22-25 October 2020

22-25 october 2020

HORS LES MURS

Noël Dolla, NYMPHÉAS POST DÉLUGE II, 2019, Ceysson & Bénétière © Marc Domage FIAC HORS LES MURS...... 3

JARDIN DES TUILERIES...... 4

PLACE DE LA CONCORDE...... 5

PLACE VENDÔME...... 6 MUSÉE NATIONAL

EUGÈNE DELACROIX...... 7

APPLICATIONS...... 8

REGULATIONS...... 10

CONTACTS

For any question, please contact the Artistic Programmes Department:

Blanche de Lestrange Zoé Dailey Deputy Director, Artistic Programmes Manager Head of Artistic Programmes [email protected] [email protected] T. +33 (0)1 47 56 24 20 T. +33 (0)1 47 56 64 22

Georg Baselitz, Louise Fuller, 2013, Thaddaeus Ropac © Marc Domage FIAC Hors les Murs is an exhibition of outdoor artworks presenting sculptures and installations to the widest possible audience in emblematic public spaces throughout the city. Providing a unique opportunity for artists to enter into a dialogue with Parisian heritage sites, the programme favors ease of access to contemporary creation AVENUE CARNOT FIAC AVENUE DE LA GRANDE ARMEE and encourages broader knowledge by on site cultural mediation.

AVENUE DE WAGRAM

PLACE AVENUE HOCHE FIAC Hors les Murs is held in several venues: the Jardin des Tuileries, D EDLAN UE FRI HORS AVEN the Place de la Concorde, the musée national Eugène Delacroix and A VE NU the Place Vendôme. CHARLES DE GAULLE E DE S A CH A AVENUE D'IENA V M P E S N - E LY U SE E E S M AVENUE VICTOR HUGO A

les R

C E A AVENUE KLEBER U RU

D U

F A N U

O B

O N U AVENUE GEORGE V G R PLACE DE L'OPERA I G T BOULEVARD MAGENTA murs A

M S A E IN U T N - E H AVENUE DE L'OPÉRA V O A N E O PL R M É TE

U D

G UR O UB A F

U RUE DE LA PAIX D

BOULEVARD ST-MARTIN UE R

PLACE DE LA AVENUE GEORGE V AVENUE DES CHAMPS - ELYSEES BIBLIOTHEQUE AVENUE DE L'OPERA NATIONALE REPUBLIQUE AVENUE MONTAIGNE PLACE VENDÔME LE P RUE BÉRANGER A M VEN TE UE DE U L D BO A R EPU B U B E L LIQ RUE DE RIVOLI O E U U V E U R A L R GRAND PALAIS E D V

A V R O AVENUE D'EYLAU L D T RUE DE CASTIGLIONE A

PETIT PALAIS PLACE DE I R

D E

AV. DU PRESIDENT WILSON U AVENUE KLEBER AVENUE MONTAIGNE

LA CONCORDE

T E

M RUE DE TURENNE DE RUE

Pont des Invalides P L E

Pont de l'Alma

K AVENUE DUAV. ALBERT-DE-MUN PRESIDENT WILSON YOR AVENUE GEORGES MANDEL W- NE

AVENUE D'IENA E Q PLACE DU Pont Alexandre-III D UA TROCADERO ET UE I JARDIN DES TUILERIES EN Pass. Debilly D DU 11 NOVEMBRE V ES A Pont de la Concorde AI D'ORSAY 'ORSAY TU QU QUAI D I RUE DE BEAUBOURG LE ANLY RIE K BR S BOULEVARD DE SEBASTOPOL R I O UA Y Q - RUE ST HONORÉ RUE DE RIVOLI RUE DU LOUVRE W AV. GUSTAVE-V-DE-SUEDE E N

