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1 Unlikability and Female Villains in the Works of Gillian Flynn Cannon
1 Unlikability and Female Villains in the Works of Gillian Flynn Cannon Elder Lane High Point, North Carolina Bachelor of Arts, English, University of Virginia, 2017 Bachelor of Arts, Spanish, University of Virginia, 2017 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of English University of Virginia May 2018 2 Introduction: In recent years, television and popular fiction have begun to feature a new type of female character termed the “unlikable” woman. From popular novels such as Gillian Flynn’s Gone Girl and Paula Hawkins’ The Girl on the Train to TV shows such as Phoebe Waller-Bridge’s Fleabag and Lena Dunham’s Girls, popular cultural products in recent years have begun to center on a depiction of women distinct from any before—at least in terminology.1 In each of these works, female writers depict troubled women, from murderers and alcoholics to narcissists, each unwilling to conform to the standards and expectations of representations of women. In each of these works, the authors of these characters refuse to position them as role models, instead focusing on their extreme negative capacity, presenting their story arcs not as ones of redemption or correction, but as ones of continuous development and iteration of personal defect. Against the trend of hailing positive representations of women in fiction, these flawed and profoundly human characters slide the scale in the opposite direction. Instead of proving the equal intelligence, strength, and positive capacity of women, these characters work to accentuate the negative. -
Dark Places by Gillian Flynn ______About the Author
Book Club Discussion Guide Dark places By Gillian Flynn ______________________________________________________________ About the Author Gillian Flynn is an American author, screenwriter, comic book writer, and former television critic for Entertainment Weekly. Her three published novels are the thrillers: Sharp Objects, Dark Places, and Gone Girl. Early life Flynn was born in Kansas City, Missouri. Both of her parents were professors at Metropolitan Community College–Penn Valley: her mother, Judith Ann (nee Schieber), a reading- comprehension professor; her father, Edwin Matthew Flynn, a film professor. "Painfully shy," Flynn found escape in reading and writing and watching horror movies. Flynn attended the University of Kansas, where she received her undergraduate degrees in English and journalism. She spent two years in California writing for a trade magazine for human resources professionals before moving to Chicago where, in 1997, she earned a Master's in journalism at Northwestern University. Career Initially, Flynn wanted to work as a police reporter but soon discovered she had no aptitude for police reporting. She worked briefly at U.S. News & World Report before being hired as a feature writer in 1998 for Entertainment Weekly. She was promoted to television critic, writing about both tv and film. Flynn attributes her craft to her 15-some years in journalism: Book Club Discussion Guide I could not have written a novel if I hadn't been a journalist first, because it taught me that there's no muse that's going to come down and bestow upon you the mood to write. You just have to do it. I'm definitely not precious. -
Feminism in Gillian Flynn's Novels: Violence, Malice and Amorality As the Basis of a Post-Feminist Agenda
Universität Duisburg-Essen American Literary and Media Studies Feminism in Gillian Flynn’s Novels: Violence, Malice and Amorality as the Basis of a Post-Feminist Agenda Inaugural-Dissertation zur Erlangung des akademischen Grades Doktor der Philosophie (Dr. phil.) der Fakultät für Geisteswissenschaften der Universität Duisburg-Essen vorgelegt von Enes Gülderen aus Duisburg Betreuer: Prof. Dr. Josef Raab, Universität Duisburg-Essen Essen, im August 2019 Gutachter: Herr Prof. Dr. Jens Martin Gurr Herr Prof. Dr. Florian Freitag Tag der mündlichen Prüfung: 06.05.2020 Diese Dissertation wird über DuEPublico, dem Dokumenten- und Publikationsserver der Universität Duisburg-Essen, zur Verfügung gestellt und liegt auch als Print-Version vor. DOI: 10.17185/duepublico/71787 URN: urn:nbn:de:hbz:464-20200519-130231-2 Alle Rechte vorbehalten. Table of Contents 1. Introduction 5 1.1 Gillian Flynn’s Novels as Contemporary Vehicles for Post- Feminist Perspectives 13 1.2 Gillian Flynn’s New Kind of Gender Trouble 27 2. Historical