The Matchmaker

Total Page:16

File Type:pdf, Size:1020Kb

The Matchmaker Season Production Sponsor 2010–2011 MAINSTAGE PERFORMANCES THE MATCHMAKER Written by Thornton Wilder October 27–31, 2010 Patricia Corbett Theater Th rough your support, Macy’s Gives contributes to initiatives important to you and your community – women’s health and wellness, arts, education, the environment, and HIV/AIDS research and awareness Together, we give everyone the chance to shine. CCM DIVISION OF OPERA, MUSICAL THEATRE, DRAMA, ARTS ADMINISTRATION AND Theatre DESIGN & Production PRESENTS The MATCHMAKER Written by Thornton Wilder Set Designer Costume Designer Brian Ruggaber *Amanda Rae Janke Lighting Designer Wig & Make-Up Designer *Weston B. Wetzel *Anna M. Eilers Sound Designer Vocal Coach *Valerie Lawrence Rocco Dal Vera Music Director Stage Manager Steve Goers *Elena Russo * CCM Student Director Richard E. Hess Patricia Corbett Theater October 27-31, 2010 Season Production Sponsor Macy’s Produced by special arrangement with Samuel French, Inc. New York City CCM is an accredited institution of the National Association of Schools of Music and the National Association of Schools of Theatre and a member of the University/Resident Theatre Association. The videotaping or other video or audio recording of this production is strictly prohibited. CCM 2 DIRECTOR DIRECTOR’S NOTE The first time I met Dolly Gallagher Levi was in 1974 when my sister played Ermengarde in a local production of Hello, Dolly! in Buffalo, New York where I grew up. She was full of good advice then, and now that we have returned to the source, to the Thornton Wilder original, in a time where we all have economic and spiritual worries, she seems even wiser. We could all learn a little from Dolly: • “Money should circulate like rain water. It should be flowing down among the people, through dressmakers and restaurants and cabmen, setting up a little business here, and furnishing a good time there.” • “The difference between a little money and no money at all is enormous and can shatter the world; and the difference between a little money and an enormous amount of money is very slight and that, also, can shatter the world.” • “Money -- pardon my expression -- money is like manure; it’s not worth a thing unless it’s spread around encouraging young things to grow.” Welcome to the first CCM Drama Mainstage production of the season. We hope you enjoy the craftsmanship and wisdom of the great American playwright Thornton Wilder (and come back again in April to see our production of the Pulitzer Prize- winning Thornton Wilder favorite Our Town), and that you have a great time this evening watching our student actors and design team breathe glorious life into this wonderful story. Thank you for joining us in the adventure of enjoying and supporting live theatre, and as Barnaby says at the end of our play, “May your lives have just the right amount of adventure.” Thank you for encouraging young things to grow. -Richard E. Hess director, A.B., Dolly, Ralph and Julia Cohen Chair in Drama CCM 3 2010–2011 MAINSTAGE SERIES OPERA • MUSICAL THEATRE • DRAMA EVITA Music by Andrew Lloyd Webber Lyrics by Tim Rice November 17–21, 2010 THE MARRIAGE OF FIGARO Composed by Wolfgang Amadeus Mozart Libretto by Lorenzo Da Ponte February 10–13, 2011 RENT Music, lyrics and book by Jonathan Larson February 24–27 & March 3–6, 2011 OUR TOWN Written by Thornton Wilder April 21–24, 2011 DIALOGUES OF THE CARMELITES Composed by Francis Poulenc Libretto by Emmet Lavery May 12–15, 2011 Subscribe to CCM’s 2010-11 Mainstage Series and save. Customize your theatergoing experience with four- and three-show packages. Subscribers are entitled to preferred seating, discounts off single ticket prices, access to concert flex ticket