R E ME QU U D A O I D A L AV. ALBERT-1 E N U AT Pont Solférino A AV. DES NATIONS-UNIES U O P N RUE DE L'UNIVERSITÉ RUE DE LE E E L'UNIVER U V SITÉ FR EN R AN ER A UE D R AV E L'UNIV CE U -DE-MONACO SITÉ ERSITÉ E VER RA NI M 'U B TURENNE DE RUE L U Pont d'Iena TE DE B AU O UE R U L E V Pont Royal R A Q U UA E R I D Y D U RUE DE RIVOLI L LO N UVRE D SA E A RUE DES ARCHIVES S R B I N RUE VIEILLE DU TEMPLE I F T Pont du Carroussel A R U - A N Q G QUAI MALAQUAIS RUE DU RENARD C E QUAI DE LA MEGISSERIE S LES INVALIDES R R U - M E B D Pont des Arts RUE DU TEMPLE O A E U I N L'U RG N E Voie Georges Pompidou IV O ER IS SI TÉ QUAI DE CONTI

QUAI DE GEVRES R I Pont Neuf O

Q N

RUE DE RIVOLI BOULEVARD BEAUMARCHAIS TURENNE DE RUE U E L A R Pont de Bir-Hakeim I I

O D CHAMP D R N Q E Pont au Change E S A DE U L

A H O I C MARS I R D D Pont R F Notre-Dame E R E S V A R G D H E R R C S I A A R N BOULEVARD SAINT - GERMAIN V E D TT E E S Pont d'Arcole L U D Q RUE BONAPARTE U A R O U R G O A B LA U QUAI DU MARCHE NEUF V S QUAI DE E T L BOULEVARD RASPAIL I N Pont Saint-Michel L'HOTEL DEVILLE E MUSÉE NATIONAL S U D RUE SAINT - ANTOINE O

B CATHÉDRALE E BOULEVARD DES INVALIDES QUAI ST MICHEL U EUGÈNE DELACROIX NOTRE-DAME R Pont Louis Philippe QUAI DES CELESTINS Petit pont Voie Georges Pompidou Q U A I D Pont St-Louis E Pont Au Double M BOULEVARD SAINT - GERMAIN O N T Pont Marie BE LL O RU AVENUE DU PRESIDENT KENNEDY E

R D Q U BOULEVARD HENRI IV U U E F RUE DE LYON A A UB Ile aux cygnes D OU I R G E

D S AIN E C T-A S H N A T QUAI DE LA TOURNELLE O IN R E BOULEVARD SAINT - GERMAIN C E N E T L O E

Pont de Grenelle GRENELLE S N Pont de la Tournelle Pont de Sully T I DE N BLVD BOURDON

L QUAI E STATUE H BOULEVARD RASPAIL Pont de Sully C BOULEVARD DE LA BASTILLE DE LA LIBERTE I

PLACE M Passerelle - T de l'Arsenal

FERNAND FOREST N I

A QUAI HENRI IV S

CENTRE COMMERCIAL D R 3 IN BEAUGRENELLE A L L V SEINE O • • • • • E -R L QUAI SAINT-BERNARD U CITROEN U R JARDIN D O E B L E DU U Moataz Nasr, The Maze (TheANDRE People Want the Fall of the Regime), 2011, Galleria Continua © Marc Domage EN LUXEMBOURG V A

Pont Mirabeau QUAI Pont Morland

V O I E

RUE GUYNEMER

MA Z A S Pont d'Austerlitz

QUAI DE LA RAPEE

Pont Charles de Gaulle BOULEVARD SAINT-MICHEL

PONT DE BERCY

QUAI DE BERCY

Passerelle

Simone de Beauvoir QUAI FRANÇOIS MAURIAC

Pont de Tolbiac

QUAI PANHARD ET LEVASSOR

AV. DES TERROIRS DE FRANCE

Pont National In collaboration with the musée du Louvre, FIAC Hors les Murs presents each year a careful selection of some twenty artworks in the Jardin des Tuileries, deployed in the various spaces of the garden such as its fountains, basins, lawns, alleys and groves. Sculptures, installations, site-specific projects, performances and sound pieces are displayed in the garden, resonating with this heritage setting in the heart of Paris and responding to its scale, perspectives and history.