and Theoretical Parameters of the Feminist Movements 36 2.1 The First Wave: Claiming Equal Rights 37 2.2 The Second Wave: Claiming Freedom from Gender-Based Role Models 39 2.3 The Third Wave: The Construction of Gender 42 2.4 “The Fourth Wave”: Hashtag Activism 45 2.5 Each Movement’s Influential Feminist Literature 47 2.5.1 Margaret Fuller’s Woman in the Nineteenth Century 48 2.5.2 Betty Friedan’s The Feminine Mystique 55 2.5.3 Judith Butler’s Gender Trouble 68 3. Gender, Sex, Identity and Equality in Gillian Flynn’s Novels 78 4. Gone Girl: Gender-Based Identity Conflicts in a Typical American Marriage 84 4.1 The Perception of the Characters’ Delusions in Gone Girl 87 4.1.1 Nick Dunne, the Failing American Husband 88 4.1.2 Amy Elliott Dunne’s Feminist Perspective on Marriage and Power 96 4.2 The Setting as a Main Factor of the Characters’ Frustrations in Gone Girl 101 4.3 Media Influence on Preconceived Gender Roles 105 4.4 The Cool Girl as a Modern Concept of Phallocentrism and Male Domination 111 2 5. -
Sharp Objects
Books and Media interesting read for basic background on a com- Gap, her boss decided that this would be a good plex subject. opportunity for her. We soon learn some of her back Matthew Weinlander, MD story. She fled the gossipy, Confederate-hero-rever- Debra A. Pinals, MD ing, small town in large part due to her engulfing, University of Michigan dramatic, conditional love–giving mother. Her Ann Arbor, MI mother’s underlying pathology is revealed slowly over the novel, even to Camille. The reader only Disclosures of financial or other potential conflicts of interest: None. knows what first-person narrator Camille knows. DOI:10.29158/JAAPL.003827-19 We also learn that Camille had a younger half- sister, Marian, who died when Camille was young, and another living half-sister, Amma, age 13, whom Camille had not seen since Amma was a baby. Ca- Sharp Objects (The Novel and mille is haunted by her childhood, which included gang rape, the sickliness and ultimate death of her the Series) sister, and her attention-seeking mother. She at- Gillian Flynn. New York: Broadway Books (an imprint of tempts to drown all of this out through cutting and Crown Publishing Group, a division of Random House) alcohol use. One of her first stops in her hometown is US $14 CAN $18, 254 pages, 2006. to a local bar, where she drinks bourbon prior to Screenplay by Marti Noxon, Gillian Flynn, Alex Metcalf, interviewing the parents of the murdered girls. Vince Calandra, Scott Brown, Dawn Kamoche, and Ariella When Camille finally knocks on the door of her Blejer. -
Based on Sales Through Sunday, 8/2/2015. for Reviews, Book News and a Searchable Archive of USA TODAY's Best-Selling Books List, Visit Booklist.Usatoday.Com
Based on sales through Sunday, 8/2/2015. For reviews, book news and a searchable archive of USA TODAY's Best-Selling Books list, visit booklist.usatoday.com This Last Week Week Title, Author (Publisher), Price 1 1 Go Set a Watchman, Harper Lee (Harper) , $27.99 2 -- What Pet Should I Get, Dr. Seuss (Random House Books for Young Readers) , $20.99 3 3 Paper Towns, John Green (Speak) , $9.99 4 2 Grey, E.L. James (Vintage) , $9.99 5 5 The Girl on the Train, Paula Hawkins (Riverhead) , $12.99 6 4 To Kill a Mockingbird, Harper Lee (Grand Central Publishing) , $6.99 7 -- Thrill Me, Susan Mallery (Harlequin HQN) , $6.99 8 -- Siren's Call, Jayne Castle (Jove) , $7.99 9 8 The Life-Changing Magic of Tidying Up, Marie Kondo (Ten Speed Press) , $16.99 10 -- Circling the Sun, Paula McLain (Ballantine) , $13.99 11 7 All the Light We Cannot See, Anthony Doerr (Scribner) , $27.00 12 10 The Isle of the Lost: A Descendants Novel , Melissa de la Cruz (Disney-Hyperion) , $17.99 13 12 The Martian, Andy Weir (Crown) , $11.99 14 -- Never Die Alone, Lisa Jackson (Zebra) , $9.49 15 11 Between the World and Me, Ta-Nehisi Coates (Spiegel & Grau) , $24.00 16 13 Code of Conduct, Brad Thor (Atria/Emily Bestler Books) , $14.99 17 -- The Bourbon Kings, J.R. Ward (NAL) , $13.99 18 -- Badlands, C.J. Box (Minotaur) , $12.99 19 15 The Nightingale, Kristin Hannah (St. Martin's Press) , $14.99 20 14 The English Spy, Daniel Silva (Harper) , $14.99 21 22 Luckiest Girl Alive, Jessica Knoll (Simon & Schuster) , $9.99 22 24 Love Letters, Debbie Macomber (Ballantine) , $7.99 23 16 The Rumor, Elin Hilderbrand (Little, Brown) , $14.99 24 17 Dark Places, Gillian Flynn (Broadway Books) , $9.99 25 -- Mean Streak, Sandra Brown (Grand Central Publishing) , $8.00 26 -- The Forgotten, Heather Graham (Harlequin MIRA) , $6.49 27 23 The Boys in the Boat, Daniel James Brown (Penguin) , $17.00 28 -- Servicing the Target, Cherise Sinclair (Evil Eye Concepts Inc.) , $4.99 29 20 Truth or Die, James Patterson, Howard Roughan (Little, Brown) , $14.99 30 19 Nemesis, Catherine Coulter (G.P. -