packages and other exclusive perks. Contact the CCM Box Office today: CCM 4 COMPANY THE COMPANY IN ORDER OF Appearance Horace Vandergelder .................................................................MacK HARDEN Ambrose Kemper ........................................................................... JacK CONROY Joe Scanlon .......................................................................................KevIN MacKU Gertrude .................................................................................. MIKAYLA StaNLEY Cornelius Hackl ....................................................................KRIstopher DEAN Ermengarde .................................................................................. CLARE M. WARD Malachy Stack .....................................................................Alec SIlberblatt Mrs. Dolly Levi ............................................................................ TAYlor CloYes Barnaby Tucker ...................................................................................... WILL KILEY Mrs. Irene Molloy ........................................................................ELLIE JamesoN Minnie Fay ..............................................................................MARIEL TOMPKINS A Cabman ....................................................................................STEPHEN SHORE Rudolf ..........................................................................................KevIN MALARKEY August .......................................................................................PARKER SEARFoss The Gypsies ..........................................................IAN WEBER, KevIN MacKU Miss Flora Van Huysen .............................................................HOPE SHANGLE Cook .......................................................................................... MIKAYLA StaNLEY Act I Mr. Vandergelder’s house in Yonkers, New York Act II Mrs. Molloy’s hat shop, New York Act III The Harmonia Gardens restaurant on the Battery Act IV Miss Van Huysen’s house, New York There will be one 10-minute intermission between Acts II and III. CCM 5 Cinderellabook by Joseph McDonough lyrics by David Kisor music by Fitz Patton December 1-31, 2010 Silver Season Sponsors: Anonymous Dr. & Mrs. Charles O. Carothers The Mitchell S. & Jacqueline P. Meyers Foundation John & Ruth Sawyer “This is the best show for young audiences during Cincinnati’s holiday season.”– backstage.com “There’s a lot to like about Cinderella…young theatergoers are going to be happy.”– Cincinnati Enquirer Image by Ryan Kurtz Join us for the 2010-2011 Season! Subscriptions on sale now! ENSEMBLE THEATRE OF CINCINNATI 1127 Vine Street | Historic Over-the-Rhine Tickets: 513.421.3555 www.cincyetc.com CCM 6 CAST CAST PROFILES TAYLOR CLOYES Mrs. Dolly Levi Senior from Houston, Texas At CCM: Helen Potts in Picnic, Eos/Cathy in Transmigration: Flushed, Eva Temple in Orpheus Descending, Death in Blood Wedding, Gabrielle in Transmigration: (fun)eral. Elsewhere: The Courtier in As You Like It at Cincinnati Outdoor Shakespeare, Willow/Rose in Sophie’s Dream at Cincinnati Fringe Festival, Ashley in Somewhere Never Traveled (film), The Girl in The Silent Song (film). JACK CONROY Ambrose Kemper Sophomore fom Burlington, Vermont At CCM: Chorus/Newsboy in Bury the Dead. Elsewhere: Sebastian in Twelfth Night at the Royal Academy of Dramatic Arts (London), Wisehammer/Captain Philip in Our Country’s Good at Walnut Hill School for Performing Arts (Boston), Frog in A Year With Frog and Toad at St. Michael’s Playhouse (Burlington, Vt.). KRISTOPHER DEAN Cornelius Hackl Junior from Lansdale, Pennsylvania At CCM: First Soldier in Bury the Dead, Grandpa in You Can’t Take It With You. Elsewhere: Longaville in Love’s