live in , 1954 Berlin, in live Berlin, 1951 * GIOCONDA DE VITO Violin Sonata in Amajor, in Sonata Violin 100 Op. recording: 07-10-1951recording: 7 –Studio Berlin Funkhaus, /RIAS Gminor in Chaconne ANTONIO TOMASO 07-10-1951recording: 7 –Studio Berlin Funkhaus, /RIAS piano Raucheisen, Michael III. II. I. JOHANNES 03-10-1954recording: Berlin Musik, für (live) /Hochschule conductor Jochum, Ludwig Georg RIAS-Symphonie-Orchester III. II. I. Violin LUDWIG Allegretto grazioso (quasi grazioso Andante)Allegretto tranquillo Andante Allegro amabile Rondo Larghetto Allegro non troppo ma Concerto 9:40 VAN BEETHOVEN 10:44 BRAHMS in Dmajor, in 61 Op. 8:07 7:15 12:55 VITALI

25:37 (1833-1897)

(1663-1745) (1770-1827) 5:31 GIOCONDA DE VITO The Times, the “intensity of imagination, coupled with the strong, clear tone and faultless technique […] technique aviolinist be to proved her faultless and tone clear strong, the with coupled imagination, of “intensity the Times, The to According Orchestra. Philharmonic London the conducted Sabata de Victor Hall; Albert Royal at the Concerto Violin Brahms realised. be not could planned, been already had which America, in World debut her War: Second by the impeded considerably was development further whose career her in a pinnacle 1938, marked A Viotti’s performing Philharmonic, Berlin the with debut Her . in Cecilia Santa di demia Acca renowned the at as well as in professorships accepting teaching, her continued also Vito De spirited. virtuosity her stupen tobe technique her declared the reviews where in In debut her made she 1934, recordings. first her included also which career ofher 1930sThe flowering saw a places. promising third and second into competitors fellow her relegated which as well as violinists Jan Kubelík, Arnold Rosé and Jenő Hubay. It was Krauss, her Bach playing Clemens and which particularly impressed Koussevitzky , Serge thein jurors conductors and the included jury Competition illustrious the of Violin Members abroad. attention International attracting thus first the won she 1932, In . throughout soloist a as career a pursuing whilst years ten De was. she than younger even were students her of most : of Conservatory at the a professor became violinist talented highly the 1924, In Rossi. seventeen, at Mario under Concerto Tchaikovsky Violin the performing orchestra, with debut her made she sixteen, of age tender the At repertoire. her broadening and technique her perfecting work, intensive her ued renowned violinists and violin became her mentor. teachers, only two years, she After her obtained Definal diploma. Vito contin most Italy’s of one Rémy Principe, where Conservatory the to sent was she eleven, of age the At lessons. formal her giving began violinist, aprofessional Francesco, uncle her whereupon Concerto, Violin Ninth Bériot’s play to able was she months, six only a stir. After causing immediately talent extraordinary her untaught, played she Initially, violin. the learn to wish the expressing before mandolin, the in 1907, interest 26 July on early an showed Franca she Martina of town Italian South the in growers wine of family amusical into Born development. this shaping and advancing in crucial artists women charismatic of echelon that to belonged also Vito de Gioconda Haendel, Ida and Wicks Camilla Martzy, Johanna Neveu, Ginette Bustabo, Guila Morini, Erica Alongside stages. international the conquered violinists female more and More inexorably. changed, times But exception. the were orchestra an of front in soloists as women virtuosos: by male dominated still was violin the of world the century, twentieth the of middle the In Soul and Heart with A Romantic 1948, she made her celebrated British debut with the the with debut British celebrated her made she 1948, 29 April On beginning. anew for base the became war, the London After

