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Red River C I 6Ctor
proRed River C I 6ctor 03.12.2007 PRed River C.Ilege Ist EDITOR-IN-CHIEF Nisha Tuli [email protected] Intern Editors Editors-in-Chief HEALTH SPORTS & LIFESTYLES EDITOR Jolene Bergen Andrea Danelak Melody Rogan [email protected] News Editors Kim Kaschor Chris Moskowec DIT R Chris Webb Arts Editors [email protected] Taylor Burgess Jennifer Clark Health Editors ARTS & CULTURE EDITOR Tania Kohut Sara Atnikov Lisa Magnusson [email protected] Layout Editors Braden Alexander Alex Rachey LAYOUT & DESIGN EDITOR Doug McArthur [email protected] Cover Art Chelsea Gowryluk Contributing Writers LAY. T DE I N EDIT .R Darrin Bauming Chelsea Gowryluk Jess Hassard [email protected] Paul Blawat Steve St. Louis Faye Armstrong Kiera Fogg Shawn Houde ADVERTISING CONTACT Mark Reimer Jason Krahn Guy Lussier Heather Bell [email protected] Brenlee Coates Sam Karney Payton Richardson Shannah-Lee Vidal Jennifer Clark Sarah Blondin Rhiannon Maskiw-Connelly Zach Regiec Derek J ory Trevor Suffield Ashley Morgan Rudy Gauer Nicole Trunzo Jayme VandenBerg Jutjana Capone cio Red River College Students' Association Lena Fronford P110 -160 Princess Street Will Cooke Jack Duckworth Winnipeg, MB R3B 1K9 Phone: 204.947.0013 Fax 204.949.9150 • Writers, Photographers, and Illustrators: The Projector Wants You! The Projector is continually searching for new content and new points of view. If you've got something to say, an opinion or interesting story from on or off campus, or illustrations or photos, contact one of our editors with your idea. See your name in print! Contact The Projector today. news 3 03 12 20 Students Get A New Place To Relax Ryan Inman designed and the layout is set up well [email protected] enough. -
Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Od
Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Odden Ohio State University Ohio Colleges of Medicine This is a pre-copyedited, author-produced version of an article accepted for publication in Social Forces following peer review. The version of record is available online at: https://doi.org/10.1093/sf/sox055. *Please direct all correspondence to Ryan Light, [email protected]. The authors thank James Moody, Jill Ann Harrison, Matthew Norton, Brandon Stewart, Achim Edelmann, Clare Rosenfeld Evans, Jordan Besek, and Brian Ott for their helpful comments on earlier drafts of this paper. Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science Abstract The proliferation of cultural objects, such as music, books, film and websites, has created a new problem: How do consumers determine the value of cultural objects in an age of information glut? Crowd-sourcing – paralleling word-of-mouth recommendations – has taken center stage, yet expert opinion has also assumed renewed importance. Prior work on the valuation of artworks and other cultural artifacts identifies ways critics establish and maintain classificatory boundaries, such as genre. We extend this research by offering a theoretical approach emphasizing the dynamics of critics’ valuation and classification. Empirically, this analysis turns to Pitchfork.com, an influential music review website, to examine the relationship between classification and valuation. Using topic models of fourteen years of Pitchfork.com album reviews (n=14,495), we model the dynamics of valuation through genre and additional factors predictive of positive reviews and cultural consecration. We use gold record awards to study the relationship between valuation processes and commercial outcomes. -
Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
The Fearless Leader Fearless the Paul 196
