Bunita™ Swash Eight Styles & More Than 1.100 Automated Alternatives © 2015 by Petra Niedernolte and Ralf Sander Contents

BUM TYPE BUM TYPE

Thin 75 pt | Natural Velvet + | Semibold 60 pt

| Extrabold 150 pt +

Skin+

| Hair 340 pt

Introduction page 01 Web Compilation » page 04 Visit us on the web Buntype.com « Customisation with OpenType® Features » page 06

Quick Guide to OpenType® Features Social » page 08

Styles Issuu.com/buntype « » page 08

pinterest.com/buntype « Language Support » page 09 behance.net/buntype « Glyphs Overview » page 08

Waterfall » page 08

Text Samples » page 08

7 Buntypes Original Bunita Swash � Buntypes Original Bunita Swash 8 Introduction Introduction

Bunita™ Swash

A contemporary script font

Based on a contemporary, modern sans typeface, Bu- nita™ Swash was inspired by traditional calligraphic script and handwritten faces.

The result is an outstanding script font with low contrast, a large x-height and open counters but also with a huge variety of ligatures, swashed or ribbonized characters and styles.

Bunita™ Swash is always beautyful and friendly. But Use it can also be cute, formal or elegant. All Depends on your choices from the numerous automated opentype Due to the high customisability, Bunita™ Swash will fit a wide range of needs in various applications from large ambient displays to complex corporate designs. Designer Ralf Sander and Petra Niedernolte Features

Bunita™ Swash is available in 8 styles with rang- ing from Hair to ExtraBold. Each style contains more than 1600 characters for at least 58 languag- � es. 1100 of them are alternate characters for contextual, swash and ligature replacements.

9 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 10 Compilation Compilation Beautifully Over 1.360 Characters per Style Eight carefully tuned styles from Hairline to Extrabold Solutioni Comes with many ligatures, swash- and bow characters Silk Decorative Ornaments Valuable Hamburg Calligraphic Cute & Friendly Halftone Alternatives 11 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 12 Specimen Bunita Swash Styles

Hamburgefontskovix Hair Hamburgefontskovix Thin Hamburgefontskovix Light Hamburgefontskovix Semilight Hamburgefontskovix Salt Regular Hamburgefontskovix SemiBold Hamburgefontskovix Bold Hamburgefontskovix ExtraBold

13 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 14 Melted| Extrabold 210 pt Energy Releasing

| Light 70 pt

Melting – also called fusion – is a process that results in the phase transition from solid to liquid by increasing the temperature to the melting point. Sometimes this transition releases pure energy. �

15 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 16 Customisation Customisation

1. Hasted sunfloat Contextual glyph replacement and ligatures only 2. Hasted sunfloat Additionally with Capital Swashes and discretionary ligatures Customisation 3. Hasted sunfloat

Additionally with descender swashes and simple end swashes

The customisation options of Bunita™ Swash are not only 4. Hasted sunfoat very comprehensive, they are all automated. All alternatives, ligatures and swashes can be switched on and off via Additionally with ribbonized ligatures OpenType® features. The placement of all alternatives will be calculated by the font itself depended on the character context. 5. Hasted sunfoat

Additionally with end-ribbons 6. Hasted sunfoat

Additionally with ribbonized Caps

17 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 18 OpenType Features OpenType Feautures 1. Bunita™ Swash

In this version of Bunita™ Swash, we have bundled the most beautiful set of swashes and ribbons in the ‘Contextual Alternate’ feature, which should be ‘on’ by default in almost every OpenType-savvy application. So you have to do nothing more than choosing Bunita™ Swash as your desired font.

Features 2. Bunita™ Swash Expert

If you want to have more control, use Bunita™ Buntype provide you two different versions of Bunita™ Swash Expert. Swash with every purchase: Bunita Swash and Bunita™ ‘Contextual Alternates’ should always be on. This Swash Expert. While Bunita™ Swash works guarantees optimized character combinations in all perfect with every OpenType-savvy situations. All other Bunita™ Swash Expert features application, Bunita™ Swash Expert can be controlled via the OpenType settings: shows best results with a profes- • For f-ligatures, choose ‘Ligatures’. sional layout application. The • For s-ligatures, choose ‘Discretionary Ligatures’. following steps for Bunita™ • For capital swashes, choose ‘Set 02’. Swash Expert describe the usage • For alternate uppercase letters, choose‘ Set 03’. with Adobe® Indesign®. In • For ribbonized s-ligatures, choose ‘Set 04’. other applications, even by • For ribbonized ascenders, choose ‘Set 05’. Adobe®, the steps and the menu • For descender swashes, choose ‘Set 06’. names may differ. • For numeral swashes, choose ‘Set 07’. • For simple ending swashes, choose ‘Set 08’. • For endbows, choose ‘Set 09’, • For alternate endbows ‘Set 10’.

» See Bunita Quick Guide for further instructions, please.

19 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 20 OpenType Features OpenType Features

Long Capital Other Swashes Features

The capitals with long swashes suppress all descender swashes. But reversely, they might be suppressed by standard descender characters like g or y. Bunita™ Swash Expert only. • For capitals with long ribbons, choose ‘Set 10’, ‘Set 11’, ‘Set 12’ or ‘Set 13’ (from shortest to longest).

Bunita™ Swash Expert only. • For alternate capital swashes, choose ‘Feature 03’. • For alternate capital character A, choose ‘Feature 05’. • For alternate capital character E, choose ‘Feature 06’. • For capital german Eszett, choose Feature‘ 07’. • For alternate characters g and y, choose ‘Feature 08’. • For alternate character z, choose ‘Feature 09’.