Labour’s Lost at Cincinnati Outdoor Classics, Mickey in Damn Yankees! and various characters in Gross Indecency: The Three Trials of Oscar Wilde at Cortland Repertory Theater (Cortland, N.Y.). MACK HARDEN Horace Vandergelder Junior from Denver, Colorado At CCM: Soldier in Bury the Dead, creator/performer in Transmigration: Happiness Is A Supple Puppy, Pee Wee in Orpheus Descending. Elsewhere: Don Armado in Love’s Labour’s Lost and Adam in As You Like It at Cincinnati Outdoor Classics, Gravedigger in Hamlet and Boy in Much Ado About Nothing at Denver Center Theater Company. ELLIE JAMESON Mrs. Irene Molloy Sophomore from Olympia, Washington At CCM: Christine Shoenwalder in Picnic, Erde in Transmigration: Flushed. Elsewhere: Olive in Sophie’s Dream at Cincinnati Fringe Festival, Elizabeth Proctor in The Crucible and Karen Andre in The Night of January 16th at Pacific Arts Center (Olympia, Wash.). CCM 7 CAST CAST PROFILES WILL KILEY Barnaby Tucker Sophomore from Cincinnati, Ohio At CCM: Doctor in Bury the Dead, Cult Member in Transmigration: Change Corps. Elsewhere: Romeo in Romeo and Juliet, Jerry in Betrayal, Phaeton/Midas/Erisychthon in Metamorphosis and Sir Toby Belch in Twelfth Night at Sycamore High School (Cincinnati), The Devil in The Devil and Billy Markham at National High School Institute (Chicago). KEVIN MACKU Joe Scanlon, Gypsy Senior from Cincinnati, Ohio At CCM: Pvt. Levy in Bury the Dead, Ensemble in Transmigration: 47 Bottles in a Lake, Mac in You Can’t Take It With You, Woodcutter in Blood Wedding, The Writer in Barren, Georg/Gaston in Spring Awakening. Elsewhere: Ensemble in It Might Be Okay at Cincinnati Fringe Festival, Ensemble in Seven Jewish Children at the Human Race Theatre Company. KEVIN MALARKEY Rudolf Senior from Yellow Springs, Ohio At CCM: Tom Driscoll in Bury the Dead, Val Xavier in Orpheus Descending, Leonardo in Blood Wedding, Chad in Transmigration: Side Effects, Fetch in Spring Awakening. Elsewhere: Algernon in The Importance of Being Earnest at The Miami Valley Theatre (Kettering, Ohio). PARKER SEARFOSS August
Recommended publications
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • 2 November 2012 Page 1 of 7 SATURDAY 27 OCTOBER 2012 Benedict
    Radio 4 Extra Listings for 27 October – 2 November 2012 Page 1 of 7 SATURDAY 27 OCTOBER 2012 Benedict. Richard Mills - a vulnerable old man - is attacked and burgled. SAT 05:00 Old Dog and Partridge (b007w3j9) He seems lonely so Detective Inspector Gwen Danbury decides SAT 00:00 Philip K Dick - Of Withered Apples (b007jplz) Episode 4 to introduce him to her mother, Joan... As a beautiful woman picks its last withered apple, a dying A ladykiller woos Mrs Drummond and Nicola is determined to Sue Rodwell's three-part detective mystery stars Annette ancient tree is determined to survive. Read by William find the right present for her dad Jack's birthday. Badland as DI Gwen Danbury, Stephanie Cole as Joan Danbury, Hootkins. Joe Turner’s six-part sitcom stars Michael Williams as Jack, Ian Hogg as Richard Mills, Richard Frame as Darren Peters and SAT 00:30 Ben Moor - Undone (b00pkvk9) Lisa Coleman as Nicola, Cherry Morris as Mrs Drummond, John Duttine as Detective Sergeant Henry Jacobs Series 3 Simon Greenall as Andy and Finetime Fontayne as Arthur. Director: Rosemary Watts Unending Producer: Liz Anstee First broadcast on BBC Radio 4 in 2002. The Notting Hill Carnival sees the potential end of the worlds First broadcast on BBC Radio 4 in January 1999. SAT 14:00 Listen to Les (b01nh8zx) and new weirdness. Ben Moor's comic sci-fi saga with Alex SAT 05:30 Up the Garden Path (b00803k9) From 10/03/1985 Tregear. Series 2 Les Dawson with tales of Britain's first space hero, and the SAT 01:00 Sherlock Holmes (b00kkdkp) Arrivals and Departures Cosmo show discusses birds.
