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The War of Art.

I’ve recently come to understand that producing New Plays is not unlike preparing for battle. I visited Winston Churchill’s war room in London a few weeks ago and found myself fascinated by the planning and precision needed to mount a successful engagement. I’m not saying we see audiences as the enemy, or that Skylight is in any way going to assault you, instead our hope is that you’ll laugh and think a little, but that’s the extent of our trying to conquer you.

Back to preparing for theatrical battle: Our infantry is comprised of the actors and crew; our generals are the directors and designers. All have trained long and hard and some have done numerous tours of duty with us.

Last, and most important, are the secret weapons we use to achieve victory… the writer’s words. In Skylight’s case, our weapons have not been “field tested”, instead our entire arsenal is being unveiled to you for the first time.

If we have all done our jobs right, if our maps and strategies are correct, we will be victorious tonight, tomorrow, and at each performance. In our battle scenario, no combatants will be harmed, no prisoners taken -- instead hearts and minds will grow larger, more thoughtful, and perhaps more compassionate to each other.

This is a war worth fighting. SKYLIGHT THEATRE COMPANY PRESENTS

BY TOM JACOBSON DIRECTED BY ERIC HOFF

STARRING: ALANA DIETZE, MARIEL NETO, EVERETTE WALLIN, CARO ZELLER

SET DESIGNER: STEPHANIE KERLEY-SCHWARTZ LIGHTING DESIGNER: JEFF MCLAUGHLIN SOUND DESIGNER: CHRISTOPHER MOSCATIELLO COSTUME DESIGNER: SARAH FIGOTEN WILSON FIGHT CHOREOGRAPHER: MIKE MAHAFFEY CASTING DIRECTOR: RAUL CLAYTON STAGGS PUBLICIST: JUDITH BORNE GRAPHIC DESIGNER: LLANCE BOWER PRODUCTION STAGE MANAGER: CHRISTOPHER HOFFMAN REHEARSAL STAGE MANAGER: BEN ALTMAN ASSOCIATE PRODUCER: JONATHAN MUÑOZ-PROULX

PRODUCED BY GARY GROSSMAN & TONY ABATEMARCO

PERFORMS SATURDAY 8:30PM & SUNDAY 3:00PM OPENING NIGHT JU LY 15, 2017 SKYLIGHT THEATRE COMPANY PRESENTS THE LOST CHILD

BY JENNIFER W. ROWLAND DIRECTED BY DENISE BLASOR

STARRING: ADDIE DADDIO, MARILYN FITORIA, PETER JAMES SMITH

SET DESIGNER: STEPHANIE KERLEY-SCHWARTZ LIGHTING DESIGNER: JEFF MCLAUGHLIN SOUND DESIGNER: CHRISTOPHER MOSCATIELLO COSTUME DESIGNER: SARAH FIGOTEN WILSON FIGHT CHOREOGRAPHER: MIKE MAHAFFEY CASTING DIRECTOR: RAUL CLAYTON STAGGS PUBLICIST: JUDITH BORNE GRAPHIC DESIGNER: LLANCE BOWER PRODUCTION STAGE MANAGER: CHRISTOPHER HOFFMAN REHEARSAL STAGE MANAGER: GARRETT CROUCH ASSOCIATE PRODUCER: JONATHAN MUÑOZ-PROULX

PRODUCED BY GARY GROSSMAN & TONY ABATEMARCO

PERFORMS FRIDAY 8:30PM & SUNDAY 7:00PM OPENING NIGHT JU LY 29, 2017

THE LOST CHILD was developed as part of the Antaeus Theatre Company Playwrights Lab and subsequently workshopped at Rogue Machine Theatre THE DEVIL’S WIFE Cast in order of appearance

CARO ZELLER...... SOFIA RAMIREZ MARIEL NETO...... BONITA RAMIREZ ALANA DIETZE...... DULCE RAMIREZ EVERETTE WALLIN.....NICOLAS MASTEMA / RATEL

The Devil’s Wife will be performed without intermission.

THE LOST CHILD Cast in order of appearance

PETER JAMES SMITH...... DANIEL

ADDIE DADDIO...... ANN

MARILYN FITORIA...... ANGELICA

The Lost Child will be performed without intermission.