Located in the heart of Paris, along the historic axis that runs from the musée du Louvre to the Place de la Concorde, the Jardin des Tuileries provides the jardin des opportunity for and idyllic stroll through what is assuredly one of the most beautiful and prestigious gardens in the world. Under the authority of the musée du Louvre tuileries since 2005, the Jardin des Tuileries is the largest (25,5 hectares) and the oldest public garden in Paris. The garden is crossed each year by 14 million visitors. More than 500 000 visitors attend the Hors les Murs programme during FIAC week. The Tuileries hosts over 200 statues from the 17th to the 20th Century. This historical monument is also been listed as a World Heritage Site by Unesco since 1991.

Discover the settings of the Jardin des Tuileries on our virtual tour at THIS LINK.

SELECTION COMMITTEE

Dominique de Font-Réaulx Cécile Debray Director of programmes and cultural Director of the musée de l’Orangerie mediation at the musée du Louvre Guy Tosatto Bernard Blistène Director of the musée de Grenoble Director of the Centre Pompidou Quentin Bajac Jean de Loisy Director of the Jeu de Paume Director of the École nationale Supérieure des Beaux-Arts de Paris Jennifer Flay Director of FIAC Blanche de Lestrange Deputy Director of FIAC, Head of Artistic Programmes

IMPORTANT DATES

• July 3rd: application deadline • Mid-July: Selection Committee • End of July: results of admission and definitive validation of the artworks’ location • September 4th: payment of the participation • September 4th: deadline for sending communication elements • September 15th: deadline for sending the technical files • September 15th: deadline for sending the insurance certificates • October 8th – 19th: installation • Tuesday October 20th: inauguration • October 26th - November 10th: dismantling

 Exhibition time can be extended to one month from the 4 Franz West, Dorit, 2002, Venus Over Manhattan © Marc Domage beginning of October to the beginning of November 2020. In an unprecedented development of the Hors les Murs exhibition in the Jardin des Tuileries, FIAC inaugurated in 2018 an ephemeral village of architectural projects on the most iconic of all Parisian squares, the Place de la Concorde. Exceptional installations are presented, forming an ensemble of historic and contemporary architectures, artists’ houses and utopian spaces. place de Rue royale la concorde Place de la Concor de

Avenue des Jardin Champs-Élysées des Tuileries de Place de la Concor

Pont de la Concorde

Carlos Cruz-Diez, ENVIRONNEMENT DE TRANSCHROMIE CIRCULAIRE, 1965-2017, Galerie Philippe Gravier © Marc Domage During one month in October, FIAC Hors les Murs invites an artist to imagine a specific project for the Place Vendome, which provides both powerful inspiration and an exceptional framework for contemporary creation. Like a jewel set in stone, built in perfect classical symmetry, the Place Vendome exemplifies creation, excellence and savoir-faire.

Over the years, it has showcased a series of bold and diverse projects including works by Jaume Plensa, Tadashi Kawamata, Paul McCarthy, place Dan Graham, Ugo Rondinone, Oscar Tuazon, Elmgreen & Dragset and Yayoi Kusama vendôme As to better visualize the exhibition context, we invite you to take a look at our virtual tour of the venue at THIS LINK.

Towards the Tuileries Ministry of Justice

R ue de C as tig lio ne

Yayoi Kusama, Life of the Pumpkin Recites, All About the Biggest Love for the People, 2019, Victoria Miro, Ota Fine Arts, David Zwirner © Marc Domage ,m Rue de la P

Oscar Tuazon, Une Colonne d’Eau, 2017, Chantal Crousel, Eva Presenhuber, Luhring Augustine © Marc Domage Elmgreem & Dragset, To Whom It May Concern, 2018, Perrotin © Marc Domage In the continuity of FIAC Hors les Murs in the Jardin des Tuileries, the musée national Eugène Delacroix opens to FIAC visitors, in collaboration with the musée du Louvre. Situated in the heart of Saint-Germain-des-Prés, the museum is an unexpected haven of peace, situated between a beautiful paved courtyard and an intimate garden. Originally housing the artist’s apartment, separate studio building and Musée especially designed garden, Maurice Denis and other great painters of national the 1920s fought to transform this unique place into a museum. Since 2015, FIAC has given carte-blanche to important contemporary artists, including José María Sicilia, Stéphane Thidet, Katinka Bock, eugène Rebecca Warren and Glenn Brown. delacroix

7 Katinka Bock, _O_O O (COOL FOUNTAIN), 2017 Jocelyn Wolff, Meyer Riegger, Greta Meert © Marc Domage Glenn Brown, Max Hetzler © Marc Domage APPLICATION DEADLINE: FRIDAY, JULY 3RD, 2020

Application forms for the Hors les Murs programme in the Jardin des Tuileries are available for completion online on our website: application.fiac.com

applications Upon completion of all of the sections, you will be able to download your contract in PDF format. A copy of this document must be signed and returned by email to the Artistic Programmes Department by Friday, July 3rd 2020.

