DOCSLIB.ORG

QATAR | Page 16 SPORT | Page 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
QATAR | Page 16 SPORT | Page 1 QATAR | Page 16 SPORT | Page 1 QU hosts graduation Emblem of FIFA Club for eight colleges World Cup unveiled published in QATAR since 1978 SATURDAY Vol. XXXX No. 11340 October 19, 2019 Safar 20, 1441 AH GULF TIMES www. gulf-times.com 2 Riyals In brief Regional problems ARAB WORLD | Confl ict Erdogan threatens to need independent continue operation Turkish President Recep Tayyip internal will: Qatar Erdogan has threatened to continue Operation Peace Spring in northern Syria if the US does not keep its QNA German Marshall Fund of the United promises after 120 hours. “During Bucharest States. the 120-hour process, the YPG/ She argued that the core problems PKK terrorist organisation will in the region are caused by several rea- withdraw from the region we have E the Spokesperson for the sons, such as the lack of institutions designated a safe zone,” Erdogan Ministry of Foreign Aff airs, that protect civil liberties, and the high said in remarks yesterday. The HLolwah Alkhater, has under- percentage of illiteracy and the lack of Turkish president explained that the lined that the regional problems re- employment opportunities and eco- depth of the safe zone is 32km and quire the existence of an independent nomic empowerment. that the length is 444km. Turkish internal will in the countries of the She said that everyone is looking for a security forces will not withdraw Foreign Ministry Spokesperson HE Lolwah Alkhater speaking at the Bucharest Forum panel. region representing their collective in- solution for the region’s issues includ- from northern Syria, he pointed out. terests and separating the accounts of ing multilateral institutions, non-state Page 4 international players. actors, regional and international play- She said that the ability to assess and ers, but in isolation from each other. AFGHANISTAN | Attack manage problems eff ectively will be Answering a question about the na- greater when we take external interests ture of the tension between some Arab At least 62 killed in out of the equation. nations and Iran, HE Alkhater stated Afghan mosque blast This came in a speech by HE Alkhater that the tension is not sectarian, as it At least 62 people were killed by Qatar ‘instrumental in at a panel titled “Middle East – Is Any- appears to some; rather it is a power a blast inside an Afghan mosque one Still Looking for a Solution,” which and infl uence struggle in the region during Friday prayers, according was held as part of the programme in between two diff erent poles that must to off icials. The attack — the year’s Bucharest Forum, an annual event or- be addressed through constructive dia- second most deadly to date — took ganised by Aspen Romania and the logue and diplomacy. place in the eastern province of educating millions’ Nangarhar and also wounded at least 33 people, the provincial By Joseph Varghese the only way to uproot terrorism from governor’s spokesman Attaullah Staff Reporter the world. Khogyani said. The blast was “What is needed is not rote learn- Protests sweep Lebanon carried out with “explosives that ing but critical thinking, the main ele- were placed inside the mosque”, atar has been instrumental in ment in education. In the pretext of Khogyani said, though other providing education to mil- education, some people promote radical sources — including the Taliban — Qlions, especially for out of thinking, leading to extremism and ter- said the building may have been hit school children, on account of its vi- rorism. What is needed is to give hope to by a mortar. sionary leadership and innovative ap- the youngsters by educating them with proach to education, noted the found- critical thinking skills to understand the AMERICA | Space er of the Soufan Centre. reality,” maintained Soufan. “The programme, ‘Educate A Child’ “Education gives children the tools US milestone with fi rst by Her Highness Sheikha Moza bint to lead a better life. It is the corner- all-female spacewalk Nasser, helps in educating millions of stone of life. Those who are educated US astronauts Christina Koch and children around the world especially properly, live a balanced life; do not Jessica Meir yesterday became in confl ict areas. This is one of the best care for other things and will work for the first all-female pairing to ways to help them live a better future. a better society in a productive way. carry out a spacewalk — a historic It enables the youngsters to come out For this, we need education with criti- milestone as Nasa prepares to with critical thinking,” Ali Soufan, Ali Soufan feels that education with cal thinking,” highlighted the offi cial. send the first woman to the Moon. CEO, Soufan Group, told Gulf Times. critical thinking is the