How the Songs Come Down
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Frontiers of Violence and Fear: a Study of Native American and Palestinian Intifada Poetry
Nebula 2.3 , September 2005 Frontiers of Violence and Fear: A Study of Native American and Palestinian Intifada Poetry. By Saddik M. Gohar This paper critically examines social, historical and human zones of contact between contemporary Native American poets and the Palestinian Intifada poets in order to illuminate issues of common interest that characterize the poetic discourse of both sides. Exploring political and textual spaces in these two poetic traditions, the paper illustrates the attitude toward native land, identity, struggle and other motifs that penetrate the poetic narrative of Palestinian and Native American poets. The paper argues that in their attempt to undermine the imperialistic and hegemonic discourse that seeks to banish their colonized nations out of human history, Palestinian and native American poets have developed a counter poetics which affirms the values of resistance and struggle at crucial times, particularly when their homelands and identities are in danger. The paper also demonstrates that while the anti- colonial Palestinian Intifada poetry engages revolution and resistance as a means to regain one’s homeland and national identity, contemporary Native American poetry is characterized by nostalgia and a longing for return to a pre-frontier/pre-imperialistic past which exists only in the imagination of the poets. In a poem entitled “Their Fathers”, the Afro-American poet, Nikki Giovanni expresses her concern for the plight of the Palestinian people who are equated in their historical pain with other victimized and colonized races such as the Red Indians and the Africans. In her poem, Giovanni also draws an analogy between the Nazi holocaust of European Jews and the suffering of the Palestinian people at the hands of the Zionist/Israeli army. -
Middle English Lyrics: Lyric Manuscripts 1200–1400 and Chaucer’S Lyric
Middle English Lyrics: Lyric Manuscripts 1200–1400 and Chaucer’s Lyric by Emma Kate Charters Gorst A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Emma Kate Charters Gorst 2013 Middle English Lyrics: Lyric Manuscripts 1200–1400 and Chaucer’s Lyric Emma Kate Charters Gorst Doctor of Philosophy Department of English University of Toronto 2013 Abstract This thesis endeavours to understand late medieval lyric poetry and song from two ostensibly separate contexts: insular manuscript witnesses of English lyric from 1200 to 1400; and the narrative effects of lyric in Geoffrey Chaucer’s longer poetry, including the Canterbury Tales, the Parliament of Fowls, and the Book of the Duchess. These two contexts yield new insights about the medieval lyric. First, an overview of the manuscripts of medieval lyric from 1200 to 1400 in England suggests that about half of anonymous lyrics in this period exist in multiple witnesses and are thus in some sense connected, providing us with the insight that lyric at this time was not so much fragmentary as embedded in rich networks of meaning. The first chapter of the thesis uses network mapping software to represent some of these networks, and discusses the relationships among lyrics that appear in Maidstone, Maidstone Museum MS A.13 and related manuscripts, such as Oxford, Jesus College MS 29, and Cambridge, Emmanuel College MS 27. ii Subsequent chapters of the thesis draw out connections between lyrics and narrative events in Chaucer’s poetry, showing in a very different sense that lyric as a literary form reaches outward from the speaker to the narrative world itself, inviting narrative events to take place. -
Smudging Carter Revard Thomas Fisher Rare Book Library University of Toronto Art Museum E.J. Pratt Library, Victoria College
Wednesday, July 11 and his scholarship. Born in 1931, Revard won a Thursday, July 12 carpenter tricked by his savvy teenage wife and her radio quiz scholarship to attend the University of lovers, the play deftly weaves together Chaucerian SMUDGING Tulsa, and continued on to become one of the first MEDIEVALISTS OF COLOR RECEPTION satire with contemporary social commentary and Native American Rhodes Scholars at Oxford before a joyful celebration of the song, dance, and gossip 10:00am, Isabel Bader Theatre AND ETHIOPIAN MSS EXHIBIT completing his PhD at Yale. He taught at Amherst traditions of modern Nigeria, asking bold questions 6:30pm, Art Gallery of Ontario We will be opening the conference with a smudg- College before beginning his prolific career as a about the wahala that unites us all––the fragile ing, which is a purification ceremony performed by poet and medievalist at Washington University in Reflecting NCS 2018’s commitment to