Results will be announced at the end of July 2020.

APPLICATION CRITERIAS

• Galleries may submit several projects. Each project will be reviewed individually by the Selection Committee, before notification of admission or refusal. • Projects may be submitted jointly with other galleries, exhibitor or not at FIAC – Grand Palais. In this case, the applying gallery remains the only contractor and contact for the organization (responsibility, invoicing, insurances, logistics, etc.). • Galleries can apply to FIAC Hors les Murs before receiving the results of their application to FIAC Galleries at the Grand Palais. • Galleries refused at FIAC Galleries at the Grand Palais, but have already participated to FIAC, may apply to FIAC Hors les Murs. • Admitted projects must be realized according to the submitted description. Any artistic or conceptual changes after admission must be approved by the Selection Committee. • The allocations of artworks are chosen by the Selection Committee, the technical and the curatorial staff of the Jardin des Tuileries and FIAC programming team, depending on the technical and security constraints of presentation of the artwork.

• A flat rate of € 2.500 excl. tax is charged for each artwork and of € 3.000 excl. tax for ensembles by a same artist of two and more artworks, presented in the Jardin des Tuileries. • A flat rate of € 5.000 excl. tax is charged for a carte blanche on the Place Vendôme and at the musée national Eugène Delacroix and the architecture parcours on the Place de la Concorde • All exhibitors agree to pay an inconvenience penalty of 50% of the flat fee, in the event that they withdraw from the contract after it has been confirmed, and on or after September, 15th 2020. • Production, transport, installation, dismantling, tools and specific material, surveillance and insurance, maintenance of the artworks are the sole responsibility of the gallery.

SERVICES PROVIDED BY FIAC

• Exhibition space • Preliminary visit on site and assistance of the surveillance and gardener teams of the Tuileries • Assistance and coordination in preparation, planning and on site • Specific signage for each project • General signage for the display • Low barriers for artworks of a high value or those of a vulnerable nature • Official pictures • Dedicated comunication and media campaign • Official inauguration and allocation of invitations • Cultural mediation service provided by students of the Ecole du Louvre, from Thursday 22nd to Sunday 25th from 3pm to 5:30pm