necessity of the Soufan felt that terrorism is a dis- “Christina, you may egress the Soufan, a former FBI (Federal Bu- times. ease with several symptoms and airlock,” spacecraft communicator reau of Investigation) agent who has causes and there is not any particular Stephanie Wilson said as the investigated several terrorism-related a hub of education in the region and method to solve the issue. pair set out to replace a power cases, was in Doha to take part in the beyond. We can see students from “To eliminate terrorism, what controller on the International two-day Global Security Forum. several countries studying in these works in one country, may not be Space Station. They began their “Qatar has been one of the fi rst universities and making it a learning suitable for another country or re- mission with standard safety countries in the region to adapt an centre for everyone. The addition of gion. There are social, cultural, eco- checks on their suits and tethers, education system with critical think- several museums and the Qatar Na- nomic and geopolitical factors behind before making their way to the ing. It is very unique in the region. The tional Library with its great resources, it. The reasons for terrorism could be repair site. Page 5 phenomenal role of Qatar Foundation are truly transforming the country and identity issues, poverty, alienation in introducing world-class education provide a multicultural environment among others. Terrorist groups make BRITAIN | Politics in the country by establishing branch with people from most parts of the use of these people especially young- campuses of several leading universi- world,” he said. sters and recruit them for their pur- PM: ‘no better outcome’ ties, has truly transformed the coun- Soufan who has dealt with many im- poses. Education with critical think- Lebanese demonstrators stand by a fire as they erect a make-shift barricade amidst than his Brexit deal try,” explained, Soufan. portant cases against terrorism noted ing is the only way to overcome such a clashes with security forces during a mass protest at Riad al-Solh Square in the British Prime Minister Boris Johnson “The country has already become that education with critical thinking is scenario,” he added. centre of Beirut yesterday against dire economic conditions. Page 4 warned yesterday there was “no better outcome” to the tortuous Brexit process than his divorce deal, as he scrambled to get MPs behind the agreement ahead of a knife-edge vote in parliament. The day before the House of Commons Qatar wins high praise for hosting Beach Games meets to consider the agreement, Johnson urged lawmakers to back the “fantastic” terms he struck with By Sports Reporter and on June 14 a formal announcement aware of what they could expect, but Meanwhile, ANOC Secretary-Gen- European Union leaders and let Doha was made to that eff ect. the second, third and especially the last eral Lindberg also said that based on Britain leave the bloc on October 31. ANOC Secretary-General Gunilla day there were big crowds everywhere,” the success of the inaugural Qatar Page 8 Lindberg said the more than 1,200 ath- Lindberg said. edition, the future of the event ap- he ANOC General Assembly letes at the Games thoroughly enjoyed “It takes time to introduce a new pears bright. EUROPE | Protest concluded in Doha yesterday themselves in Qatar. kind of competition and some of the “There are many countries that are Twith Qatar earning rave reviews “They were happy with how the sports were not very well known, but I coming up and are interested,” she Clashes in Barcelona for effi ciently hosting the inaugural event was conducted. The accommo- think they are now.” said. as separatists rally Beach Games at short notice. dation provided to the athletes was US beach volleyball gold medallist “I think around January or Febru- Hundreds of masked youths clashed The event was originally sched- impressive and the transportation be- Casey Patterson was particularly im- ary we should be ready to announce angrily with police in Barcelona uled to be hosted by San Diego, but tween hotels and venues was also fl aw- pressed with Qatar. the next edition or at least have docu- on the sidelines of a mass march on May 30 it was announced that it less,” the veteran Swedish IOC member “This country has been so inviting ments from candidates coming with which drew more than half a million was being relocated as the US city said. for us – maybe pushing the limit of interest.” people in protest over Spain’s was unable to raise funds to the tune The athletes, representing 97 na- the cultural balance with some of the “I think the format of the Games… jailing of nine Catalan separatist of $20mn. tions, were put up at four luxury high- sports,” said Patterson, a 2016 Olym- it’s low budget, it’s not too complicated leaders.
