Summer 2015 School of Art & Artists' Residency

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Summer 2015 School of Art & Artists' Residency School of Art & Artists’ Residency Summer 2015 1 Contents Welcome 2 Courses 2 Course Calendar 4 Ceramics to Ox- B ow 6 Glass 9 Printmaking Over the 11 weeks of summer programming the Ox-Bow 13 Painting & Drawing campus lights up with the energy of hundreds of artists 17 Sculpture & Metals learning new processes and creating new work across 19 Fiber 20 Other Studio Areas a wide range of studios. The frenetic creative energy combined with the pristine natural backdrop, and the A1 Life at Ox-Bow scarce access to wireless signals, all add up to make for what feels like a time out of time experience. Ox-Bow 22 Special Programs 22 Fellowship Program is not the ordinary, or everyday. It’s an environment 23 Artist Residencies designed to provide the ideal conditions for creativity. 25 Pre-College Program Within this environment one encounters a totally different approach to thinking, making, and socializing. It’s 4 Faculty & 26 Visiting Artists an experience that is almost impossible to describe, 4-21 Faculty Biographies so we hope that as you look through the 2015 course 26 Visiting Artist offerings, that you are inspired to take one of the classes Biographies and to experience it for yourself. 30 Registration & Financial Aid Information Elizabeth Chodos, Executive & Creative Director 30 Registration Details 32 Scholarships & Financial Aid 35 Registration Form Featured Cover Artist: Paula Wilson Front cover: NEW DEVELOPMENT Intaglio with screen print Produced and editioned at MassArt’s Master Print Series, Massachusetts, MA 30"x15", 2012 Back cover: LIFE’S SOUNDTRACK Reduction woodcut from 2 blocks Photo by: Annie Fisher, Produced and editioned at MassArt’s Brianna Barron, Master Print Series, Massachusetts, MA Zophia McDougal, 30"x22", 2012 Sara Condo, & Shanna Shearer 2 1 2015 Course Calendar Week 1 Week 2 Week 3 Week 4 Week 5 Week 6 Week 7 Week 8 Week 9 Week 10 Week 11 June 7–13 June 14–20 June 21–27 June 28–July 4 July 5–11 July 12–18 July 19–25 July 26–August 1 August 2–8 August 9–15 August 16–22 Visiting Artist James Siena Paul Sacaridiz Jim Hodges Zachary Cahill Kalup Linzy Robert Pruitt Kamau Patton Abigail DeVille Kelly Kaczynski Pam Lins Claire Pentecost Ceramics Printmaking on Clay Breaking Bad Habits Free Clay Materials & Process: Woodfire CER 637 001/PRINT 633 001 CER 635 001 CER 624 001 CER 616 001 Thomas Lucas & Paul Wandless Ben & Delaney Ian McMahon & Ashley Lyon David Peters & Perry Haas DeMott Glass Beginning Beginning Experiments in Glassblowing Multilevel Glass Casting Hot Shop Botanicals TCB (Taking Care Multi-Level Glassblowing: Glassblowing Glassblowing GLASS 616 001 Glassblowing GLASS 612 001 GLASS 638 001 of Business) Tradition & Innovation GLASS 601 001 GLASS 601 002 Arlo Fishman GLASS 602 001 Jerry Catania Emma Stein GLASS 635 001 GLASS 623 001 Jerry Catania Jerry Catania Jerry Catania Katherine Gray Anthony Cioe Beginning Glassblowing GLASS 630 001 Jerry Catania Printmaking The Happy Accident Mark Mark Screenprinting Relief & Collage Monotype Lithography: Stone & Lithography: Stone & Image & Word PRINT 628 001 PRINT 634 001 PRINT 634 002 PRINT 611 001 PRINT 607 001 PRINT 609 001 Photolithography Photolithography PRINT 619 001 Paula Wilson & Dana Carter Alex Chitty Alex Chitty Lauren Anderson Jeanine Coupe-Ryding Kristina Paabus PRINT 635 001 PRINT 635 002 Isak Applin & & Geoffrey Mark Pascale Mark Pascale David Wolfe Hamerlinck Mark Lithography: Stone & Photolithography Book Structures PRINT 636 001 PRINT 637 001 PRINT 603 001 Alex Chitty Mark Pascale Jessica Peterson Painting & Altered States Multilevel Painting Landscape Record Pre-College Program: Paint and Landscape: Watercolor Painting Drawing Marathon The Portrait Drawing PAINTING 638 001 PAINTING 605 001 PAINTING 641 001 Landscape Drawing Materials as Narrative PAINTING 606 001 PAINTING 603 001 as Starting Point Claire Sherman & Valerie Hegarty Claire Ashley & Kori Newkirk Scott Wolniak DRAWING 407 001 PAINTING 624 001 Carrie Gundersdorf Jimmy Wright PAINTING 614 001 EW Ross & Vera Iliatova Peter Williams Olivia Petrides Metals Rewilding Steel Fabrication & Armature Construction Blacksmithing: Sculptural Forms Metals Casting 1: Image in Enamel SCULPT 650 001 SCULPT 649 001 SCULPT 623 001 Mold Making & Bronze SCULPT 645 001 Heather Mekkelson James Payne Mike Rossi Casting Intensive Veleta Vancza SCULPT 618 001 Kari Reardon Other Papermaking Off the Wall: Pulp Sculpture Fashioning Legacies Environmental History at Ox-Bow Indigo & PAPER 604 001 PAPER 606 001 PERF 605 001 SCIENCE 603 001 its Metaphors Andrea Peterson Andrea Peterson Anthony Romero & J. Elmo Rawling & Evan Larson FIBER 614 001 Jillian Soto Jovencio de la Paz If night is a weed and day grows less PHOTO 606 001 David Hartt 2 3 