PRODUCT MONITOR 9 • CC-290 review ULTRACUBE™ 10 “… truly an exceptional speaker … RIVETING … AN AURAL FEAST … will take your breath away.”

Reprinted with permission from by Yoshi Carroll

INTRODUCTION finishing techniques in Earlier this year, Paradigm released an the past, but with this www.audiovideorevolution.com update of one of their most successful new version, I feel they’ve and longest-lasting speaker lines, the really raised the bar. These Monitor Series. Paradigm is famous for speakers are gorgeous, even “Can they rock? Can they go loud following the simple business proposition more so when you consider of building a good product for less than their price. and blow my hair back while keeping the other guy. What I’ve always appreciated about Paradigm is that they don’t skimp The Monitor 9 is a four- all that delicacy and finesse? … on the details, no matter how low the retail driver, two-and-a-half-way they did so in legendary force … price. The sound quality is there, but so speaker, with a rear-firing are the build quality, finish and nice little bass reflex port. It uses a breathtaking power … the amount touches like their new magnetized grilles. one-inch H-PTD dome Value here doesn’t mean you’re getting tweeter mated to a condom of energy was tremendous … all something cheap, it means you’re getting like (I’m not kidding) six- the details remained … crystal clear something truly valuable, for less than and-a-half-inch M-ICP you might expect to pay. bass/midrange driver, with … easily distinguished … and as two six-and-a-half-inch The subject of this review and my new polypropylene bass drivers. loud as you could take it.” object of affection, the Monitor 9 floor- The Monitor 9 has a stated standing speaker is about all the speaker sensitivity of 96 dB into a one could hope for, unless of course you fairly benign eight ohm load, want to really terrorize the neighbors, in which makes it freakishly which case you can step up to the larger efficient, in turn making Monitor 9 Monitor 11. Still, the Monitor 9 isn’t your power requirements small by any stretch, measuring 40-and- and possibly your budget a-quarter inches tall by seven-and-a-half shrink considerably, which inches wide and 13-and-a-quarter inches is a good thing for those of deep, tipping the scales at 88 pounds per you just getting your feet wet pair. The Monitor 9 isn’t going to be in home theater. The Monitor 9’s are also mistaken for anything but a loudspeaker; bi-wireable or bi-ampable via their gold- however, the three available finishes go a plated, five-way binding posts. This allows long way in dressing it up a bit. My review for several configuration options not often samples came finished in a beautiful found at this price point. The most extreme Cherry Wood finish, with Rosenut and case is having separate amplifiers for treble Black Ash also available if Cherry isn’t and bass, perhaps a rich and warm- to your liking. I have to say, I’ve been sounding tube amplifier on top, and a impressed with Paradigm’s cabinets and more powerful, bass-tight, solid state amp MONITOR 9 • CC-290 • ULTRACUBE™ 10 for the bottom. Another option, if you have a Along with the Monitor 9’s, I also had on from nearby frequencies and volumes, seven-channel-capable amplifier or receiver hand Paradigm’s CC-290 center channel, without sounding forced or analytical. This but only five channels’ worth of speakers, also a member of the Monitor Series of was evident in the shimmering of bells, with is to use the extra two channels for bi-amping. speakers. The CC-290 is a four-driver, three- the sound oscillating as it faded, as opposed Not all processors have this option, but for way speaker, built to blend seamlessly with to slower speakers that can’t resolve those ones that do, this configuration might allow the rest of the Monitor series. Also on hand minute variations of volume. This was also for an extra boost in sound quality without was Paradigm’s 10-inch UltraCube, a compact, evident when playing voices. Track 6, “The purchasing new equipment. single-cone subwoofer capable of 1500 watts Inner Child,” featuring a female soloist peak power and 650 watts sustained. The singing scales. The tiny quivering of her UltraCube only comes in black, but it’s voice imparted a sweet, emotional resonance “… realistic and textured … highs handsome and well-finished. to her song. were smooth and rounded … MUSIC AND MOVIES “Voices through the center channel strumming guitars and strings were As soon as the music started playing, I knew that my favorite word to