21 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 22 Sentimenti | Thin 167 pt

�uid| Bold 270 pt

23 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 24 Specimen: Letters and Ligatures with Endbows Specimen: Ribbons and Ribbonized Ligatures Voca� Niellan Slac� Violial Antia Alaua

25 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 26 Language Support Language Support

Language Support Desktop Editions

Bunita™ Swash contains the Latin and additionally the Latin+™ glyph sets and support at least 58 latin languages including eastern- (Baltic) central- (CE) and southern European (Turk) as well as many regional languages (e.g. Catalan, Corsian): Afrikaans, Albanian, Alsatian, Arumanian, Asturian, Basque, Bosnian, Breton, Catalan, Cebuano, Chichewa, Cor- nish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Frisian, Friulian, Gaelic, Gagauz (Latin), Galician, German, Greenlandic, Hawaijan, Hungarian, Icelan- dic, Indonesian, Irish, Irish Gaelic, Italian, Japanese (Rōmaji), Karelian, Ladin, Latin (Lingua Latina), Latvi- Sĭ�ĺßi an, Lithuanian, Luba, Maltese, Moldavian (Latin), Norwegian, Occitan, Polish, Portuguese, Rheto-Ro- mance, Romanian, Sámi (Lule), Sámi (Northern), Sámi (Southern), Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Sorbian, Spanish, Swahili, Swedish, Turk- ish, Turkmen (Latin), Vepsian, Wolof, Zulu and others.

Web Editions

The Web Standard Edition of Bunita contains an extended Latin character set. The character set may be customizable through Webfont applications depending� on your distributor.

27 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 28 Mama Bunita’s | Extrabold 170 pt

| Bold 38 pt Mu�ard Sauce With many delicious organic ingredients like thyme, mint, pepper, garlic, a variety Hair 129 pt | of different mustard seeds and many secret spices.

29 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 30 Variants Variants

monkey Standard bakery Descender swash milk skye Endswash Descender suppresses swash whelk bokeh Ascender ribbon and end swash Ribbon and descender swash wreak asking End ribbon version 1 Ligature unhook mask End ribbon version 2 Ligagure with end swash creak arabesk kkk�kkk�k�� Ascender ribbon and end ribbon version 1 Ligature with ribbon and end swash �� forsook spruik Ascender ribbon and end ribbon version 2 Ligature with ascender ribbon and end ribbon

holk Characters and their variants: k Ligature with ascender ribbon and end ribbon In order to handle all contextual situations and applicated features adequate, Bunita™ Swash contains a huge amount of ka�aesque derivated alternates. Ligature with ascender ribbon and descender swash

31 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 32 Specimen Specimen Slit Volt Advanced Solutions The whole true story

Biological innovations made possible: The Never ending and new every day. About a worldwide leader in technology and knowledge man and his inventions: of biochemical treatments and behaviors. Alessandro Giuseppe Antonio Anastasio Volta

33 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 34 35 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 36 Lowercase Letters Uppercase Letters

aaaaab�c AAAABBCC Contemporarydddddddddd Letterforms ContemporaryDDEEFFGGHHH Letterforms �effgggghhhhh� IIJJKKKLL h�iiiijkkkkkkk MMMNNNOOPP �k�lllllmmmm QQR�RSSTTU�U nnnnnoppqrss VVWWXX tttttuuuuvvww YYZZ xxxxxyy��zzz and more…

and more…

…a selection from over 1.600 automated …a selection from over 1.600 automated characters characters

37 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 38 Ligatures Ligatures

��sk��

and more… and more…

…a selection from over 1.600 automated …a selection from over 1.600 automated characters characters

39 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 40 Specimen: Uppercase Letters with Long Swashes Specimen: Uppercase Letters with Long Swashes Mirabell Holland Accord Element Rosacea Medalli�

41 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 42 Waterfall Text Samples with all Swashes

The Tragedy of Hamlet; Prince of Denmark Hamburgefontskovic (Shakespeare, England 1523, Act 3, Scene Hamburgefontskovic 2) Nay, do not think I flatter. For what advancement may I hope from thee that no Hamburgefontskovic revenue hast but thy good spirits, to feed Hamburgefontskovic Hamburgefontskovic and clothe thee? Why should the poor be Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic flatter’d? No, let the candied tongue lick ab - Hamburgefontskovic Hamburgefontskovic surd pomp, and crook the pregnant hing - Hamburgefontskovic Hamburgefontskovic Hamburgefontskovic es of the knee where thrift may follow fawn- Hamburgefontskovic Hamburgefontskovic ing. Dost thou hear? Since my dear soul Waterfall Thin was mistress of her choice and could of men Hamburgefontskovic distinguish, her election hath seal’d thee for Hamburgefontskovic herself; for thou hast been as one, in suffering all, that suffers nothing, a man that for- Hamburgefontskovic tune’s buffets and rewards hast ta’en with equal thanks: and blest are those whose Waterfall ExtraBold

43 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 44 Text Samples with all Swashes Text Samples with all Swashes Elsinore. A platform Elsinore. A platform before the castle before the castle Why should the poor be flatter’d? No, let Why should the poor be flatter’d? No, let the candied tongue lick absurd pomp, the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee and crook the pregnant hinges of the knee where thrift may follow fawning. Dost where thrift may follow fawning. Dost thou hear? thou hear? Since my dear soul was mistress of her choice and could of men Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that for- been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks. tune’s buffets and rewards hast ta’en with equal thanks.

And blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune’s And blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune’s finger to sound what stop she please. Give me that man that is not passion’s slave, and I will wear him in my finger to sound what stop she please. Give me that man that is not passion’s slave, and I will wear him in my heart’s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to -night before the heart’s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to -night before the king; One scene of it comes near the circumstance which I have told thee of my father’s death: I prithee, when thou king; One scene of it comes near the circumstance which I have told thee of my father’s death: I prithee, when thou seest that act afoot, even with the very comment of thy soul observe mine uncle: if his occulted guilt do not itself seest that act afoot, even with the very comment of thy soul observe mine uncle: if his occulted guilt do not itself unkennel in one speech, it is a damned ghost that we have seen, and my imaginations are as foul as Vulcan’s unkennel in one speech, it is a damned ghost that we have seen, and my imaginations are as foul as Vulcan’s stithy. Give him heedful note; For I mine eyes will rivet to his face, and after we will both our judgments join in stithy. Give him heedful note; For I mine eyes will rivet to his face, and after we will both our judgments join in censure of his seeming. So long? Nay then, let the devil wear black, for censure of his seeming. So long? Nay then, let the devil wear black, for I’ll have a suit of sables. O heavens! die two months ago, and not forgotten yet? Then there’s hope a greatman’s I’ll have a suit of sables. O heavens! die two months ago, and not forgotten yet? Then there’s hope a greatman’s memory may outlive his life half a year: but, by’r lady, he must build churches, then; or else shall he suffer not memory may outlive his life half a year: but, by’r lady, he must build churches, then; or else shall he suffer not thinking on, with the hobby -horse, whose epitaph is ’For, O, for, O, the hobby -horse is forgot.’ thinking on, with the hobby -horse, whose epitaph is ’For, O, for, O, the hobby -horse is forgot.’

45 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 46 Specimen Specimen Suoluz Auluci Mistric Ylisiuh Vălerie Vilolio

47 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 48 Text Samples without Swashes Text Samples without Swashes

Hair 8/10 pt: Thin 8/10 pt: Regular/Bold 16/22,4 pt: Regular/Bold 10/14 pt: Nay, do not think I flatter. For what advancement may I hope from thee that Nay, do not think I flatter. For what advancement may I hope from thee The Tragedy of Hamlet; Prince of Denmark (Shake- no revenue hast but thy good spirits, to feed and clothe thee? Why should that no revenue hast but thy good spirits, to feed and clothe thee? Why The Tragedy of Hamlet; Prince of Den- the poor be flatter’d? No, let the candied tongue lick absurd pomp, and crook should the poor be flatter’d? No, let the candied tongue lick absurd pomp, speare, England 1523; Act 3, Scene 2) Nay, do not the pregnant hinges of the knee where thrift may follow fawning. Dost thou and crook the pregnant hinges of the knee where thrift may follow fawning. mark (Shakespeare, England 1523; Act think I flatter. For what advancement may I hope hear? Since my dear soul was mistress of her choice and could of men distin- Dost thou hear? Since my dear soul was mistress of her choice and could of from thee that no revenue hast but thy good spir- guish, her election hath seal’d thee for herself; for thou hast been as one, in men distinguish, her election hath seal’d thee for herself; for thou hast been 3, Scene 2) A hall in the castle. Hamlet) its, to feed and clothe thee? Why should the poor suffering all, that suffers nothing, a man that fortune’s buffets and rewards as one, in suffering all, that suffers nothing, a man that fortune’s buffets and Nay, do not think I flatter. For what ad- be flatter’d? No, let the candied tongue lick absurd Light 8/10 pt: Semilight 8/10 pt: pomp, and crook the pregnant hinges of the knee Nay, do not think I flatter. For what advancement may I hope from thee Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why that no revenue hast but thy good spirits, to feed and clothe thee? Why vancement may I hope from thee that where thrift may follow fawning. Dost thou hear? should the poor be flatter’d? No, let the candied tongue lick absurd pomp, should the poor be flatter’d? No, let the candied tongue lick absurd pomp, Since my dear soul was mistress of her choice and and crook the pregnant hinges of the knee where thrift may follow fawning. and crook the pregnant hinges of the knee where thrift may follow faw- no revenue hast but thy good spirits, to Dost thou hear? Since my dear soul was mistress of her choice and could ning. Dost thou hear? Since my dear soul was mistress of her choice and of men distinguish, her election hath seal’d thee for herself; for thou hast could of men distinguish, her election hath seal’d thee for herself; for thou feed and clothe thee? Why should the been as one, in suffering all, that suffers nothing, a man that fortune’s- buf hast been as one, in suffering all, that suffers nothing, a man that fortune’s poor be flatter’d? No, let the candied Regular/Bold 8/11,2 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England Regular 8/10 pt: Semibold 8/10 pt: 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advance- Nay, do not think I flatter. For what advancement may I hope from thee Nay, do not think I flatter. For what advancement may I hope from thee tongue lick absurd pomp, and crook the ment may I hope from thee that no revenue hast but thy good that no revenue hast but thy good spirits, to feed and clothe thee? Why that no revenue hast but thy good spirits, to feed and clothe thee? Why spirits, to feed and clothe thee? Why should the poor be flatter’d? should the poor be flatter’d? No, let the candied tongue lick absurd pomp, should the poor be flatter’d? No, let the candied tongue lick absurd No, let the candied tongue lick absurd pomp, and crook the preg- and crook the pregnant hinges of the knee where thrift may follow faw- pomp, and crook the pregnant hinges of the knee where thrift may fol- Regular/Bold 14/19,6 pt: nant hinges of the knee where thrift may follow fawning. Dost ning. Dost thou hear? Since my dear soul was mistress of her choice and low fawning. Dost thou hear? Since my dear soul was mistress of her thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for choice and could of men distinguish, her election hath seal’d thee for The Tragedy of Hamlet; Prince of Denmark could of men distinguish, her election hath seal’d thee for herself; thou hast been as one, in suffering all, that suffers nothing, a man that herself; for thou hast been as one, in suffering all, that suffers nothing, a for thou hast been as one, in suffering all, that suffers nothing, Semibold 8/10 pt: Extrabold 8/10 pt: (Shakespeare, England 1523; Act 3, Scene 2) a man that fortune’s buffets and rewards hast ta’en with equal Nay, do not think I flatter. For what advancement may I hope from thee Nay, do not think I flatter. For what advancement may I hope from thee Nay, do not think I flatter. For what advance- thanks: and blest are those whose blood and judgment are so that no revenue hast but thy good spirits, to feed and clothe thee? Why that no revenue hast but thy good spirits, to feed and clothe thee? Why well commingled, that they are not a pipe for fortune’s finger to should the poor be flatter’d? No, let the candied tongue lick absurd should the poor be flatter’d? No, let the candied tongue lick absurd ment may I hope from thee that no revenue pomp, and crook the pregnant hinges of the knee where thrift may fol- pomp, and crook the pregnant hinges of the knee where thrift may fol- Regular/Bold 7/9,8 pt: low fawning. Dost thou hear? Since my dear soul was mistress of her low fawning. Dost thou hear? Since my dear soul was mistress of her hast but thy good spirits, to feed and clothe choice and could of men distinguis, her election hath seal’d thee for choice and could of men distinguish, her election hath seal’d thee for The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, herself; for thou hast been as one, in suffering all, that suffers nothing, herself; for thou hast been as one, in suffering all, that suffers nothing, thee? Why should the poor be flatter’d? No, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why let the candied tongue lick absurd pomp, and should the poor be flatter’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. crook the pregnant hinges of the knee where Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been thrift may follow fawning. Dost thou hear? as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks: and blest are those whose blood and Since my dear soul was mistress of her choice judgment are so well commingled, that they are not a pipe for fortune’s finger to sound what stop she please. Give me that man that is not passion’s slave, Regular/Bold 10/14 pt: and I will wear him in my heart’s core, ay, in my heart of heart, as I do thee. The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng- land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what ad- Regular/Bold 6/8,4 pt: vancement may I hope from thee that no revenue hast but thy The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) good spirits, to feed and clothe thee? Why should the poor be Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter’d? No, flatter’d? No, let the candied tongue lick absurd pomp, and crook let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee the pregnant hinges of the knee where thrift may follow fawning. where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou Dost thou hear? Since my dear soul was mistress of her choice hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks: and blest are those whose blood and judgment and could of men distinguish, her election hath seal’d thee for are so well commingled, that they are not a pipe for fortune’s finger to sound what stop herself; for thou hast been as one, in suffering all, that suffers she please. Give me that man that is not passion’s slave, and I will wear him in my heart’s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a nothing, a man that fortune’s buffets and rewards hast ta’en with play to-night before the king; One scene of it comes near the circumstance which I have told thee of my father’s death: I prithee, when thou seest that act afoot, even with the equal thanks: and blest are those whose blood and judgment are very comment of thy soul observe mine uncle: if his occulted guilt do not itself unkennel