Time – The Present Place – A little cabin in the woods

SPECIAL THANKS Bob Bailey, Michael John Garces, , Jessica Kubzansky, Jonathan Lynn, Ed Napier and John Sloan

PRODUCTION STAFF PRODUCTION STAGE MANAGER: CHRISTOPHER HOFFMAN REHEARSAL STAGE MANAGERS: BEN ALTMAN, GARRETT CROUCH FIGHT CHOREOGRAPHER: MIKE MAHAFFEY PROP MASTER: GLENN MICHAEL BAKER ADDITIONAL MUSIC FOR THE LOST CHILD: JULIETTE BLASOR PUBLICIST: JUDITH BORNE GRAPHIC DESIGNER: LLANCE BOWER PROGRAM DESIGN: GUILLERMO PEREZ SET CONSTRUCTION: RENE PARRAS JR. PHOTOGRAPHER: ED KREIGER CAST - THE DEVIL’S WIFE

ALANA DIETZE (Dulce) Favorite stage appearances have been with the Echo Theater Company, The Vagrancy, Theatre of NOTE, Circle X, Padua Playwrights and others. She was nominated for the Ovation for Best Lead- ing Actress for Everything Will Be Different with Echo. Onscreen appear- ances include numerous independent films and series. Directing credits include The Found Dog Ribbon Dance, Dry Land (Ovation Award for Best Production, selected for CTG’s Block Party program), and A Small Fire.

MARIEL NETO (Bonita) Graduating from Cornish College of the Arts, Bay Area native Mariel Neto has an extensive background in theater. After suc- cessful seasons at Milwaukee Repertory and ACT, Mariel garnered three Seattle Times Footlights Awards. She has also performed with CalShakes, Azeotrope, The Erickson, and more. Mariel’s onscreen appearances in- clude 7 Minutes opposite Jason Ritter and Kris Kristofferson; and Show- time’s critically acclaimed series Masters of Sex.

EVERETTE WALLIN (Nicolas Mastema / Ratel) was born in Memphis, TN. Attracted to acting at a young age, Everette has performed in numerous plays. In Los Angeles, this will be his fourth play he has participated in produced by Skylight Theater Company. Everette has appeared in such hit television shows as HBO’s Deadwood and The Newsroom, Bones, NCIS, and Rosewood.

CARO ZELLER (Sofia) graduated from FIU, and received her Master from USC in Acting. Film: Bruising for Besos, Over the Moon, Kiss Me, Crime School, The Wallet… Theatre: Nicky (Coeurage Theatre Company ), Fefu and her Friends (Circle X and Just Toys) Water by the Spoonful (Theatre Squared), Scar Tissue (CoA), Anatomy of Gazellas (Playwrights Arena), Placas: The Most Dangerous Tattoo (Nat. Tour), Paloma (LATC) American Night: the Ballad of Juan Jose (LATW).

BE YOUR OWN CRITIC… Here is your chance! You saw the show and now you have an opinion. Please share it with us! Visit us at any of these social media spots.

Facebook: SkylightTheatre Twitter: @SkylightThtr

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CAST - THE LOST CHILD

ADDIE DADDIO (Ann) Addie Daddio has a rich and diverse theatre back- ground from classical, to contemporary, to new works. On television she has appeared in 24, The Mentalist, Angel. She is a former radio host and personality who continues to work in broadcast and as a voice-actor. Daddio believes in living a life of giving back. She is the founder of The Daddio Collective; a 501c3 Charity Enhancing the lives of Children, Ani- mals and Communities.

MARILYN FITORIA (Angelica) Marilyn Fitoria was born in Los Angeles, CA. Graduated from Cal State Long Beach, fall 2015, she majored in The- atre Arts with an emphasis on Performance and a minor in Psychology. Last fall, she performed the role of Sales Girl in Oliver Mayer’s Blood Match presented by her theatre company Urban Theatre Movement. Some The- atre credits include: Mrs. Smith in The Bald Saprano, Wanda in Wanda’s Visit, Mrs. Van Dann in the abridged version of The Diary of Anne Frank.