describe the were smooth and clear … same also smooth and well-separated … Monitor 9’s would be “fun.” Whatever other Instruments and tones seemed to characteristics the Monitor 9’s have, my extension and high level of tonal overriding conclusion is that these speakers separation found in the Monitor 9’s occupy their own individual sonic are very enjoyable to play music through. There’s a dynamic richness to the presentation … dispersed sound widely … spaces, easily distinguished from that makes me want to put in CD after CD nearby frequencies and volumes, and just sit back and listen, tapping my foot disappeared well enough that I never and bopping my head. And for a while, I did noticed it in play … did everything a without sounding forced or analytical.” just that, but unfortunately that makes for pretty dry reading, so it was time to start center channel needs to do—without paying attention. SET-UP calling any attention to itself.” Out of the box, there was the small matter of attaching the black outrigger feet to the “… smooth, light and effortless … That same track starts out with the distant, bottom of the speakers with a single screw. faded voices of children on a playground, The provided spikes plug into these feet [the singer’s] voice appeared in the somewhere on the right side of the sound- for added stability and crisper sound. room like it belonged there … the stage. The soloist came on front and center, and she was very much in the room with me, Since I’m not equipped for bi-amping, I speakers disappeared … no shout her voice coming out of the quiet darkness decided to bi-wire the Monitor 9’s for the like a lamp fading in and illuminating the duration of my review, getting a little tricky to the midrange … no congestion stage. And once she was there, that’s where with it by using different brands of speaker … nothing distracting … extremely she stayed. The Monitor 9’s imaging was cable. For the top end, I used Mapleshade’s excellent, well-defined and stable, with Golden Helix cables, which are clear, natural- stimulating.” voices, instruments, and sound effects well- sounding and suitable for small satellite integrated and, again, separate. When a speakers, though they lack the bass to satisfy The first test CD I used was ’s backup singer came on, she took her own a full-range speaker. For the low end, I used III (Warner). This is an old place farther back on the left. The big drums Monster Cable’s M series, which are full and favorite test CD that I’ve listened to on every were farther back still, but their impact was bassy, but also a little bright for my taste. imaginable type of gear at every imaginable strong and they comfortably filled out the Combined in this way, I was able to get the price point. There’s little bit of everything soundstage. And they sounded like big drums, most out of my existing components, here, from voices to guitars to various drums not just loud and deep, but with their own without having to upgrade. to many, many bells. It’s these I noticed first, mass and three-dimensional volume through sounding quite realistic and textured. It was the Monitor 9’s. Like the strings and bells in I played all CDs using my Denon DVD-2910 easy to recognize the initial hit on the bell, the high frequencies, the drums exhibited as a digital transport driving my Modwright and the subsequent texture and tone of the the same realistic impact and inner detail, Signature Mod Perpetual Technologies P-3A instrument. The highs were smooth and well down to floor-shaking levels. Paradigm DAC. For amplification, I used Sonic Impact’s rounded, and though a little glassiness claims the Monitor 9 is a full-range speaker, excellent class T digital amplifier, the Super was evident, it wasn’t enough to distract. and I certainly don’t feel like I’m missing T-Amp, which at $160 sets its own records Strumming guitars and strings were also anything on the low end. The fact that I’m for a value component. The Super T-Amp smooth and well-separated. Well-separated getting solid, satisfying (and loud) bass from only puts out 15 watts per channel, but the is actually a good description of how the a 15-watt amp is testament to Paradigm’s Monitor 9’s are so efficient, and the amp is Monitor 9’s sounded overall. Instruments SuperDrive technology. Whatever high tech so clear, this proved more then enough and tones seemed to occupy their own wizardry is in the crossover networks and power to put a rock show in the room. individual sonic spaces, easily distinguished the low mass drivers, it is certainly working.