    [Show full text]
  • Mckinney Macartney Management Ltd
    McKinney Macartney Management Ltd AMY ROBERTS - Costume Designer THE CROWN 3 Director: Ben Caron Producers: Michael Casey, Andrew Eaton, Martin Harrison Starring: Olivia Colman, Tobias Menzies and Helena Bonham Carter Left Bank Pictures / Netflix CLEAN BREAK Director: Lewis Arnold. Producer: Karen Lewis. Starring: Adam Fergus and Kelly Thornton. Sister Pictures. BABS Director: Dominic Leclerc. Producer: Jules Hussey. Starring: Jaime Winstone and Samantha Spiro. Red Planet Pictures / BBC. TENNISON Director: David Caffrey. Producer: Ronda Smith. Starring: Stefanie Martini, Sam Reid and Blake Harrison. Noho Film and Television / La Plante Global. SWALLOWS & AMAZONS Director: Philippa Lowthorpe. Producer: Nick Barton. Starring: Rafe Spall, Kelly Macdonald, Harry Enfield, Jessica Hynes and Andrew Scott. BBC Films. AN INSPECTOR CALLS Director: Aisling Walsh. Producer: Howard Ella. Starring: David Thewlis, Miranda Richardson and Sophie Rundle. BBC / Drama Republic. PARTNERS IN CRIME Director: Ed Hall. Producer: Georgina Lowe. Starring: Jessica Raine, David Walliams, Matthew Steer and Paul Brennen. Endor Productions / Acorn Productions. Gable House, 18 –24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 AMY ROBERTS Contd … 2 CILLA Director: Paul Whittington. Producer: Kwadjo Dajan. Starring: Sheridan Smith, Aneurin Barnard, Ed Stoppard and Melanie Hill. ITV. RTS CRAFT & DESIGN AWARD 2015 – BEST COSTUME DESIGN BAFTA Nomination 2015 – Best Costume Design JAMAICA INN Director: Philippa Lowthorpe Producer: David M. Thompson and Dan Winch. Starring: Jessica Brown Findlay, Shirley Henderson and Matthew McNulty. Origin Pictures. THE TUNNEL Director: Dominik Moll. Producer: Ruth Kenley-Letts. Starring: Stephen Dillane and Clemence Poesy. Kudos. CALL THE MIDWIFE (Series 2) Director: Philippa Lowthorpe.
    [Show full text]
  • The Matchmaker Study Guide
    The Matchmaker Study Guide The Matchmaker by Thornton Wilder The following sections of this BookRags Literature Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources. (c)1998-2002; (c)2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". (c)1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". (c)1994-2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copyrighted by BookRags, Inc. Contents The Matchmaker Study Guide ..................................................................................................... 1 Contents .....................................................................................................................................
    [Show full text]
  • Annual Review 2011- 2012
    ANNUAL REVIEW2012 2012 was a phenomenal year for the Globe In an Olympic year packed with events throughout the capital, Globe to Globe, our contribution to the London 2012 Festival and the Cultural Olympiad, distinguished itself by its sheer scale, variety and creative ambition. It brought a huge new audience to the theatre and created a wonderfully festive multilingual showcase for Shakespeare, the Globe and London. The festival was recognised in January 2013 with a rare special award from the Critics’ Circle. Our main theatre season, which marked the triumphant return of Mark Rylance and of Original Practices to the Globe, garnered awards and achieved excellent attendance figures. But this was a big season for artistic activity beyond Bankside too, with two West End transfers, a much more extensive touring programme and international premieres of our productions on screen. All this earned us the ‘London Theatre of the Year’ award from The Stage. We are pleased to report that these achievements did nothing to compromise our educational and other activities. This was another ambitious year of teaching and public events and of developments in print and digital publishing. 2012 also brought enhancements to our exhibition and tour and saw the steady WELCOME! expansion of our retail, catering and hospitality operations. But perhaps most excitingly of all, following decades of planning and a period of intense fundraising, work began on the construction of our indoor theatre, now named the Sam Wanamaker Playhouse. All this was achieved without government funding and in a climate of financial austerity. ‘ The Globe to Globe season was a one-off, once-in-a- lifetime event that changed the cultural landscape of globe to globe London theatreland in every sense for six weeks last summer.