TWO RAINMAKERS PAUL THE FEARLESS LEADER 196 ven back then, I was taking on far too many jobs,” Def Jam Chairman Paul Rosenberg recalls of his early career. As the longtime man- Eager of Eminem, Rosenberg has been a substantial player in the unfolding of the ‘‘ modern era and the dominance of hip-hop in the last two decades. His work in that capacity naturally positioned him to seize the reins at the major label that brought rap to the mainstream. Before he began managing the best- selling rapper of all time, Rosenberg was an attorney, hustling in Detroit and New York but always intimately connected with the Detroit rap scene. Later on, he was a boutique-label owner, film producer and, finally, major-label boss. The success he’s had thus far required savvy and finesse, no question. But it’s been Rosenberg’s fearlessness and commitment to breaking barriers that have secured him this high perch. (And given his imposing height, Rosenberg’s perch is higher than average.) “PAUL HAS Legendary exec and Interscope co-found- er Jimmy Iovine summed up Rosenberg’s INCREDIBLE unique qualifications while simultaneously INSTINCTS assessing the State of the Biz: “Bringing AND A REAL Paul in as an entrepreneur is a good idea, COMMITMENT and they should bring in more—because TO ARTISTRY. in order to get the record business really HE’S SEEN healthy, it’s going to take risks and it’s going to take thinking outside of the box,” he FIRSTHAND told us. “At its height, the business was run THE UNBELIEV- primarily by entrepreneurs who either sold ABLE RESULTS their businesses or stayed—Ahmet Ertegun, THAT COME David Geffen, Jerry Moss and Herb Alpert FROM ALLOW- were all entrepreneurs.” ING ARTISTS He grew up in the Detroit suburb of Farmington Hills, surrounded on all sides TO BE THEM- by music and the arts. -
JEN CLOHER Jen Cloher
JEN CLOHER Jen Cloher Album Biography: June 6, 2017 Album Release: August 11, 2017 “It’s self-titled.” The three-word answer is all that Jen Cloher requires to describe her new album, a letter in triplicate addressed to music, to Australia and to love. It’s the most honest album she’s ever written. Jen liKes best to tell the truth. Jen Cloher is the culmination of a period of artistic and personal growth in which the artist tooK her rightful place as the punk-rocK figurehead of Melbourne’s famous DIY music scene. The NIDA graduate is an outspoKen advocate for artist rights, a label boss and band-leader, she also happens to be the partner of acclaimed songwriter Courtney Barnett. Cloher’s fascinating life-story is enough justification to taKe notice here, but it’s the music that will have you returning to this album again and again. Cloher says: “It’s a classic rocK album, recorded live in one room with minimal overdubs… I’m not too good at going into descriptive language around my own music but I suppose it is intimate without ever feeling too precious.” The bulK of Cloher’s album was recorded in October 2016 by Greg WalKer amidst the rolling greenery of Jumbunna in Victoria’s Gippsland, these are songs of distance and songs of driving. Four years on, the band that first played together on Cloher’s acclaimed third album, the Australian Music Prize nominated In Blood Memory, are bold and assured. The songs are split here and there by the melodic intricacy of guitarist Courtney Barnett while drummer Jen Sholakis and bassist Bones Sloane add weight and space, playing only what is needed, leaving room for the songs to breathe, transform and soar. -
Ta1300 Album Download TA13OO
ta1300 album download TA13OO. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $12.99. A former member of SpaceGhostPurrp's Raider Klan , Denzel Curry is one of the precursors of the new generation of electro coming out of Florida. Now joined by such wild men as Smokepurrp, Ski Mask Da Slump God or the late XXXTentacion, Denzel has created a complex mix, which has been much-covered by his peers. To sum it up, his music is a mixture of very technical rap in the tradition of Memphis and the Three 6 Mafia and a rather more elevated psychedelic tendency taken from Outkast and the Dungeon Family. A pure product of the SoundCloud generation, he made waves with Nostalgic 64 (2013) and then Imperial (2016). At the age of just 23, Denzel Curry shows a disarming maturity and an unflagging versatility on TA13oo , his most ambitious album to date. TA13OO. The South Florida rapper carves out his own lane within the genre known as SoundCloud rap, displaying considerable versatility as he channels the pain and confusion of youth. Featured Tracks: In the chaotic arena that is SoundCloud rap, Denzel Curry has etched out his own distinct realm. Presumably he doesn’t mind being tagged as a SoundCloud rapper, as murky and hard to define as that term is. It was just in May that Curry went to the mattresses to uphold his version of the genre’s history, using Twitter and interviews to torpedo Smokepurpp’s claim to have fathered the movement. -