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nowhere near the acoustical virtuosity of is by no means lacking, if holographic “… imaging was excellent, well- Tubular Bells III, but that’s why this CD spookiness (technical term) is your particular defined and stable … voices, worked: it’s all about Ms. Nalick and her audio Nirvana, this may not be the speaker refreshing and beautiful lyrics. A nudge for you. Then again, you’re not going to instruments and sound effects well down on the volume control and the find speakers like that anywhere at or near Monitor 9’s presented an intimate, candle- the Monitor 9’s price range. integrated—and separate … lit mood without losing any of their liveliness filled out the soundstage … three- or detail. They were just as emotionally involving when turned down low, which was “… once the musical storm quieted dimensional volume … realistic as much an accomplishment as being able to down, I realized that I hadn’t been perform at high levels. As soon as I hit play, impact and inner detail, well down I was very pleasantly surprised to find that breathing … I was pushed back into to floor-shaking levels.” this album had something special going on. I actually stopped taking notes and just my chair—quite possibly levitating listened all the way through because, well, Now, tonal resolution and inner detail are … I could feel myself physically the Monitor 9’s made it easy. The most I can wonderful things, but the big questions I hope for when auditioning equipment is have for my speakers are: Can they rock? lighten … a wonderful experience that the critical, nitpicky voice in the back Can they go loud and blow my hair back of my head shuts the hell up and I can just … and it only works with very while keeping all that delicacy and finesse? enjoy the music. It doesn’t happen often, but To find out, I skipped ahead to the last track, dynamic, very emotionally involving it’s something special when it does, and it “Far Above the Clouds.” The track started was certainly happening here. Whatever else out with a low and clear heartbeat, setting speakers, which the Monitor 9’s just can be said about a speaker’s measurements, the anticipation as the virtual orchestra ultimately what counts is how well the emotion happen to be.” dropped out and a child’s voice announced comes through, and in that category, the the onslaught of the titled tubular bells. Monitor 9’s delivered. Smooth, light and For multi-channel music and movies, I When they arrived, they did so in legendary effortless, Nalick’s voice appeared in the added the Outlaw 1070 AVR receiver into force, the first hammer strike coming out of room like it belonged there, and the speakers the mix, an appropriate choice considering the quiet with breathtaking power in one of disappeared completely. There was no shout that Outlaw, like Paradigm, focuses strongly the most rousing finales since Beethoven. to the midrange, no congestion, nothing on making performance speakers that sell After the bells came the big drums again, distracting to take away from the experience. for less than the competition. I connected the and the chorus, and the wail of the electric Whatever Paradigm is doing with their latex- Denon DVD-2910 to the Outlaw via digital guitar. When this song sounds good, it’s colored drivers, it was extremely stimulating. coaxial cable, and I set the Outlaw to do all riveting, it’ll take your breath away, and on the processing. The 9’s I left connected to the the Monitor 9’s, it did sound that good. Super T-Amp, which I connected to the Outlaw Turned up loud, the amount of energy was “The fact that I’m getting solid, via the preamp outputs, and the center tremendous; as advertised, all the details satisfying (and loud) bass from channel I connected directly to the Outlaw. remained. Each clang was crystal clear, each The sub I connected the 1070’s LFE out. bell provided the mass and oscillating decay a 15-watt amp is testament to of a five-foot instrument, even when they were being played quietly behind the drums, Paradigm’s SuperDrive technology.” “… my favorite word to describe and the guitars, and the beautiful vocals. the Monitor 9’s would have to be Everything was there and easily distinguished Also impressive, as I switched positions and as loud as you could take it. Until it all around the room, was that the sweet spot ‘FUN’ … there’s a dynamic richness suddenly dropped off into silence, to be was unusually wide. These aren’t the kind replaced by little chirping birdies. This part of speakers that only sound their best when … makes me want to put in CD was really interesting, because once the your head is firmly anchored in a single after CD and just sit back and listen musical storm quieted down, I realized spot, and this makes them an attractive that I hadn’t been breathing, and I was proposition for anyone without a dedicated … tapping my foot and bopping pushed back into my chair and was quite audio room. If the best spot on your couch possibly levitating. As the bells faded in the isn’t exactly centered between the speakers, my head.” distance, I could feel myself physically lighten. or if your ears aren’t perfectly aligned with It was a wonderful experience and it only the tweeters, there’s nothing to worry about: With the P-3A DAC out of the chain, works with very dynamic, very emotionally the music will sound just as good. In my replaced by the Outlaw’s internal DACs, I involving speakers, which the Monitor 9’s experience, the tradeoff with this kind of immediately noticed some extra brightness just happen to be. wide dispersion design, and there’s always out of the Paradigms, which tended to cause some tradeoff, is that imaging suffers a little. fatigue during extended listening sessions, From there, I switched gears with Anna While the Monitor 9’s ability to place an and the midrange fell back a little deeper Nalick’s Wreck of the Day (Sony). This is instrument at a specific location the room into the soundstage. Now, the P-3A is itself