49 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 50 Text Samples with all Swashes Text Samples with all Swashes

Hair 8/10 pt: Thin 8/10 pt: Regular/Bold 16/22,4 pt: Regular/Bold 10/14 pt: Nay, do not think I flatter. For what advancement may I hope from thee Nay, do not think I flatter. For what advancement may I hope from thee The Tragedy of Hamlet; Prince of Denmark (Shake- that no revenue hast but thy good spirits, to feed and clothe thee? Why that no revenue hast but thy good spirits, to feed and clothe thee? Why The Tragedy of Hamlet; Prince of Den- should the poor be flatter’d? No, let the candied tongue lick absurd should the poor be flatter’d? No, let the candied tongue lick absurd speare, England 1523; Act 3, Scene 2) Nay, do not pomp, and crook the pregnant hinges of the knee where thrift may follow pomp, and crook the pregnant hinges of the knee where thrift may follow mark (Shakespeare, England 1523; Act think I flatter. For what advancement may I hope fawning. Dost thou hear? Since my dear soul was mistress of her choice fawning. Dost thou hear? Since my dear soul was mistress of her choice from thee that no revenue hast but thy good spir- and could of men distinguish, her election hath seal’d thee for herself; for and could of men distinguish, her election hath seal’d thee for herself; for 3, Scene 2) A hall in the castle. Ham- its, to feed and clothe thee? Why should the poor Light 8/10 pt: Semilight 8/10 pt: let) Nay, do not think I flatter. For be flatter’d? No, let the candied tongue lick absurd Nay, do not think I flatter. For what advancement may I hope from thee Nay, do not think I flatter. For what advancement may I hope from thee pomp, and crook the pregnant hinges of the knee that no revenue hast but thy good spirits, to feed and clothe thee? Why that no revenue hast but thy good spirits, to feed and clothe thee? what advancement may I hope from where thrift may follow fawning. Dost thou hear? should the poor be flatter’d? No, let the candied tongue lick absurd Why should the poor be flatter’d? No, let the candied tongue lick ab - Since my dear soul was mistress of her choice and pomp, and crook the pregnant hinges of the knee where thrift may fol- surd pomp, and crook the pregnant hinges of the knee where thrift thee that no revenue hast but thy low fawning. Dost thou hear? Since my dear soul was mistress of her may follow fawning. Dost thou hear? Since my dear soul was mistress choice and could of men distinguish, her election hath seal’d thee for of her choice and could of men distinguish, her election hath seal’d good spirits, to feed and clothe thee? Regular/Bold 8/11,2 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng - Regular 8/10 pt: Semibold 8/10 pt: Why should the poor be flatter’d? No, land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what Nay, do not think I flatter. For what advancement may I hope from thee Nay, do not think I flatter. For what advancement may I hope from advancement may I hope from thee that no revenue hast but that no revenue hast but thy good spirits, to feed and clothe thee? thee that no revenue hast but thy good spirits, to feed and clothe let the candied tongue lick absurd thy good spirits, to feed and clothe thee? Why should the poor Why should the poor be flatter’d? No, let the candied tongue lick ab - thee? Why should the poor be flatter’d? No, let the candied tongue be flatter’d? No, let the candied tongue lick absurd pomp, and surd pomp, and crook the pregnant hinges of the knee where thrift lick absurd pomp, and crook the pregnant hinges of the knee where Regular/Bold 14/19,6 pt: crook the pregnant hinges of the knee where thrift may follow may follow fawning. Dost thou hear? Since my dear soul was mistress thrift may follow fawning. Dost thou hear? Since my dear soul was fawning. Dost thou hear? Since my dear soul was mistress of of her choice and could of men distinguish, her election hath seal’d mistress of her choice and could of men distinguish, her election hath The Tragedy of Hamlet; Prince of Denmark her choice and could of men distinguish, her election hath seal’d Semibold 8/10 pt: Extrabold 8/10 pt: (Shakespeare, England 1523; Act 3, Scene 2) thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast Nay, do not think I flatter. For what advancement may I hope from Nay, do not think I flatter. For what advancement may I hope from Nay, do not think I flatter. For what advance- thee that no revenue hast but thy good spirits, to feed and clothe thee that no revenue has but thy good spirits, to feed and clothe ta’en with equal thanks: and blest are those whose blood and thee? Why sould the poor be flatter’d? No, let the candied tongue thee? Why should the poor be flatter’d? No, let the candied tongue ment may I hope from thee that no revenue lick absurd pomp, and crook the pregnant hinges of the knee where lick absurd pomp, and crook the pregnant hinges of the knee where Regular/Bold 7/9,8 pt: thrift may folow fawning. Dos thou hear? Since my dear soul was thrift may follow fawning. Dost thou hear? Since my dear soul was hast but thy good spirits, to feed and clothe The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; mistress of her choice and could of men disinguish, her election hath misress of her choice and could of men distinguish, her election hath Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I thee? Why should the poor be flatter’d? No, hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter’d? No, let the candied tongue let the candied tongue lick absurd pomp, lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was -mis and crook the pregnant hinges of the knee tress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers where thrift may follow fawning. Dost thou nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks: and blest are those whose blood and judgment are so well com- Regular/Bold 10/14 pt: mingled, that they are not a pipe for fortune’s finger to sound what stop she please. Give me that man that is not passion’s slave, and I will wear The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng - land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what Regular/Bold 6/8,4 pt: advancement may I hope from thee that no revenue hast The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene but thy good spirits, to feed and clothe thee? Why should 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor the poor be flatter’d? No, let the candied tongue lick absurd be flatter’d? No, let the candied tongue lick absurd pomp, and crook the pregnant pomp, and crook the pregnant hinges of the knee where thrift hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d may follow fawning. Dost thou hear? Since my dear soul was thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks: and blest are mistress of her choice and could of men distinguish, her elec- those whose blood and judgment are so well commingled, that they are not a pipe tion hath seal’d thee for herself; for thou hast been as one, for fortune’s finger to sound what stop she please. Give me that man that is not -pas sion’s slave, and I will wear him in my heart’s core, ay, in my heart of heart, as I in suffering all, that suffers nothing, a man that fortune’s- buf do thee. Something too much of this. There is a play to -night before the king; One scene of it comes near the circumstance which I have told thee of my father’s death:

51 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 52 Text Samples without Swashes Text Samples without Swashes

Book/Bold 12/15 pt: Book/Bold 8/10 pt: Medium/Bold 14/17,5 pt: Medium/Bold 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shake- The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England The Tragedy of Hamlet; Prince of Denmark The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advance- 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advance- speare, England 1523; Act 3, Scene 2) Nay, do not think ment may I hope from thee that no revenue hast but thy good (Shakespeare, England 1523; Act 3, Scene 2) ment may I hope from thee that no revenue hast but thy good I flatter. For what advancement may I hope from thee spirits, to feed and clothe thee? Why should the poor be flatter’d? spirits, to feed and clothe thee? Why should the poor be flatter’d? No, let the candied tongue lick absurd pomp, and crook the preg- Nay, do not think I flatter. For what advance- No, let the candied tongue lick absurd pomp, and crook the preg- that no revenue hast but thy good spirits, to feed and nant hinges of the knee where thrift may follow fawning. Dost nant hinges of the knee where thrift may follow fawning. Dost clothe thee? Why should the poor be flatter’d? No, thou hear? Since my dear soul was mistress of her choice and ment may I hope from thee that no revenue thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; hast but thy good spirits, to feed and clothe could of men distinguish, her election hath seal’d thee for herself; let the candied tongue lick absurd pomp, and crook for thou hast been as one, in suffering all, that suffers nothing, for thou hast been as one, in suffering all, that suffers nothing, the pregnant hinges of the knee where thrift may fol- a man that fortune’s buffets and rewards hast ta’en with equal thee? Why should the poor be flatter’d? No, a man that fortune’s buffets and rewards hast ta’en with equal thanks: and blest are those whose blood and judgment are so thanks: and blest are those whose blood and judgment are so low fawning. Dost thou hear? Since my dear soul was well commingled, that they are not a pipe for fortune’s finger to let the candied tongue lick absurd pomp, well commingled, that they are not a pipe for fortune’s finger to mistress of her choice and could of men distinguish, and crook the pregnant hinges of the knee her election hath seal’d thee for herself; for thou where thrift may follow fawning. Dost thou hast been as one, in suffering all, that suffers noth-