Alex Katz, Chance, 2016, Thaddaeus Ropac © Marc Domage FIAC HORS LES MURS organiser reserves the right to have the artworks gallery or subcontractor of the gallery if it is in question removed from the exhibition space. observed that (s)he violates the terms and condi- In general terms, the deliberations and decisions tions of the present regulations, the technical file Section 1 – Description of the operations of the Selection Committee are governed by or the instructions given by the managing body of proposed by the organiser section 4 of FIAC Special Regulations. the space concerned and/or the organiser. This For the 2020 edition of FIAC, the organiser regulation does not create an overall duty of sur- pursues its special operations, dedicated to Section 3 – Attribution of locations veillance on the part of the organiser. artworks going beyond the scope of a regular It is also the role of the Selection Committee and The gallery also agrees to provide the works gallery booth, that is, an exhibition of artworks the organiser to attribute a location in one of requested by the organiser in the technical file in the following locations: Domaine national du the Spaces to the galleries selected through the within the time limits indicated. Louvre et des Tuileries, Place Vendôme, Musée application process. Galleries may not request Failing this, the organiser reserves the right to national Eugène Delacroix, Place de la Concorde, a specific site: the Selection Committee and the freely dispose of the location allocated to the general thanks to partnerships with the managing body organiser are free to propose the location that gallery. of these prestigious venues. This operation shall they consider the most appropriate. Works of art on display be referred to hereafter as FIAC Hors les Murs. This attribution shall be performed as per the Light and sound installations In parallel, the organiser holds FIAC Projects, conditions above, to which the following provi- regulations The organiser, together with the Selection Com- dedicated to specific artworks presented outside sions shall be added: mittee, reserves the right to require that any light the galleries booth, namely an exhibition of works After consultation with the managing body of or sound piece which is detrimental to neighbou- on the Avenue Winston Churchill and surroun- the Space in which the operation shall be imple- ring exhibitors or to the public shall be removed dings of the Grand Palais as well as indoor spaces mented, the organiser establishes the map of or its location modified. A plan indicating its of the Petit Palais. This operation is hereinafter the projects. Based on this map, the Selection location on the exhibition space and its technical referred to as «FIAC Projects». Committee freely performs the assignment of requirements must be presented beforehand. The organiser reserves the right to add other loca- locations, taking into account the specificities of The organiser may have cause to request the tions to FIAC Hors les Murs and FIAC Projects. each work and each location insofar as possible. displacement and/or removal of the artworks “Space” shall hereafter refer to the site in which For this attribution, the Selection Committee and concerned and/or the installation of appropriate the gallery selected for “FIAC Hors les Murs” or the organiser take the conditions of access to the measures, which the exhibitor agrees to imple- “FIAC Projects” exhibits its artwork. site where the work will be exhibited into account, ment without delay. This clause shall not be The exhibition time of these operations shall vary as well as other technical specificities of the site. interpreted to create a general obligation for the according to the exhibition space and the techni- A technical file will be delivered to the galleries organiser to supervise the fact that the artworks cal constraints of the artwork (contact organiser selected for the project, which will include a map on display present no form of danger, disturbance, for more specifics). of the location, with measurements, conditions of or risk of damage. At all events, the exhibition of For such purposes, the organiser has issued a spe- access to the site and its technical specificities. artworks is undertaken at the exhibitor’s sole lia- cific application form for each venue. The organiser shall not be held liable if a diffe- bility and under their surveillance. rence arises between the measurements indi- At all events, the exhibition of artworks is under- Section 2 - Selection of galleries cated on the map and the actual dimensions of taken at the gallery’s sole liability and under their The galleries that wish to participate in FIAC Pro- the location. The same applies