    [Show full text]
  • TWS Newsletter Sampler
    Vol. 1, #1, Fall 2002 THE THORNTON WILDER SOCIETY NEWSLETTER FEATURES I NTERVIEW Tappan Wilder and John McIntyre WORK IN PROGRESS Penelope Niven on the progress of her Wilder biography FEATURED WORK Our Town: Rare letters, reviews, photographs and flyers about the play’s opening night WILDER REVEALED Photographs, journal entries and a play from United States Postal Service the youthful Wilder, Flamingo Red 1997 postage stamp honoring Thornton Wilder on the centennial of his birth. The stamp was designed by Michael Deas, who also designed COMMENTARY stamps honoring Marilyn Monroe and James Dean, and is based on a photograph by renowned photographer Gisele Freund. The background J. D. McClatchy on Wilder’s fiction landscape in the stamp depicts an idealized Our Town. PUBLICATIONS Edward Burns on Wilder’s correspondence INTERVIEW TAPPAN WILDER TALKS WITH JOHN MCINTYRE PART I: AN OLD-FASHIONED STORYTELLER WORK IN PROGRESS JPM: I’d like to start by asking you to comment on your uncle’s legacy. ATW: I see Thornton’s chief legacy as his capacity to identify questions about life and living, then to write stories about them, stories that still speak to us today. If this sounds terribly simplistic, Thornton Wilder, well, there you are. At a very deep level, the entertainer and the fabulist meet in Wilder, and they still work for readers and audiences in many parts of the world. For this reason, I enjoy describ- So Far ing him as an old-fashioned storyteller. JPM: Since your uncle had such a complete life, do we stop there? Penelope Niven ATW: No, no.
    [Show full text]
  • Music by BENJAMIN BRITTEN Libretto by MYFANWY PIPER After a Story by HENRY JAMES Photo David Jensen
    Regent’s Park Theatre and English National Opera present £4 music by BENJAMIN BRITTEN libretto by MYFANWY PIPER after a story by HENRY JAMES Photo David Jensen Developing new creative partnerships enables us to push the boundaries of our artistic programming. We are excited to be working with Daniel Kramer and his team at English National Opera to present this new production of The Turn of the Screw. Some of our Open Air Theatre audience may be experiencing opera for the first time – and we hope that you will continue that journey of discovery with English National Opera in the future; opera audiences intrigued to see this work here, may in turn discover the unique possibilities of theatre outdoors. Our season continues with Shakespeare’s As You Like It directed by Max Webster and, later this summer, Maria Aberg directs the mean, green monster musical, Little Shop of Horrors. Timothy Sheader William Village Artistic Director Executive Director 2 Edward White Benson entertained the writer one One, about the haunting of a child, leaves the group evening in January 1895 and - as James recorded in breathless. “If the child gives the effect another turn of There can’t be many his notebooks - told him after dinner a story he had the screw, what do you say to two children?’ asks one ghost stories that heard from a lady, years before. ‘... Young children man, Douglas, who says that many years previously he owe their origins to (indefinite in number and age) ... left to the care of heard a story too ‘horrible’ to admit of repetition.