PETER JAMES SMITH (Daniel) Selected theater credits: world premiere plays by Neil LaBute, Luis Alfaro, Tom Jacobson, EM Lewis and others; Civilization, The Car Plays, Porcelain, The Dybbuk, A Murder of Crows, M. Butterfly, New Image Teen Theatre. Film/TV credits include: This Is Us, Westworld, Bosch, Parenthood, Castle, Revenge, Serenity, 24, Monk, Friends, ER, The King of Queens, Goliath, CSI: Miami, Colony, NCIS, Crimi- nal Minds, Code Black, Diminuendo, and The West Wing. twitter.com/PJSActor PRODUCTION TEAM

TOM JACOBSON (Playwright - The Devil’s Wife) Off Broadway: The Twentieth-Century Way, Rattlestick Playwrights Theatre and The Theatre @ Boston Court (PEN Award for Drama). Los Angeles: The Orange Grove at Playwrights Arena, Bunbury, Tainted Blood, Ouroboros and The Friendly Hour at The Road Theatre Company, Making Paradise: The West Hollywood Musi- cal at Cornerstone Theater Company, Sperm and The Chinese Massacre (Annotated) at Circle X, House of the Rising Son at Ensemble Studio Theatre-LA, Diet of Worms at Chalk Repertory, and Captain of the Bible Quiz Team at Rogue Machine Theatre Company. Film: Prairie Sonata (based on The Friendly Hour). Opera: Hopscotch, commissioned by The Industry.

ERIC HOFF (Director - The Devil’s Wife) In Los Angeles: Amos by Eva Anderson (Bootleg Theater), Monsters We Imagined by Paula Vesala (New Works Festival at UCLA) and The Society (ArtShare LA/Illyrian Players). This fall: Polaroid Stories at Cal Rep Long Beach. In Chicago: the original production of Hit the Wall (Inconvenience at Steppenwolf Garage), The Life and Death of Madam Barker, The Skriker (Red Tape Theatre), The Walk Across America for Mother Earth (Red Tape Theatre at Steppenwolf Garage), Shelley Duvall’s Women Under The Influence Theatre (Steppenwolf 1700), and Pony, WHAT’S THE T?, & The Woyzeck Project (About Face Theatre, where Hoff is an Artistic Associate). Hoff is the creator and producer of Revival at Chicago’s Jay Pritzker Pavilion in Millennium Park, with partner Jesse Morgan Young. In New York: Off-Broadway he directed Hit the Wall (Barrow Street Theatre), When We Met (CAP21) and About a Woman Named Sarah, by Lucas Hnath (59E59). National Tour: The Realish Housewives of... for Second City. Regionally: The Many Deaths of Nathan Stubblefield, Melto Man and Lady Mantis, Home Invasion, and I Promised Myself to Live Faster (Humana Fes- tival at Actors Theatre of Louisville).

JENNIFER W. ROWLAND (Playwright - The Lost Child) Jennifer Rowland’s critically ac- claimed play, The Indians are Coming to Dinner received its World Premiere at Pacific Resi- dent Theatre in Venice, California. The Contest was produced at the PRT CoOp, Powerhouse Theater and Edinburgh Fringe Festival. One Good Death was presented as part of The Road Theater Summer Playwrights Festival. The Cold Inside played at the Edinburgh Fringe Festival 2015, Phantom Owls Productions and was also presented in The Road Theater Summer Play- wrights Festival. Her plays have been developed at Antaeus Theatre Company’s Playwrights Lab, Rogue Machine Theatre and Pacific Resident Theater. Jennifer is an alumnus of Harvard College and American Conservatory Theatre’s Young Conservatory and is currently a mem- ber of the Antaeus Theatre Company’s Playwright’s Lab and The Dramatists Guild. Jennifer would like to thank Tom Jacobson and most especially, Matthew Rowland. DENISE BLASOR (Director - The Lost Child) was Artistic Director of LADiversified Theater Company, founding member of LAAFO, KOAN, East LA Classic Theater and currently Asso- ciate Artistic Director of the Bilingual Foundation of the Arts. Plays directed/adapted in Los Angeles include House of Bernarda Alba, Life is a Dream, The Three Sisters, Blood Wedding, The Wide Sea, Pedro Infante, Anna in The Tropics, No Exit, Marisol, Wild in Wichita which she performed/directed at LATC, BFA, Teatro Las Americas and Frida Khalo Theatre. Recently she directed/choreographed the Multi Media piece Tormenta Omnia at the Craft & Folk Art Museum in collaboration with artist Gronk and the Passion Play Cristo Vive at the historic Million Dollar Theatre. Her short film Dentro de la Casa de Bernarda Alba was nominated by the ImagenAwards as Best Short Film.

