaine A41b3. McIlvaine A41b. 2. Summer Lightning London: Herbert Jenkins, (1929). Presumed first English edition, first issue. Variant orange-red cloth-covered boards, stamped in black; lacking dust-jacket. McIlvaine A41b. 3. Blandings Castle New York: Doubleday, Doran & Company, Inc., 1935. First American edition, first issue. Original green cloth-covered boards, stamped in dark green; in original illustrated dust-jacket. McIlvaine A53b. 4. Full Moon London: Herbert Jenkins Limited, (1947). First English edition, first issue. Original orange coth-covered boards, stamped in black; in original illustrated dust-jacket, later price sticker on bottom front flap. McIlvaine A66b. 5. Nothing Serious London: Herbert Jenkins Limited, (1950). First reissue. Original orange cloth-covered boards, stamped in black; in illustrated dust-jacket. McIlvaine A70a2. 6. Nothing Serious New York: Doubleday & Company, Inc., 1951. First American edition, first issue. Original red cloth- covered boards, stamped in black; in original illustrated dust- jacket. McIlvaine A70b. 7. Nothing Serious London: Herbert Jenkins, no date (ca. 1951). 12mo. Original limp red wrappers. McIlvaine A70a5. 8. Pigs Have Wings New York: Doubleday & Company, Inc., 1952. First American edition, first issue. Original gray cloth-covered boards, stamped in white; in original illustrated dust-jacket. -
Lord Emsworth and Others Pdf, Epub, Ebook
LORD EMSWORTH AND OTHERS PDF, EPUB, EBOOK P. G. Wodehouse | 282 pages | 14 Mar 2002 | Everyman | 9781841591148 | English | London, United Kingdom Lord Emsworth and Others PDF Book Add to Cart failed. Galahad Threepwood, Beach the butler, and others have put their shirt on this, and for Lord Emsworth it will be paradise on earth. Twistleton, nephew to the Earl, and otherwise known as Pongo to his friends, has a differing view. Retrieved 14 May Lord Emsworth and Others contains one story set at Blandings Castle , three golf stories narrated by the Oldest Member , one story featuring Drones Club member Freddie Widgeon, one tale narrated by Mr Mulliner , and three Ukridge stories. Susan Lord Emsworth and Others Blandings Castle 5. Dec 30, Tony rated it liked it. There are nine stories in this collection: a Blandings Castle story, three golf stories told by The Oldest Member, a Drones Club story, and three concerning that resourceful scoundrel Ukridge. Please try again. To these Titans a private secretary is simply a Hey-you, a Hi-there, a mere puppet to be ordered hither and thither at will. His uncle is Lord Uppingham, and the girl he falls for is Constance Rackstraw. Narrated by: Nigel Lambert. Amazon Reviews. It was a lovely, still evening, and I was sitting in the garden under a leafy tree, thinking beautiful thoughts. Be the first to ask a question about Lord Emsworth and Others. If Stanley Featherstonehaugh Ukridge had a fiver for every dodgy scheme he had ever floated, he would be a very rich man indeed. Waterbury flees to a pub, where Freddie and Murphy follow. -
PG Wodehouse Archive
British Library: Western Manuscripts P.G. Wodehouse Archive (1894-2016) (Loan MS 129) Table of Contents P.G. Wodehouse Archive (1894–2016) Key Details........................................................................................................................................ 1 Arrangement..................................................................................................................................... 1 Provenance........................................................................................................................................ 2 Related Resources.............................................................................................................................. 2 Loan MS 129/1 P.G. Wodehouse Archive: Manuscript Material (1900–2004)........................................... 2 Loan MS 129/2 P.G. Wodehouse Archive: Wartime Material (1939–2015)............................................... 86 Loan MS 129/3 P.G. Wodehouse Archive: Theatrical and Cinematic Work (1905–2008)........................... 97 Loan MS 129/4 P.G. Wodehouse Archive: Correspondence (1899–2010)................................................ 111 Loan MS 129/5 P.G. Wodehouse Archive: Published Material (1899–2003)............................................. 187 Loan MS 129/6 P.G. Wodehouse Archive: Biographical Material (1894–2001)......................................... 210 Loan MS 129/7 P.G. Wodehouse Archive: Posthumous Material (1929–2016)......................................... 218 Loan MS 129/8 P.G. Wodehouse -
Red-Hot Stuff—But Where's the Red-Hot Staff?