investigating human emotions of fear, love, revenge, and our many of the nations that make up the Indigenous St. Louis. questions of race in the field of medieval studies incessant need for gossip. peoples of Canada. A smudging will remove nega- and beyond it, we warmly invite all conference The play premiered in 2012 at the Edinburgh tive energy and cleanse a space, or an endeavour. In HART HOUSE RECEPTION AND attendees to a reception at the Art Gallery of Fringe Festival to critical acclaim, and is being a smudging ceremony, an Elder (someone who has RESEARCH EXPO Ontario, co-hosted by the New Chaucer Society staged July 13 and 15, 2018 as a joint production been recognized as a custodian of knowledge) will 6:00pm, Hart House Great Hall and the Medievalists of Color (MOC). -
Postmaster & the Merton Record 2017
Postmaster & The Merton Record 2017 Merton College Oxford OX1 4JD Telephone +44 (0)1865 276310 www.merton.ox.ac.uk Contents College News Features Records Edited by Merton in Numbers ...............................................................................4 A long road to a busy year ..............................................................60 The Warden & Fellows 2016-17 .....................................................108 Claire Spence-Parsons, Duncan Barker, The College year in photos Dr Vic James (1992) reflects on her most productive year yet Bethany Pedder and Philippa Logan. Elections, Honours & Appointments ..............................................111 From the Warden ..................................................................................6 Mertonians in… Media ........................................................................64 Six Merton alumni reflect on their careers in the media New Students 2016 ............................................................................ 113 Front cover image Flemish astrolabe in the Upper Library. JCR News .................................................................................................8 Merton Cities: Singapore ...................................................................72 Undergraduate Leavers 2017 ............................................................ 115 Photograph by Claire Spence-Parsons. With MCR News .............................................................................................10 Kenneth Tan (1986) on his -
The University of Tulsa Magazine Is Published Three Times a Year Major National Scholarships
the university of TULSmagazinea 2001 spring NIT Champions! TU’s future is in the bag. Rediscover the joys of pudding cups, juice boxes, and sandwiches . and help TU in the process. In these times of tight budgets, it can be a challenge to find ways to support worthy causes. But here’s an idea: Why not brown bag it,and pass some of the savings on to TU? I Eating out can be an unexpected drain on your finances. By packing your lunch, you can save easy dollars, save commuting time and trouble, and maybe even eat healthier, too. (And, if you still have that childhood lunch pail, you can be amazingly cool again.) I Plus, when you share your savings with TU, you make a tremendous difference.Gifts to our Annual Fund support a wide variety of needs, from purchase of new equipment to maintenance of facilities. All of these are vital to our mission. I So please consider “brown bagging it for TU.” It could be the yummiest way everto support the University. I Watch the mail for more information. For more information on the TU Annual Fund, call (918) 631-2561, or mail your contribution to The University of Tulsa Annual Fund, 600 South College Avenue, Tulsa, OK 74104-3189. Or visit our secure donor page on the TU website: www.utulsa.edu/development/giving/. the university of TULSmagazinea features departments 16 A Poet’s Perspective 2 Editor’s Note 2001 By Deanna J. Harris 3 Campus Updates spring American poet and philosopher Robert Bly is one of the giants of 20th century literature. -
The Salt Companion to Carter Revard
1844710904book.qxd 22/01/2007 02:26 Page i PPG-GRGQUARK The Salt Companion to Carter Revard Edited by Ellen L. Arnold Cambridge 1844710904book.qxd 22/01/2007 02:26 Page ii PPG-GRGQUARK published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved The selection and introduction © Ellen L. Arnold, 2007 individual contributions © the contributors, 2007 The right of Ellen L. Arnold to be identified as the editor of this work has been asserted by her in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing. First published 2007 Printed and bound in the United Kingdom by Lightning Source Typeset in Swift 10 / 12 This book is sold subject to the conditions that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. isbn-13 978 1 84471 090 4 paperback isbn-10 1 84471 090 4 paperback Salt Publishing Ltd gratefully acknowledges the financial assistance of Arts Council England 1 3 5 7 9 8 6 4 2 1844710904book.qxd 22/01/2007 02:26 Page iii PPG-GRGQUARK Contents Acknowledgments v Introduction 1 Norma C. -