    [Show full text]
  • THE POLITICS of THORNTON WILDER's DRAMA by Wesley
    “IMPORTANT THINGS TO GIVE EACH OTHER”: THE POLITICS OF THORNTON WILDER’S DRAMA By Wesley Stewart Longacre B.A., Baylor University, 2004 M.A., Wake Forest University, 2013 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre & Dance 2017 This thesis entitled: “Important Things to Give Each Other”: The Politics of Thornton Wilder’s Drama has been approved for the Department of Theatre and Dance Dr. Oliver Gerland Dr. Beth Osnes Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation ABSTRACT Longacre, Wesley (Ph.D., Theatre) “Important Things to Give Each Other”: The Politics of Thornton Wilder’s Drama Thesis directed by Associate Professor Oliver Gerland Thornton Wilder (1897-1975) was one of the most celebrated U.S. authors of the 20th century. As a dramatist, he wrote one of the most frequently produced plays in American dramatic history, Our Town. Given his fame, it is surprising that very little has been written about Wilder’s dramatic works from a political perspective. My dissertation aims to address this oversight by unearthing a family-based social and political ethic in his dramatic works. Through close study of his plays, interviews, letters, influences, and other writings, I have found that he promotes a democratic ethic through his drama. He creates the utopia that he longed to see in our global political climate and imagines what the world would look like if we truly ascribed to democratic ideals.
    [Show full text]
  • HELLO DOLLY Program Notes.Pdf
    ` PROGRAM NOTES By Joshua S. Ritter Goodspeed Education & Library Director When Hello, Dolly! opened on Broadway in January of 1964, the nation was still reeling from the shock of President Kennedy’s assassination and apprehensive about the worsening situation in Vietnam. The Beatles invasion had just begun; a youthful fervor for change and rock ‘n’ roll was palpable. David Merrick, a preternaturally gifted producer, could sense the longing of another American generation. He undoubtedly knew the time was right to provide the comfort and nostalgia of a good old-fashioned Broadway musical. After all, he was in possession of a successful theatrical property that was screaming to be set to music. It could also serve as a star vehicle for Ethel Merman, and it contained a 1890’s period flavor that would offer much-needed diversion from current events. Merrick began assembling a team of future Broadway legends to give music and new life to Thorton Wilder’s highly-successful play The Matchmaker. The title would quickly change to Dolly! A Damned Exasperating Woman; Call on Dolly; and finally to Hello, Dolly!. Merrick hired Gower Champion and Michael Stewart, with whom he had previously worked on Carnival!, to stage and adapt the book for what would later be called Hello, Dolly!. Merrick hired the young Jerry Herman to compose the music soon after his success penning the score for his first Broadway musical, Milk and Honey. Champion, Stewart, and Herman worked together to anchor the show to the title song and “Put on your Sunday Clothes.” These became massive production numbers, the former involving whirling waiters, trays of food, and Dolly Levi’s grand descent down a flight of stairs.
    [Show full text]
  • Welcome to a Thrilling Summer at Question
    We l c o m e t o Hello, all! A letter doesn’t do it, no Welcome to a thrilling summer at question. You should turn to this page The Old Globe! The excitement has and see veritable fireworks exploding. been mounting here for months in Flashes of color, trumpets cascading anticipation of these five fabulous sum- down the page, something really amaz- mer productions: the witty, computer- ing! Because this is an amazing age comedy The Intelligent Design of Jenny Festival, perhaps the most ambitious Chow, the new, Broadway-caliber musi- we’ve ever fielded. cal Lucky Duck, as well as the fascinating In the Globe, returning favorite John Rando helms the and fun-filled Shakespeare Festival, featuring a revival of the important, witty, irreverent and irresistible new musical Lucky repertory format, in which three classic works — Antony and Duck, an off-the-barnyard-wall fable so loosely based on The Cleopatra, As You Like It and The Two Noble Kinsmen — rotate Ugly Duckling that the score — by none other than the cre- nightly on the outdoor stage. ator of Dreamgirls — can hardly stay on stage! We’ve been The creative teams behind these productions are at the looking forward to this debut all spring. top of their fields, having been recognized on the national And speaking of debuts, in the Carter comes the direct- awards front, including a Tony Award® nomination and an ing debut of Kirsten Brandt, the peripatetic and wildly talent- Outer Critics Circle Award for Shakespeare Festival set ed Artistic Director of our own Sledgehammer Theatre here designer