The quarterly journal of The Wodehouse Society Volume 26 Number 4 Winter 2005 Red-Hot Stuff—But Where’s the Red-Hot Staff? BY MURRAY HEDGCOCK Murray Hedgcock, longtime journalist, author of Wodehouse at the Wicket, and a patron of the P G Wodehouse Society (UK) was, alas, unable to attend the Hollywood convention. Instead he sent Hilary Bruce, Chairman of the UK Society, and Robert Bruce, Chairman’s Consort and Accompanying Person, to deliver his talk for him—and a wonderful job they did, too. o student of the Press could resist that delightful Nquotation in Service with a Smile introducing us to Tilbury House, home of the Mammoth Publishing Company. This is, we learn, that busy hive where hordes of workers toil day and night, churning out reading matter for the masses. For Lord Tilbury’s numerous daily and weekly papers are not, as is sometimes supposed, just Acts of God: they are produced deliberately. The Red-Hot Murray Hedgcock (photo courtesy of Tony Ring) It sums up the essence of the popular Press, whether yesterday’s Yellow Press of New York or today’s Redtops of London. Even the most frivolous and rubbish papers are produced on purpose, to meet a popular demand. But note that valid reference—it takes “hordes of workers” to produce even the rubbish. And this is utterly at variance with the general depiction of publications in Wodehouse. Ever since discovering Milady’s Boudoir, Cosy Moments, Wee Tots, and specific Mammoth periodicals, I have puzzled over the astonishing productivity of their workers. None of these publications seems to have more than half a dozen staff; many have just one, perhaps two. -
British & European Paintings & Watercolours Old Master
Private Press, Children’s & Illustrated Books Modern First Editions 17 JUNE 2021 British & European Paintings & Watercolours Old Master & Modern Prints including The Oliver Hoare Collection 23 JULY 2021 Gerald Leslie Brockhurst (1890-1978). Dorette, 1932, etching on wove paper, one of 111 proofs, published May 1932, signed in pencil, plate size 234 x 187 mm (9.25 x 7.3 ins). Wright 72, vi/vi; Fletcher 72. Estimate £1500-2000 For further information or to consign please contact Nathan Winter or Susanna Winters: [email protected] [email protected] 01285 860006 CHILDREN'S & ILLUSTRATED BOOKS PRIVATE PRESS & FINE BINDINGS MODERN FIRST EDITIONS 17 June 2021 commencing at 10am VIEWING: By appointment only AUCTIONEERS Nathan Winter Chris Albury John Trevers William Roman-Hilditch Mallard House, Broadway Lane, South Cerney, Cirencester, Gloucestershire, GL7 5UQ T: +44 (0) 1285 860006 E: [email protected] www.dominicwinter.co.uk IMPORTANT SALE INFORMATION: COVID-19 Please note that due to the UK government's COVID-19 lockdown restrictions currently in place for England there may be no bidding in person for this sale. Viewing for this sale is available by booked appointment only. Please check our website or contact the offices to make an appointment or for more information. All lots are fully illustrated on our website (www.dominicwinter.co.uk) and all our specialist staff are ready to provide detailed condition reports and additional images on request. We recommend that customers visit the online catalogue regularly as extra lot information and images will be added in the lead-up to the sale. -
Spring 2004 Plum Plagiarist? of Course Not! by CHARLES E
The quarterly journal of The Wodehouse Society Volume 25 Number 1 Spring 2004 Plum Plagiarist? Of Course Not! BY CHARLES E. GOULD, JR. any a time and oft (to begin by plagiarizing a Swedish exercises must have helped in this enterprise.) Mphrase from Shakespeare’s Merchant of Venice also By the time he began writing, Wodehouse had taken in to be found in Chapter 5 of Jeeves and the Feudal Spirit) an earful of Western literature, apparently at a glance, have we all—including somewhat older and better and with increasing frequency throughout his career he scholars than I—noted the astonishing—I surmise cribbed from it with absolute impunity. unique—degree to which the prose of P. G. Wodehouse However, in the words of Cole Porter, “Times have is laden with the language of