PAGE 3 MONITOR 9 • CC-290 • ULTRACUBE™ 10 a product that gives a lot of bang for the disappeared well enough that I never noticed string ensemble, while easily localized buck, much more so once it was upgraded it in play unless I was very carefully looking behind the piano, lined up around the by Modwright, and it costs about what the for it. In short, it did everything a center soundstage, reaching in and enveloping the Outlaw and the Monitor 9s cost together, channel needs to do, anchoring the center listener, almost like a mist. It was a very so the difference in sound quality is to be of the soundstage for all sitting positions pleasant effect, and the Paradigms recreated expected. Even so, I’m impressed by the without calling any attention to itself. it seamlessly. Monitors’ ability to resolve so much of what the P-3A was putting out. It shows that they’ll be able to keep up when fronted “… an acoustic environment that “The Monitor 9’s quick snap and clear by components well above their price range. wraps completely around the response made every noise come listening room … location of “… just as emotionally involving alive … its impact through the instruments was spot on and when turned down low—as much speakers was visceral and often easy to pick out … echoes and an accomplishment as being able to gut-wrenching.” reverberations travelled around, perform at high levels.” On the high-definition front, I fired up my creating a wraparound effect.” Dish Network satellite system and brought However, I still had a brightness problem, up Rabbit Proof Fence (Miramax), a movie but I largely solved it to my satisfaction The UltraCube also fit its role very well scored by Peter Gabriel that I’ve been holding by toeing the Monitor 9s out a little further, by filling in the bottom octaves without on to for some months, waiting for a test almost straight on, and by lowering the making anyone notice it was there. The system to unleash it on. The story takes treble controls on the 1070. The toeing out analog crossover knob allowed for anything place in Australia in 1931, and follows three of the speakers also widened the soundstage, from 40 Hz up to 120 Hz, and after some aboriginal girls who are forcibly separated often beyond the physical edges of the experimentation, I found the best position from their families and taken to a training speakers, and gave more air to instruments to be around 60 Hz. This gave plenty of school where they are to be assimilated into playing to the extreme right or left. The overlap with the Monitor 9’s to get a smooth white society at the orders of the government. cost is the addition of some blur in the frequency blend, while keeping the sub in its The girls escape and make their way back center of the soundstage, but this was well comfort zone where it was fast and articulate. home by walking 1,200 miles along a fence compensated for by the addition of Paradigm’s In fact, the biggest problem I had in setting that spans the entire continent. The opening center channel. it up was that I had it turned up too high for scene introduced the sound of the Earth, a my modest-sized room. Somewhere around deep and low guttural rumble that played only 10 percent on the volume knob is where out underneath all the dialogue and sound “The UltraCube also fit its role very I found the happy spot. effects. Without the sub, this was only a low rumble, but the sub gave it voice, texture well … filling in the bottom octaves For example, when I listened to the DVD and character. In the third scene, government side of Five for Fighting’s The Battle for without making anyone notice it officers forcibly remove the girls from their Everything DualDisc (Sony), John Ondrasik’s families, and the soundtrack portrayed the vocals seemed to float directly in front of was there … a smooth frequency full emotional violence of the event. Below me, somewhere between the mains, not from the cries and screams was a dark and blend … fast and articulate … center channel on the floor. The midrange helping anchor the soundstage … blended perfectly between the three speakers, menacing growl. It was a good test of the coming off smooth and detailed and very speakers’ snap, impact and speed, and here immediate, crisp and detailed natural. The UltraCube blended in very again, the Paradigms delivered, so much so well, too, extending the kick drum’s reach that the scene got a little hard to watch. room-shaking power.” and helping anchor the soundstage. What When the girls finally get to the camp, the makes this album a good