Seduction, Manipulation, and Rejectionin Gillian Flynn's Gone Girl
© 2019 JETIR March 2019, Volume 6, Issue 3 www.jetir.org (ISSN-2349-5162) Seduction, Manipulation, and Rejectionin Gillian Flynn’s Gone Girl M R ANCILIN, M.Phil Scholar,Dept. Of English, St.Joseph’s College of Arts and Science for Women, Hosur. Abstract: Gillian Schieber Flynn, is an American writer known for her psychological thriller novels. In her novels, she gives a strange and suspicious tone to her characters and to her writing. This tone makes the novel more interesting and it attracts the reader’s attention. Gillian Flynn is the author of three successive novels: Sharp Objects, Dark Places, and Gone Girl. Flynn’s novel, Dark Places won Dagger Award and the novels Sharp Objects and Gone Girl were the New York Times bestsellers. Gillian Flynn's third novel Gone Girl is a thriller, mysterious and psychological entertaining tale. The novel tells the story of a Missouri couple Nick and Amy. Amy, the central character grew up in New York with her wealthy parents. She is a beautiful, manipulative, seductive and self-centred psychopath. She could have a narcissistic personality disorder which reveals from her actions. Throughout the novel, she uses strategic calculations on how to deceive other characters and manipulates their behaviour. Amy's manipulations are repeatedly successful because she is very seductive and charming. This paper tends to analyse the narcissistic traits: seduction, manipulation, and rejection of the central character in the novel. Keywords: narcissism, manipulation, rejection, seduction. Narcissists are lovers of power and control. To attain power, they use several traits. The narcissistic traits include three levels: seduction, manipulation, and rejection. -
Sharp Objects, Dark Places, Gone Girl Pdf, Epub, Ebook
THE GILLIAN FLYNN COLLECTION: SHARP OBJECTS, DARK PLACES, GONE GIRL PDF, EPUB, EBOOK Gillian Flynn | none | 05 Dec 2013 | Orion Publishing Co | 9781780227863 | English | London, United Kingdom The Gillian Flynn Collection: Sharp Objects, Dark Places, Gone Girl PDF Book Refresh and try again. Two elderly women were talking on the front steps of a house across the street, and I could feel them refusing to see me. Great family drama! I liked getting mail but not reading it; the reports were probably in a pile somewhere in my house. Other Editions On the pavement near my car are the smashed skeletons of two baby birds, their flattened beaks and wings making them look reptilian. London, We were kidding. Sep 02, Liz Johnston Noss rated it it was amazing. Whatever the story, I am attached to them. Throughout the book, many characters seem to feel as though life is something that happens to them; others take a more proactive role in steering its course, often with disastrous consequences. It makes you desperate to be flawless, and it also makes you drunk with the power. Objects as simple as a dollhouse are used to convey so much. Review Quotes: "Gillian Flynn is the real deal, a sharp, acerbic, and compelling storyteller with a knack for the macabre. It is a performance that truly is iconic and will be remembered for years. She has so far written three novels, Sharp Objects , for which she won the Ian Fleming Steel Dagger for the best thriller; Dark Places ; and her best-selling third novel Gone Girl. -
An Exploration of Scars As Ghosts Addison Paul, Ball State University
25 Digital Literature Review 1 Haunting the Body: An Exploration of Scars as Ghosts Addison Paul, Ball State University Trigger Warning: This essay contains discussions of self-harm. Released in 2006, Gillian Flynn’s debut novel This essay examines how Gillian Flynn’s Sharp Objects draws attention to the severely novel Sharp Objects and the HBO damaging effects of trauma and the physi- miniseries adaptation raise questions about cal manifestations of such emotional pain for representations of female self-harm in en- the protagonist Camille Preaker. The mys- tertainment. I argue that the tery-thriller not only explores how murders protagonist’s scars act as ghosts since both haunt a small Midwestern town, but also raises scars and hauntings are messengers and essential questions