others, ranging from changed,” and by certain current standards Wodehouse Greeks and Romans through the Bible and drawing- alive would now be in what the poet Burns calls room ballads to the music hall and musical comedy “durance vile.” (In The American Heritage Dictionary, stages of London and New York, interlaced with more Third Edition, under “durance,” George Will is cited than a high-school curriculum of poetry both English for this phrase, with no acknowledgement whatsoever and American. His genius, of course, is a divine and to Burns. I bet George Will got it from Wodehouse . sacred mystery, but his ability is susceptible to secular . without acknowledging Wodehouse either.) Let me study: he enjoyed a Classical Education, at a time when tell you a little story. -
The PG Wodehouse Society
The P G Wodehouse Society (UK) Information Sheet Number 1 Revised December 2018 Books by P G Wodehouse The purpose of this information sheet is to provide a comprehensive list of the books written by P G Wodehouse. There is no agreement amongst commentators or aficionados as to how many he wrote, for the reasons explained below, and The P G Wodehouse Society (UK) does not express a view on this matter. Please note that the Society’s listing does not include titles of books which have appeared since Wodehouse’s death for which the Wodehouse Trustees did not give consent for publication. In some cases, this may be because the texts, for example short stories in a new compilation, are now in the public domain in the country of publication so that consent was not sought; in other cases, the publication maybe wholly unofficial, in breach of copyright law and not necessarily in a format in which Wodehouse would recognise. Reasons why there can be many legitimate views as to the number of his books include: 1 Several books, particularly collections of short stories, which were published in the United States differed in the minutiae of their contents from the nearest equivalent collection in the United Kingdom. 2 Some books have joint authorship with another person. 3 When referring to his output of fiction, it is necessary to exclude autobiographical and similar work, and collections of essays. 4 It is not uncommon for reports in the media to double-count his output, eg by misusing the term ‘novel’ to include short story collections, and accordingly referring to ‘more than 90 (or even 100) novels and 300 short stories’, when any total number of books approaching 100 will already have to include the collections of short stories. -
Business with Heart
The Term PotomacThe Alumni Magazine of The Potomac School • Spring 2014 Business With Heart Matt Stinchcomb ’93 and online maverick Etsy want to have fun and change the world COME TOGETHER May 2 & 3 REGISTER TODAY AT POTOMACSCHOOL.ORG/ALUMNI Questions? Contact Director of Alumni Relations Laura Miller at [email protected] or (703) 749-6356. Dear Potomac Community, I began this school year with an expressed priority to meet as many people in the Potomac community as possible and to learn more about our School’s rich history and culture. As alumni, parents, and friends, you have been generous with your time and insights. Whether at a parent event in McLean or alumni gatherings in New York or Washington, I enjoyed many lively conversations and came away inspired by your fierce commitment to the School’s mission: to prepare students to achieve academically and, importantly, to lead a healthy, principled, and successful life. Several stories in this issue of the Term feature alumni who are living out the School’s mission. Olivia Pavco-Giaccia ’12 and Christina Fennell ’12 are building the next generation of scientists and engineers, while other young alumni have taken up the cause of a Kenyan school that is doing remarkable work in one of the world’s most impoverished areas. The cover story about Matt Stinchcomb ’93 may strike a chord with many of you. Once an indie-rock guitar hero, Matt is now a top executive with Etsy, a booming online marketplace. As he builds this pioneering company, Matt is helping ensure that Etsy devotes itself to more than profits.