for any other tech- surveillance. jects or FIAC Hors les Murs address the relevant nical indications. Installation / Removal application form to the organiser, duly signed and Some venues require following regulations It is hereby specified that in terms of installation completed with all the paperwork requested. Only imposed by the Police prefecture of Paris, the and removal, the organiser shall only provide applications from galleries admitted into FIAC at concerned arrondissement, the voirie, the city basic technical support; the full responsibility the Grand Palais will be studied by the Selection and any other public authority that can be related of these operations shall be incumbent to the committee of FIAC Projects or FIAC Hors les Murs to the project, along with the exhibition space’s gallery. (unless special authorisation from the organizer). own rules. The gallery shall be responsible for all of the costs Galleries may submit several projects. Each relating to its participation in the operation, such Section 4 – Installation and removal of project will be reviewed individually by the Selec- as installation, transportation, insurance and artworks tion Committee of the venue for which the gallery equipment hire or purchasing costs, as well as applied before notification of admission or refusal. Technical files covering the artists’ expenses. The organiser wishes to stress the fact that in The gallery agrees without reserve or restriction The gallery agrees to respect the deadlines and order for a gallery to be definitively selected, a Civil to comply with the technical file for the operation the installation and removal conditions that will Liability certificate must be returned imperatively for which it was selected. This file will be deli- be provided by the organiser in the technical file, before 15 september 2020, pursuant to the provi- vered to the gallery by the organiser and shall and the local authorities if needed. sions of section 6. Failing this, the application will include: Failure on the gallery’s part to comply with the be systemically rejected, irrespective of the state of - The dates of arrival and departure of the works, deadline or the conditions of occupation of sites advancement within the selection process. It shall - Instructions for clearing/cleaning and protec- authorises the organiser to claim payment in late retain the participation fee and the Organiser may ting the location used by the gallery, fees and damages. allocate the site to another gallery. - Specific security and installation instructions Specifically concerning dismantling, removal and The organiser verifies that the applications it - Specific regulations from the Space in which the clean up, the organiser may undertake any opera- receives are complete and signed. If so, the orga- artwork is presented, such as maximum weight. tions that have not been completed by the gallery niser submits the application to a Selection Com- The rules contained in the technical file are impe- within the agreed time limits, at the expense mittee relative to the exhibition venue, whose ratives. In general terms, the gallery agrees to and risk of the gallery. The galleries occupy the members are indicated on the FIAC website. comply with all instructions given by the organi- sites in the state in which they find them and The Selection Committee is solely responsible for: ser or the managing body of the Space concerned. must leave them in the same condition. Both the - Judging the artistic quality of the projects that are The galleries agree to respect all prescriptions gallery and the organiser shall sign a form regar- presented to it by the galleries and their conformity communicated by any local authorities and to its ding the state of entry and exit of the site. These with the expectations of visitors to FIAC own costs. documents are available from the organiser. They - Ensuring the artistic coherency between the The galleries are aware of the fact that the venue shall prevail in the event of an accident, without various propositions/works. selected for FIAC Projects and FIAC Hors les Murs contest on the part of the gallery. The Selection Committee’s decisions are final and are prestigious venues listed with the Monuments The repair of any deterioration caused by a gallery no correspondence shall be entered into. Historiques and particularly fragile, thus requi- or its installations, materials or goods, shall be at In the event of exhibition of artworks that do not ring special care and respect. the expense of the said gallery, as well as any clea- comply with the quality requirements of FIAC, the The organiser reserves the right to expulse any ning, rehabilitation, transportation, indisputably. 10