GARY GROSSMAN (Producer) is the recipient of Stage Raw’s 2016 “Career Achievement Award.” He started his career in New York owning two theaters and a theatrical lighting company by the age of 23. Gary worked at the Public Theatre, Café La Mama, and Sheraton Square Playhouse before traveling west in the 70’s to join up with the emerging theatre mo- ment in Los Angeles. He has produced over 300 stage plays, including more than 50 world premieres. Among his celebrated productions are Church & State, Dontrell, Who Kissed the Sea (Steinberg/National Theatre Critics Citation), El Grande CIRCUS de Coca-Cola, Wrong Man (3 Ovation Awards), Obama-ology, Pray To Ball (1 Ovation Award), Years to the Day, Hermet- ically Sealed, Bullrusher, Sexsting, Mad Women (LA Weekly Award), Romeo and Juliet direct- ed by Milton Katselas (3 LADCC Awards), Dylan (3 LADCC Awards), AIDS/US Portraits In Courage, Influence, Open House, Dream Man, Balm In Gilead, Visions & Lovers, Rabbit Hole, Beautifiedand La Ronde de Lunch.

TONY ABATEMARCO (Producer) Skylight Theatre Company. Awards: Ovation (Lead Per- formance - Irma Vep), LA Weekly (multiple), two NEA Directing Fellowships, and 3x LA Dra- ma Critics’ Nominee (Lead), most recently for Rothko in Red at ICT, Long Beach. Member: Antaeus. Director: A&E TV & Broadway (Julie Harris in Lucifer’s Child) & London West End (Robyn Peterson’s Catwalk Confidential). On camera: 63 appearances – film & tv combined. Teacher: USC (Drama/ retired) & SMC Emeritus. His plays have won LA Weekly & Drama- Logue awards. His play Beautified had its world premiere at Skylight in 2012, and Forever House premiered here in 2015.

STEPHANIE KERLEY-SCHWARTZ (Set Designer) Previous designs for Skylight include Shades of Disclosure and Dontrell Who Kissed the Sea. Other recent credits include scene design for Good Grief for CTG at Kirk Douglas Theatre, and costume design for Rules of Sec- onds by John Pollono at LATC with Temblors. She is the Resident Designer at Rogue Machine where she has designed many productions - most recently Les Blancs, Super Variety Match Bonus Round, Honky, and Pocatello. Her designs have been seen all over Southern California, in theatres large and small, and her work has received multiple awards and nominations. www.kerleydesign.com JEFF McLAUGHLIN (Lighting Design) Commercial clients include Kellogg’s, Tropicana and Huawei. Corporate clients include P&G and Wella-Sebastian. Television credits include Oc- tane Academy and Interior Motives. Recent notable works include Painted Rocks at Revolv- er Creek, The Blue Iris (NAACP nominee), Bakersfield Mist (Ovation nominee), A House Not Meant to Stand (Ovation and LA Weekly Award nominee) and The Train Driver (Ovation and LA Weekly Award nominee) all at The Fountain Theatre; Grace and Glorie (Ovation winner) at The Colony; Rudolph the Red-Nosed Rein-Doors at The Falcon; Sexsting at The Skylight; Years to the Day at Beverly Hills Playhouse; Recent Tragic Events (LADCC Award nominee), The Long Christmas Ride Home (Ovation nominee), Pray to Ball (Ovation Award), and A Skull in Connemara (Ovation and LADCC winner) at Theatre Tribe. Check the web: JeffMcLaughlinDesign.com

SARAH FIGOTEN WILSON (Costume Design) Sarah is thrilled to be back at the Skylight after designing costumes for Lord of the Underworld’s Home for Unwed Mothers and El Grande Circus de Coca Cola. Other costume design work has been seen at The Colony Theatre, Theatre of NOTE and The Ruskin Group Theatre, where she is the resident cos- tume designer and was nominated for an LA Weekly Award and an NAACP Award. Direct- ing credits include Chance Theater (LA Times Critics Choice), The Ruskin Group Theatre, Musical Theatre Orange County, Hollywood Fringe Festival, Costa Mesa Playhouse, and the upcoming Hello Stranger at Theatre of NOTE in the Fall. She served multiple times as an Assistant Director at South Coast Repertory, as well as assisting Tony Award winning Director Pam MacKinnon on the pre-Broadway work sessions for David Mamet’s China Doll starring Al Pacino. www.sarahfwilson.com