Book/Bold 11/13,75 pt: Book/Bold 7/8,75 pt: Medium/Bold 12/1525% pt: Medium/Bold 7/8,75 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act The Tragedy of Hamlet; Prince of Denmark (Shake- The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope England 1523; Act 3, Scene 2) Nay, do not think I flatter. For from thee that no revenue hast but thy good spirits, to feed and clothe speare, England 1523; Act 3, Scene 2) Nay, do not think from thee that no revenue hast but thy good spirits, to feed and clothe what advancement may I hope from thee that no revenue thee? Why should the poor be flatter’d? No, let the candied tongue lick ab- thee? Why should the poor be flatter’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may I flatter. For what advancement may I hope from thee surd pomp, and crook the pregnant hinges of the knee where thrift may hast but thy good spirits, to feed and clothe thee? Why follow fawning. Dost thou hear? Since my dear soul was mistress of her that no revenue hast but thy good spirits, to feed and follow fawning. Dost thou hear? Since my dear soul was mistress of her should the poor be flatter’d? No, let the candied tongue lick choice and could of men distinguish, her election hath seal’d thee for her- choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man clothe thee? Why should the poor be flatter’d? No, self; for thou hast been as one, in suffering all, that suffers nothing, a man absurd pomp, and crook the pregnant hinges of the knee that fortune’s buffets and rewards hast ta’en with equal thanks: and blest that fortune’s buffets and rewards hast ta’en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are let the candied tongue lick absurd pomp, and crook are those whose blood and judgment are so well commingled, that they where thrift may follow fawning. Dost thou hear? Since my not a pipe for fortune’s finger to sound what stop she please. Give me that are not a pipe for fortune’s finger to sound what stop she please. Give me dear soul was mistress of her choice and could of men dis- man that is not passion’s slave, and I will wear him in my heart’s core, ay, the pregnant hinges of the knee where thrift may fol- that man that is not passion’s slave, and I will wear him in my heart’s tinguish, her election hath seal’d thee for herself; for thou low fawning. Dost thou hear? Since my dear soul was hast been as one, in suffering all, that suffers nothing, a mistress of her choice and could of men distinguish, man that fortune’s buffets and rewards hast ta’en with her election hath seal’d thee for herself; for thou hast equal thanks: and blest are those whose blood and judg- been as one, in suffering all, that suffers nothing, a

Book/Bold 10/12,5 pt: Book/Bold 6/7,5 pt: Medium/Bold 10/12,5 pt: Medium/Bold 6/7,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng- The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng- The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue Nay, do not think I flatter. For what advancement may I hope from thee that no revenue land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what ad- hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter’d? No, land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee vancement may I hope from thee that no revenue hast but thy where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of advancement may I hope from thee that no revenue hast but where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of good spirits, to feed and clothe thee? Why should the poor be her choice and could of men distinguish, her election hath seal’d thee for herself; for thou thy good spirits, to feed and clothe thee? Why should the poor her choice and could of men distinguish, her election hath seal’d thee for herself; for hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s- buf flatter’d? No, let the candied tongue lick absurd pomp, and crook rewards hast ta’en with equal thanks: and blest are those whose blood and judgment be flatter’d? No, let the candied tongue lick absurd pomp, and fets and rewards hast ta’en with equal thanks: and blest are those whose blood and are so well commingled, that they are not a pipe for fortune’s finger to sound what stop judgment are so well commingled, that they are not a pipe for fortune’s finger to sound the pregnant hinges of the knee where thrift may follow fawning. she please. Give me that man that is not passion’s slave, and I will wear him in my crook the pregnant hinges of the knee where thrift may fol- what stop she please. Give me that man that is not passion’s slave, and I will wear him Dost thou hear? Since my dear soul was mistress of her choice heart’s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a low fawning. Dost thou hear? Since my dear soul was mistress in my heart’s core, ay, in my heart of heart, as I do thee. Something too much of this. play to-night before the king; One scene of it comes near the circumstance which I have There is a play to-night before the king; One scene of it comes near the circumstance and could of men distinguish, her election hath seal’d thee for told thee of my father’s death: I prithee, when thou seest that act afoot, even with the of her choice and could of men distinguish, her election hath which I have told thee of my father’s death: I prithee, when thou seest that act afoot, very comment of thy soul observe mine uncle: if his occulted guilt do not itself unkennel even with the very comment of thy soul observe mine uncle: if his occulted guilt do not herself; for thou hast been as one, in suffering all, that suffers seal’d thee for herself; for thou hast been as one, in suffering nothing, a man that fortune’s buffets and rewards hast ta’en with all, that suffers nothing, a man that fortune’s buffets and re- equal thanks: and blest are those whose blood and judgment are wards hast ta’en with equal thanks: and blest are those whose so well commingled, that they are not a pipe for fortune’s fin- blood and judgment are so well commingled, that they are not

53 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 54 Text Samples with all Swashes Text Samples with all Swashes

Book/Bold 12/15 pt: Book/Bold 8/10 pt: Medium/Bold 14/17,5 pt: Medium/Bold 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shake- The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng - The Tragedy of Hamlet; Prince of Denmark The Tragedy of Hamlet; Prince of Denmark (Shakespeare, land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what England 1523; Act 3, Scene 2) Nay, do not think I flatter. For speare, England 1523; Act 3, Scene 2) Nay, do not advancement may I hope from thee that no revenue hast but (Shakespeare, England 1523; Act 3, Scene what advancement may I hope from thee that no revenue hast think I flatter. For what advancement may I hope thy good spirits, to feed and clothe thee? Why should the poor but thy good spirits, to feed and clothe thee? Why should be flatter’d? No, let the candied tongue lick absurd pomp, and 2) Nay, do not think I flatter. For what ad- the poor be flatter’d? No, let the candied tongue lick absurd from thee that no revenue hast but thy good spir- crook the pregnant hinges of the knee where thrift may follow vancement may I hope from thee that no pomp, and crook the pregnant hinges of the knee where thrift its, to feed and clothe thee? Why should the poor fawning. Dost thou hear? Since my dear soul was mistress of may follow fawning. Dost thou hear? Since my dear soul was her choice and could of men distinguish, her election hath seal’d revenue hast but thy good spirits, to feed mistress of her choice and could of men distinguish, her elec- be flatter’d? No, let the candied tongue lick absurd thee for herself; for thou hast been as one, in suffering all, that tion hath seal’d thee for herself; for thou hast been as one, pomp, and crook the pregnant hinges of the knee suffers nothing, a man that fortune’s buffets and rewards hast and clothe thee? Why should the poor be in suffering all, that suffers nothing, a man that fortune’s- buf ta’en with equal thanks: and blest are those whose blood and fets and rewards hast ta’en with equal thanks: and blest are where thrift may follow fawning. Dost thou hear? flatter’d? No, let the candied tongue lick ab - Since my dear soul was mistress of her choice and surd pomp, and crook the pregnant hinges could of men distinguish, her election hath seal’d of the knee where thrift may follow fawn-