Alicja Kwade, Revolution (Gravitas), 2018, Kamel Mennour © Marc Domage Each gallery provides, at its own expense, for its or the organizer must be e satisfied by the gallery - It has settled the rights with the collective own transport, reception and installation of the and is at his expense. rights-management organisations concerned; the artworks and/or the materials that they require. The exhibitor is reminded that the insurance said rights must correspond to the utilisations It agrees to comply with the organiser’s instruc- subscribed to via the organiser does not cover the of the work made by the organiser within the tions pertaining to the regulation of the entrance artworks and that is therefore the exhibitor’s role framework of the present operation. and exit of artworks/materials, namely concer- to insure them, by communicating all pertinent The present authorisation is granted for a term ning the circulation of vehicles within the peri- information to its insurer, notably the information of ten years. meters the projects exhibition spaces. contained in the special and general condition of the Fair. Section 9 - Collective rights management INSURANCE / LIABILITY body Section 6 - Liability of the gallery Section 5 – Liability of the organizer In the absence of an agreement between the orga- Only the gallery is liable for any damage that the nisations that collect and distribute copyright The gallery holds full responsibility for producing set-up, exhibition, and dismantling of its artwork payments (the SACEM / ADAGP) and the orga- the exhibition (installation and dismantling creates (notably damage caused to the exhibition niser, the gallery deals directly with these orga- included). site or bodily injury.) nisations if it makes use of music, films etc. in The organiser: It agrees to pay the organiser, upon their first any manner whatsoever within the context of the 1. Provides the gallery with a prestigious exhibi- request, all of the amounts requested by them in Fair. The organiser shall assume no responsibility tion space and only requires technical and logis- this capacity. thereof. The organiser may, at any time, request tical fees, specified in the specific application file The galleries have an obligation to insure them- that the gallery produce the relevant proof pertai- for FIAC Hors les Murs or FIAC Projects. selves against any forms of damage (material, ning to such use of copyrighted material. 2. Assists the gallery during installation and physical or consequential) that they may create removal by providing basic technical support. within the framework of the operation they are MISCELLANEOUS The organiser’s civil liability shall not be engaged participating in. The organiser shall assume Section 10 - Security within the framework of any of these operations. no responsibility thereof. The gallery must 3. The organiser remains the gallery’s sole inter- provide, before 15 september 2020, a civil liabi- The gallery agrees to respect the security mea- locutor; under no circumstances shall the gallery lity insurance certificate covering it against the sures imposed by the nature of the artworks, formulate any form of claim to the manager of financial consequences of its liability, to a level their exhibition, or by the administrative or legal the venue. of € 7.500.000 per claim for physical injury, and authorities, as well as any security measures that Conservation of artworks and equipment – € 1.500.000 per claim for material and conse- may have been taken by the organiser. The orga- Liability quential damage. niser reserves the right to verify compliance with Artworks and all of the elements and equipment Section 7 - Insurance of the artworks, goods, these measures. Surveillance is provided under brought to its stand throughout the fair shall artists and media presented the organiser’s control: its decisions concerning remain the exhibitor’s sole responsibility and risk The galleries must insure the materials and the application of security rules must be imple- 24 hours a day, 7 days a week, during transport artworks for their total value, as well as the artists mented immediately. to and from the venue (stand included), handling, that they are presenting against all damages installation, and dismantling included. Under no that the aforementioned may sustain within the Section 11 - Customs circumstances shall the organiser be held liable framework of said operation. The organiser shall It is each gallery’s responsibility to accomplish concerning any of these elements. assume no responsibility thereof. the customs formalities for the materials and We draw the exhibitor’s particular attention to artworks brought into the country from abroad. the fact that the premises in which the FIAC Hors INTELLECTUAL PROPERTY The organiser shall not be held liable for any les Murs and FIAC Projects is held may expose Section 8 - Concession of rights / Guarantee difficulties that may arise with respect to such artworks and other equipment to accidents (falls, of peaceful enjoyment formalities. leakage, theft, loss, etc.) owing to their age and/ The gallery guarantees the organiser and the or the atypical character inherent to the event. Section 12 - Application of the FIAC General managing body of the spaces concerned that Regulations The exhibitor expressly accepts sole responsibi- it has obtained from the intellectual property lity for providing cover for all of the risks thereof. rights-holders all of the rights and/or authori- Sections 34 and 35 of the FIAC General Regula- While respecting the security regulations, (s) sations required in the creations that it intends tions apply to the operations. he must take all measures likely to protect the to exhibit, for the presentation of said creations THE BOND BETWEEN THE EXHIBITOR AND artworks and equipment against said risks; within the framework of the operation described THE ORGANISER IS ENTIRELY AND EXCLU- under no circumstances shall these measures in section 1. The organiser and the managing body SIVELY GOVERNED BY FRENCH LAW. ANY be incumbent to the organiser. It is notably the of the spaces concerned shall not be held liable DISPUTE SHALL BE SUBMITTED TO THE exhibitor’s role to decide the conditions of sur- in this domain. EXCLUSIVE JURISDICTION OF THE COURT veillance of said artworks and equipment (such The gallery authorises the organiser and the mana- OF NANTERRE AND THE FRENCH VERSION as secure hanging, assigning of its own guards at ging body of the spaces concerned to reproduce and the stand, etc.). represent these creations free of charge. OF THIS TEXT SHALL BE REFERRED TO. Some of the venues hosting FIAC Hors les Murs For the organiser: in the communication tools for or FIAC Projects, such as the Petit Palais, have the Fair (Internet, exhibition catalogue, invita- their own surveillance staff, since they are public tions, visitors’ map, promotional video etc.) and establishments, only said staff is authorized to more generally in any medium designed to promote move within the exhibition sites outside of public the Fair (photographs of the Fair for publication in opening hours. Therefore, the gallery accepts that traditional media or on the Internet, television these artworks may not be under surveillance by show produced about / during the Fair etc). its own guards or attendants outside of public For the managing body of the spaces concerned: in opening hours. It also agrees not to formulate any its entire promotional media and, more generally, grievance against the organisation and the place in all media designed to promote the operation. of exhibition in this regard and thus accepts full The gallery guarantees the organiser and the liability thereto. This condition is essential and managing body of the spaces concerned that: determining for the Organiser’s consent to the - It has obtained from the intellectual property present agreement. rights-holders in these creations, all of the rights Any specific prescription and request of surveil- and/or authorisations required for the above-men- lance imposed by the local authorities, the venue, tioned utilisations. 11