Load more

Recommended publications
  • 2018/2019 Season
    Saturday, April 6, 2019 1:00 & 6:30 pm 2018/2019 SEASON Great Artists. Great Audiences. Hancher Performances. Kevin McKenzie Kara Medoff Barnett ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Alexei Ratmansky ARTIST IN RESIDENCE STELLA ABRERA ISABELLA BOYLSTON MISTY COPELAND HERMAN CORNEJO SARAH LANE ALBAN LENDORF GILLIAN MURPHY HEE SEO CHRISTINE SHEVCHENKO DANIIL SIMKIN CORY STEARNS DEVON TEUSCHER JAMES WHITESIDE SKYLAR BRANDT ZHONG-JING FANG THOMAS FORSTER JOSEPH GORAK ALEXANDRE HAMMOUDI BLAINE HOVEN CATHERINE HURLIN LUCIANA PARIS CALVIN ROYAL III ARRON SCOTT CASSANDRA TRENARY KATHERINE WILLIAMS ROMAN ZHURBIN Alexei Agoudine Joo Won Ahn Mai Aihara Nastia Alexandrova Sierra Armstrong Alexandra Basmagy Hanna Bass Aran Bell Gemma Bond Lauren Bonfiglio Kathryn Boren Zimmi Coker Luigi Crispino Claire Davison Brittany DeGrofft* Scout Forsythe Patrick Frenette April Giangeruso Carlos Gonzalez Breanne Granlund Kiely Groenewegen Melanie Hamrick Sung Woo Han Courtlyn Hanson Emily Hayes Simon Hoke Connor Holloway Andrii Ishchuk Anabel Katsnelson Jonathan Klein Erica Lall Courtney Lavine Virginia Lensi Fangqi Li Carolyn Lippert Isadora Loyola Xuelan Lu Duncan Lyle Tyler Maloney Hannah Marshall Betsy McBride Cameron McCune João Menegussi Kaho Ogawa Garegin Pogossian Lauren Post Wanyue Qiao Luis Ribagorda Rachel Richardson Javier Rivet Jose Sebastian Gabe Stone Shayer Courtney Shealy Kento Sumitani Nathan Vendt Paulina Waski Marshall Whiteley Stephanie Williams Remy Young Jin Zhang APPRENTICES Jacob Clerico Jarod Curley Michael de la Nuez Léa Fleytoux Abbey Marrison Ingrid Thoms Clinton Luckett ASSISTANT ARTISTIC DIRECTOR Ormsby Wilkins MUSIC DIRECTOR Charles Barker David LaMarche PRINCIPAL CONDUCTOR CONDUCTOR PRINCIPAL BALLET MISTRESS Susan Jones BALLET MASTERS Irina Kolpakova Carlos Lopez Nancy Raffa Keith Roberts *2019 Jennifer Alexander Dancer ABT gratefully acknowledges: Avery and Andrew F.