CHRISTOPHER MOSCATIELLO (Sound Designer) Recipient of the 2015 Stage Raw award and multiple Ovation nominations for Sound Design, Christopher Moscatiello is also a com- poser, music editor/mixer and music director for theater, television and film. Recent TV credits include The Walking Dead (AMC), Psych (USA), Eureka (Syfy), Human Target (Fox), The Cape (NBC), Caprica (Syfy), Trauma (NBC), and he has scored full series, specials and promos for HBO, BBC, NBC, National Geographic and others. Other theater credits include The Kennedy Center, Arena Stage, The Folger Shakespeare Theatre, Rogue Machine Theatre, Antaeus Theatre Company, and he served as assistant conductor on the national tour of The Phantom of the Opera. Before residing in LA, Chris was the Associate Artistic Director and Conductor of the Boston Chamber Ensemble, and wrote a ballet commissioned by the Kirov Ballet Academy that had its world premiere in Washington, DC.

CHRISTOPHER HOFFMAN (Production Stage Manager) Christopher has been building sets and running light boards ever since high school. During college he worked at LATC and for the Los Angeles Opera as well as on the running crew for countless shows at The Shrine Auditorium. In New York, Chris got to work in a ton of great theaters as well as building half a dozen or so shows from the ground up on Theater Row. During his years working for the Skylight Theatre Company, he has worked on the world premieres of Dontrell Who Kissed the Sea, Church & State, Lord of the Underworld’s Home for Unwed Mothers, El Grande CIRCUS de Coca-Cola, Pray To Ball, Forever House, The Wrong Man, The End Times, Tomorrow, Beautified, Hermetically Sealed, A Death in Colombia, The Jesus Hickey, along with La Ronde de Lunch, Bulrusher, Obama-ology, and the Rogue Machine’s Dirty Filthy Love Story. BEN ALTMAN (The Devil’s Wife - Rehearsal Stage Manager) is an L.A. based Stage Manag- er, Magician, and a rising senior at USC’s School of Dramatic Arts. He has previously Stage Managed for the world premier production of One Hour Earlier at USC, and has also been the ASM for many other USC and high school productions.

GARRETT CROUCH (The Lost Child - Rehearsal Stage Manager) Hails from Kingsport, TN. He received his BFA from the AMDA College and Conservatory for the Performing Arts, where he studied acting, music theory, combat, dance, film, musical theatre, as well as classical and modern theatre performance. This is Garrett’s third year with Skylight, and is still deeply in love with the company! “Thanks to the Father, my family, and Skylight Theatre Co.” - Garrett

MIKE MAHAFFEY (Fight Choreographer) Mike was recognized in 2015 with an LA Ovations Honors Award for his fight choreography for LOFT Ensemble’s She Kills Monsters as well as Stage Raw nominations the past 2 years. Acting credits: Masters of Sex, The King’s Rook, Chronicles of Narnia, Resident Evil: Degeneration, The Trip Back Down, Romeo et Juliette, Stop the World…, Peter Pan, Midsummer Night’s Dream, King Lear. FD Credits: Stoneface, Casa Valentina (The Pasadena Playhouse); Carmen, Faust (San Diego Opera); Rio Hondo (Theatre of NOTE); Astro Boy and the God of Comics, Taste, A Gulag Mouse, Mom’s Dead (Sacred Fools Theater); Long Joan Silver (LOFT Ensemble); All the Best Killers Are Librarians (Hollywood Fringe Festival). Mike is a member of SDC and the SAFD.

RAUL CLAYTON STAGGS (Casting Director) is a freelance casting director thrilled to be working with The Skylight again, having previously cast Obama-ology and The End Times here. Raul has cast projects for Playwrights’ Arena, The Getty Villa, The Theatre @ Boston Court, LA Philharmonic, Circle X, Theatre Movement Bazaar, The Gay & Lesbian Center, and many other theatres across LA. Recent credits include I Carry Your Heart (Bootleg Theatre), The Hotel Play (Playwrights’ Arena) and Pure Confidence (Lower Depth Theatre Ensemble.)

JONATHAN MUÑOZ-PROULX (Associate Producer) Also serves as the INKubator Coordinator for the Skylight Theatre Company, and is Vice Chair of the Alliance of Los Angeles Play- wrights. He has served on the California Arts Council and Los Angeles County Arts Commis- sion grant review panels. Muñoz-Proulx has been selected as a National Directors Fellow- ship Finalist and a Los Angeles Emerging Arts Leader Protégé. He currently serves on the Latina/o Theatre Commons National Steering Committee, is a Liaison with the National New Play Network, and is a script nominator for The Killroy List. Muñoz-Proulx has taught at the University of Southern California School of Dramatic Arts, where he serves on the Inclusion & Equity Committee.