Summer Courses: Faculty Faculty Ceramics Ceramics Benjamin DeMott Paul Wandless Assistant Professor, 2012, SAIC Department of Born in Miami, FL and raised in Ceramics. BFA, 2004, Tyler School of Fine Arts, Delaware, Paul Andrew Wandless Philadelphia, PA. MFA, 2008, New York State currently lives and has his studio in Free Clay Breaking Bad Habits College of Ceramics Alfred University, Alfred, Chicago, IL. Wandless authored Image NY. Select exhibitions: Denver Art Museum, CO; Transfer On Clay, 500 Prints on Clay, Ian McMahon & Ashley Lyon Central Academy of Fine Arts, Beijing; Ice Box, co-authored Alternative Kilns & Firing Ben & Delaney DeMott Philadelphia; Meulensteen Gallery, New York; Techniques and frequently writes for CER 624 001 | 3 CREDIT HOURS | LAB FEE $150 Jane Hartsook Gallery, New York. Publications: several arts magazines on a variety of CER 635 001 | 3 CREDIT HOURS | LAB FEE $150 In this class we will make sculptures using basic clay Ceramics Now, Interview, Art Forum. Bibliography: topics. He is featured in the DVD Inspired by the rigor of Lars von Trier’s documentary “New Turns in Contemporary Ceramics” Gwen Fundamentals of Screen Printing On Clay. He has given numerous workshops manipulating techniques (slabs, coiling, pinching, and lectures regarding his art, techniques and research around the U.S. “The Five Obstructions,” students in this course will Chanzit; “Medium as Metaphor” Maika Pollack; “Overthrown in Denver” carving, etc...) as well as a variety of alternative and Canada on his clay work, prints, sculptures, paintings and drawings. Donald Kuspit. Collections: Holter Museum, MT. Awarded: 2013-14 Chicago approaches (paper-clay, unfired clay, combustible challenge current trends of intuitive and provisional uses of He also served on the Executive Boards for the National Council on Arts Coalition Hatch Residency. Online: www.benjamindemott.org supports) and proceed to experiment and discover our clay. Through exercises, design challenges and limitations, Education for the Ceramic Arts (NCECA) and the Potters Council. own alternative approaches. You will be encouraged to students will discover new technical and conceptual UNTITLED CAST | porcelain, glaze, epoxy, acrylic paint, steel | 2014 possibilities and will experience a range of ceramic BREAKING TRADITION | clay monoprint | 12.5"x13"x1.75", 2014 consider it in relation to other materials, both through material processes. Students at all levels working at the incorporating alternative materials into clay bodies, intersections of fine art and design are encouraged to enroll. Delaney DeMott as well as by challenging (or exploiting) conventional Ian McMahon forms, practices, and the perceived boundaries of clay Demonstrations and exercises will include fundamental Faculty, School of the Art Institute Ian McMahon received as a material. This class is intended to move beyond hand building strategies, experiments in slip modification, of Chicago, Department of his MFA in Sculpture and post-firing assembly and alternative finishing. Fiber and Material Studies and traditional technical instruction, and open up the Extended Media from dialogue on how we can use clay to convey and Department of Contemporary Virginia Commonwealth Practices (2013-current). BFA, University and his BFA in expand new meanings generally expressed with more 2004, Tyler School of Art, Ceramics from the New conventional sculptural tools. This course will be open Printmaking on Clay Temple University, Philadelphia, York State College of to beginning as well as advanced ceramic students; PA. MFA, 2013, School of the Art Ceramics, Alfred University. it will consist of demonstrations, critiques, slide Institute of Chicago, Chicago, IL. From 2009 to 2013 he was a recipient of a Jacob K. Javits Fellowship. presentations and mostly, personal hands-on work. Thomas Lucas & Paul Wandless Select exhibitions: Performative McMahon’s work has been shown both nationally and internationally at We will look at work from celebrated ceramicists like CER 637 001/PRINT 633 001 | 3 CREDIT HOURS | LAB FEE $150 Action, Preston Bradley Center, Chicago, IL; K[no][neu]W You, McClean venues including: Crane Arts (Philadelphia), Jingdezhen Ceramic Institute County Art Center, Bloomington, IL; Audience Architects, Collaboration with (Jingdezhen, China), The Pacific North West College of Art (Portland), Cal Funk and Ken Price and artists like Johan Tahon Printmaking is a process of transferring images, text dancers Benjamin Holliday Wardell and Michel Rodriguez Cintra, Chicago Pierogi Boiler Room (New York), G-Fine Arts (Washington), Bemis Center and Salto Alto, to the sculpture of more historic artists and photographs from one place to another. Traditional Artists Coalition, Chicago, IL; Quasi-Choreography, Chicago Artists Coalition, For Contemporary
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