Book/Bold 11/13,75 pt: Book/Bold 7/8,75 pt: Medium/Bold 12/1525% pt: Medium/Bold 7/8,75 pt: The Tragedy of Hamlet; Prince of Denmark (Shake- The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; The Tragedy of Hamlet; Prince of Denmark (Shake- The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I Act 3, Scene 2) Nay, do not think I flatter. For what advancement may speare, England 1523; Act 3, Scene 2) Nay, do not think I hope from thee that no revenue hast but thy good spirits, to feed and speare, England 1523; Act 3, Scene 2) Nay, do not I hope from thee that no revenue hast but thy good spirits, to feed flatter. For what advancement may I hope from thee that clothe thee? Why should the poor be flatter’d? No, let the candied tongue and clothe thee? Why should the poor be flatter’d? No, let the candied lick absurd pomp, and crook the pregnant hinges of the knee where think I flatter. For what advancement may I hope tongue lick absurd pomp, and crook the pregnant hinges of the knee no revenue hast but thy good spirits, to feed and clothe thrift may follow fawning. Dost thou hear? Since my dear soul was -mis from thee that no revenue hast but thy good spir- where thrift may follow fawning. Dost thou hear? Since my dear soul thee? Why should the poor be flatter’d? No, let the can- tress of her choice and could of men distinguish, her election hath seal’d was mistress of her choice and could of men distinguish, her election thee for herself; for thou hast been as one, in suffering all, that suffers its, to feed and clothe thee? Why should the poor hath seal’d thee for herself; for thou hast been as one, in suffering all, died tongue lick absurd pomp, and crook the preg - nothing, a man that fortune’s buffets and rewards hast ta’en with equal that suffers nothing, a man that fortune’s buffets and rewards hast ta’en thanks: and blest are those whose blood and judgment are so well com- be flatter’d? No, let the candied tongue lick absurd with equal thanks: and blest are those whose blood and judgment nant hinges of the knee where thrift may follow fawn- mingled, that they are not a pipe for fortune’s finger to sound what stop pomp, and crook the pregnant hinges of the knee are so well commingled, that they are not a pipe for fortune’s finger to ing. Dost thou hear? Since my dear soul was mistress she please. Give me that man that is not passion’s slave, and I will wear sound what stop she please. Give me that man that is not passion’s of her choice and could of men distinguish, her election where thrift may follow fawning. Dost thou hear? hath seal’d thee for herself; for thou hast been as one, Since my dear soul was mistress of her choice and in suffering all, that suffers nothing, a man that fortune’s could of men distinguish, her election hath seal’d

Book/Bold 10/12,5 pt: Book/Bold 6/7,5 pt: Medium/Bold 10/12,5 pt: Medium/Bold 6/7,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene The Tragedy of Hamlet; Prince of Denmark (Shakespeare, The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, The Tragedy of Hamlet; Prince of Denmark (Shakespeare, 2) Nay, do not think I flatter. For what advancement may I hope from thee that no Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee England 1523; Act 3, Scene 2) Nay, do not think I flatter. For revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be England 1523; Act 3, Scene 2) Nay, do not think I flatter. that no revenue hast but thy good spirits, to feed and clothe thee? Why should flatter’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hing - the poor be flatter’d? No, let the candied tongue lick absurd pomp, and crook the what advancement may I hope from thee that no revenue hast es of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul For what advancement may I hope from thee that no reve- pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since was mistress of her choice and could of men distinguish, her election hath seal’d thee nue hast but thy good spirits, to feed and clothe thee? Why my dear soul was mistress of her choice and could of men distinguish, her election but thy good spirits, to feed and clothe thee? Why should for herself; for thou hast been as one, in suffering all, that suffers nothing, a man hath seal’d thee for herself; for thou hast been as one, in suffering all, that- suf the poor be flatter’d? No, let the candied tongue lick absurd that fortune’s buffets and rewards hast ta’en with equal thanks: and blest are those should the poor be flatter’d? No, let the candied tongue lick fers nothing, a man that fortune’s buffets and rewards hast ta’en with equal thanks: whose blood and judgment are so well commingled, that they are not a pipe for for- and blest are those whose blood and judgment are so well commingled, that they pomp, and crook the pregnant hinges of the knee where thrift tune’s finger to sound what stop she please. Give me that man that is not passion’s absurd pomp, and crook the pregnant hinges of the knee are not a pipe for fortune’s finger to sound what stop she please. Give me that man slave, and I will wear him in my heart’s core, ay, in my heart of heart, as I do thee. where thrift may follow fawning. Dost thou hear? Since my that is not passion’s slave, and I will wear him in my heart’s core, ay, in my heart may follow fawning. Dost thou hear? Since my dear soul was Something too much of this. There is a play to -night before the king; One scene of of heart, as I do thee. Something too much of this. There is a play to -night before the mistress of her choice and could of men distinguish, her elec- it comes near the circumstance which I have told thee of my father’s death: I prithee, dear soul was mistress of her choice and could of men distin- king; One scene of it comes near the circumstance which I have told thee of my fa- tion hath seal’d thee for herself; for thou hast been as one, guish, her election hath seal’d thee for herself; for thou hast in suffering all, that suffers nothing, a man that fortune’s- buf been as one, in suffering all, that suffers nothing, a man that fets and rewards hast ta’en with equal thanks: and blest fortune’s buffets and rewards hast ta’en with equal thanks:

55 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 56 Text Samples without Swashes Text Samples without Swashes