GUILLERMO PEREZ (Program Design) Has designed promotional graphics for Skylight The- atre Company for over a year, including I See You Made An Effort, El Grande CIRCUS de Coca-Co- la, Skylight Salute Honoring Ed Asner, and Shades of Disclosure among many others. He also creates graphics for the non-profit art program Art Division and has been part of a group shows at the USC Fisher Musuem of Art and the Annenberg Community Beach House. You can see more of his work at: guillermoperez.myportfolio.com SKYLIGHT THEATRE COMPANY discovers, develops and produces new, compelling works that expand mainstream theatre while nurturing and educating the people who create them. Church & State by Jason Odell Williams, produced and developed last season at Skylight will made its off-Broadway debut on March 27th. A recipient of the prestigious Steinberg Na- tional Theatre Critics Citation (Dontrell, Who Kissed The Sea – Nathan Alan Davis), Skylight’s resident PlayLAb writers have been recognized with productions nationwide, a national 2014 USA Ford Fellowship in Theater and Performance (Sigrid Gilmer), and locally as a winner in the 2015 Humanitas/CTG Playwriting Prize (Louisa Hill). Skylight won 4 Ovation Awards in 2014 for The Wrong Man and Pray To Ball (the most of any intimate theatre in LA). LA Weekly included the Skylight’s productions of Years To The Day, Open House and Sexsting on their Top Ten list of plays for 2013. Skylight’s first year as a company dedicated to developing new plays was 2011; their production of Hermetically Sealed made the LA Times annual list of Top Ten Plays, and Mad Women moved from Los Angeles to La MaMa in New York. Since then, plays developed by Skylight have been performed in Chicago, New York, Washington D.C., Oregon, Cincinnati, Cleveland, Indianapolis, Kansas City, and internationally in Scotland and France. For more information, script submission policy and production history go to skylighttheatre.org

DID YOU KNOW THAT SKYLIGHT THEATRE ALSO...

• Feeds the homeless on Thanksgiving. Teaming with Art Division; since 2012 over 2000 hungry people have been fed.

• Offers free tickets to middle and high school students to experience live theatre.

• Provides artistic experiences for teens. Over 1500 teens in detention centers and under-served high schools have been served through the Lyric Project writing program.

• Mentors young adult artists graduating from USC’s MFA theatre program, providing them a home and the freedom to grow.

Your support will help Skylight to continue these and other valuable programs for the community.

DONATE TODAY!

skylighttheatrecompany.org

Thank You to Our 2016 Contributors (January - December)