    [Show full text]
  • The Nutcracker
    American Ballet Theatre Kevin McKenzie Rachel S. Moore Artistic Director Chief Executive Officer Alexei Ratmansky Artist in Residence HERMAN CORNEJO · MARCELO GOMES · DAVID HALLBERG PALOMA HERRERA · JULIE KENT · GILLIAN MURPHY · VERONIKA PART XIOMARA REYES · POLINA SEMIONOVA · HEE SEO · CORY STEARNS STELLA ABRERA · KRISTI BOONE · ISABELLA BOYLSTON · MISTY COPELAND ALEXANDRE HAMMOUDI · YURIKO KAJIYA · SARAH LANE · JARED MATTHEWS SIMONE MESSMER · SASCHA RADETSKY · CRAIG SALSTEIN · DANIIL SIMKIN · JAMES WHITESIDE Alexei Agoudine · Eun Young Ahn · Sterling Baca · Alexandra Basmagy · Gemma Bond · Kelley Boyd Julio Bragado-Young · Skylar Brandt · Puanani Brown · Marian Butler · Nicola Curry · Gray Davis Brittany DeGrofft · Grant DeLong · Roddy Doble · Kenneth Easter · Zhong-Jing Fang · Thomas Forster April Giangeruso · Joseph Gorak · Nicole Graniero · Melanie Hamrick · Blaine Hoven · Mikhail Ilyin Gabrielle Johnson · Jamie Kopit · Vitali Krauchenka · Courtney Lavine · Isadora Loyola · Duncan Lyle Daniel Mantei · Elina Miettinen · Patrick Ogle · Luciana Paris · Renata Pavam · Joseph Phillips · Lauren Post Kelley Potter · Luis Ribagorda · Calvin Royal III · Jessica Saund · Adrienne Schulte · Arron Scott Jose Sebastian · Gabe Stone Shayer · Christine Shevchenko · Sarah Smith* · Sean Stewart · Eric Tamm Devon Teuscher · Cassandra Trenary · Leann Underwood · Karen Uphoff · Luciana Voltolini Paulina Waski · Jennifer Whalen · Katherine Williams · Stephanie Williams · Roman Zhurbin Apprentices Claire Davison · Lindsay Karchin · Kaho Ogawa · Sem Sjouke · Bryn Watkins · Zhiyao Zhang Victor Barbee Associate Artistic Director Ormsby Wilkins Music Director Charles Barker David LaMarche Principal Conductor Conductor Ballet Masters Susan Jones · Irina Kolpakova · Clinton Luckett · Nancy Raffa * 2012 Jennifer Alexander Dancer ABT gratefully acknowledges Avery and Andrew Barth for their sponsorship of the corps de ballet in memory of Laima and Rudolph Barth and in recognition of former ABT corps dancer Carmen Barth.
    [Show full text]
  • Cockerel, Pierrette in Harlequinade, Blanche Ingram in Jane Eyre
    Founders Stella Abrera is the Artistic Director of Kaatsbaan and a Principal Dancer with American Ballet Gregory Cary Kevin McKenzie Theatre. Ms. Abrera is from South Pasadena, California, and began her studies with Philip and Bentley Roton Martine van Hamel Charles Fuller and Cynthia Young at Le Studio in Pasadena. She continued her studies with Lorna Executive Director Diamond and Patricia Hoffman at the West Coast Ballet Theatre in San Diego. She also spent three Sonja Kostich Artistic Director years studying the Royal Academy of Dancing method with Joan and Monica Halliday at the Stella Abrera Halliday Dance Centre in Sydney, Australia. Board of Trustees Kevin McKenzie, Chair Stella Abrera Ms. Abrera joined American Ballet Theatre as a member of the corps de ballet in 1996, was Christine Augustine Gregory Cary appointed a Soloist in 2001, and Principal Dancer in August 2015. Her repertoire with ABT includes Sandy Choi Sonja Kostich the Girl in Afternoon of a Faun, Calliope in Apollo, Gamzatti and a Shade in La Bayadère, The Chris Omark Bentley Roton Ballerina in The Bright Stream, Cinderella and Fairy Godmother in Frederick Ashton’s Cinderella, Martine van Hamel Moss and Cinderella in James Kudelka’s Cinderella, Aurora in Coppélia, Gulnare and an Odalisque Board of Advisors in Le Corsaire, Chloe in Daphnis and Chloe, She Wore a Perfume in Dim Lustre, the woman in white Dancers Isabella Boylston in Diversion of Angels, Mercedes, the Driad Queen and a Flower Girl in Don Quixote, Helena in The Gary Chryst Herman Cornejo Dream, the first
    [Show full text]
  • Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
    DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters.