Proquest Dissertations
Solemn laughter: Humor as subversion and resistance in the literature of Simon Ortiz and Carter Revard Item Type text; Thesis-Reproduction (electronic) Authors Haladay, Jane Melinda Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 02/10/2021 18:49:03 Link to Item http://hdl.handle.net/10150/278729 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while ottiers may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print. cok>red or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author dkj not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additkxial charge. -
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INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependenttfte qualityupon of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Summer 2000 MAGAZINE Homecoming 2000 Preview Sinbad to Rock Reynolds Inside the Mabee
TheThe UniversityUniversity ofof TulsaTulsa Summer 2000 MAGAZINE Homecoming 2000 Preview Sinbad To Rock Reynolds Inside the Mabee Legal Information GENAVE ROGERS Center , BSBA ’38 Eric Coley: Rising to New Heights , BA ’63 LORTON ROXANA FRED VIERRA, BS ’57 Featuring the 1999 Registry of Patrons The University of Tulsa Summer 2000 MAGAZINE Departments Mabee Legal Information Center 2 12 By Deanna Harris Calendar Take a look inside 4 this spectacular Guest Editorial addition to John Rogers Illustration by Leslie Cairns by Illustration 6 Hall, which Campus Updates melds tradi- tional 8 design and News from the U high-tech 10 services. Partners in Education 55 Eric Coley: Athletics 14 Rising to New Heights By Joan Crenshaw Nesbitt (BA ’86) 56 Alumni News TU senior and basketball powerhouse Eric Coley has made soaring a way of life, both on and off the court. 58 TU:This Year’s Best Write-In Candidate Class Notes Homecoming 2000 Preview 64 17 Campus will buzz with activity October 4–8 as “Your vote counts.” You hear that wisdom often consider TU a worthwhile investment, maybe In Memoriam Homecoming 2000 sees the return of friends old and during an election year. But did you realize that they should, too. 65 new. Comedian Sinbad head- lines Friday’s events, with a by supporting TU, you are casting a vote for Book End the university? College ranking organizations, including U.S. Saturday football showdown News & World Report, also watch alumni giving against the UTEP Miners. Meet this year’s Your gift increases the university’s alumni giving and factor it into a school’s ranking. -
Explorations in Sights and Sounds
Number 5 Summer, 1985 EXPLORATIONS IN SIGHTS AND SOUNDS Annual Review Supplement to Explorations in Ethnic Studies Published by NAES EDITOR: Charles C. Irby California State Polytechnic University ASSOCIATE EDITORS: Gretchen M. Bataille Iowa State University Meredith Reinhart California State University, Sacramento II Vol. 8, No.2 July, 1985 Table of Contents· Sameer Y. Abraham and N abeel Abraham, eds. Arabs in the New Wo rld, reviewed by Akrarri Khater ...................................... .. 1 Richard D. Alba. Italian Americans: Into the Twilight of Ethnicity, reviewed by Rose Scherini .................... 2 Paula Gunn Allen. The Woman Who Owned the Shadows, reviewed by Annette Van Dyke ............... ................................. 3 American Indian Culture and Research Journal. Vol. 7, No. 1 (1983), reviewed by Elmer Rusco . ....... ............................. 5 Elwyn T. Ashton. The Welsh in the United States, reviewed by Phillips G. Davies ......................................................... 8 Mariama Ba.So Long A Letter, reviewed by Anne E. Freitas ........ 9 R.H. Barnes. Two Crows Denies It: A History of Controversy in Omaha Sociology, reviewed by David M. Gradwohl ....................... 10 Gretchen M. Bataille and Kathleen M. Sands. American Indian Women, Telling Their Lives, reviewed by Carol J. Scott .................... 12 Anthony D. Brown, et al. New Directions in Federal Indian Policy, reviewed by George Sieber ...................................... .. 14 Joseph Bruchac, ed. Songs from This Earth on Turtle's Back, reviewed by Charles E. Roberts ............................................ 15 John Buenker, Ron Podeschi, and Paul Sendry. Immigrants, Minorities and School (video), reviewed by Margaret Laughlin ............... 17 An�us Calder, Jack Mapanje, and Cosmo Pieterse, eds. Summer Fires, New Poetry of Africa, reviewed by David K. Bruner ......... .... 18 Stephen Castles. Here for Good: Western Europe's New Ethnic Minor- ities, reviewed by Zora Devrnj a Zimmerman .....................