test, however, soundtrack of their was downright Once all my tweaks were in place, I found is that a poetic, dreamy approach was taken spooky. Footsteps in the dirt and nearby the addition of Paradigm’s UltraCube to the multi-channel mix, creating an crickets mixed in with strange whines and Subwoofer and the CC-290 to perfectly acoustic environment that wraps completely ghostly whispers and a low, room-shaking complement and extend the Monitor 9’s around the listening room. The location rumble. The sub anchored the scene and capabilities without any signs of disconnect. of instruments was spot on and easy to Monitor’s ability to separate sounds into Voices through the center channel were pick out, but echoes and reverberations distinct entities created the feeling of being smooth and clear, with the same extension traveled around, creating a wraparound surrounded. The sounds in this part of the and high level of tonal separation that was effect. On the track “Dying,” the piano movie were mixed to be loud and strange found in the Monitor 9’s, and it dispersed took up the front of the soundstage, extending and immediate, the way they would seem sound widely enough that everyone in the as wide as the room, but there was also the to scared and alienated children, and the room got to stay in the conversation. It also sense that it was floating over me. The Monitor 9’s quick snap and clear response

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made every noise come alive with frightening Much of the movie is a surprisingly talky realism. The entire movie is an aural feast affair, but the speakers still got plenty to do, and its impact through the Monitor 9’s was mostly offering a great seat from which to visceral and often gut-wrenching. enjoy the score, and creating more realistic environments by excellently playing back background sounds. I could watch the movie “… it’s the Monitor 9’s that get credit blindfolded and still have a good idea of for bringing [the soundtrack] to life each location just from the soundtrack. Naturally, the voices sounded, well, natural, with the energy and detail that, at which doesn’t surprise me, given how well this price point, is terribly rare, if the Monitor 9’s and the rest of the Monitor Series speakers have performed throughout not unprecedented.” my listening tests. As should be no surprise by this point, the “… regardless of price, Monitor 9’s Paradigms’ nimble dynamics and tonal separation were ideally suited to conveying hold their ground … and when high-energy film scores and realistic environments. In Casino Royale (Sony), the taking the price/performance ratio CC-290 foot chase at the beginning of the movie, into account, these speakers clearly aside from being one of the best chase sequences ever and a work of action film take the lead.” art (yes, there is such a thing), was also a great test for the Monitor 9s. The sequence THE DOWNSIDE in which Bond gets in the wheel loader and The Monitor 9s are naturally a little bright gleefully crashes through the construction and, in certain circumstances, this might be site comes to mind. The crashes and a problem. If the downstream components explosions snapped out of nowhere and are also bright, this characteristic will be the subwoofer responded with immediate, emphasized and, depending on the listener, crisp and detailed room-shaking power. it might prove to be a fatiguing listening The orchestral score laid itself out across experience. My ears are extremely sensitive the soundstage just behind the action, to high-frequency distortions, but even so, with every instrument as vibrant and with careful system configuration and a differentiated as on a classical music CD, little bit of tweaking, I was able to rein the while grunts, hits, jumps, crashes, slides, Monitors in. It is important to note, though and all the rest of the sound effects that by no means a deal breaker. gave the action realism played firmly in the foreground. Somewhere between, behind CONCLUSION and around were the ambient sounds that With high efficiency, exceptional dynamics, portrayed the sense of place, including stable performance at high volume, and an sound effects that aren’t usually noticeable, elegant, well-crafted exterior, Paradigm’s like the sounds of the construction workers’ tools, their agitated chatter, the echoes of a latest rendition of the Monitor 9 lives up to welding torch reverberating in an elevator the company’s goal of “Affordable Hi-Fi.” shaft, the voom of cars in the background This is truly an exceptional speaker that can UltraCube™ 10 and the chirping of birds. The loud stuff provide enjoyment of a wide range of music caused excitement, but these small detailed styles and soundtracks, at a price level that’s sounds made the scene feel natural and quite easy to swallow. Even when compared engaging. This is, without a doubt, a well- to the industry’s giants, regardless of price, mixed soundtrack, but it’s the Monitors that the Monitor 9’s hold their ground and, when get credit for bringing it to life with the taking the price/performance ratio into energy and detail that, at this price point, account, these speakers clearly take the lead. is terribly rare, if not unprecedented.

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