Four Vie for Top Student Post at Pre-Election Rally
September 24, 2009 Vol. XXVI No. 2 one copy FREE NORTHWESTERN M I C H I G WHITE PINEWe hew to the line; let the chips fall where they may TAKING A PRESIDENTIAL STANCE Press Photos/JEANETTE HAGBERG SGA Presidential candidates Francis Hartsuff, Marissa Glazer, Mitchell Treadwell and Jeremy Meagher spent time after the SGA rally on Septem ber 21 to answer questions presented by an audience made up of NMC students and faculty. Four vie for top student post at pre-election rally JACOB BAILEY Press Managing Editor ■ “We want to hear your voice; we are your The candidates, Marissa Glazer, Jeremy a popularity contest,” said Meagher, “I believe ways for students to go above and beyond voice” said Javier Nuno, head of student out Meagher, Francis Hartsuff7 and Mitchell that its a full-time job and you need to focus classroom settings and apply their skills reach, to kick off the Student Government Treadwell, each gave speeches in the lower on it as much as you can. Everyone should out in the world.” Association (SGA) election rally on Sept. 21. level of West Hall that described what they know who the president of SGA is and should Extracurricular options are something This year, four students are competing to be would do during their year in the top spot. feel comfortable coming and talking to them.” that second-year student Mitchell Treadwell the next president of the SGA, the student Last year’s SGA secretary, Jeremy Meagher, Chemistry major and library worker Ma thinks could “go a long way to living up to government body at NMC, which is charged thinks communication is the key to a good rissa Glazer used her time on the podium to the colleges slogan of‘Find it Here.’ We with supporting new and continuing student year at NMC. -
1/08 Jan|Feb
# 1/08 JAN|FEB KAPU ZINE EDITORIAL Salut! Ich spar mir an dieser Stelle den obligatorischen Jahresrückblick! Straight forward lautet die Devise und ich persönlich freu mich auf das kommende Jahr. Programmatisch starten wir mit einer, meiner Meinung nach, durchaus gelungenen Mischung. Neben einigen internationalen Acts, auf die ihr euch schon freuen könnt, kommen auch österreichische und vor allem Linzer MusikerInnen nicht zu kurz, die mindestens die gleiche Aufmerksamkeit verdienen. Zum ersten mal wird Ende Fe- bruar das O-Heim-Mini-Winter-Festival stattfinden. Stationen sind die STWST und die KAPU, die sich neben dem Verein „Open Air Ottensheim“ fürs Programm ver- antwortlich zeigen. Aber das Programm könnt ihr auf den folgenden Seiten ja in aller Ruhe nachlesen. Was passiert ansonsten in der neuen KAPU-Saison? Jahreswechsel ziehen ja meist große Vorsätze und Pläne mit sich. Das ist bei uns nicht anders. Ein Bisschen sei schon mal verraten... Wir sind wie immer voller Wahnsinnsideen und Tatendrang! Für den Jahresanfang stehen zwei Projekte an. Einerseits wird die KAPUtique ihr virtuelles Dahinsiechen endgültig hinter sich lassen und in neuem Glanze im ehemaligen Fiftitu%-Büro im 1. Stock auferstehen. Das Ganze wird natürlich gebührend gefeiert; doch mehr dazu weiter hinten. Ebenfalls geplant ist eine „offene KünstlerInnenwerkstätte“; einen genauen Zeitplan dafür gibt es leider bis zum jetzigen Zeitpunkt noch nicht. Doch was nicht ist, das kann noch werden. Gebt uns noch ein wenig Zeit und dann werdet ihr auch über Details und Nutzungsmöglichkeiten umgehend informiert (KAPUzine LeseInnen sind ja immer vorn dabei! Auch wenn es diesmal etwas später kommt, doch auch DruckerInnen verdienen Feier- tagsurlaub.) Ebenfalls in Planung ist ein neuer KAPU-Sampler; die ersten Bands sind angeheuert, die Diskussion um den Titel ist nach kämpferischen Aus- einandersetzungen abgeschlossen und wir sind gespannt, wer aller seinen/Ihren Weg auf diese kleine silberne Scheibe findet. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
Lopez Reassigned, Will Not Return As Principal in Fall