about the connections manifestations of trauma. This paper between psychological trauma and the super- examines the distinction between read and natural. Expanding upon and drawing from watched trauma, and the psychological the novel, the Sharp Objects HBO television validity of these interpretations. I assert that miniseries directed by Jean-Marc Vallée por- Flynn and director Jean-Marc Vallée pres- trays Flynn’s story on screen, complicating the ent self-harm as a haunting to exploit the dynamic between read and watched interpre- uncanny and attract readers and viewers tations of trauma. The differences between with dramatic content. Ultimately, I ask that textual and visual portrayals of trauma cre- readers practice empathy when consuming ate an important distinction: written trauma, entertainment featuring trauma and much like horror narratives, leaves the visual- self-harm. ization of traumatic events up to the readers’ imagination, effectively creating personalized fear, whereas on-screen depictions of trauma present a set image, which takes away the work of the imagination for viewers. -
Amy Adams Stars in SHARP OBJECTS Debuting July 8 on HBO
Amy Adams stars in SHARP OBJECTS debuting July 8 on HBO Reporter Camille Preaker returns to her small hometown to cover the murder of one preteen girl and the abduction of another. Trying to put together a psychological puzzle from her past, she finds herself identifying with the young victims a bit too closely. Starring five-time Academy Award®-nominee Amy Adams (“Arrival,” “Nocturnal Animals”), SHARP OBJECTS debuts SUNDAY, JULY 8 (9:00-10:00 p.m. ET/PT), exclusively on HBO. Based on Gillian Flynn’s (“Gone Girl”) bestselling novel of the same name, the eight-episode limited series was created by Peabody winner and Emmy® nominee Marti Noxon (“UnREAL,” “Dietland,” “Mad Men”) and directed by Emmy®, DGA and PGA winner Jean-Marc Vallée (HBO’s “Big Little Lies”; “Dallas Buyers Club,” “Wild”) from scripts by Marti Noxon and Gillian Flynn. Patricia Clarkson (the “Maze Runner” series, HBO’s “Six Feet Under”), Chris Messina (“The Mindy Project,” HBO’s “The Newsrooom”), Eliza Scanlen (“Home and Away”), Elizabeth Perkins (“This Is Us,” HBO’s “Curb Your Enthusiasm”) and Matt Craven (“X-Men,” “Justified”) also star, along with Henry Czerny (“Quantico,” “When We Rise”), Miguel Sandoval (“Station 19,” “Medium”), Taylor John Smith (“Cruel Intentions,” “American Crime”), Sophia Lillis (“It”) and Madison Davenport (“From Dusk Till Dawn: The Series”). SHARP OBJECTS was filmed in Los Angeles and Northern California, and in and around Atlanta. "Sharp Objects’ is my first child, my first novel", says author Gillian Flynn. “I wrote it nights and weekends and holidays with no real belief it would ever be published, because I felt like I had to bring this girl to life, so it holds a sacred place with me. -
For Immediate Release This Generation's Leading Lady Amy Adams Talks Return to Television with Hbo's Sharp Objects in June E
FOR IMMEDIATE RELEASE THIS GENERATION’S LEADING LADY AMY ADAMS TALKS RETURN TO TELEVISION WITH HBO’S SHARP OBJECTS IN JUNE EMMY® MAGAZINE (NoHo Arts District, Calif. — June 18, 2018) — In her new female-driven HBO limited series Sharp Objects, Amy Adams delves deeper than she ever has before to portray a self-destructive journalist investigating two horrific murders in rural Missouri. In the latest issue of emmy® magazine, Adams reveals what brought her back to television, where her career had an unsteady start nearly 20 years ago. The award-winning official publication of the Television Academy hits newsstands June 19. The eight-episode Sharp Objects is based on the novel of the same name by best-selling author Gillian Flynn (Gone Girl) and was created for television by showrunner Marti Noxon (UnREAL, Dietland). The project marks a return to television for Adams, who appeared in several series early in her career but found far greater success in films. “It wasn’t that I don’t like television,” she says. “I just sort of got [the feeling] that television didn’t like me. It felt like I was in a relationship that wasn’t working — and I don’t know why.” But Sharp Objects drew her back to the medium. “I thought my relationship with television was something I’d left in the past — the nature of the work and the pace are so different [than film],” Adams says. “But I just loved the power team of females. We sat down, and I started hearing their point of view and how they wanted to approach it.