Innovator $50,000+ Sondra Currie-Levi and Alan Levi Pearl Bordy Frazier Irrv. Trust Steven J. Kaplan & William Bordy Luckman Fine Arts Complex, Cal State LA Mary McDonnell and Randy Mell Sustainer $25,000+ Ron Moler CGLC Charitable Trust, Alfred Molina Kathleen & Chip Rosenbloom Jan Munroe Sandra and Gary Grossman Linda and Mark Rosman Brynn Thayer and David Steinberg Angel $10,000+ Lea Thompson and Howie Deutch Tony Abatemarco Pam and Bart Wald Julie and Steven Karic John Rothman Associate $250+ Anonymous Sponsor $5,000+ Anonymous Ahmanson Foundation Mary Adair ASCAP Foundation Jay Berg Nancy E Barton Foundation, Alan Barton Matthew Goldsby Gail and Robert Israel Paula Holt Los Angeles County Arts Commission Yvonne Huff and Jason Delane Lee Lorin Karic Underwriter $2,500+ Keith Kenner Broadway Cares/Equity Fights Aid, Inc. Rebecca Martin City of Los Angeles, Dept of Cultural Affairs Steven Leigh Morris Gregory Goethals, S.J. Eliza and Joel Murray Lloyd Gorcey Foundation, Elizabeth Gorcey Sophie Papadopoulos Loyola High School of Los Angeles Jerry Podany Dale Raoul and Ray Thompson Madeline Puzo Foundation Nancy, David and Arnold Weber Doug Savant Alan Shearman Supporter $1,000+ William Slocum Judith Borne John Topping Diane Cary and James Parriott Marcelo Tubert Sally Chasman Nita Whitaker Lauree Dash and Ford Austin Edwin Woll Employees Community Fund of Boeing Humanitas Patron $100+ Wendy Kout Doris Baizley Jeffrey Leichter Sharon Barr Shout Factory, Richard Foos Kenneth Berkowitz Chris and Gary Wolgang Ann Bronston and John Flynn Cathleen Young Peter Finlayson Dan Frischman Partner $500+ Eve Gordon Brooke Adams Gina Hecht and Brian Hershkowitz Cate Caplin Buck Henry Robert Holmes Larry Gellman Larry Honigman Stephen Gordon Mitchell Klebanoff Kathryn Graf Jeff LeBeau Barry Greenberg David Levinson Mitch Hara Lynda and Stan Levy Zo Harris Dan McLeary Melissa Hayden Myron Meisel Tommy R. Hicks David Misch Amy Hill Randy Mulkey Kathryn Kearns Laurie O’Brien and Carl Weintraub Randy Laborde Mitch O’Farrell Dave Landy Kenneth Pienkos Tom Lavagnino Felix Racelis Brian Letscher Gwen and Bernard Sklar Daniel Levin Jeffrey Skoblow Simon Levy James Sloyan Melanie and Ken Light Deborah Smith Ken Luey Ron Sossi Christian Lyon Joe Stern Elyse Mirto Gary Stewart Steven Ong Elizabeth Swain Jim Pentecost Alexander Von-Roon Wendy Pola Steven Warheit Lois Powers Gary Wasserman Ralph Resnick Murray Weiss Jon Lawrence Rivera Chuck Workman Barbara Rubin Steve Zuckerman Amanda Jane Shank Steven Skoblow Friend $25+ Aurin Squire Dolores Aguanno Chelsea Sutton Karen Austin Joel Swetow Andrew Belth Leila Tabatabaee Jay Bevan Linda Toliver Shem Bitterman Ruth Vitale Robin Brennan Stephanie Waxman Bonnie Brewster and Robert Munroe Cherie Brown Christian Chan Gia Chiumento Robert Cicchini Annie Combs-Brookes Elina de Santos Cecilia Dighero-House James Drucker Robert Feld Edith Fields Tony Foster Bo Foxworth Scott Freeman SKYLIGHT THEATRE COMPANY STAFF

PRODUCING ARTISTIC DIRECTOR: GARY GROSSMAN CO-ARTISTIC DIRECTOR: TONY ABATEMARCO EXECUTIVE DIRECTOR: SANDEE GROSSMAN FOUNDING ARTISTIC ASSOCIATE: MICHAEL KEARNS ASSOCIATE PRODUCER: JONATHAN MUÑOZ-PROULX PLAYLAB DIRECTOR: SHEM BITTERMAN PLAYLAB COORDINATOR: TIM FURLONG LYRIC PROJECT INSTRUCTOR: JOHN TORRES LITERARY MANAGER: BONNIE BREWSTER PUBLICIST: JUDITH BORNE GRAPHIC DESIGN: GUILLERMO PEREZ PROGRAM COORDINATOR: CHRISTOPHER HOFFMAN STAGE MANAGERS: GARRETT LONGLEY, GARRETT CROUCH ASSISTANT TO THE EXECUTIVE DIRECTOR: CASEY DUNN INTERN: SIERRA WILKIE BOARD OF DIRECTORS FR. GREGORY GOETHALS CHAIR STEVEN KARIC TREASURER & LEGAL COUNSEL FORD AUSTIN SECRETARY BRADFORD BANCROFT, HOWARD DEUTCH, GARY GROSSMAN, ROBERT ISRAEL, WENDY KOUT, ROBYN PETERSON, JERRY PODANY, FELIX RACELIS, DALE RAOUL, CHIP ROSENBLOOM ARTISTIC ADVISORY BOARD Andy Ackerman, Brooke Adams, Ed Asner, Dan Bucatinsky, Marcia Milgrom Dodge, Scott Ellis, Johnny Galecki, Peter Gallagher, Buck Henry, John Benjamin Hickey, Winnie Holzman, Sheryl Kaller, Stacy Keach, Sharon Lawrence, Eric McCormack, Terrence McNally, Alfred Molina, Geoffrey Nauffts, Billy Porter, Joan Rater, Jeffrey Richman, Don Roos, Thomas Sadoski, Marc Shmuger, Joe Spano