    [Show full text]
  • The Water-Energy-Food Nexus in Arid Regions: the Politics of Problemsheds
    The Water-Energy-Food Nexus in Arid Regions: The Politics of Problemsheds Oxford Handbooks Online The Water-Energy-Food Nexus in Arid Regions: The Politics of Problemsheds Martin Keulertz, Jeannie Sowers, Eckart Woertz, and Rabi Mohtar The Oxford Handbook of Water Politics and Policy Edited by Ken Conca and Erika Weinthal Subject: Political Science, Regional Studies Online Publication Date: Dec 2016 DOI: 10.1093/oxfordhb/9780199335084.013.28 Abstract and Keywords Systems of producing, consuming, and distributing water, energy, and food involve trade- offs that are rarely explicitly considered by firms and policymakers. The idea of the water-energy-food “nexus” represents an attempt to formalize these trade-offs into decision-making processes. Multinational food and beverage firms operating in arid regions were early promoters of nexus approaches, followed by aid donors, consultancies, and international institutions seeking a new paradigm for resource management and development planning. The first generation of nexus research focused on quantitative input-output modeling to empirically demonstrate interdependencies and options for optimizing resource management. This chapter employs a different approach, analyzing institutional “problemsheds” that shape the implementation of nexus initiatives in arid regions of the United States, the Persian/Arabian Gulf, and China. Our analysis reveals how nexus approaches are conditioned by property rights regimes, economic growth strategies based on resource extraction, and the ability to externalize environmental costs to other regions and states. Keywords: Water-energy-food nexus, resource management, development, arid regions, China, United States, Persian/Arabian Gulf Introduction The water-energy-food nexus has emerged as a widely discussed concept in development policy circles in recent years.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses The determinants of the future of agriculture in Qatar Al-Kaabi, Zabia Hamad How to cite: Al-Kaabi, Zabia Hamad (1987) The determinants of the future of agriculture in Qatar, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/6677/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk THE DETERMINANTS OF THE FUTURE OF AGRICULTURE IN QATAR Zabia Hamad Al-Kaabi The copyright of this thesis rests with the author. No quotation from it should be published without his· prior written consent and information derived from it should be acknowledged. Thesis submitted to the Faculty of Social Sciences for the Degree of Master of Arts, University of Durham October 1987 1 4 SEP 1988 ACKNOWLEDGEMENTS First of all I would like to ·express my deep gratitude to my supervisor, Professor H.
    [Show full text]
  • 2018-Abtkids-Guide.Pdf
    ABTKids Guide Welcome to American Ballet Theatre! ABT is America’s National Ballet Company. Our mission is to create, to present, to preserve, and to extend the great repertoire of classical dancing, through exciting performances and educational programming of the highest quality, presented to the widest possible audience. Thank you for joining us for today’s performance. Attending the ballet can be a magical experience for children of all ages. Princesses turn into Swans, Romeo falls in love with Juliet, and even cupcakes come to life before our very eyes. Watching the beautiful artistry of ABT’s dancers, listening to the harmonious sounds of the orchestra and marveling at the magnificent scenery and costumes can create memories that last a lifetime. It can also leave you with a lot of questions. This guide is designed to offer a window into the world of American Ballet Theatre and answer some of those questions you may have about ballet, the dancers, and the hundreds of people who bring a ballet to the stage. We hope you have a wonderful day at the ballet and enjoy the ABT Kids Guide! Please visit www.abt.org to learn more about ABT’s educational offerings, workshops and training programs. Cover: Scene from Whipped Cream. Opposite page: Daniil Simkin in Whipped Cream. Photos: Gene Schiavone. Over 75 Years of American Ballet Theatre In 1940, American Ballet Theatre emerged onto the American cultural landscape with a unique and exciting vision of a ballet company that functioned like an art museum. Just as a museum presents paintings by different artists to showcase a wide range of beauty and art, the company would present ballets by diverse choreographers to showcase all the variety the ballet world had to offer.