Gioconda de Vito de Gioconda (1907-1994) minor Violin Concerto in October October in Concerto Violin minor Vito taught at Bari for for at Bari taught Vito dous and and ­dous - - GIOCONDA DE VITO stage in the near future. During a long conversation, Pius XII, who loved classical and played the violin himself, managed to to managed himself, violin the played and music classical loved who XII, Pius conversation, along During future. near the in stage concert the from retire to planning was she that Pope the in confided and Vatican the in Concerto Mendelssohn the performed religious, deeply 1957 was In who Vito, de XII. Pius Pope of request the at Gandolfo Castel at by Brahms Sonata Violin G major the played she piano, the at 1953, Furtwängler In adored. with she whom Furtwängler, Wilhelm with performance her of memories fond particularly had Vito De noteworthy. is 3, 1and Nos Sonatas Violin Brahms’ and Sonata “Kreutzer” Beethoven’s of recordings in Fischer, documented Edwin pianist the with collaboration late Her America. in Tel appear Aviv. to never However, was Vito de Beet the played she where , and , Leningrad, and Moscow as afield far as and toured Furtwängler) under Triple Concerto Beethoven in the Mainardi and Enrico Michelangeli Benedetti Arturo with (including Festival Edinburgh the at performances several gave She violinist. female ’s leading being of position heavenly.” quite was despair and terror violinist’s ordinary the are which notes long its with […] life movement slow individual of the and intoned perfectly was note Every alifetime. in often hear to expect not we do a kind of was Vito’s de playing “Gioconda enthusiasm: his of secret no made He Concerto. Violin G major Mozart’s performing Kubelík, Rafael of baton the under Orchestra Symphony BBC the with together violinist young the heard had He Guardian. Manchester the for Cardus by Neville written one including reviews, euphoric further garnered debut London Her government. Italian by the her to “Tuscan” loaned the 1723, of was which Stradivari, by Antonio made instrument an played she recordings most For time. that during development its also and facets, its all in Vito’s de playing document recordings these over a decade, just of space the in Spohr. Made and Viotti Purcell, by Handel, music chamber as well as Viotti Battista by Giovanni 22 No Concerto the Concerto, Mendelssohn the included recordings Further favourites. personal were which Cello, and Violin for Concerto Double and Concerto Violin Brahms the Aprea); Tito pianist the (alongside Franck by César Sonata Violin Amajor the by Beethoven; “Kreutzer”) 8(the 7and Nos Sonatas recor two features also discography Her 1004. Dminor, in BWV Partita Bach the Yehudi and Menuhin); (alongside Concerto Violin Double Bach the Concerto; Violin Bach’s of Emajor versions two Respighi; by Ottorino arrangement orchestral an in Gminor in Chaconne famous Vitali’s Tomaso Antonio 1959. included recordings These until EMI for exclusively working Hall, Kingsway Road and at Abbey works of a number recorded producer, Vito her de as Bicknell With afterwards. shortly marry to was she whom Records, EMI of division HMV the of head Bicknell, David across came she where of the front rank.” Not long de after that, Vito made her first record at London’sAbbey Road Studios for“His Master’s Voice”, In the 1950s, de Vito’s career reached its peak. Now living in England, her adopted homeland, the Italian artist had risen to the the to risen had artist Italian the homeland, adopted her England, in living Now peak. its reached Vito’s de 1950s, career the In hoven Concerto in Jerusalem and the Brahms Concerto in Concerto Brahms the and Jerusalem in Concerto ­hoven dings of the Mozart Violin Concerto K216; the Violin K216; Violin the Concerto Violin Mozart the of ­dings GIOCONDA DE VITO de Vito’s art of the violin, which was always rooted in romantic sensibility. romantic in rooted always was which violin, the of Vito’sde art Gioconda of image conveys a rounded CD this by Brahms, Sonata Violin A major the and Chaconne Vitali’s Alongside exists. Vito de with concerto this of recording studio commercial no Grammophon, Deutsche for Kempen 1941 in van Paul recorded with already had she which Concerto Brahms the to contrast In value. documentary 1954 particular of is 3October on Musik für Hochschule Berlin the at Jochum Ludwig Georg under Orchestra Symphony RIAS the with made Concerto Violin Beethoven the of disc this on recording live The (CD95.585). 1951 in Jesus-Christus-Kirche Fricsay, made Ferenc Berlin of the at baton the under Orchestra Symphony RIAS the with Concerto Violin Brahms the of recording a striking includes already Audite’s catalogue Concerto. Violin felt a special affinity withthe music ofBrahms, always shining especially inthe for Violin and Cello and inthe violinistic brilliance sought –superficial her reper never Vito De years. later in broad increasingly becoming vibrato, aclear was playing her of trademark manner. Acharacteristic 1944. in premiered had she which Pizzetti by Ildebrando Concerto nuovo-Tedesco, the as well as Sibe by Jean Concerto Violin the Even Bartók. or Stravinsky Berg, of concertos the as such modernism of “classics” avoiding even at arm’smusic length, eighty-seven. of age 1994 in Rome in the at died She life. private into completely retiring before , in concert 1961, last gave her violinist the November In quality. in diminished playing her before stage the leave to herself promised had She herself. to true remained ethos, Tchaikovsky first the of jury the join to her asking Violin Competition in Moscow in invitation 1958 emphatically confirmed Oistrakh’s this. However, David Gioconda esteem: de Vito, motivated by anelevated highest artistic the in held was she years these during world, music the In while. ashort for only career, but her prolonged and advice pontiff’s the heeded Vito De talent”. “God-given her nurture to continue to needed she and performing stop to her for early too was it him, to According otherwise. her persuade Translation: ponderous sometimes a yearning, in tone sumptuous her exuded who violinist romantic of type the epitomised Vito de Gioconda contemporary kept She Brahms. and Beethoven Bach, were favourites her extensive: particularly not was Vito’sDe repertoire Vito occasionally played works by Alfredo Casella and Mario Castel Mario and Casella by Alfredo works played occasionally Vito De repertoire. her from missing was ­lius ­toire includes no showpieces which areThe violinist merely concerned with effect. Norbert Hornig Norbert Viola Scheffel Viola - GIOCONDA DE VITO GIOCONDA DE VITO GIOCONDA DE VITO GIOCONDA DE VITO GIOCONDA DE VITO

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