the CarmelA CARMEL HIGH SCHOOL STUDENT PUBLICATION Sandpiper VOLUME XL FEBRUARY 2019 thesandpiper.org CAMPUS Carmel’s youth take to the field Lopez reassigned, Next Level Football will not return as principal in fall BY ATHENA-FOSLER BRAZIL Carmel High School Principal Rick Lopez will not be re- turning to his position for the 2019-20 school year, news which he announced to the CHS staff on Jan. 24. The decision, made by second-year Superintendent Barb Dill-Varga, came as a shock to CHS faculty. Lopez has requested reassignment within the school district. Though Lopez says he could not provide staff with an ex- planation for why his position at the high school was terminated, Dill-Varga cites the reason for Lopez’s removal from his position as a need for a “fresh perspective” at CHS, which she hopes to take in a “new direction.” “The District is grateful to Mr. Lopez for the hard work he has done to help CHS attain many achievements over the past 10 years,” Dill-Varga wrote in a media release sent out Jan. 25. The statement announced the district’s search for a new principal, set photo by PETER ELLISON to begin in early February and conclude in April. The CHS principal is able to say little more than Dill-Varga Senior Robert Mowry coaches his team of first and second grade students during a about the reasons given for his reassignment. “The district has chosen to go a different direction for the Sunday morning practice. For more on Next Level Football, see page 7. -
Frankly, It's Dweezil
AI Z BON R. M Frankly, It’s Dweezil By mr. Bonzai he year 2006 has shaped up to be a big one for Dweezil Zappa. He’s releasing his first solo album since 2000’s Automatic (Favored Nations), he completely remodeled the control room T of the renowned Zappa studio—the Utility Muffin Research Kitchen—and he launched a full-scale tour of entirely Frank Zappa compositions, called “Zappa Plays Zappa” (aka the Zappa the “Tour de Frank”). Joining the touring band are Frank Zappa alumni Steve Vai, Terry Bozzio, and Napoleon Murphy Brock (see Fig. 1). younger on Dweezil and I met in the studio as he was finishing two months of rehearsals and putting the final touches on the album,Go with What You Know (Zappa Records, 2006; see Fig. 2), which engineering his comprises Dweezil’s compositions as well as Frank Zappa’s “Peaches en Regalia,” a tune origi- nally recorded in 1969 and altered in 2006 with the Dweezil touch. The album will be released new CD, revamp- during the final leg of the tour, which stretches throughout Europe and America. ing his dad’s I was listening to you playing a part that Frank wrote. Is that in preparation for your tour? studio, and the Yes, we are preparing for the “Zappa Plays Zappa” tour. It’s the first official event that we’ve been able to put together where we’re actually going to go out and play Frank’s “Tour de Frank.” music. We’ll have other elements as well. The 25-minute opening of the concert will include excerpts from a documentary film about Frank’s work as a composer as well as some rare FZ concert footage. -
The Jacka Tear Gas Album Download the Jacka Tear Gas Album Download
the jacka tear gas album download The jacka tear gas album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 669fb12e3b06f13a • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Tear Gas. Bay Area rapper the Jacka spent his 2008 on mixtapes and collaboration albums, working those circuits so hard that you'd think he'd have nothing left for his high-profile 2009 release, Tear Gas. It's a bit of an uneven effort and the layout is all wrong -- opening with the hazy, lazy "Summer" just feels weird -- but overall it's a surprising success, especially when taking his abundant output into account. Jacka is a confident, talented, and believable gangster with a newfound hunger to cross over, something that seems much more possible here than on his respected 2006 album, Jack of All Trades. The Traxamillion-produced "Glamorous Lifestyle" is the club track to pick with its loose and easy hook, one that's perfectly tailored for Jacka's quick delivery and his light, arguably weak voice.