    [Show full text]
  • Oltrenota La Fondazione Informa
    OLTRENOTA LA FONDAZIONE INFORMA La Fondazione Petruzzelli presenta il Balletto del Teatro Mariinskij di San Pietroburgo in Don Chisciotte di Ludwig Minkus La Fondazione Petruzzelli propone il primo appuntamento del cartellone 2013 nel segno della grande danza con Don Chisciotte di Ludwig Minkus, su libretto di Marius Petipa basato sul famoso romanzo di Miguel De Cervantes. Lo spettacolo è in programma al Teatro Petruzzelli giovedì 4 aprile ore 20.30 (turno A), si articola in tre atti (sei scene) ed un prologo, per una durata di 2 ore e 55 minuti (due intervalli). In replica: venerdì 5 aprile ore 20.30 (turno B), sabato 6 aprile ore 17.00 (fuori abbonamento), domenica 7 aprile ore 15 .30 (turno C) e ore 21.00 (fuori abbonamento). Direttore del Balletto del Teatro Mariinskij di San Pietroburgo è Jurij Fateev, sul podio dell’orchestra del Teatro Petruzzelli il maestro Boris Gruzin. La coreografia di Aleksander Gorskij (1902) è ripresa da Marius Petipa, le danze gitane ed orientali sono di Nina Anisimova, la coreografia Fandango di Fëdor Lopuhov. Le scene originali di Aleksander Golovin e Konstantin Korovin, sono riprese da Mihail Šišljannikov. I costumi di Konstantin Korovin. Nel ruolo di Don Chisciotte danzerà Vadim Beljaev, in quello di Sancho Panza Stanislav Burov (4, 5, 7 aprile matinée) e Aleksander Fëdorov (6, 7 aprile serale), di Lorenzo Dmitrij Pyhačov, di Gamache Soslan Kulaev. Kitri sarà interpretata da Elena Evseeva (4, 7 serale), Valerija Martinjuk (5, 7 matinée), Ekaterina Osmolkina (6 aprile), Basilio da Vladimir Škljarov (4, 7 serale), Kimin Kim (5, 7 matinée), Filipp Stepin (6 aprile).
    [Show full text]
  • Awqaf Inaugurates Three New Mosques
    Nation Wednesday, January 30, 2019 03 Advisory Council to participate in Awqaf inaugurates three new mosques Kuwait workshop QNA A delegation from the Ad- DOHA visory (Shura) Council left Doha for Kuwait on Tuesday THE Ministry of Awqaf and to participate in a regional Islamic Affairs has opened parliamentary workshop on three new mosques with resi- sustainable development and dences for the imams and the ways to activate the role of muezzins in Aba Al-hiran, Li- parliaments in supporting brethat and Al-Seej areas. national efforts. The mosques can accom- The delegation comprises modate about 1,400 worshi- Shura members Mohammed pers. The completion of the bin Mahdi al Ahbabi and mosques is part of the min- Dr Hind bint Abdulrahman istry’s plan to increase the al Muftah. number of mosques and de- Ministry of Awqaf and Islamic Affairs has opened three new mosques at Aba Al-hiran, Librethat and Al-Seej. The mosques can accommodate about 1,400 worshipers. The workshop, organised velop them in all areas, and by the Arab Region Parlia- to keep pace with the urban as well. other amenities. rising the Holy Quran is also of the Ministry of Awqaf and tion with the competent au- mentarians Against Corrup- and population growth. Librethat mosque can ac- Al Seej Area mosque has attached to the mosque. Islamic Affairs is concerned thorities, taking into account tion organisation on January Aba Al-hiran mosque has commodate about 268 wor- a main hall for prayers that The three mosques in- with identifying the needs of the requirements of green 30 and
    [Show full text]
  • Coastal Geomorphology of the Qatar Peninsula
    _________________________________________________________________________Swansea University E-Theses Coastal geomorphology of the Qatar Peninsula. Alsheeb, Ali I. M How to cite: _________________________________________________________________________ Alsheeb, Ali I. M (1988) Coastal geomorphology of the Qatar Peninsula.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa43167 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ COASTAL GEOMORPHOLOGY OF THE QATAR PENINSULA by Ali I. M. Alsheeb B.Sc Qatar University, Qatar M.A. Pittsburgh University, U.S.A. Thesis submitted for the degree of Doctor of Philosophy in the Department of Geography, Swansea University, University of Wales, May 1988 ProQuest Number: 10821559 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • American Ballet Theatre Returns to New York City Center for Digital Program Filmed Live on Stage