Light/SemiBold 16/20 pt: Book/Bold 16/20 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee thee that no revenue hast but thy good spirits, to feed and clothe thee? Why that no revenue hast but thy good spirits, to feed and clothe thee? Why should should the poor be flatter’d? No, let the candied tongue lick absurd pomp, the poor be flatter’d? No, let the candied tongue lick absurd pomp, and crook the and crook the pregnant hinges of the knee where thrift may follow fawning. pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Dost thou hear? Since my dear soul was mistress of her choice and could of Since my dear soul was mistress of her choice and could of men distinguish, her men distinguish, her election hath seal’d thee for herself; for thou hast been election hath seal’d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune’s buffets and rewards hast ta’en with as one, in suffering all, that suffers nothing, a man that fortune’s buffets and

Light/SemiBold 20/25 pt: Book/Bold 20/25 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng- The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng- land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what ad- land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy vancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be good spirits, to feed and clothe thee? Why should the poor be flatter’d? No, let the candied tongue lick absurd pomp, and crook flatter’d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn- the pregnant hinges of the knee where thrift may follow fawn-

Light/SemiBold 24/30 pt: Book/Bold 24/30 pt: The Tragedy of Hamlet; Prince of Denmark (Shake- The Tragedy of Hamlet; Prince of Denmark (Shake- speare, England 1523; Act 3, Scene 2) Nay, do not think speare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter’d? No, clothe thee? Why should the poor be flatter’d? No, let the candied tongue lick absurd pomp, and crook let the candied tongue lick absurd pomp, and crook

57 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 58 Text Samples with all Swashes Text Samples with all Swashes

Light/SemiBold 16/20 pt: Book/Bold 16/20 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from from thee that no revenue hast but thy good spirits, to feed and clothe thee that no revenue hast but thy good spirits, to feed and clothe thee? Why thee? Why should the poor be flatter’d? No, let the candied tongue lick should the poor be flatter’d? No, let the candied tongue lick absurd pomp, absurd pomp, and crook the pregnant hinges of the knee where thrift may and crook the pregnant hinges of the knee where thrift may follow fawning. follow fawning. Dost thou hear? Since my dear soul was mistress of her Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal’d thee for herself; for thou hast been choice and could of men distinguish, her election hath seal’d thee for her- as one, in suffering all, that suffers nothing, a man that fortune’s buffets and

Light/SemiBold 20/25 pt: Book/Bold 20/25 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng- The Tragedy of Hamlet; Prince of Denmark (Shakespeare, land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what England 1523; Act 3, Scene 2) Nay, do not think I flatter. For advancement may I hope from thee that no revenue hast but what advancement may I hope from thee that no revenue hast thy good spirits, to feed and clothe thee? Why should the poor but thy good spirits, to feed and clothe thee? Why should be flatter’d? No, let the candied tongue lick absurd pomp, and the poor be flatter’d? No, let the candied tongue lick absurd crook the pregnant hinges of the knee where thrift may fol- pomp, and crook the pregnant hinges of the knee where thrift

Light/SemiBold 24/30 pt: Book/Bold 24/30 pt: The Tragedy of Hamlet; Prince of Denmark (Shake- The Tragedy of Hamlet; Prince of Denmark (Shake- speare, England 1523; Act 3, Scene 2) Nay, do not speare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spir- from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor its, to feed and clothe thee? Why should the poor be flatter’d? No, let the candied tongue lick absurd be flatter’d? No, let the candied tongue lick absurd

59 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 60 61 Buntypes Original Bunita Swash Buntypes Original Bunita Swash 62 Quick Guide to Bunitas OpenType Features Quick Guide to Bunitas OpenType Features

Buntype provide you two different versions of Bunita™ Swash with every purchase. 1. Bunita™ Swash 2. Bunita™ Swash Expert

In this version of Bunita™ Swash, we have bundled the most beautiful set of swashes and ribbons in the ‘Contextual The advanced version of Bunita™ Swash gives you full control over swash and ribbon application. Alternate’ feature, which should be ‘on’ by default in almost every OpenType-savvy application. So you have to do Refer to the table below for further details, please. nothing more than choosing Bunita™ Swash as your desired font.

You want… You Choose… You want… You Choose… ‘Indesign® Character ‘Indesign® Character panel > OpenType >’* panel > OpenType >’ Contextual alternates Contextual alternates ‘Contextual alternates’ (e.g. oe-combination) (e.g. oe-combination) Must always be on! Capital swashes Capital swashes ‘Set 02’ f-ligatures f-ligatures ‘Ligatures’ s-ligatures s-ligatures ‘Discretionary ligatures’ Ribbonized Ligatures ‘Contextual Alternates’ Ribbonized Ligatures ‘Ligatures’+ Discretion- and s-ligatures and s-ligatures ary ligatures’+‘Set 04’ Ribbonized ascenders Ribbonized ascenders ‘Set 05’ Descender swashes Descender swashes ‘Set 06’ Numeral swashes Numeral swashes ‘Set 07’ Endbows version 1 Ending swashes ‘Set 08’

*On by default End bows version 01 ‘Set 09’ End bows version 02 ‘Set 10’

Alternate capital swashes ‘Set 03’ Alternate capital character A ‘Set 15’ Alternate capital character E ‘Set 16’’ Alternate 'cleaned' uc chars. ‘Set 17’ Alternate character g and y ‘Set 18’ Capital german Eszett ‘Set 20’

Caps w. long Swash short ‘Set 11’ Caps w. long Swash medium ‘Set 12’ Caps w. long Swash long ‘Set 13’ Caps w. long Swash extra long ‘Set 14’

This is an Example for Adobe® Indesign®. Other applications may work in a different way.

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© Buntype 2015. All rights reserved. Bunita and Bunita Swash are either registered trademarks or trademarks of Buntype, Ralf Sander and Petra Niedernolte. All information in this document is provided ‘as is’ without warranty of any kind, either expressed or implied, and is subject to change without notice. All other trademarks mentioned in this document are the trademarks or registered trademarks of their respective holders. You may reproduce and distribute this document as long as you do not remove Buntypes copyright information, do not make any changes in the document and leave it complete.

Dummy text from ‘The Tragedy of Hamlet; Prince of Denmark’ W. Shakespeare, England 1523; Source: wikisource.org

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