    [Show full text]
  • Radio 4 Listings for 26 December 2020 – 1 January 2021 Page 1 of 19 SATURDAY 26 DECEMBER 2020 Lord God at Christmas Despite the Mire of Our World, You Came Bestseller
    Radio 4 Listings for 26 December 2020 – 1 January 2021 Page 1 of 19 SATURDAY 26 DECEMBER 2020 Lord God at Christmas despite the mire of our world, you came bestseller. Now 88, Lady Glenconner has written her first novel to us - that we might come to you. Open the doors of our hearts Murder on Mustique, set on the island formerly owned by her SAT 00:00 Midnight News (m000qjgj) to live simply and humbly – and like the shepherds to discover husband. She discusses her life, dealing with tragedy and why The latest news and weather forecast from BBC Radio 4. the wonder of the Word made Flesh. In Jesus Christ our Lord. she’s now at her happiest. Amen. As a Boxing Day treat, Jools Holland and Sheila Ferguson share SAT 00:15 Christmas Meditation (m000qjgp) their Inheritance Tracks. Jools Holland has chosen Up Above A reflection on the meaning of Christmas with novelist and My Head by Sister Rosetta Tharpe and Love Made Them Do screenwriter Frank Cottrell-Boyce. SAT 05:45 In Their Element (m000cngv) That by Jools Holland With Ruby Turner. Sheila Ferguson has Series 4 chosen What Are You Doing New Year's Eve by Nancy Wilson As Christmas Day draws to a close Frank Cottrell-Boyce and When Will I See You Again by The Three Degrees. reflects on the idiosyncrasies of the day and the uniqueness of Helium this year’s festivities. Amidst the new toys, ripped wrapping During lockdown Jay Flynn become known for his Virtual Pub paper, and leftover turkey, Frank contemplates stars of wonder, Who doesn’t smile at the sight of a floating Father Christmas or Quiz, which won him a place in the Guinness Book of Records.
    [Show full text]
  • Grover's Corners Neighbors, George Gibbs and Emily Webb, Whose Childhood Friendship Blossoms Into Romance, and Then Culminates in Marriage
    CREATING OUR TOWN A Resource Guide To Help Create Grover’s Corner by MaryAnne Piccolo 1 TABLE OF CONTENTS Plot and Task Statement...…………………..p.3 About the Playwright……………………...…p.4 Dramaturgy………………………………….…p.8 Imagery…………………………………………p.9 Film/ Music Inspiration...……………………p.12 Essential Question Ideas……………….…..p.14 Activity One……………………………..……p.15 Activity Two………………………………..…p.16 Activity Three…………………………………p.17 Activity Four………………………………..…p.22 Activity Five…………………………..………p.23 Moving into Text…………………………..…p.24 2 ________________________________________________________________________ The Plot Our Town explores the relationship between two young Grover's Corners neighbors, George Gibbs and Emily Webb, whose childhood friendship blossoms into romance, and then culminates in marriage. When Emily looses her life in childbirth, the circle of life portrayed in each of the three acts of Our Town--growing up, adulthood, and death--is fully realized. This timeless drama of life in the mythical village of Grover's Corners, New Hampshire, has become an American classic with universal appeal. Thornton Wilder's most frequently performed play, Our Town appeared on Broadway in 1938 to wide acclaim, and won the Pulitzer Prize. From the very beginning, Our Town has been produced in amateur and professional theatres around the world. Wilder offers a couple of chairs on a bare stage as the backdrop for an exploration of the universal human experience. The simple story of a love affair is constantly rediscovered because it asks timeless questions about the meaning of love, life and death. In the final moments of the play, the recently deceased Emily is granted the opportunity to revisit one day in her life, only to discover that she never fully appreciated all she possessed until she lost it.
    [Show full text]