    FOR IMMEDIATE RELEASE: American Ballet Theatre returns to New York City Center for digital program filmed live on stage Four works by ABT Artist in Residence Alexei Ratmansky; including a World Premiere created in a “ballet bubble” Available on demand March 23 – April 18 $25 Digital Access on sale March 1 at noon Patrick Frenette, Skylar Brandt, and Tyler Maloney in Bernstein in a Bubble. Photo by Christopher Duggan Photography February 26, 2021 (New York, NY) – New York City Center President & CEO Arlene Shuler today announced a new digital program, ABT Live from City Center | A Ratmansky Celebration, featuring American Ballet Theatre (ABT) premiering Tuesday, March 23 at 7 PM, and available on demand through Sunday, April 18. Filmed live on the City Center stage, the program marks ABT’s much anticipated return to the historic theater for their first full evening program at City Center since 2012. Co-presented by American Ballet Theatre and New York City Center, the program will feature many of the company’s renowned dancers in works by acclaimed choreographer and ABT Artist in Residence Alexei Ratmansky. Hosted by author and American Ballet Theatre Co-Chair of the Trustees Emeriti Susan Fales-Hill, highlights include excerpts from The Seasons (2019), Seven Sonatas (2009), and The Sleeping Beauty (2015), and Bernstein in a Bubble, a World Premiere set to the music of legendary composer Leonard Bernstein. The new work, Ratmansky’s first since March 2020, was created in January and February of this year during a quarantined “ballet bubble” in Silver Bay, New York. The program features ABT dancers Aran Bell, Isabella Boylston, Skylar Brandt, Herman Cornejo, Patrick Frenette, Carlos Gonzalez, Blaine Hoven, Catherine Hurlin, Tyler Maloney, Luciana Paris, Devon Teuscher, Cassandra Trenary, and James Whiteside.
    [Show full text]
  • Spring-Summer 2019 Ballet Review
    Spring-Summer 2019 Ballet Review 4 Philadelphia – Eva Shan Chou 5 New York – Karen Greenspan 7 Los Angeles – Eva Shan Chou 9 New York – Susanna Sloat 11 Williamstown – Christine Temin 12 New York – Karen Greenspan Susanna Sloat 16 Tokyo – Vincent Le Baron 95 Rennie Harris and Ronald K. Brown 18 Jacob’s Pillow – Christine Temin Celebrate Alvin Ailey 20 Toronto – Gary Smith Robert Greskovic 22 Boston – Jeffrey Gantz 100 Chopiniana 25 London – Joseph Houseal 25 Vienna – Vincent Le Baron 109 Judson Dance Theater 27 New York – Susanna Sloat Michael Langlois 28 Miami – Michael Langlois 114 Awakenings 29 Toronto – Gary Smith 31 Venice – Joel Lobenthal Karen Greenspan 32 London – Gerald Dowler 119 In the Court of Yogyakarta 35 Havana – Gary Smith Marian Smith 37 Washington, D.C. – Lisa Traiger 125 The Metropolitan Balanchine 39 London – John Morrone 40 Chicago – Joseph Houseal Gerald Dowler 42 Milan – Vincent Le Baron 141 An Autumn in Europe Alexei Ratmansky Sophie Mintz 44 Staging Petipa’s Harlequinade 146 White Light at ABT Lynn Garafola George Washington Cable 151 Raymonda, 1946 56 The Dance in Place Congo Karen Greenspan Michael Langlois 161 Drive East 2018 63 A Conversation with Karen Greenspan Clement Crisp 168 A Conversation with Maya Joseph Houseal Kulkarni and Mesma Belsaré 76 A Quiet Evening, in Two Acts Francis Mason Ian Spencer Bell 171 Ben Belitt on Graham 82 Women Onstage Gary Smith Michael Langlois 175 A Conversation with Grettel Morejón 86 A Conversation with Hubert Goldschmidt Stella Abrera 177 Rodin and the Dance 207 London Reporter – Louise Levene 218 Dance in America – Jay Rogoff 220 Music on Disc – George Dorris Cover photo by Paul Kolnik, NYCB: Joseph Gordon in Dances at a Gathering.
    [Show full text]